Written by
Marilyn Hacker |
An unwrapped icon, too potent to touch,
she freed my breasts from the camp Empire dress.
Now one of them's the shadow of a breast
with a lost object's half-life, with as much
life as an anecdotal photograph:
me, Kim and Iva, all stripped to the waist,
hiking near Russian River on June first
'79: Iva's five-and-a-half.
While she was almost twenty, wearing black
T-shirts in D.C., where we hadn't met.
You lay your palm, my love, on my flat chest.
In lines alive with what is not regret,
she takes her own path past, doesn't turn back.
Persistently, on paper, we exist.
Persistently, on paper, we exist.
You'd touch me if you could, but you're, in fact,
three thousand miles away. And my intact
body is eighteen months paper: the past
a fragile eighteen months regime of trust
in slash-and-burn, in vitamin pills, backed
by no statistics. Each day I enact
survivor's rituals, blessing the crust
I tear from the warm loaf, blessing the hours
in which I didn't or in which I did
consider my own death. I am not yet
statistically a survivor (that
is sixty months). On paper, someone flowers
and flares alive. I knew her. But she's dead.
She flares alive. I knew her. But she's dead.
I flirted with her, might have been her friend,
but transatlantic schedules intervened.
She wrote a book about her Freedom Ride,
the wary elders whom she taught to read,
— herself half-British, twenty-six, white-blonde,
with thirty years to live.
And I happened
to open up The Nation to that bad
news which I otherwise might not have known
(not breast cancer: cancer of the brain).
Words take the absent friend away again.
Alone, I think, she called, alone, upon
her courage, tried in ways she'd not have wished
by pain and fear: her courage, extinguished.
The pain and fear some courage extinguished
at disaster's denouement come back
daily, banal: is that brownish-black
mole the next chapter? Was the ache enmeshed
between my chest and armpit when I washed
rogue cells' new claw, or just a muscle ache?
I'm not yet desperate enough to take
comfort in being predeceased: the anguish
when the Harlem doctor, the Jewish dancer,
die of AIDS, the Boston seminary's
dean succumbs "after brief illness" to cancer.
I like mossed slabs in country cemeteries
with wide-paced dates, candles in jars, whose tallow
glows on summer evenings, desk-lamp yellow.
Aglow in summer evening, a desk-lamp's yellow
moonlight peruses notebooks, houseplants, texts,
while an aging woman thinks of sex
in the present tense. Desire may follow,
urgent or elegant, cut raw or mellow
with wine and ripe black figs: a proof, the next
course, a simple question, the complex
response, a burning sweetness she will swallow.
The opening mind is sexual and ready
to embrace, incarnate in its prime.
Rippling concentrically from summer's gold
disc, desire's iris expands, steady
with blood beat. Each time implies the next time.
The aging woman hopes she will grow old.
The aging woman hopes she will grow old.
A younger woman has a dazzling vision
of bleeding wrists, her own, the clean incisions
suddenly there, two open mouths. They told
their speechless secrets, witnesses not called
to what occurred with as little volition
of hers as these phantom wounds.
Intense precision
of scars, in flesh, in spirit. I'm enrolled
by mine in ranks where now I'm "being brave"
if I take off my shirt in a hot crowd
sunbathing, or demonstrating for Dyke Pride.
Her bravery counters the kitchen knives'
insinuation that the scars be made.
With, or despite our scars, we stay alive.
"With, or despite our scars, we stayed alive
until the Contras or the Government
or rebel troops came, until we were sent
to 'relocation camps' until the archives
burned, until we dug the ditch, the grave
beside the aspen grove where adolescent
boys used to cut class, until we went
to the precinct house, eager to behave
like citizens..."
I count my hours and days,
finger for luck the word-scarred table which
is not my witness, shares all innocent
objects' silence: a tin plate, a basement
door, a spade, barbed wire, a ring of keys,
an unwrapped icon, too potent to touch.
|
Written by
William Butler Yeats |
A cursing rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago
Queen Maeve's nine Maines had been nursed,
A pair of lapwings, one old sheep,
And not a house to the plain's edge,
When close to his right hand a heap
Of grey stones and a rocky ledge
Reminded him that he could make.
If he but shifted a few stones,
A shelter till the daylight broke.
