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Best Famous Ringer Poems

Here is a collection of the all-time best famous Ringer poems. This is a select list of the best famous Ringer poetry. Reading, writing, and enjoying famous Ringer poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ringer poems.

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Written by Andrew Barton Paterson | Create an image from this poem

The Silent Shearer

 Weary and listless, sad and slow, 
Without any conversation, 
Was a man that worked on The Overflow, 
The butt of the shed and the station.
The shearers christened him Noisy Ned, With an alias "Silent Waters", But never a needless word he said In the hut or the shearers' quarters.
Which caused annoyance to Big Barcoo, The shed's unquestioned ringer, Whose name was famous Australia through As a dancer, fighter and singer.
He was fit for the ring, if he'd had his rights As an agent of devastation; And the number of men he had killed in fights Was his principal conversation.
"I have known blokes go to their doom," said he, "Through actin' with haste and rashness: But the style that this Noisy Ned assumes, It's nothing but silent flashness.
"We may just be dirt, from his point of view, Unworthy a word in season; But I'll make him talk like a cockatoo Or I'll get him to show the reason.
" Was it chance or fate, that King Condamine, A king who had turned a black tracker, Had captured a baby purcupine, Which he swapped for a "fig tobacker"? With the porcupine in the Silent's bed The shearers were quite elated, And the things to be done, and the words to be said, Were anxiously awaited.
With a screech and a howl and an eldritch cry That nearly deafened his hearers He sprang from his bunk, and his fishy eye Looked over the laughing shearers.
He looked them over and he looked them through As a cook might look through a larder; "Now, Big Barcoo, I must pick on you, You're big, but you'll fall the harder.
" Now, the silent man was but slight and thin And of middleweight conformation, But he hung one punch on the Barcoo's chin And it ended the altercation.
"You've heard of the One-round Kid," said he, "That hunted 'em all to shelter? The One-round Finisher -- that was me, When I fought as the Champion Welter.
"And this Barcoo bloke on his back reclines For being a bit too clever, For snakes and wombats and porcupines Are nothing to me whatever.
"But the golden rule that I've had to learn In the ring, and for years I've tried it, Is only to talk when it comes your turn, And never to talk outside it.
"


Written by Andrew Barton Paterson | Create an image from this poem

The Mylora Elopement

 By the winding Wollondilly where the weeping willows weep, 
And the shepherd, with his billy, half awake and half asleep, 
Folds his fleecy flocks that linger homewards in the setting sun 
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa; And Amelia loved him truly -- but the course of love, if true, Never yet ran smooth or duly, as I think it ought to do.
Pondering o'er his predilection, Jimmy watched McGrath, the boss, Riding past his lone selection, looking for a station 'oss That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child; Says, "The old man's after Stager, which he'll find is no light job, And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know, And for ever, joy or sorrow, he will join us here below.
"I will bring the nags so speedy, Crazy Jane and Tambourine, One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen -- Just one more -- God bless you, dearie! Don't forget to meet me here, Life without you is but weary; now, once more, good-bye, my dear.
" * * * * * The daylight shines on figures twain That ride across Mylora Plain, Laughing and talking -- Jim and Jane.
"Steady, darling.
There's lots of time, Didn't we slip the old man prime! I knew he'd tackle that Bowneck mob, I reckon he'll find it too big a job.
They've beaten us all.
I had a try, But the warrigal devils seem to fly.
That Sambo's a real good but of stuff No doubt, but not quite good enough.
He'll have to gallop the livelong day, To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good; To see us going I don't think would.
" A turn in the road and, fair and square, They meet the old man standing there.
"What's up?" "Why, running away, of course," Says Jim, emboldened.
The old man turned, His eye with wild excitement burned.
"I've raced all day through the scorching heat After old Bowneck: and now I'm beat.
But over that range I think you'll find The Bowneck mob all run stone-blind.
Will you go, and leave the mob behind? Which will you do? Take the girl away, Or ride like a white man should today, And yard old Bowneck? Go or stay?" Says Jim, "I can't throw this away, We can bolt some other day, of course -- Amelia Jane, get off that horse! Up you get, Old Man.
Whoop, halloo! Here goes to put old Bowneck through!" Two distant specks om the mountain side, Two stockwhips echoing far and wide.
.
.
.
Amelia Jane sat down and cried.
* * * * * "Sakes, Amelia, what's up now? Leading old Sambo, too, I vow, And him deadbeat.
Where have you been? 'Bolted with Jim!' What do you mean> 'Met the old man with Sambo, licked From running old Bowneck.
' Well, I'm kicked -- 'Ran 'em till Sambo nearly dropped?' What did Jim do when you were stopped? Did you bolt from father across the plain? 'Jim made you get off Crazy Jane! And father got on, and away again The two of 'em went to the ranges grim.
' Good boy, Jimmy! Oh, well done, Jim! They're sure to get them now, of course, That Tambourine is a spanking horse.
And Crazy Jane is good as gold.
And Jim, they say, rides pretty bold -- Not like your father, but very fair.
Jim will have to follow the mare.
" "It never was yet in father's hide To best my Jim on the mountain side.
Jim can rally, and Jim can ride.
" But here again Amelia cried.
* * * * * The sound of whip comes faint and far, A rattle of hoofs, and here they are, In all their tameless pride.
The fleet wild horses snort and fear, And wheel and break as the yard draws near.
Now, Jim the Ringer, ride! Wheel 'em! wheel 'em! Whoa back there, whoa! And the foam flakes fly like the driven snow, As under the whip the horses go Adown the mountain side.
And Jim, hands down, and teeth firm set, On a horse that never has failed him yet, Is after them down the range.
Well ridden! well ridden! they wheel -- whoa back! And long and loud the stockwhips crack, Their flying course they change; "Steadily does it -- let Sambo go! Open those sliprails down below.
Smart! or you'll be too late.
* * * * * "They'll follow old Sambo up -- look out! Whee! that black horse -- give Sam a clout.
They're in! Make fast the gate.
" * * * * * The mob is safely in the yard! The old man mounts delighted guard.
No thought has he but for his prize.
* * * * * Jim catches poor Amelia's eyes.
"Will you come after all? The job is done, And Crazy Jane is fit to run For a prince's life -- now don't say no; Slip on while the old man's down below At the inner yard, and away we'll go.
Will you come, my girl?" "I will, you bet; We'll manage this here elopement yet.
" * * * * * By the winding Wollondilly stands the hut of Ringer Jim.
And his loving little Meely makes a perfect god of him.
He has stalwart sons and daughters, and, I think, before he's done, There'll be numerous "Six-fortys" taken on Mylora Run.
Written by Andrew Barton Paterson | Create an image from this poem

