Written by
Robert Frost |
`You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?'
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a lifelong curiosity
About our place among the infinities.
`What do you want with one of those blame things?'
I asked him well beforehand. `Don't you get one!'
`Don't call it blamed; there isn't anything
More blameless in the sense of being less
A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.'
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn't move,
Few farms changed hands; so rather than spend years
Trying to sell his farm and then not selling,
He burned his house down for the fire insurance
And bought the telescope with what it came to.
He had been heard to say by several:
`The best thing that we're put here for's to see;
The strongest thing that's given us to see with's
A telescope. Someone in every town
Seems to me owes it to the town to keep one.
In Littleton it might as well be me.'
After such loose talk it was no surprise
When he did what he did and burned his house down.
Mean laughter went about the town that day
To let him know we weren't the least imposed on,
And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected
If one by one we counted people out
For the least sin, it wouldn't take us long
To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us,
We don't cut off from coming to church suppers,
But what we miss we go to him and ask for.
He promptly gives it back, that is if still
Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad
About his telescope. Beyond the age
Of being given one for Christmas gift,
He had to take the best way he knew how
To find himself in one. Well, all we said was
He took a strange thing to be roguish over.
Some sympathy was wasted on the house,
A good old-timer dating back along;
But a house isn't sentient; the house
Didn't feel anything. And if it did,
Why not regard it as a sacrifice,
And an old-fashioned sacrifice by fire,
Instead of a new-fashioned one at auction?
Out of a house and so out of a farm
At one stroke (of a match), Brad had to turn
To earn a living on the Concord railroad,
As under-ticket-agent at a station
Where his job, when he wasn't selling tickets,
Was setting out, up track and down, not plants
As on a farm, but planets, evening stars
That varied in their hue from red to green.
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look
Up the brass barrel, velvet black inside,
At a star quaking in the other end.
I recollect a night of broken clouds
And underfoot snow melted down to ice,
And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three,
Pointed our thoughts the way we pointed it,
And standing at our leisure till the day broke,
Said some of the best things we ever said.
That telescope was christened the Star-Splitter,
Because it didn't do a thing but split
A star in two or three, the way you split
A globule of quicksilver in your hand
With one stroke of your finger in the middle.
It's a star-splitter if there ever was one,
And ought to do some good if splitting stars
'Sa thing to be compared with splitting wood.
We've looked and looked, but after all where are we?
Do we know any better where we are,
And how it stands between the night tonight
And a man with a smoky lantern chimney?
How different from the way it ever stood?
|
Written by
Barry Tebb |
There was a hope for poetry in the sixties
And for education and society, teachers free
To do as they wanted: I could and did teach
Poetry and art all day and little else -
That was my way.
I threw rainbows against the classroom walls,
Gold and silver dragons in the corridors and
Halls; the children’s eyes were full of stars;
I taught the alphabet in Greek and spoke of
Peace and war in Vietnam, of birth and sex and
Death and immortality - the essences of lyric poetry;
Richards and Ogden on ‘The Meaning of Meaning’,
Schopenhauer on sadness, Nietzsche and Lawrence on
Civilisation and Plato on the Theory of Forms;
I read aloud ‘The Rainbow’ and the children drew
The waterfall with Gudrun bathing, I showed
Them Gauguin and Fra Angelico in gold and a film
On painting from life, and the nude girls
Bothered no-one.
It was the Sixties -
Art was life and life was art and in the
Staff-room we talked of poetry and politics
And passionately I argued with John. a clinical
Psychologist, on Freud and Jung; Anne, at forty
One, wanted to be sterilised and amazingly asked
My advice but that was how it was then: Dianne
Went off to join weekly rep at Brighton, Dave
Clark had given up law to teach a ‘D’ stream in the
Inner city. I was more lucky and had the brightest
Children - Sheila Pritchard my genius child-poet with
Her roguish eye and high bright voice, drawing skulls
In Avernus and burning white chrysanthemums, teasing me
With her long legs and gold salmon-flecked eyes.
It was a surprise when I made it into Penguin Books;
Michael Horovitz busy then as now and madly idealistic
As me; getting ready for the Albert Hall jamboree,
The rainbow bomb of peace and poetry.
|
Written by
Mary Darby Robinson |
A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!
This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!
'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.
It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.
This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd
Who ask'd the kiss, and was denied.