But while he fumbled with the stones
They toppled over; 'Were it not
I have a lucky wooden shin
I had been hurt'; and toppling brought
Before his eyes, where stones had been,
A dark deep hollow in the rock.
He gave a gasp and thought to have fled,
Being certain it was no right rock
Because an ancient history said
Hell Mouth lay open near that place,
And yet stood still, because inside
A great lad with a beery face
Had tucked himself away beside
A ladle and a tub of beer,
And snored, no phantom by his look.
So with a laugh at his own fear
He crawled into that pleasant nook.
'Night grows uneasy near the dawn
Till even I sleep light; but who
Has tired of his own company?
What one of Maeve's nine brawling sons
Sick of his grave has wakened me?
But let him keep his grave for once
That I may find the sleep I have lost.'
What care I if you sleep or wake?
But I'Il have no man call me ghost.'
Say what you please, but from daybreak
I'll sleep another century.'
And I will talk before I sleep
And drink before I talk.'
And he
Had dipped the wooden ladle deep
Into the sleeper's tub of beer
Had not the sleeper started up.
Before you have dipped it in the beer
I dragged from Goban's mountain-top
I'll have assurance that you are able
To value beer; no half-legged fool
Shall dip his nose into my ladle
Merely for stumbling on this hole
In the bad hour before the dawn.'
'Why beer is only beer.'
'But say
'I'll sleep until the winter's gone,
Or maybe to Midsummer Day,'
And drink and you will sleep that length.'
'I'd like to sleep till winter's gone
Or till the sun is in his srrength.
This blast has chilled me to the bone.'
'I had no better plan at first.
I thought to wait for that or this;
Maybe the weather was accursed
Or I had no woman there to kiss;
So slept for half a year or so;
But year by year I found that less
Gave me such pleasure I'd forgo
Even a half-hour's nothingness,
And when at one year's end I found
I had not waked a single minute,
I chosc this burrow under ground.
I'll sleep away all time within it:
My sleep were now nine centuries
But for those mornings when I find
The lapwing at their foolish dies
And the sheep bleating at the wind
As when I also played the fool.'
The beggar in a rage began
Upon his hunkers in the hole,
'It's plain that you are no right man
To mock at everything I love
As if it were not worth, the doing.
I'd have a merry life enough
If a good Easter wind were blowing,
And though the winter wind is bad
I should not be too down in the mouth
For anything you did or said
If but this wind were in the south.'
'You cry aloud, O would 'twere spring
Or that the wind would shift a point,
And do not know that you would bring,
If time were suppler in the joint,
Neither the spring nor the south wind
But the hour when you shall pass away
And leave no smoking wick behind,
For all life longs for the Last Day
And there's no man but cocks his ear
To know when Michael's trumpet cries
'That flesh and bone may disappear,
And souls as if they were but sighs,
And there be nothing but God left;
But, I aone being blessed keep
Like some old rabbit to my cleft
And wait Him in a drunken sleep.'
He dipped his ladle in the tub
And drank and yawned and stretched him out,
The other shouted, 'You would rob
My life of every pleasant thought
And every comfortable thing,
And so take that and that.' Thereon
He gave him a great pummelling,
But might have pummelled at a stone
For all the sleeper knew or cared;
And after heaped up stone on stone,
And then, grown weary, prayed and cursed
And heaped up stone on stone again,
And prayed and cursed and cursed and bed
From Maeve and all that juggling plain,
Nor gave God thanks till overhead
The clouds were brightening with the dawn.
|
Written by
Jonathan Swift |
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
"Those secrets of the hoary deep"!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
|
Written by
William Allingham |
Little Cowboy, what have you heard,
Up on the lonely rath's green mound?
Only the plaintive yellow bird
Sighing in sultry fields around,
Chary, chary, chary, chee-ee! -
Only the grasshopper and the bee? -
"Tip-tap, rip-rap,
Tick-a-tack-too!
Scarlet leather, sewn together,
This will make a shoe.
Left, right, pull it tight;
Summer days are warm;
Underground in winter,
Laughing at the storm!"
Lay your ear close to the hill.
Do you not catch th etiny clamour,
Busy click of an elfin hammer.
Voice of the Lepracaun singing shrill
As he merrily plies his trade?
He's a span
And a quarter in height,
Get him in sight, hold him tight,
And you're a made
Man!