Shearing at Castlereagh

 The bell is set a-ringing, and the engine gives a toot, 
There's five-and-thirty shearers here a-shearing for the loot, 
So stir yourselves, you penners-up, and shove the sheep along -- 
The musterers are fetching them a hundred thousand strong -- 
And make your collie dogs speak up; what would the buyers say 
In London if the wool was late this year from Castlereagh? 
The man that "rung" the Tubbo shed is not the ringer here, 
That stripling from the Cooma-side can teach him how to shear.
They trim away the ragged locks, and rip the cutter goes, And leaves a track of snowy fleece from brisket to the nose; It's lovely how they peel it off with never stop nor stay, They're racing for the ringer's place this year at Castlereagh.
The man that keeps the cutters sharp is growling in his cage, He's always in a hurry; and he's always in a rage -- "You clumsy-fisted mutton-heads, you'd turn a fellow sick, You pass yourselves as shearers, you were born to swing a pick.
Another broken cutter here, that's two you've broke today, It's awful how such crawlers come to shear at Castlereagh.
" The youngsters picking up the fleece enjoy the merry din, They throw the classer up the fleece, he throws it to the bin; The pressers standing by the rack are watching for the wool, There's room for just a couple more, the press is nearly full; Now jump upon the lever, lads, and heave and heave away, Another bale of golden fleece is branded "Castlereagh".
Written by Andrew Barton Paterson | Create an image from this poem

Those Names

 The shearers sat in the firelight, hearty and hale and strong, 
After the hard day's shearing, passing the joke along: 
The "ringer" that shore a hundred, as they never were shorn before, 
And the novice who, toiling bravely, had tommy-hawked half a score, 
The tarboy, the cook and the skushy, the sweeper that swept the board, 
The picker-up, and the penner, with the rest of the shearing horde.
There were men from the inland stations where the skies like a furnace glow, And men from Snowy River, the land of frozen snow; There were swarthy Queensland drovers who reckoned all land by miles, And farmers' sons from the Murray, where many a vineyard smiles.
They started at telling stories when they wearied of cards and games, And to give these stories flavour they threw in some local names, Then a man from the bleak Monaro, away on the tableland, He fixed his eyes on the ceiling, and he started to play his hand.
He told them of Adjintoothbong, where the pine-clad mountains freeze, And the weight of the snow in summer breaks branches off the trees, And, as he warmed to the business, he let them have it strong -- Nimitybelle, Conargo, Wheeo, Bongongolong; He lingered over them fondly, because they recalled to mind A thought of the bush homestead, and the girl that he left behind.
Then the shearers all sat silent till a man in the corner rose; Said he, "I've travelled a-plenty but never heard names like those.
Out in the western districts, out in the Castlereigh Most of the names are easy -- short for a man to say.
You've heard of Mungrybambone and the Gundabluey Pine, Quobbotha, Girilambone, and Terramungamine, Quambone, Eunonyhareenyha, Wee Waa, and Buntijo --" But the rest of the shearers stopped him: "For the sake of your jaw, go slow, If you reckon thase names are short ones out where such names prevail, Just try and remember some long ones before you begin the tale.
" And the man from the western district, though never a word he siad, Just winked with his dexter eyelid, and then he retired to bed.
Written by Emile Verhaeren | Create an image from this poem

