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Best Famous Rock Poems

Here is a collection of the all-time best famous Rock poems. This is a select list of the best famous Rock poetry. Reading, writing, and enjoying famous Rock poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rock poems.

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Written by Muhammad Ali | Create an image from this poem

Last night I had a dream

Last night I had a dream, When I got to Africa,
I had one hell of a rumble.
I had to beat Tarzan’s behind first,
For claiming to be King of the Jungle.
For this fight, I’ve wrestled with alligators,
I’ve tussled with a whale.
I done handcuffed lightning
And throw thunder in jail.
You know I’m bad.
just last week, I murdered a rock,
Injured a stone, Hospitalized a brick.
I’m so mean, I make medicine sick.
I’m so fast, man,
I can run through a hurricane and don't get wet.
When George Foreman meets me,
He’ll pay his debt.
I can drown the drink of water, and kill a dead tree.
Wait till you see Muhammad Ali.


Written by Maya Angelou | Create an image from this poem

On the Pulse of Morning

(also referred to as The Rock Cries Out To Us Today)

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance.
Your mouths spelling words Armed for slaughter.
The rock cries out today, you may stand on me, But do not hide your face.
Across the wall of the world, A river sings a beautiful song, Come rest here by my side.
Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege.
Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast.
Yet, today I call you to my riverside, If you will study war no more.
Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one.
Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher.
They hear.
They all hear The speaking of the tree.
Today, the first and last of every tree Speaks to humankind.
Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on Traveller, has been paid for.
You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot.
.
.
You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river, Which will not be moved.
I, the rock, I the river, I the tree I am yours--your passages have been paid.
Lift up your faces, you have a piercing need For this bright morning dawning for you.
History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again.
Lift up your eyes upon The day breaking for you.
Give birth again To the dream.
Women, children, men, Take it into the palms of your hands.
Mold it into the shape of your most Private need.
Sculpt it into The image of your most public self.
Lift up your hearts.
Each new hour holds new chances For new beginnings.
Do not be wedded forever To fear, yoked eternally To brutishness.
The horizon leans forward, Offering you space to place new steps of change.
Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Written by Sylvia Plath | Create an image from this poem

Words

Axes 
After whose stroke the wood rings, 
And the echoes! 
Echoes traveling 
Off from the center like horses.
The sap Wells like tears, like the Water striving To re-establish its mirror Over the rock That drops and turns, A white skull, Eaten by weedy greens.
Years later I Encounter them on the road--- Words dry and riderless, The indefatigable hoof-taps.
While From the bottom of the pool, fixed stars Govern a life.
Written by Maya Angelou | Create an image from this poem

Inaugural Poem

A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their hastening doom Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow.
I will give you no more hiding place down here.
You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance.
Your mouths spilling words Armed for slaughter.
The Rock cries out today, you may stand on me, But do not hide your face.
Across the wall of the world, A River sings a beautiful song, Come rest here by my side.
Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege.
Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast.
Yet, today I call you to my riverside, If you will study war no more.
Come, Clad in peace and I will sing the songs The Creator gave to me when I and the Tree and the stone were one.
Before cynicism was a bloody sear across your Brow and when you yet knew you still Knew nothing.
The River sings and sings on.
There is a true yearning to respond to The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the Teacher.
They hear.
They all hear The speaking of the Tree.
Today, the first and last of every Tree Speaks to humankind.
Come to me, here beside the River.
Plant yourself beside me, here beside the River.
Each of you, descendant of some passed On traveller, has been paid for.
You, who gave me my first name, you Pawnee, Apache and Seneca, you Cherokee Nation, who rested with me, then Forced on bloody feet, left me to the employment of Other seekers--desperate for gain, Starving for gold.
You, the Turk, the Swede, the German, the Scot .
.
.
You the Ashanti, the Yoruba, the Kru, bought Sold, stolen, arriving on a nightmare Praying for a dream.
Here, root yourselves beside me.
I am the Tree planted by the River, Which will not be moved.
I, the Rock, I the River, I the Tree I am yours--your Passages have been paid.
Lift up your faces, you have a piercing need For this bright morning dawning for you.
History, despite its wrenching pain, Cannot be unlived, and if faced With courage, need not be lived again.
Lift up your eyes upon The day breaking for you.
Give birth again To the dream.
Women, children, men, Take it into the palms of your hands.
Mold it into the shape of your most Private need.
Sculpt it into The image of your most public self.
Lift up your hearts Each new hour holds new chances For new beginnings.
Do not be wedded forever To fear, yoked eternally To brutishness.
The horizon leans forward, Offering you space to place new steps of change.
Here, on the pulse of this fine day You may have the courage To look up and out upon me, the Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, into Your brother's face, your country And say simply Very simply With hope Good morning.
Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!