You watch your cattle the summerday,
Sup on potatoes, sleep in the hay;
how would you like to roll in your carriage,
Look for a duchess's daughter in marriage?
Seize the shoemaker - then you may!
"Big boots a -hunting,
Sandals in the hall,
White for a wedding feast,
Pink for a ball.
This way, that way,
So we makea shoe;
Getting rich every stitch,
Tick-a-tack too!"
Nine and ninety treasure crocks
This keen miser fairy hath,
Hid in the mountains, woods and rocks,
Ruin and round-tow'r, cave and rath,
And where cormorants build;
From times of old
Guarded by him;
Each of them fill'd
Full to the brim
With gold!
I caught him at work one day, myself,
In the castle ditch where fox-glove grows, -
A wrinkled, wizen'd and bearded Elf,
Spectacles stuck on his pointed nose,
Silver buckles to his hose,
Leather apron - shoe in his lap -
'Rip-rap, tip-tap,
Tick-tack-too!
(A grasshopper on my cap!
Away the moth flew!)
Buskins for a fairy prince,
Brogues for his son -
Pay me well, pay me well,
When the job is done!"
The rogue was mine, beyond a doubt.
I stared at him, he stared at me;
"Servant Sir!" "Humph" says he,
And pull'd a snuff-box out.
He took a long pinch, look'd better pleased,
The ***** little Lepracaun;
Offer'd the box with a whimsical grace, -
Pouf! He flung the dust in my face,
And while I sneezed,
Was gone!
|
Written by
Robert William Service |
I
Flat as a drum-head stretch the haggard snows;
The mighty skies are palisades of light;
The stars are blurred; the silence grows and grows;
Vaster and vaster vaults the icy night.
Here in my sleeping-bag I cower and pray:
"Silence and night, have pity! stoop and slay."
I have not slept for many, many days.
I close my eyes with weariness -- that's all.
I still have strength to feed the drift-wood blaze,
That flickers weirdly on the icy wall.
I still have strength to pray: "God rest her soul,
Here in the awful shadow of the Pole."
There in the cabin's alcove low she lies,
Still candles gleaming at her head and feet;
All snow-drop white, ash-cold, with closed eyes,
Lips smiling, hands at rest -- O God, how sweet!
How all unutterably sweet she seems. . . .
Not dead, not dead indeed -- she dreams, she dreams.
II
"Sunshine", I called her, and she brought, I vow,
God's blessed sunshine to this life of mine.
I was a rover, of the breed who plough
Life's furrow in a far-flung, lonely line;
The wilderness my home, my fortune cast
In a wild land of dearth, barbaric, vast.
When did I see her first? Long had I lain
Groping my way to life through fevered gloom.
Sudden the cloud of darkness left my brain;
A velvet bar of sunshine pierced the room,
And in that mellow glory aureoled
She stood, she stood, all golden in its gold.
Sunshine! O miracle! the earth grew glad;
Radiant each blade of grass, each living thing.
What a huge strength, high hope, proud will I had!
All the wide world with rapture seemed to ring.
Would she but wed me? YES: then fared we forth
Into the vast, unvintageable North.
III
In Muskrat Land the conies leap,
The wavies linger in their flight;
The jewelled, snakelike rivers creep;
The sun, sad rogue, is out all night;
The great wood bison paws the sand,
In Muskrat Land, in Muskrat Land.
In Muskrat Land dim streams divide
The tundras belted by the sky.
How sweet in slim canoe to glide,
And dream, and let the world go by!
Build gay camp-fires on greening strand!
In Muskrat Land, in Muskrat Land.
IV
And so we dreamed and drifted, she and I;
And how she loved that free, unfathomed life!
There in the peach-bloom of the midnight sky,
The silence welded us, true man and wife.
Then North and North invincibly we pressed
Beyond the Circle, to the world's white crest.
And on the wind-flailed Arctic waste we stayed,
Dwelt with the Huskies by the Polar sea.
Fur had they, white fox, marten, mink to trade,
And we had food-stuff, bacon, flour and tea.
So we made snug, chummed up with all the band:
Sudden the Winter swooped on Husky Land.
V
What was that ill so sinister and dread,
Smiting the tribe with sickness to the bone?
So that we waked one morn to find them fled;
So that we stood and stared, alone, alone.