First MARG'RY smil'd and gave her Lover
A Kiss; then thank'd her stars, 'twas over!
Next, KATE, with a reluctant pace,
Was tempted to the mystic place;
Then SUE, a merry laughing jade
A dimpled yielding blush betray'd;
While JOAN her chastity to shew
Wish'd "the bold knaves would serve her so,"
She'd "teach the rogues such wanton play!"
And well she could, she knew the way.
The FARMER, mute with jealous care,
Sat sullen, in his wicker chair;
Hating the noisy gamesome host
Yet, fearful to resign his post;
He envied all their sportive strife
But most he watch'd his blooming wife,
And trembled, lest her steps should go,
Incautious, near the MISTLETOE.
Now HODGE, a youth of rustic grace
With form athletic; manly face;
On MISTRESS HOMESPUN turn'd his eye
And breath'd a soul-declaring sigh!
Old HOMESPUN, mark'd his list'ning Fair
And nestled in his wicker chair;
HODGE swore, she might his heart command--
The pipe was dropp'd from HOMESPUN'S hand!
HODGE prest her slender waist around;
The FARMER check'd his draught, and frown'd!
And now beneath the MISTLETOE
'Twas MISTRESS HOMESPUN'S turn to go;
Old Surly shook his wicker chair,
And sternly utter'd--"Let her dare!"
HODGE, to the FARMER'S wife declar'd
Such husbands never should be spar'd;
Swore, they deserv'd the worst disgrace,
That lights upon the wedded race;
And vow'd--that night he would not go
Unblest, beneath the MISTLETOE.
The merry group all recommend
An harmless Kiss, the strife to end:
"Why not ?" says MARG'RY, "who would fear,
"A dang'rous moment, once a year?"
SUSAN observ'd, that "ancient folks
"Were seldom pleas'd with youthful jokes;"
But KATE, who, till that fatal hour,
Had held, o'er HODGE, unrivall'd pow'r,
With curving lip and head aside
Look'd down and smil'd in conscious pride,
Then, anxious to conceal her care,
She humm'd--"what fools some women are!"
Now, MISTRESS HOMESPUN, sorely vex'd,
By pride and jealous rage perplex'd,
And angry, that her peevish spouse
Should doubt her matrimonial vows,
But, most of all, resolved to make
An envious rival's bosom ache;
Commanded Hodge to let her go,
Nor lead her to the Mistletoe;
"Why should you ask it o'er and o'er?"
Cried she, "we've been there twice before!"
'Tis thus, to check a rival's sway,
That Women oft themselves betray;
While VANITY, alone, pursuing,
They rashly prove, their own undoing.
|
Written by
Robert Burns |
ON Cessnock banks a lassie dwells;
Could I describe her shape and mein;
Our lasses a’ she far excels,
An’ she has twa sparkling roguish een.
She’s sweeter than the morning dawn,
When rising Phoebus first is seen,
And dew-drops twinkle o’er the lawn;
An’ she has twa sparkling roguish een.
She’s stately like yon youthful ash,
That grows the cowslip braes between,
And drinks the stream with vigour fresh;
An’ she has twa sparkling roguish een.
She’s spotless like the flow’ring thorn,
With flow’rs so white and leaves so green,
When purest in the dewy morn;
An’ she has twa sparkling roguish een.
Her looks are like the vernal May,
When ev’ning Phoebus shines serene,
While birds rejoice on every spray;
An’ she has twa sparkling roguish een.
Her hair is like the curling mist,
That climbs the mountain-sides at e’en,
When flow’r-reviving rains are past;
An’ she has twa sparkling roguish een.
Her forehead’s like the show’ry bow,
When gleaming sunbeams intervene
And gild the distant mountain’s brow;
An’ she has twa sparkling roguish een.
Her cheeks are like yon crimson gem,
The pride of all the flowery scene,
Just opening on its thorny stem;
An’ she has twa sparkling roguish een.
Her bosom’s like the nightly snow,
When pale the morning rises keen,
While hid the murm’ring streamlets flow;
An’ she has twa sparkling roguish een.
Her lips are like yon cherries ripe,
That sunny walls from Boreas screen;
They tempt the taste and charm the sight;
An’ she has twa sparkling roguish een.