THE BELL-RINGER

Yon, in the depths of the evening's track,
Like a herd of blind bullocks that seek their fellows,
Wild, as in terror, the tempest bellows.
And suddenly, there, o'er the gables black
That the church, in the twilight, around it raises
All scored with lightnings the steeple blazes.


See the old bell-ringer, frenzied with fear.
Mouth gaping, yet speechless, draw hastening near.
And the knell of alarm that with strokes of lead
He rings, heaves forth in a tempest of dread
The frantic despair that throbs in his head.


With the cross at the height
Of its summit brandished, the lofty steeple
Spreads the crimson mane
Of the fire o'er the plain
Toward the dream-like horizons that bound the night;
The city nocturnal is filled with light;
The face of the swift-gathered crowds doth people
With fears and with clamours both street and lane;
On walls turned suddenly dazzling bright
The dusky panes drink the crimson flood
Like draughts of blood.


Yet, knell upon knell, the old ringer doth cast
His frenzy and fear o'er the country vast.


The steeple, it seems to be growing higher
Against the horizon that shifts and quivers,
And to be flying in gleams of fire
Far o'er the lakes and the swampy rivers.
Its slates, like wings
Of sparks and spangles, afar it flings.
They fly toward the forests across the night:
And in their passage the fires exhume
The hovels and huts from their folds of gloom,
Setting them suddenly all alight.


In the crashing fall of the steeple's crown
The cross to the brazier's depth drops down,
Where, twisted and torn in the fiery fray,
Its Christian arms are crushed like prey.
With might and main
The bell-ringer sounds his knell abroad.
As though the flames would burn his God.


The fire
Funnel-like hollows its way yet higher,
'Twixt walls of stone, up the steeple's height;
Gaining the archway and lofty stage
Where, swinging in light, the bell bounds with rage.
The daws and the owls, with wild, long cry
Pass screeching by;
On the fast-closed casements their heads they smite,
Burn in the smoke-drifts their pinions light,
Then, broken with terror and bruised with flight.
Suddenly, 'mid the surging crowd.
Fall dead outright.


The old man sees toward his brandished bells
The climbing fire
With hands of boiling gold stretch nigher.


The steeple
Looks like a thicket of crimson bushes,
With here a branch of flame that rushes
Darting the belfry boards between;
Convulsed and savage flames, they cling,
With curves that plant-like curl and lean.
Round every joist, round every pulley,
And monumental beams, whence ring
The bells, that voice forth frenzied folly.


His fear and anguish spent, the ringer
Sounds his own knell
On his ruined bell.


A final crash,
All dust and plaster in one grey flash,
Cleaves the whole steeple's height in pieces;
And like some great cry slain, it ceases
All on a sudden, the knell's dull rage.
The ancient tower
Seems sudden to lean and darkly lower;
While with heavy thuds, as from stage to stage
They headlong bound.
The bells are heard
Plunging and crashing towards the ground.


But yet the old ringer has never stirred.
And, scooping the moist earth out, the bell
Was thus his coffin, and grave as well.


Written by Andrew Barton Paterson | Create an image from this poem

Shearing With a Hoe

 The track that led to Carmody's is choked and overgrown, 
The suckers of the stringybark have made the place their own; 
The mountain rains have cut the track that once we used to know 
When first we rode to Carmody's, a score of years ago.
The shearing shed at Carmody's was slab and stringybark, The press was just a lever beam, invented in the Ark; But Mrs Carmody was cook -- and shearers' hearts would glow With praise of grub at Carmody's, a score of years ago.
At shearing time no penners-up would curse their fate and weep, For Fragrant Fred -- the billy-goat -- was trained to lead the sheep; And racing down the rattling chutes the bleating mob would go Behind their horned man from Cook's, a score of years ago.
An owner of the olden time, his patriarchal shed Was innocent of all machines or gadgets overhead: And pieces, locks and super-fleece together used to go To fill the bales at Carmody's, a score of years ago.
A ringer from the western sheds, whose fame was wide and deep, Was asked to take a vacant pen and shear a thousand sheep.
"Of course, we've only got the blades!" "Well, what I want to know: Why don't you get a bloke to take it off 'em with a hoe?"

Book: Reflection on the Important Things