Bravely she smiled and looked into my eyes;
Laughed at their troubled, stern, foreboding pain;
Gaily she mocked the menace of the skies,
Turned to our cheery cabin once again,
Saying: "'Twill soon be over, dearest one,
The long, long night: then O the sun, the sun!"
VI
God made a heart of gold, of gold,
Shining and sweet and true;
Gave it a home of fairest mould,
Blest it, and called it -- You.
God gave the rose its grace of glow,
And the lark its radiant glee;
But, better than all, I know, I know
God gave you, Heart, to me.
VII
She was all sunshine in those dubious days;
Our cabin beaconed with defiant light;
We chattered by the friendly drift-wood blaze;
Closer and closer cowered the hag-like night.
A wolf-howl would have been a welcome sound,
And there was none in all that stricken land;
Yet with such silence, darkness, death around,
Learned we to love as few can understand.
Spirit with spirit fused, and soul with soul,
There in the sullen shadow of the Pole.
VIII
What was that haunting horror of the night?
Brave was she; buoyant, full of sunny cheer.
Why was her face so small, so strangely white?
Then did I turn from her, heart-sick with fear;
Sought in my agony the outcast snows;
Prayed in my pain to that insensate sky;
Grovelled and sobbed and cursed, and then arose:
"Sunshine! O heart of gold! to die! to die!"
IX
She died on Christmas day -- it seems so sad
That one you love should die on Christmas day.
Head-bowed I knelt by her; O God! I had
No tears to shed, no moan, no prayer to pray.
I heard her whisper: "Call me, will you, dear?
They say Death parts, but I won't go away.
I will be with you in the cabin here;
Oh I will plead with God to let me stay!
Stay till the Night is gone, till Spring is nigh,
Till sunshine comes . . . be brave . . . I'm tired . . . good-bye. . . ."
X
For weeks, for months I have not seen the sun;
The minatory dawns are leprous pale;
The felon days malinger one by one;
How like a dream Life is! how vain! how stale!
I, too, am faint; that vampire-like disease
Has fallen on me; weak and cold am I,
Hugging a tiny fire in fear I freeze:
The cabin must be cold, and so I try
To bear the frost, the frost that fights decay,
The frost that keeps her beautiful alway.
XI
She lies within an icy vault;
It glitters like a cave of salt.
All marble-pure and angel-sweet
With candles at her head and feet,
Under an ermine robe she lies.
I kiss her hands, I kiss her eyes:
"Come back, come back, O Love, I pray,
Into this house, this house of clay!
Answer my kisses soft and warm;
Nestle again within my arm.
Come! for I know that you are near;
Open your eyes and look, my dear.
Just for a moment break the mesh;
Back from the spirit leap to flesh.
Weary I wait; the night is black;
Love of my life, come back, come back!"
XII
Last night maybe I was a little mad,
For as I prayed despairful by her side,
Such a strange, antic visioning I had:
Lo! it did seem her eyes were open wide.
Surely I must have dreamed! I stared once more. . . .
No, 'twas a candle's trick, a shadow cast.
There were her lashes locking as before.
(Oh, but it filled me with a joy so vast!)
No, 'twas a freak, a fancy of the brain,
(Oh, but to-night I'll try again, again!)
XIII
It was no dream; now do I know that Love
Leapt from the starry battlements of Death;
For in my vigil as I bent above,
Calling her name with eager, burning breath,
Sudden there came a change: again I saw
The radiance of the rose-leaf stain her cheek;
Rivers of rapture thrilled in sunny thaw;
Cleft were her coral lips as if to speak;
Curved were her tender arms as if to cling;
Open the flower-like eyes of lucent blue,
Looking at me with love so pitying
That I could fancy Heaven shining through.
"Sunshine," I faltered, "stay with me, oh, stay!"
Yet ere I finished, in a moment's flight,
There in her angel purity she lay --
Ah! but I know she'll come again to-night.
Even as radiant sword leaps from the sheath
Soul from the body leaps--we call it Death.
XIV
Even as this line I write,
Do I know that she is near;
Happy am I, every night
Comes she back to bid me cheer;
Kissing her, I hold her fast;
Win her into life at last.
Did I dream that yesterday
On yon mountain ridge a glow
Soft as moonstone paled away,
Leaving less forlorn the snow?
Could it be the sun? Oh, fain
Would I see the sun again!
