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Best Famous Roan Poems

Here is a collection of the all-time best famous Roan poems. This is a select list of the best famous Roan poetry. Reading, writing, and enjoying famous Roan poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of roan poems.

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Written by Carl Sandburg | Create an image from this poem

Potato Blossom Songs and Jigs

 RUM tiddy um,
 tiddy um,
 tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road? When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little: Say, why do I feel so gabby? Why do I want to holler all over the place?.
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Do you remember I held empty hands to you and I said all is yours the handfuls of nothing?.
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I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.
” The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”.
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Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this rubbish till it has lain in the sun.
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The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.
The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.
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In Burlington long ago And later again in Ashtabula I said to myself: I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told? There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head.
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Does a famous poet eat watermelon? Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.
And the Japanese, two-legged like us, The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.
Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon? Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons.
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Niggers play banjos because they want to.
The explanation is easy.
It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split away from a school-room geography lesson in April when the crawfishes come out and the young frogs are calling and the pussywillows and the cat-tails know something about geography themselves.
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I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at: potato blossoms in summer night mist filling the garden with white spots; a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.
Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, “Excuse … me…”


Written by John Crowe Ransom | Create an image from this poem

Captain Carpenter

 Captain Carpenter rose up in his prime 
Put on his pistols and went riding out 
But had got wellnigh nowhere at that time 
Till he fell in with ladies in a rout.
It was a pretty lady and all her train That played with him so sweetly but before An hour she'd taken a sword with all her main And twined him of his nose for evermore.
Captain Carpenter mounted up one day And rode straightway into a stranger rogue That looked unchristian but be that as may The Captain did not wait upon prologue.
But drew upon him out of his great heart The other swung against him with a club And cracked his two legs at the shinny part And let him roll and stick like any tub.
Captain Carpenter rode many a time From male and female took he sundry harms He met the wife of Satan crying "I'm The she-wolf bids you shall bear no more arms.
Their strokes and counters whistled in the wind I wish he had delivered half his blows But where she should have made off like a hind The ***** bit off his arms at the elbows.
And Captain Carpenter parted with his ears To a black devil that used him in this wise O Jesus ere his threescore and ten years Another had plucked out his sweet blue eyes.
Captain Carpenter got up on his roan And sallied from the gate in hell's despite I heard him asking in the grimmest tone If any enemy yet there was to fight? "To any adversary it is fame If he risk to be wounded by my tongue Or burnt in two beneath my red heart's flame Such are the perils he is cast among.
"But if he can he has a pretty choice From an anatomy with little to lose Whether he cut my tongue and take my voice Or whether it be my round red heart he choose.
" It was the neatest knave that ever was seen Stepping in perfume from his lady's bower Who at this word put in his merry mien And fell on Captain Carpenter like a tower.
I would not knock old fellows in the dust But there lay Captain Carpenter on his back His weapons were the old heart in his bust And a blade shook between rotten teeth alack.
The rogue in scarlet and grey soon knew his mind.
He wished to get his trophy and depart With gentle apology and touch refined He pierced him and produced the Captain's heart.
God's mercy rest on Captain Carpenter now (a, I thought him Sirs an honest gentleman Citizen husband soldier and scholar enow Let jangling kites eat of him if they can.
But God's deep curses follow after those That shore him of his goodly nose and ears His legs and strong arms at the two elbows And eyes that had not watered seventy years.
The curse of hell upon the sleek upstart That got the Captain finally on his back And took the red red vitals of his heart And made the kites to whet their beaks clack clack.
Written by Sidney Lanier | Create an image from this poem

