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Best Famous Riley Poems

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Written by James Whitcomb Riley | Create an image from this poem

Liberty

 New Castle, July 4, 1878

or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.

Away far out on the gulf of years--
Misty and faint and white
Through the fogs of wrong--a sail appears,
And the Mayflower heaves in sight,
And drifts again, with its little flock
Of a hundred souls, on Plymouth Rock.

Do you see them there--as long, long since--
Through the lens of History;
Do you see them there as their chieftain prints
In the snow his bended knee,
And lifts his voice through the wintry blast
In thanks for a peaceful home at last?

Though the skies are dark and the coast is bleak,
And the storm is wild and fierce,
Its frozen flake on the upturned cheek
Of the Pilgrim melts in tears,
And the dawn that springs from the darkness there
Is the morning light of an answered prayer.

The morning light of the day of Peace
That gladdens the aching eyes,
And gives to the soul that sweet release
That the present verifies,--
Nor a snow so deep, nor a wind so chill
To quench the flame of a freeman's will!

II

Days of toil when the bleeding hand
Of the pioneer grew numb,
When the untilled tracts of the barren land
Where the weary ones had come
Could offer nought from a fruitful soil
To stay the strength of the stranger's toil.

Days of pain, when the heart beat low,
And the empty hours went by
Pitiless, with the wail of woe
And the moan of Hunger's cry--
When the trembling hands upraised in prayer
Had only the strength to hold them there.

Days when the voice of hope had fled--
Days when the eyes grown weak
Were folded to, and the tears they shed
Were frost on a frozen cheek--
When the storm bent down from the skies and gave
A shroud of snow for the Pilgrim's grave.

Days at last when the smiling sun
Glanced down from a summer sky,
And a music rang where the rivers run,
And the waves went laughing by;
And the rose peeped over the mossy bank
While the wild deer stood in the stream and drank.

And the birds sang out so loud and good,
In a symphony so clear
And pure and sweet that the woodman stood
With his ax upraised to hear,
And to shape the words of the tongue unknown
Into a language all his own--


1

'Sing! every bird, to-day!
Sing for the sky so clear,
And the gracious breath of the atmosphere
Shall waft our cares away.
Sing! sing! for the sunshine free;
Sing through the land from sea to sea;
Lift each voice in the highest key
And sing for Liberty!'


2

'Sing for the arms that fling
Their fetters in the dust
And lift their hands in higher trust
Unto the one Great King;
Sing for the patriot heart and hand;
Sing for the country they have planned;
Sing that the world may understand
This is Freedom's land!'


3

'Sing in the tones of prayer,
Sing till the soaring soul
Shall float above the world's control
In freedom everywhere!
Sing for the good that is to be,
Sing for the eyes that are to see
The land where man at last is free,
O sing for liberty!'

III

A holy quiet reigned, save where the hand
Of labor sent a murmur through the land,
And happy voices in a harmony
Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled
A breathing incense to the other world.
A land of languor from the sun of noon,
That fainted slowly to the pallid moon,
Till stars, thick-scattered in the garden-land
Of Heaven by the great Jehovah's hand,
Had blossomed into light to look upon
The dusky warrior with his arrow drawn,
As skulking from the covert of the night
With serpent cunning and a fiend's delight,
With murderous spirit, and a yell of hate
The voice of Hell might tremble to translate:
When the fond mother's tender lullaby
Went quavering in shrieks all suddenly,
And baby-lips were dabbled with the stain
Of crimson at the bosom of the slain,
And peaceful homes and fortunes ruined--lost
In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife,
Our country struggled into stronger life;
Till colonies, like footprints in the sand,
Marked Freedom's pathway winding through the land--
And not the footprints to be swept away
Before the storm we hatched in Boston Bay,--
But footprints where the path of war begun
That led to Bunker Hill and Lexington,--
For he who "dared to lead where others dared
To follow" found the promise there declared
Of Liberty, in blood of Freedom's host
Baptized to Father, Son, and Holy Ghost!