Her teeth are like a flock of sheep,
With fleeces newly washen clean,
That slowly mount the rising steep;
An’ she has twa sparkling roguish een.
Her breath is like the fragrant breeze,
That gently stirs the blossom’d bean,
When Phoebus sinks behind the seas;
An’ she has twa sparkling roguish een.
Her voice is like the ev’ning thrush,
That sings on Cessnock banks unseen,
While his mate sits nestling in the bush;
An’ she has twa sparkling roguish een.
But it’s not her air, her form, her face,
Tho’ matching beauty’s fabled queen;
’Tis the mind that shines in ev’ry grace,
An’ chiefly in her roguish een.
Note 1. The lass is identified as Ellison Begbie, a servant wench, daughter of a farmer.—Lang. [back]
|
Written by
Mary Darby Robinson |
I.
Ah! wherefore by the Church-yard side,
Poor little LORN ONE, dost thou stray?
Thy wavy locks but thinly hide
The tears that dim thy blue-eye's ray;
And wherefore dost thou sigh, and moan,
And weep, that thou art left alone?
II.
Thou art not left alone, poor boy,
The Trav'ller stops to hear thy tale;
No heart, so hard, would thee annoy!
For tho' thy mother's cheek is pale
And withers under yon grave stone,
Thou art not, Urchin, left alone.
III.
I know thee well ! thy yellow hair
In silky waves I oft have seen;
Thy dimpled face, so fresh and fair,
Thy roguish smile, thy playful mien
Were all to me, poor Orphan, known,
Ere Fate had left thee--all alone!
IV.
Thy russet coat is scant, and torn,
Thy cheek is now grown deathly pale!
Thy eyes are dim, thy looks forlorn,
And bare thy bosom meets the gale;
And oft I hear thee deeply groan,
That thou, poor boy, art left alone.
V.
Thy naked feet are wounded sore
With thorns, that cross thy daily road;
The winter winds around thee roar,
The church-yard is thy bleak abode;
Thy pillow now, a cold grave stone--
And there thou lov'st to grieve--alone!
VI.
The rain has drench'd thee, all night long;
The nipping frost thy bosom froze;
And still, the yewtree-shades among,
I heard thee sigh thy artless woes;
I heard thee, till the day-star shone
In darkness weep--and weep alone!
VII.
Oft have I seen thee, little boy,
Upon thy lovely mother's knee;
For when she liv'd--thou wert her joy,
Though now a mourner thou must be!
For she lies low, where yon grave-stone
Proclaims, that thou art left alone.
VIII.
Weep, weep no more; on yonder hill
The village bells are ringing, gay;
The merry reed, and brawling rill
Call thee to rustic sports away.
Then wherefore weep, and sigh, and moan,
A truant from the throng--alone?
IX.
"I cannot the green hill ascend,
"I cannot pace the upland mead;
"I cannot in the vale attend,
"To hear the merry-sounding reed:
"For all is still, beneath yon stone,
"Where my poor mother's left alone!
X.
"I cannot gather gaudy flowers
"To dress the scene of revels loud--
"I cannot pass the ev'ning hours
"Among the noisy village croud--
"For, all in darkness, and alone
"My mother sleeps, beneath yon stone.
XI.
"See how the stars begin to gleam
"The sheep-dog barks, 'tis time to go;--
"The night-fly hums, the moonlight beam
"Peeps through the yew-tree's shadowy row--
"It falls upon the white grave-stone,
"Where my dear mother sleeps alone.--
XII.
"O stay me not, for I must go
"The upland path in haste to tread;
"For there the pale primroses grow
"They grow to dress my mother's bed.--
"They must, ere peep of day, be strown,
"Where she lies mould'ring all alone.
XIII.
"My father o'er the stormy sea
"To distant lands was borne away,
"And still my mother stay'd with me
"And wept by night and toil'd by day.
"And shall I ever quit the stone
"Where she is, left, to sleep alone.
XIV.
"My father died; and still I found
"My mother fond and kind to me;
"I felt her breast with rapture bound
"When first I prattled on her knee--
"And then she blest my infant tone
"And little thought of yon grave-stone.
XV.
"No more her gentle voice I hear,
"No more her smile of fondness see;
"Then wonder not I shed the tear
"She would have DIED, to follow me!
"And yet she sleeps beneath yon stone
"And I STILL LIVE--to weep alone.
XVI.