Clover

 Inscribed to the Memory of John Keats.
Dear uplands, Chester's favorable fields, My large unjealous Loves, many yet one -- A grave good-morrow to your Graces, all, Fair tilth and fruitful seasons! Lo, how still! The midmorn empties you of men, save me; Speak to your lover, meadows! None can hear.
I lie as lies yon placid Brandywine, Holding the hills and heavens in my heart For contemplation.
'Tis a perfect hour.
From founts of dawn the fluent autumn day Has rippled as a brook right pleasantly Half-way to noon; but now with widening turn Makes pause, in lucent meditation locked, And rounds into a silver pool of morn, Bottom'd with clover-fields.
My heart just hears Eight lingering strokes of some far village-bell, That speak the hour so inward-voiced, meseems Time's conscience has but whispered him eight hints Of revolution.
Reigns that mild surcease That stills the middle of each rural morn -- When nimble noises that with sunrise ran About the farms have sunk again to rest; When Tom no more across the horse-lot calls To sleepy Dick, nor Dick husk-voiced upbraids The sway-back'd roan for stamping on his foot With sulphurous oath and kick in flank, what time The cart-chain clinks across the slanting shaft, And, kitchenward, the rattling bucket plumps Souse down the well, where quivering ducks quack loud, And Susan Cook is singing.
Up the sky The hesitating moon slow trembles on, Faint as a new-washed soul but lately up From out a buried body.
Far about, A hundred slopes in hundred fantasies Most ravishingly run, so smooth of curve That I but seem to see the fluent plain Rise toward a rain of clover-blooms, as lakes Pout gentle mounds of plashment up to meet Big shower-drops.
Now the little winds, as bees, Bowing the blooms come wandering where I lie Mixt soul and body with the clover-tufts, Light on my spirit, give from wing and thigh Rich pollens and divine sweet irritants To every nerve, and freshly make report Of inmost Nature's secret autumn-thought Unto some soul of sense within my frame That owns each cognizance of the outlying five, And sees, hears, tastes, smells, touches, all in one.
Tell me, dear Clover (since my soul is thine, Since I am fain give study all the day, To make thy ways my ways, thy service mine, To seek me out thy God, my God to be, And die from out myself to live in thee) -- Now, Cousin Clover, tell me in mine ear: Go'st thou to market with thy pink and green? Of what avail, this color and this grace? Wert thou but squat of stem and brindle-brown, Still careless herds would feed.
A poet, thou: What worth, what worth, the whole of all thine art? Three-Leaves, instruct me! I am sick of price.
Framed in the arching of two clover-stems Where-through I gaze from off my hill, afar, The spacious fields from me to Heaven take on Tremors of change and new significance To th' eye, as to the ear a simple tale Begins to hint a parable's sense beneath.
The prospect widens, cuts all bounds of blue Where horizontal limits bend, and spreads Into a curious-hill'd and curious-valley'd Vast, Endless before, behind, around; which seems Th' incalculable Up-and-Down of Time Made plain before mine eyes.
The clover-stems Still cover all the space; but now they bear, For clover-blooms, fair, stately heads of men With poets' faces heartsome, dear and pale -- Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied.
Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks -- the most containing clasp, For all in all, this world e'er saw!) and there, Yet further on, bright throngs unnamable Of workers worshipful, nobilities In the Court of Gentle Service, silent men, Dwellers in woods, brooders on helpful art, And all the press of them, the fair, the large, That wrought with beauty.
Lo, what bulk is here? Now comes the Course-of-things, shaped like an Ox, Slow browsing, o'er my hillside, ponderously -- The huge-brawned, tame, and workful Course-of-things, That hath his grass, if earth be round or flat, And hath his grass, if empires plunge in pain Or faiths flash out.
This cool, unasking Ox Comes browsing o'er my hills and vales of Time, And thrusts me out his tongue, and curls it, sharp, And sicklewise, about my poets' heads, And twists them in, all -- Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha, in one sheaf -- and champs and chews, With slantly-churning jaws, and swallows down; Then slowly plants a mighty forefoot out, And makes advance to futureward, one inch.
So: they have played their part.
And to this end? This, God? This, troublous-breeding Earth? This, Sun Of hot, quick pains? To this no-end that ends, These Masters wrought, and wept, and sweated blood, And burned, and loved, and ached with public shame, And found no friends to breathe their loves to, save Woods and wet pillows? This was all? This Ox? "Nay," quoth a sum of voices in mine ear, "God's clover, we, and feed His Course-of-things; The pasture is God's pasture; systems strange Of food and fiberment He hath, whereby The general brawn is built for plans of His To quality precise.
Kinsman, learn this: The artist's market is the heart of man; The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends .
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in God's Beginning's lost.
"
Written by Robert Browning | Create an image from this poem