Written by Maya Angelou | Create an image from this poem

The Rock Cries Out to Us Today

 A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance.
Your mouths spelling words Armed for slaughter.
The rock cries out today, you may stand on me, But do not hide your face.
Across the wall of the world, A river sings a beautiful song, Come rest here by my side.
Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege.
Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast.
Yet, today I call you to my riverside, If you will study war no more.
Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one.
Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher.
They hear.
They all hear The speaking of the tree.
Today, the first and last of every tree Speaks to humankind.
Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on Traveller, has been paid for.
You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot.
.
.
You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river, Which will not be moved.
I, the rock, I the river, I the tree I am yours--your passages have been paid.
Lift up your faces, you have a piercing need For this bright morning dawning for you.
History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again.
Lift up your eyes upon The day breaking for you.
Give birth again To the dream.
Women, children, men, Take it into the palms of your hands.
Mold it into the shape of your most Private need.
Sculpt it into The image of your most public self.
Lift up your hearts.
Each new hour holds new chances For new beginnings.
Do not be wedded forever To fear, yoked eternally To brutishness.
The horizon leans forward, Offering you space to place new steps of change.
Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Written by Roger McGough | Create an image from this poem

Mrs Moon

 Mrs Moon
sitting up in the sky
little old lady
rock-a-bye
with a ball of fading light
and silvery needles
knitting the night
Written by Lewis Carroll | Create an image from this poem

The Walrus and the Carpenter

The sun was shining on the sea,
   Shining with all his might;
He did his very best to make
   The billows smooth and bright—
And this was odd, because it was
   The middle of the night.
The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done— "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry.
You could not see a cloud, because No cloud was in the sky; No birds were flying overhead— There were no birds to fly.
The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand.
"If this were only cleared away," They said, "it would be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear.
"O Oysters, come and walk with us!" The Walrus did beseech.
"A pleasant walk, a pleasant talk, Along the briny beach; We cannot do with more than four, To give a hand to each.
" The eldest Oyster looked at him, But never a word he said; The eldest Oyster winked his eye, And shook his heavy head— Meaning to say he did not choose To leave the oyster-bed.
But four young Oysters hurried up, All eager for the treat; Their coats were brushed, their faces washed, Their shoes were clean and neat— And this was odd, because, you know, They hadn't any feet.
Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more— All hopping through the frothy waves, And scrambling to the shore.
The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low; And all the little Oysters stood And waited in a row.
"The time has come," the Walrus said, "To talk of many things: Of shoes—and ships—and sealing-wax— And cabbages—and kings— And why the sea is boiling hot— And whether pigs have wings.
" "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said, "Is what we chiefly need; Pepper and vinegar besides Are very good indeed— Now if you're ready, Oysters dear, We can begin to feed.
" "But not on us!" the Oysters cried, Turning a little blue.
"After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said, "Do you admire the view?" "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice.
I wish you were not quite so deaf— I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said; "I deeply sympathize.
" With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes.
"O Oysters," said the Carpenter, "You've had a pleasant run! Shall we be trotting home again?" But answer came there none— And this was scarcely odd, because They'd eaten every one.
Written by Robinson Jeffers | Create an image from this poem