"The playful kid, she lov'd so well
"From yon high clift was seen to fall;
"I heard, afar, his tink'ling bell--
"Which seem'd in vain for aid to call--
"I heard the harmless suff'rer moan,
"And grieved that he was left alone.
XVII.
"Our faithful dog grew mad, and died,
"The lightning smote our cottage low--
"We had no resting-place beside
"And knew not whither we should go,--
"For we were poor,--and hearts of stone
"Will never throb at mis'ry's groan.
XVIII.
"My mother still surviv'd for me,
"She led me to the mountain's brow,
"She watch'd me, while at yonder tree
"I sat, and wove the ozier bough;
"And oft she cried, "fear not, MINE OWN!
"Thou shalt not, BOY, be left ALONE."
XXI.
"The blast blew strong, the torrent rose
"And bore our shatter'd cot away;
"And, where the clear brook swiftly flows--
"Upon the turf at dawn of day,
"When bright the sun's full lustre shone,
"I wander'd, FRIENDLESS--and ALONE!"
XX.
Thou art not, boy, for I have seen
Thy tiny footsteps print the dew,
And while the morning sky serene
Spread o'er the hill a yellow hue,
I heard thy sad and plaintive moan,
Beside the cold sepulchral stone.
XXI.
And when the summer noontide hours
With scorching rays the landscape spread,
I mark'd thee, weaving fragrant flow'rs
To deck thy mother's silent bed!
Nor, at the church-yard's simple stone,
Wert, thou, poor Urchin, left alone.
XXII.
I follow'd thee, along the dale
And up the woodland's shad'wy way:
I heard thee tell thy mournful tale
As slowly sunk the star of day:
Nor, when its twinkling light had flown,
Wert thou a wand'rer, all alone.
XXIII.
"O! yes, I was! and still shall be
"A wand'rer, mourning and forlorn;
"For what is all the world to me--
"What are the dews and buds of morn?
"Since she, who left me sad, alone
"In darkness sleeps, beneath yon stone!
XXIV.
"No brother's tear shall fall for me,
"For I no brother ever knew;
"No friend shall weep my destiny
"For friends are scarce, and tears are few;
"None do I see, save on this stone
"Where I will stay, and weep alone!
XXV.
"My Father never will return,
"He rests beneath the sea-green wave;
"I have no kindred left, to mourn
"When I am hid in yonder grave!
"Not one ! to dress with flow'rs the stone;--
"Then--surely , I AM LEFT ALONE!"
|
Written by
Johann Wolfgang von Goethe |
[I feel considerable hesitation in venturing
to offer this version of a poem which Carlyle describes to be 'a
beautiful piece (a very Hans Sacks beatified, both in character
and style), which we wish there was any possibility of translating.'
The reader will be aware that Hans Sachs was the celebrated Minstrel-
Cobbler of Nuremberg, who Wrote 208 plays, 1700 comic tales, and
between 4000 and 5000 lyric poems. He flourished throughout almost
the whole of the 16th century.]
EARLY within his workshop here,
On Sundays stands our master dear;
His dirty apron he puts away,
And wears a cleanly doublet to-day;
Lets wax'd thread, hammer, and pincers rest,
And lays his awl within his chest;
The seventh day he takes repose
From many pulls and many blows.
Soon as the spring-sun meets his view,
Repose begets him labour anew;
He feels that he holds within his brain
A little world, that broods there amain,
And that begins to act and to live,
Which he to others would gladly give.
He had a skilful eye and true,
And was full kind and loving too.
For contemplation, clear and pure,--
For making all his own again, sure;
He had a tongue that charm'd when 'twas heard,
And graceful and light flow'd ev'ry word;
Which made the Muses in him rejoice,
The Master-singer of their choice.
And now a maiden enter'd there,
With swelling breast, and body fair;
With footing firm she took her place,
And moved with stately, noble grace;
She did not walk in wanton mood,
Nor look around with glances lewd.
She held a measure in her hand,
Her girdle was a golden band,
A wreath of corn was on her head,
Her eye the day's bright lustre shed;
Her name is honest Industry,
Else, Justice, Magnanimity.
She enter'd with a kindly greeting;
He felt no wonder at the meeting,
For, kind and fair as she might be,
He long had known her, fancied he.