Oh, to see a coral dawn
Gladden to a crocus glow!
Day's a spectre dim and wan,
Dancing on the furtive snow;
Night's a cloud upon my brain:
Oh, to see the sun again!
You who find us in this place,
Have you pity in your breast;
Let us in our last embrace,
Under earth sun-hallowed rest.
Night's a claw upon my brain:
Oh, to see the sun again!
XV
The Sun! at last the Sun! I write these lines,
Here on my knees, with feeble, fumbling hand.
Look! in yon mountain cleft a radiance shines,
Gleam of a primrose -- see it thrill, expand,
Grow glorious. Dear God be praised! it streams
Into the cabin in a gush of gold.
Look! there she stands, the angel of my dreams,
All in the radiant shimmer aureoled;
First as I saw her from my bed of pain;
First as I loved her when the darkness passed.
Now do I know that Life is not in vain;
Now do I know God cares, at last, at last!
Light outlives dark, joy grief, and Love's the sum:
Heart of my heart! Sunshine! I come . . . I come. . . .
|
Written by
A R Ammons |
The reason to be autonomous is to stand there,
a cleared instrument, ready to act, to search
the moral realm and actual conditions for what
needs to be done and to do it: fine, the
best, if it works out, but if, like a gun, it
comes in handy to the wrong choice, why then
you see the danger in the effective: better
then an autonomy that stands and looks about,
negotiating nothing, the supreme indifferences:
is anything to be gained where as much is lost:
and if for every action there is an equal and
opposite reaction has the loss been researched
equally with the gain: you can see how the
milling actions of millions could come to a
buzzard-like glide as from a coincidental,
warm bottom of water stuck between chilled
peaks: it is not so easy to say, OK, go on
out and act: who, doing what, to what or
whom: just a minute: should the bunker be
bombed (if it stores gas): should all the
rattlers die just because they rattle: if I
hear the young gentleman vomiter roaring down
the hall in the men's room, should I go and
inquire of him, reducing him to my care: no
wonder the great sayers (who say nothing) sit
about in inaccessible states of mind: no
wonder still wisdom and catatonia appear to
exchange places occasionally: but if anything
were easy, our easy choices soon would carry
away our ignorance with the world-better
let the mixed-up mix and let the surface shine
with all the possibilities, each in itself.
|
Written by
William Butler Yeats |
Processions that lack high stilts have nothing that
catches the eye.
What if my great-granddad had a pair that were
twenty foot high,
And mine were but fifteen foot, no modern Stalks
upon higher,
Some rogue of the world stole them to patch up a fence
or a fire.
Because piebald ponies, led bears, caged lions, ake
but poor shows,
Because children demand Daddy-long-legs upon This
timber toes,
Because women in the upper storeys demand a face at
the pane,
That patching old heels they may shriek, I take to
chisel and plane.
Malachi Stilt-Jack am I, whatever I learned has run wild,
From collar to collar, from stilt to stilt, from father to child.
All metaphor, Malachi, stilts and all. A barnacle goose
Far up in the stretches of night; night splits and the
dawn breaks loose;
I, through the terrible novelty of light, stalk on, stalk on;
Those great sea-horses bare their teeth and laugh at the dawn.
|
Written by
Andrew Barton Paterson |
On the outer Barcoo where the churches are few,
And men of religion are scanty,
On a road never cross'd 'cept by folk that are lost,
One Michael Magee had a shanty.
Now this Mike was the dad of a ten year old lad,
Plump, healthy, and stoutly conditioned;
He was strong as the best, but poor Mike had no rest
For the youngster had never been christened.
And his wife used to cry, "If the darlin' should die
Saint Peter would not recognise him."
But by luck he survived till a preacher arrived,
Who agreed straightaway to baptise him.
Now the artful young rogue, while they held their collogue,
With his ear to the keyhole was listenin',
And he muttered in fright, while his features turned white,
"What the divil and all is this christenin'?"
He was none of your dolts, he had seen them brand colts,
And it seemed to his small understanding,
If the man in the frock made him one of the flock,
It must mean something very like branding.
So away with a rush he set off for the bush,
While the tears in his eyelids they glistened—
"'Tis outrageous," says he, "to brand youngsters like me,
I'll be dashed if I'll stop to be christened!"
Like a young native dog he ran into a log,
And his father with language uncivil,
Never heeding the "praste" cried aloud in his haste,
"Come out and be christened, you divil!"