The Broken Balance

 I.
Reference to a Passage in Plutarch's Life of Sulla The people buying and selling, consuming pleasures, talking in the archways, Were all suddenly struck quiet And ran from under stone to look up at the sky: so shrill and mournful, So fierce and final, a brazen Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered: "Although the Gods are little troubled toward men, at the end of each period A sign is declared in heaven Indicating new times, new customs, a changed people; the Romans Rule, and Etruria is finished; A wise mariner will trim the sails to the wind.
" I heard yesterday So shrill and mournful a trumpet-blast, It was hard to be wise.
.
.
.
You must eat change and endure; not be much troubled For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It; When life grows hateful, there's power .
.
.
II.
To the Children Power's good; life is not always good but power's good.
So you must think when abundance Makes pawns of people and all the loaves are one dough.
The steep singleness of passion Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains Instead of faces, and millions Instead of persons; not to hate life; and massed power After the lone hawk's dead.
III That light blood-loving weasel, a tongue of yellow Fire licking the sides of the gray stones, Has a more passionate and more pure heart In the snake-slender flanks than man can imagine; But he is betrayed by his own courage, The man who kills him is like a cloud hiding a star.
Then praise the jewel-eyed hawk and the tall blue heron; The black cormorants that fatten their sea-rock With shining slime; even that ruiner of anthills The red-shafted woodpecker flying, A white star between blood-color wing-clouds, Across the glades of the wood and the green lakes of shade.
These live their felt natures; they know their norm And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked Their natures until the souls the in them; They have sold themselves for toys and protection: No, but consider awhile: what else? Men sold for toys.
Uneasy and fractional people, having no center But in the eyes and mouths that surround them, Having no function but to serve and support Civilization, the enemy of man, No wonder they live insanely, and desire With their tongues, progress; with their eyes, pleasure; with their hearts, death.
Their ancestors were good hunters, good herdsmen and swordsman, But now the world is turned upside down; The good do evil, the hope's in criminals; in vice That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on.
Be glad: the house is mined, it will fall.
IV Rain, hail and brutal sun, the plow in the roots, The pitiless pruning-iron in the branches, Strengthen the vines, they are all feeding friends Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.
The world sickens with change, rain becomes poison, The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.
Reach down the long morbid roots that forget the plow, Discover the depths; let the long pale tendrils Spend all to discover the sky, now nothing is good But only the steel mirrors of discovery .
.
.
And the beautiful enormous dawns of time, after we perish.
V Mourning the broken balance, the hopeless prostration of the earth Under men's hands and their minds, The beautiful places killed like rabbits to make a city, The spreading fungus, the slime-threads And spores; my own coast's obscene future: I remember the farther Future, and the last man dying Without succession under the confident eyes of the stars.
It was only a moment's accident, The race that plagued us; the world resumes the old lonely immortal Splendor; from here I can even Perceive that that snuffed candle had something .
.
.
a fantastic virtue, A faint and unshapely pathos .
.
.
So death will flatter them at last: what, even the bald ape's by-shot Was moderately admirable? VI.
Palinode All summer neither rain nor wave washes the cormorants' Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain At noon, a rose in the morning, a beacon at moonrise On the black water: it is barely possible that even men's present Lives are something; their arts and sciences (by moonlight) Not wholly ridiculous, nor their cities merely an offense.
VII Under my windows, between the road and the sea-cliff, bitter wild grass Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color, Gray-blue or pale-green, will please the late stars; But laugh at the other, your seed shall enjoy wonderful vengeances and suck The arteries and walk in triumph on the faces.
Written by Allen Ginsberg | Create an image from this poem