"I have selected thee," she said,
"From all who earth's wild mazes tread,
That thou shouldst have clear-sighted sense,
And nought that's wrong shouldst e'er commence.
When others run in strange confusion,
Thy gaze shall see through each illusion
When others dolefully complain,
Thy cause with jesting thou shalt gain,
Honour and right shalt value duly,
In everything act simply, truly,--
Virtue and godliness proclaim,
And call all evil by its name,
Nought soften down, attempt no quibble,
Nought polish up, nought vainly scribble.
The world shall stand before thee, then,
As seen by Albert Durer's ken,
In manliness and changeless life,
In inward strength, with firmness rife.
Fair Nature's Genius by the hand
Shall lead thee on through every land,
Teach thee each different life to scan,
Show thee the wondrous ways of man,
His shifts, confusions, thrustings, and drubbings,
Pushings, tearings, pressings, and rubbings;
The varying madness of the crew,
The anthill's ravings bring to view;
But thou shalt see all this express'd,
As though 'twere in a magic chest.
Write these things down for folks on earth,
In hopes they may to wit give birth."--
Then she a window open'd wide,
And show'd a motley crowd outside,
All kinds of beings 'neath the sky,
As in his writings one may spy.
Our master dear was, after this,
On Nature thinking, full of bliss,
When tow'rd him, from the other side
He saw an aged woman glide;
The name she bears, Historia,
Mythologia, Fabula;
With footstep tottering and unstable
She dragg'd a large and wooden carved-table,
Where, with wide sleeves and human mien,
The Lord was catechizing seen;
Adam, Eve, Eden, the Serpent's seduction,
Gomorrah and Sodom's awful destruction,
The twelve illustrious women, too,
That mirror of honour brought to view;
All kinds of bloodthirstiness, murder, and sin,
The twelve wicked tyrants also were in,
And all kinds of goodly doctrine and law;
Saint Peter with his scourge you saw,
With the world's ways dissatisfied,
And by our Lord with power supplied.
Her train and dress, behind and before,
And e'en the seams, were painted o'er
With tales of worldly virtue and crime.--
Our master view'd all this for a time;
The sight right gladly he survey'd,
So useful for him in his trade,
Whence he was able to procure
Example good and precept sure,
Recounting all with truthful care,
As though he had been present there.
His spirit seem'd from earth to fly,
He ne'er had turned away his eye,
Did he not just behind him hear
A rattle of bells approaching near.
And now a fool doth catch his eye,
With goat and ape's leap drawing nigh
A merry interlude preparing
With fooleries and jests unsparing.
Behind him, in a line drawn out,
He dragg'd all fools, the lean and stout,
The great and little, the empty and full,
All too witty, and all too dull,
A lash he flourish'd overhead,
As though a dance of apes he led,
Abusing them with bitterness,
As though his wrath would ne'er grow less.
While on this sight our master gazed,
His head was growing well-nigh crazed:
What words for all could he e'er find,
Could such a medley be combined?
Could he continue with delight
For evermore to sing and write?
When lo, from out a cloud's dark bed
In at the upper window sped
The Muse, in all her majesty,
As fair as our loved maids we see.
With clearness she around him threw
Her truth, that ever stronger grew.
"I, to ordain thee come," she spake:
"So prosper, and my blessing take!
The holy fire that slumb'ring lies
Within thee, in bright flames shall rise;
Yet that thine ever-restless life
May still with kindly strength be rife,
I, for thine inward spirit's calm.
Have granted nourishment and balm,
That rapture may thy soul imbue,
Like some fair blossom bathed in dew."--
Behind his house then secretly
Outside the doorway pointed she,
Where, in a shady garden-nook,
A beauteous maid with downcast look
Was sitting where a stream was flowing,
With elder bushes near it growing,
She sat beneath an apple tree,
And nought around her seem'd to see.
Her lap was full of roses fair,
Which in a wreath she twined with care.
And, with them, leaves and blossoms blended:
For whom was that sweet wreath intended?
Thus sat she, modest and retired,
Her bosom throbb'd, with hope inspired;
Such deep forebodings fill'd her mind,
No room for wishing could she find,
And with the thoughts that o'er it flew,
Perchance a sigh was mingled too.
"But why should sorrow cloud thy brow?
That, dearest love, which fills thee now
Is fraught with joy and ecstasy.