How They Brought The Good News From Ghent To Aix

 I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch, as the gate-bolts undrew;
"Speed!" echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.
Not a word to each other; we kept the great pace Neck by neck, stride by stride, never changing our place; I turned in my saddle and made its girths tight, Then shortened each stirrup, and set the pique right, Rebuckled the cheek-strap, chained slacker the bit, Nor galloped less steadily Roland a whit.
'Twas moonset at starting; but while we drew near Lokeren, the cocks crew and twilight dawned clear; At Boom, a great yellow star came out to see; At Duffeld, 'twas morning as plain as could be; And from Mecheln church-steeple we heard the half-chime, So Joris broke silence with, "Yet there is time!" At Aerschot, up leaped of a sudden the sun, And against him the cattle stood black every one, To stare through the mist at us galloping past, And I saw my stout galloper Roland at last, With resolute shoulders, each butting away The haze, as some bluff river headland its spray: And his low head and crest, just one sharp ear bent back For my voice, and the other pricked out on his track; And one eye's black intelligence,—ever that glance O'er its white edge at me, his own master, askance! And the thick heavy spume-flakes which aye and anon His fierce lips shook upwards in galloping on.
By Hasselt, Dirck groaned; and cried Joris, "Stay spur! Your Roos galloped bravely, the fault's not in her, We'll remember at Aix"—for one heard the quick wheeze Of her chest, saw the stretched neck and staggering knees, And sunk tail, and horrible heave of the flank, As down on her haunches she shuddered and sank.
So, we were left galloping, Joris and I, Past Looz and past Tongres, no cloud in the sky; The broad sun above laughed a pitiless laugh, 'Neath our feet broke the brittle bright stubble like chaff; Till over by Dalhem a dome-spire sprang white, And "Gallop," gasped Joris, "for Aix is in sight!" "How they'll greet us!"—and all in a moment his roan Rolled neck and croup over, lay dead as a stone; And there was my Roland to bear the whole weight Of the news which alone could save Aix from her fate, With his nostrils like pits full of blood to the brim, And with circles of red for his eye-socket's rim.
Then I cast loose my buffcoat, each holster let fall, Shook off both my jack-boots, let go belt and all, Stood up in the stirrup, leaned, patted his ear, Called my Roland his pet-name, my horse without peer; Clapped my hands, laughed and sang, any noise, bad or good, Till at length into Aix Roland galloped and stood.
And all I remember is—friends flocking round As I sat with his head 'twixt my knees on the ground; And no voice but was praising this Roland of mine, As I poured down his throat our last measure of wine, Which (the burgesses voted by common consent) Was no more than his due who brought good news from Ghent
Written by Andrew Barton Paterson | Create an image from this poem

Saltbush Bill on the Patriarchs

 Come all you little rouseabouts and climb upon my knee; 
To-day, you see, is Christmas Day, and so it’s up to me 
To give you some instruction like—a kind of Christmas tale— 
So name your yarn, and off she goes.
What, “Jonah and the Whale”? Well, whales is sheep I’ve never shore; I’ve never been to sea, So all them great Leviathans is mysteries to me; But there’s a tale the Bible tells I fully understand, About the time the Patriarchs were settling on the land.
Those Patriarchs of olden time, when all is said and done, They lived the same as far-out men on many a Queensland run— A lot of roving, droving men who drifted to and fro, The same we did out Queensland way a score of years ago.
Now Isaac was a squatter man, and Jacob was his son, And when the boy grew up, you see, he wearied of the run.
You know the way that boys grow up—there’s some that stick at home; But any boy that’s worth his salt will roll his swag and roam.
So Jacob caught the roving fit and took the drovers’ track To where his uncle had a run, beyond the outer back; You see they made for out-back runs for room to stretch and grow, The same we did out Queensland way a score of years ago.
Now, Jacob knew the ways of stock—that’s most uncommon clear— For when he got to Laban’s Run, they made him overseer; He didn’t ask a pound a week, but bargained for his pay To take the roan and strawberry calves—the same we’d take to-day.
The duns and blacks and “Goulburn roans” (that’s brindles), coarse and hard, He branded them with Laban’s brand, in Old Man Laban’s yard; So, when he’d done the station work for close on seven year, Why, all the choicest stock belonged to Laban’s overseer.
It’s often so with overseers—I’ve seen the same thing done By many a Queensland overseer on many a Queensland run.
But when the mustering time came on old Laban acted straight, And gave him country of his own outside the boundary gate.
He gave him stock, and offered him his daughter’s hand in troth; And Jacob first he married one, and then he married both; You see, they weren’t particular about a wife or so— No more were we up Queensland way a score of years ago.
But when the stock were strong and fat with grass and lots of rain, Then Jacob felt the call to take the homeward road again.
It’s strange in every creed and clime, no matter where you roam, There comes a day when every man would like to make for home.
So off he set with sheep and goats, a mighty moving band, To battle down the homeward track along the Overland— It’s droving mixed-up mobs like that that makes men cut their throats.
I’ve travelled rams, which Lord forget, but never travelled goats.
But Jacob knew the ways of stock, for (so the story goes) When battling through the Philistines—selectors, I suppose— He thought he’d have to fight his way, an awkward sort of job; So what did Old Man Jacob do? of course, he split the mob.
He sent the strong stock on ahead to battle out the way; He couldn’t hurry lambing ewes—no more you could to-day— And down the road, from run to run, his hand ’gainst every hand, He moved that mighty mob of stock across the Overland.
The thing is made so clear and plain, so solid in and out, There isn’t any room at all for any kind of doubt.
It’s just a plain straightforward tale—a tale that lets you know The way they lived in Palestine three thousand years ago.
It’s strange to read it all to-day, the shifting of the stock; You’d think you see the caravans that loaf behind the flock, The little donkeys and the mules, the sheep that slowly spread, And maybe Dan or Naphthali a-ridin’ on ahead.
The long, dry, dusty summer days, the smouldering fires at night; The stir and bustle of the camp at break of morning light; The little kids that skipped about, the camels’ dead-slow tramp— I wish I’d done a week or two in Old Man Jacob’s camp! But if I keep the narrer path, some day, perhaps, I’ll know How Jacob bred them strawberry calves three thousand years ago.