But he lay there as snug as a bug in a rug,
And his parents in vain might reprove him,
Till his reverence spoke (he was fond of a joke)
"I've a notion," says he, "that'll move him."
"Poke a stick up the log, give the spalpeen a prog;
Poke him aisy—don't hurt him or maim him,
'Tis not long that he'll stand, I've the water at hand,
As he rushes out this end I'll name him.
"Here he comes, and for shame! ye've forgotten the name—
Is it Patsy or Michael or Dinnis?"
Here the youngster ran out, and the priest gave a shout—
"Take your chance, anyhow, wid 'Maginnis'!"
As the howling young cub ran away to the scrub
Where he knew that pursuit would be risky,
The priest, as he fled, flung a flask at his head
That was labelled "Maginnis's Whisky"!
And Maginnis Magee has been made a J.P.,
And the one thing he hates more than sin is
To be asked by the folk, who have heard of the joke,
How he came to be christened Maginnis!
|
Written by
Johann Wolfgang von Goethe |
[Published in the Gottingen Musen Almanach,
having been written "to express his feelings and caprices" after
his separation from Frederica.]
WANDERER.
YOUNG woman, may God bless thee,
Thee, and the sucking infant
Upon thy breast!
Let me, 'gainst this rocky wall,
Neath the elm-tree's shadow,
Lay aside my burden,
Near thee take my rest.
WOMAN.
What vocation leads thee,
While the day is burning,
Up this dusty path?
Bring'st thou goods from out the town
Round the country?
Smil'st thou, stranger,
At my question?
WANDERER.
From the town no goods I bring.
Cool is now the evening;
Show to me the fountain
'Whence thou drinkest,
Woman young and kind!
WOMAN.
Up the rocky pathway mount;
Go thou first! Across the thicket
Leads the pathway tow'rd the cottage
That I live in,
To the fountain
Whence I drink.
WANDERER.
Signs of man's arranging hand
See I 'mid the trees!
Not by thee these stones were join'd,
Nature, who so freely scatterest!
WOMAN.
Up, still up!
WANDERER.
Lo, a mossy architrave is here!
I discern thee, fashioning spirit!
On the stone thou hast impress'd thy seal.
WOMAN.
Onward, stranger!
WANDERER.
Over an inscription am I treading!
'Tis effaced!
Ye are seen no longer,
Words so deeply graven,
Who your master's true devotion
Should have shown to thousand grandsons!
WOMAN.
At these stones, why
Start'st thou, stranger?
Many stones are lying yonder
Round my cottage.
WANDERER.
Yonder?
WOMAN.
Through the thicket,
Turning to the left,
Here!
WANDERER.
Ye Muses and ye Graces!
WOMAN.
This, then, is my cottage.
WANDERER.
'Tis a ruin'd temple! *
WOMAN.
Just below it, see,
Springs the fountain
Whence I drink.
WANDERER.
Thou dost hover
O'er thy grave, all glowing,
Genius! while upon thee
Hath thy master-piece
Fallen crumbling,
Thou Immortal One!
WOMAN.
Stay, a cup I'll fetch thee
Whence to drink.
WANDERER.
Ivy circles thy slender
Form so graceful and godlike.
How ye rise on high
From the ruins,
Column-pair
And thou, their lonely sister yonder,--
How thou,
Dusky moss upon thy sacred head,--
Lookest down in mournful majesty
On thy brethren's figures
Lying scatter'd
At thy feet!
In the shadow of the bramble
Earth and rubbish veil them,
Lofty grass is waving o'er them
Is it thus thou, Nature, prizest
Thy great masterpiece's masterpiece?
Carelessly destroyest thou
Thine own sanctuary,
Sowing thistles there?
WOMAN.
How the infant sleeps!
Wilt thou rest thee in the cottage,
Stranger? Wouldst thou rather
In the open air still linger?
Now 'tis cool! take thou the child
While I go and draw some water.
Sleep on, darling! sleep!
WANDERER.
Sweet is thy repose!
How, with heaven-born health imbued,
Peacefully he slumbers!
Oh thou, born among the ruins
Spread by great antiquity,
On thee rest her spirit!
He whom it encircles
Will, in godlike consciousness,
Ev'ry day enjoy.