Prepared in one alone for thee,
That he within thine eye may find
Solace when fortune proves unkind,
And be newborn through many a kiss,
That he receives with inward bliss;
When'er he clasps thee to his breast.
May he from all his toils find rest
When he in thy dear arms shall sink,
May he new life and vigour drink:
Fresh joys of youth shalt thou obtain,
In merry jest rejoice again.
With raillery and roguish spite,
Thou now shalt tease him, now delight.
Thus Love will nevermore grow old,
Thus will the minstrel ne'er be cold!"
While he thus lives, in secret bless'd,
Above him in the clouds doth rest
An oak-wreath, verdant and sublime,
Placed on his brow in after-time;
While they are banish'd to the slough,
Who their great master disavow.
1776.
|
Written by
Mary Darby Robinson |
LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!
KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!
STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.
STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!
Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!
KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,
Was now, poor Maiden, taught!
And STEPHEN rul'd with boundless sway,
The rustic tyrant of his day.
LUBIN had giv'n inconstant KATE,
Ten pounds , to buy her wedding geer:
And now, 'tis said, tho' somewhat late,
He thought his bargain rather dear.
For, Lo ! The day before the pair
Had fix'd, the marriage chain to wear,
A GYPSY gang, a wand'ring set,
In a lone wood young LUBIN met.
All round him press with canting tale,
And, in a jargon, well design'd
To cheat the unsuspecting mind,
His list'ning ears assail.
Some promis'd riches; others swore
He should, by women, be ador'd;
And never sad, and never poor--
Live like a Squire, or Lord;--
Do what he pleas'd, and ne'er be brought
To shame,--for what he did, or thought;
Seduce mens wives and daughters fair,
Spend wealth, while others toil'd in vain,
And scoff at honesty, and swear,--
And scoff, and trick, and swear again!
ONE roguish Girl, with sparkling eyes,
To win the handsome LUBIN tries;
She smil'd, and by her speaking glance,
Enthrall'd him in a wond'ring trance;
He thought her lovelier far than KATE,
And wish'd that she had been his mate;
For when the FANCY is on wing,
VARIETY'S a dangerous thing:
And PASSIONS, when they learn to stray
Will seldom seldom keep the beaten way.
The gypsy-girl, with speaking eyes,
Observ'd her pupil's fond surprize,
She begg'd that he her hand would cross,
With Sixpence; and that He should know
His future scene of gain and loss,
His weal and woe.--
LUBIN complies. And straight he hears
That he had many long, long years;
That he a maid inconstant, loves,
Who, to another slyly roves.
That a dark man his bane will be--
"And poison his domestic hours;
"While a fair woman, treach'rously--
"Will dress his brow--with thorns and flow'rs!"
It happen'd, to confirm his care--
STEPHEN was dark ,--and KATE was fair!
Nay more that "home his bride would bring
"A little, alien, prattling thing
"In just six moons!" Poor LUBIN hears
All that confirms his jealous fears;
Perplex'd and frantic, what to do
The cheated Lover scarcely knew.
He flies to KATE, and straight he tells
The wonder that in magic dwells!
Speaks of the Fortune-telling crew,
And how all things the Vagrants knew;
KATE hears: and soon determines, she
Will know her future destiny.
Swift to the wood she hies, tho' late
To read the tablet of her Fate.
The Moon its crystal beam scarce shew'd
Upon the darkly shadow'd road;
The hedge-row was the feasting-place
Where, round a little blazing wood,
The wand'ring, dingy, gabbling race,
Crowded in merry mood.
And now she loiter'd near the scene.
Now peep'd the hazle copse between;
Fearful that LUBIN might be near
The story of her Fate to hear.--
She saw the feasting circle gay
By the stol'n ******'s yellow light;
She heard them, as in sportive play,
They chear'd the sullen gloom of night.
Nor was sly KATE by all unseen
Peeping, the hazle copse between.
And now across the thicket side
A tatter'd, skulking youth she spied;
He beckon'd her along, and soon,
Hid safely from the prying moon,
His hand with silver, thrice she crosses--
"Tell me," said she, "my gains and losses?"
"You gain a fool ," the youth replies,
"You lose a lover too."
The false one blushes deep, and sighs,
For well the truth she knew!
"You gave to STEPHEN, vows; nay more
"You gave him favors rare:
"And LUBIN is condemn'd to share
"What many others shar'd before!