Written by Claude McKay | Create an image from this poem

Wild May

 Aleta mentions in her tender letters, 
Among a chain of quaint and touching things, 
That you are feeble, weighted down with fetters, 
And given to strange deeds and mutterings.
No longer without trace or thought of fear, Do you leap to and ride the rebel roan; But have become the victim of grim care, With three brown beauties to support alone.
But none the less will you be in my mind, Wild May that cantered by the risky ways, With showy head-cloth flirting in the wind, From market in the glad December days; Wild May of whom even other girls could rave Before sex tamed your spirit, made you slave.
Written by Andrew Barton Paterson | Create an image from this poem

The Gundaroo Bullock

 Oh, there's some that breeds the Devon that's as solid as a stone, 
And there's some that breeds the brindle which they call the "Goulburn Roan"; 
But amongst the breeds of cattle there are very, very few 
Like the hairy-whiskered bullock that they breed at Gundaroo.
Far away by Grabben Gullen, where the Murrumbidgee flows, There's a block of broken country-side where no one ever goes; For the banks have gripped the squatters, and the free selectors too, And their stock are always stolen by the men of Gundaroo.
There came a low informer to the Grabben Gullen side, And he said to Smith the squatter, "You must saddle up and ride, For your bullock's in the harness-cask of Morgan Donahoo -- He's the greatest cattle-stealer in the whole of Gundaroo.
" "Oh, ho!" said Smith, the owner of the Grabben Gullen run, "I'll go and get the troopers by the sinking of the sun, And down into his homestead tonight we'll take a ride, With warrants to identify the carcass and the hide.
" That night rode down the troopers, the squatter at their head, They rode into the homestead, and pulled Morgan out of bed.
"Now, show to us the carcass of the bullock that you slew -- The hairy-whiskered bullock that you killed in Gundaroo.
" They peered into the harness-cask, and found it wasn't full, But down among the brine they saw some flesh and bits of wool.
"What's this?" exclaimed the trooper; "an infant, I declare;" Said Morgan, "'Tis the carcass of an old man native bear.
I heard that ye were coming, so an old man bear I slew, Just to give you kindly welcome to my home in Gundaroo.
"The times are something awful, as you can plainly see, The banks have broke the squatters, and they've broke the likes of me; We can't afford a bullock -- such expense would never do -- So an old man bear for breakfast is a treat in Gundaroo.
" And along by Grabben Gullen, where the rushing river flows, In the block of broken country where there's no one ever goes, On the Upper Murrumbidgee, they're a hospitable crew -- But you mustn't ask for "bullock" when you go to Gundaroo.

Book: Reflection on the Important Things