Full, of germ, unfold,
As the smiling springtime's
Fairest charm,
Outshining all thy fellows!
And when the blossom's husk is faded,
May the full fruit shoot forth
From out thy breast,
And ripen in the sunshine!
WOMAN.
God bless him!--Is he sleeping still?
To the fresh draught I nought can add,
Saving a crust of bread for thee to eat.
WANDERER.
I thank thee well.
How fair the verdure all around!
How green!
WOMAN.
My husband soon
Will home return
From labour. Tarry, tarry, man,
And with us eat our evening meal.
WANDERER.
Is't here ye dwell?
WOMAN.
Yonder, within those walls we live.
My father 'twas who built the cottage
Of tiles and stones from out the ruins.
'Tis here we dwell.
He gave me to a husbandman,
And in our arms expired.--
Hast thou been sleeping, dearest heart
How lively, and how full of play!
Sweet rogue!
WANDERER.
Nature, thou ever budding one,
Thou formest each for life's enjoyments,
And, like a mother, all thy children dear,
Blessest with that sweet heritage,--a home
The swallow builds the cornice round,
Unconscious of the beauties
She plasters up.
The caterpillar spins around the bough,
To make her brood a winter house;
And thou dost patch, between antiquity's
Most glorious relics,
For thy mean use,
Oh man, a humble cot,--
Enjoyest e'en mid tombs!--
Farewell, thou happy woman!
WOMAN.
Thou wilt not stay, then?
WANDERER.
May God preserve thee,
And bless thy boy!
WOMAN.
A happy journey!
WANDERER.
Whither conducts the path
Across yon hill?
WOMAN.
To Cuma.
WANDERER.
How far from hence?
WOMAN.
'Tis full three miles.
WANDERER.
Farewell!
Oh Nature, guide me on my way!
The wandering stranger guide,
Who o'er the tombs
Of holy bygone times
Is passing,
To a kind sheltering place,
From North winds safe,
And where a poplar grove
Shuts out the noontide ray!
And when I come
Home to my cot
At evening,
Illumined by the setting sun,
Let me embrace a wife like this,
Her infant in her arms!
1772.
* Compare with the beautiful description contained
in the subsequent lines, an account of a ruined temple of Ceres,
given by Chamberlayne in his Pharonnida (published in 1659)
".... With mournful majesiy
A heap of solitary ruins lie,
Half sepulchred in dust, the bankrupt heir
To prodigal antiquity...."
|
Written by
Robert Burns |
THERE was three kings into the east,
Three kings both great and high,
And they hae sworn a solemn oath
John Barleycorn should die.
They took a plough and plough’d him down,
Put clods upon his head,
And they hae sworn a solemn oath
John Barleycorn was dead.
But the cheerful Spring came kindly on,
And show’rs began to fall;
John Barleycorn got up again,
And sore surpris’d them all.
The sultry suns of Summer came,
And he grew thick and strong;
His head weel arm’d wi’ pointed spears,
That no one should him wrong.
The sober Autumn enter’d mild,
When he grew wan and pale;
His bending joints and drooping head
Show’d he began to fail.
His colour sicken’d more and more,
He faded into age;
And then his enemies began
To show their deadly rage.
They’ve taen a weapon, long and sharp,
And cut him by the knee;
Then tied him fast upon a cart,
Like a rogue for forgerie.
They laid him down upon his back,
And cudgell’d him full sore;
They hung him up before the storm,
And turned him o’er and o’er.
They filled up a darksome pit
With water to the brim;
They heaved in John Barleycorn,
There let him sink or swim.
They laid him out upon the floor,
To work him farther woe;
And still, as signs of life appear’d,
They toss’d him to and fro.
They wasted, o’er a scorching flame,
The marrow of his bones;
But a miller us’d him worst of all,
For he crush’d him between two stones.
And they hae taen his very heart’s blood,
And drank it round and round;
And still the more and more they drank,
Their joy did more abound.
John Barleycorn was a hero bold,
Of noble enterprise;
For if you do but taste his blood,
’Twill make your courage rise.
’Twill make a man forget his woe;
’Twill heighten all his joy;
’Twill make the widow’s heart to sing,
Tho’ the tear were in her eye.
Then let us toast John Barleycorn,
Each man a glass in hand;
And may his great posterity
Ne’er fail in old Scotland!
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