"A false, capricious, guilty heart,
"Made up of folly, vice, and art,
"Which only takes a wedded mate
"To brand with shame, an husband's fate."
"Hush! hush!" cried KATE, for Heav'n's sake be
"As secret as the grave--
"For LUBIN means to marry me--
"And if you will not me betray,
"I for your silence well will pay;
"Five pounds this moment you shall have."--
"I will have TEN!" the gypsy cries--
"The fearful, trembling girl complies.
But, what was her dismay, to find
That LUBIN was the gypsy bold;
The cunning, fortune-telling hind
Who had the artful story told--
Who thus, was cur'd of jealous pain,--
"And got his TEN POUNDS back again!
Thus, Fortune pays the LOVER bold!
But, gentle Maids, should Fate
Have any secret yet untold,--
Remember, simple KATE!
|
Written by
Johann Wolfgang von Goethe |
THE bed of flowers
Loosens amain,
The beauteous snowdrops
Droop o'er the plain.
The crocus opens
Its glowing bud,
Like emeralds others,
Others, like blood.
With saucy gesture
Primroses flare,
And roguish violets,
Hidden with care;
And whatsoever
There stirs and strives,
The Spring's contented,
If works and thrives.
'Mongst all the blossoms
That fairest are,
My sweetheart's sweetness
Is sweetest far;
Upon me ever
Her glances light,
My song they waken,
My words make bright,
An ever open
And blooming mind,
In sport, unsullied,
In earnest, kind.
Though roses and lilies
By Summer are brought,
Against my sweetheart
Prevails he nought.
1816.
|
Written by
Victor Hugo |
("Orphée au bois du Caystre.")
{Bk. I. ii.}
Orpheus, through the hellward wood
Hurried, ere the eve-star glowed,
For the fauns' lugubrious hoots
Followed, hollow, from crookèd roots;
Aeschylus, where Aetna smoked,
Gods of Sicily evoked
With the flute, till sulphur taint
Dulled and lulled the echoes faint;
Pliny, soon his style mislaid,
Dogged Miletus' merry maid,
As she showed eburnean limbs
All-multiplied by brooklet brims;
Plautus, see! like Plutus, hold
Bosomfuls of orchard-gold,
Learns he why that mystic core
Was sweet Venus' meed of yore?
Dante dreamt (while spirits pass
As in wizard's jetty glass)
Each black-bossed Briarian trunk
Waved live arms like furies drunk;
Winsome Will, 'neath Windsor Oak,
Eyed each elf that cracked a joke
At poor panting grease-hart fast—
Obese, roguish Jack harassed;
At Versailles, Molière did court
Cues from Pan (in heron port,
Half in ooze, half treeward raised),
"Words so witty, that Boileau's 'mazed!"
Foliage! fondly you attract!
Dian's faith I keep intact,
And declare that thy dryads dance
Still, and will, in thy green expanse!
|
Written by
Gerard Manley Hopkins |
How lovely the elder brother's
Life all laced in the other's,
Lóve-laced!—what once I well
Witnessed; so fortune fell.
When Shrovetide, two years gone,
Our boys' plays brought on
Part was picked for John,
Young Jóhn: then fear, then joy
Ran revel in the elder boy.
Their night was come now; all
Our company thronged the hall;
Henry, by the wall,
Beckoned me beside him:
I came where called, and eyed him
By meanwhiles; making my play
Turn most on tender byplay.
For, wrung all on love's rack,
My lad, and lost in Jack,
Smiled, blushed, and bit his lip;
Or drove, with a diver's dip,
Clutched hands down through clasped knees—
Truth's tokens tricks like these,
Old telltales, with what stress
He hung on the imp's success.
Now the other was bráss-bóld:
Hé had no work to hold
His heart up at the strain;
Nay, roguish ran the vein.
Two tedious acts were past;
Jack's call and cue at last;
When Henry, heart-forsook,
Dropped eyes and dared not look.
Eh, how áll rúng!
Young dog, he did give tongue!
But Harry—in his hands he has flung
His tear-tricked cheeks of flame
For fond love and for shame.
Ah Nature, framed in fault,
There 's comfort then, there 's salt;
Nature, bad, base, and blind,
Dearly thou canst be kind;
There dearly thén, deárly,
I'll cry thou canst be kind.
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