Death and Fame

 When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St.
Patrick's Cathedral, St.
Mark's Church, the largest synagogue in Manhattan First, there's family, brother, nephews, spry aged Edith stepmother 96, Aunt Honey from old Newark, Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister- in-law blonde Connie, five nephews, stepbrothers & sisters their grandchildren, companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan-- Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche, there Sakyong Mipham, Dalai Lama alert, chance visiting America, Satchitananda Swami Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche, Katagiri & Suzuki Roshi's phantoms Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau Roshis, Lama Tarchen -- Then, most important, lovers over half-century Dozens, a hundred, more, older fellows bald & rich young boys met naked recently in bed, crowds surprised to see each other, innumerable, intimate, exchanging memories "He taught me to meditate, now I'm an old veteran of the thousand day retreat --" "I played music on subway platforms, I'm straight but loved him he loved me" "I felt more love from him at 19 than ever from anyone" "We'd lie under covers gossip, read my poetry, hug & kiss belly to belly arms round each other" "I'd always get into his bed with underwear on & by morning my skivvies would be on the floor" "Japanese, always wanted take it up my bum with a master" "We'd talk all night about Kerouac & Cassady sit Buddhalike then sleep in his captain's bed.
" "He seemed to need so much affection, a shame not to make him happy" "I was lonely never in bed nude with anyone before, he was so gentle my stomach shuddered when he traced his finger along my abdomen nipple to hips-- " "All I did was lay back eyes closed, he'd bring me to come with mouth & fingers along my waist" "He gave great head" So there be gossip from loves of 1948, ghost of Neal Cassady commin- gling with flesh and youthful blood of 1997 and surprise -- "You too? But I thought you were straight!" "I am but Ginsberg an exception, for some reason he pleased me.
" "I forgot whether I was straight gay ***** or funny, was myself, tender and affectionate to be kissed on the top of my head, my forehead throat heart & solar plexus, mid-belly.
on my prick, tickled with his tongue my behind" "I loved the way he'd recite 'But at my back allways hear/ time's winged chariot hurrying near,' heads together, eye to eye, on a pillow --" Among lovers one handsome youth straggling the rear "I studied his poetry class, 17 year-old kid, ran some errands to his walk-up flat, seduced me didn't want to, made me come, went home, never saw him again never wanted to.
.
.
" "He couldn't get it up but loved me," "A clean old man.
" "He made sure I came first" This the crowd most surprised proud at ceremonial place of honor-- Then poets & musicians -- college boys' grunge bands -- age-old rock star Beatles, faithful guitar accompanists, gay classical con- ductors, unknown high Jazz music composers, funky trum- peters, bowed bass & french horn black geniuses, folksinger fiddlers with dobro tamborine harmonica mandolin auto- harp pennywhistles & kazoos Next, artist Italian romantic realists schooled in mystic 60's India, Late fauve Tuscan painter-poets, Classic draftsman Massa- chusets surreal jackanapes with continental wives, poverty sketchbook gesso oil watercolor masters from American provinces Then highschool teachers, lonely Irish librarians, delicate biblio- philes, sex liberation troops nay armies, ladies of either sex "I met him dozens of times he never remembered my name I loved him anyway, true artist" "Nervous breakdown after menopause, his poetry humor saved me from suicide hospitals" "Charmant, genius with modest manners, washed sink, dishes my studio guest a week in Budapest" Thousands of readers, "Howl changed my life in Libertyville Illinois" "I saw him read Montclair State Teachers College decided be a poet-- " "He turned me on, I started with garage rock sang my songs in Kansas City" "Kaddish made me weep for myself & father alive in Nevada City" "Father Death comforted me when my sister died Boston l982" "I read what he said in a newsmagazine, blew my mind, realized others like me out there" Deaf & Dumb bards with hand signing quick brilliant gestures Then Journalists, editors's secretaries, agents, portraitists & photo- graphy aficionados, rock critics, cultured laborors, cultural historians come to witness the historic funeral Super-fans, poetasters, aging Beatnicks & Deadheads, autograph- hunters, distinguished paparazzi, intelligent gawkers Everyone knew they were part of 'History" except the deceased who never knew exactly what was happening even when I was alive February 22, 1997

Book: Reflection on the Important Things