Oh, there were times when every patriot breast
Was riotous with sentiments expressed
In tones that swelled in volume till the sound
Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears
Brimmed o'er as all the misty doubts and fears
Were washed away, and Hope with gracious mien,
Reigned from her throne again a sovereign queen.
Until at last, upon a day like this
When flowers were blushing at the summer's kiss,
And when the sky was cloudless as the face
Of some sweet infant in its angel grace,--
There came a sound of music, thrown afloat
Upon the balmy air--a clanging note
Reiterated from the brazen throat
Of Independence Bell: A sound so sweet,
The clamoring throngs of people in the streets
Were stilled as at the solemn voice of prayer,
And heads were bowed, and lips were moving there
That made no sound--until the spell had passed,
And then, as when all sudden comes the blast
Of some tornado, came the cheer on cheer
Of every eager voice, while far and near
The echoing bells upon the atmosphere
Set glorious rumors floating, till the ear
Of every listening patriot tingled clear,
And thrilled with joy and jubilee to hear.

I

'Stir all your echoes up,
O Independence Bell,
And pour from your inverted cup
The song we love so well.

'Lift high your happy voice,
And swing your iron tongue
Till syllables of praise rejoice
That never yet were sung.

'Ring in the gleaming dawn
Of Freedom--Toll the knell
Of Tyranny, and then ring on,
O Independence Bell.--

'Ring on, and drown the moan,
Above the patriot slain,
Till sorrow's voice shall catch the tone
And join the glad refrain.

'Ring out the wounds of wrong
And rankle in the breast;
Your music like a slumber-song
Will lull revenge to rest.

'Ring out from Occident
To Orient, and peal
From continent to continent
The mighty joy you feel.

'Ring! Independence Bell!
Ring on till worlds to be
Shall listen to the tale you tell
Of love and Liberty!'

IV

O Liberty--the dearest word
A bleeding country ever heard,--
We lay our hopes upon thy shrine
And offer up our lives for thine.
You gave us many happy years
Of peace and plenty ere the tears
A mourning country wept were dried
Above the graves of those who died
Upon thy threshold. And again
When newer wars were bred, and men
Went marching in the cannon's breath
And died for thee and loved the death,
While, high above them, gleaming bright,
The dear old flag remained in sight,
And lighted up their dying eyes
With smiles that brightened paradise.
O Liberty, it is thy power
To gladden us in every hour
Of gloom, and lead us by thy hand
As little children through a land
Of bud and blossom; while the days
Are filled with sunshine, and thy praise
Is warbled in the roundelays
Of joyous birds, and in the song
Of waters, murmuring along
The paths of peace, whose flowery fringe
Has roses finding deeper tinge
Of crimson, looking on themselves
Reflected--leaning from the shelves
Of cliff and crag and mossy mound
Of emerald splendor shadow-drowned.--
We hail thy presence, as you come
With bugle blast and rolling drum,
And booming guns and shouts of glee
Commingled in a symphony
That thrills the worlds that throng to see
The glory of thy pageantry.
0And with thy praise, we breathe a prayer
That God who leaves you in our care
May favor us from this day on
With thy dear presence--till the dawn
Of Heaven, breaking on thy face,
Lights up thy first abiding place.


Written by James Whitcomb Riley | Create an image from this poem

A Parting Guest

 What delightful hosts are they -- 
      Life and Love! 
Lingeringly I turn away, 
      This late hour, yet glad enough 
They have not withheld from me 
      Their high hospitality. 
So, with face lit with delight 
      And all gratitude, I stay 
      Yet to press their hands and say, 
"Thanks. -- So fine a time! Good night."
Written by Barry Tebb | Create an image from this poem

In Harm's Way

 I was never a film buff, give me Widmark and Wayne any day

Saturday matin?es with Margaret Gardener still hold sway

As my memory veers backwards this temperate Boxing Day-

Westerns and war films and a blurred Maigret,

Coupled with a worn-out sixties Penguin Mallarm?-

How about that mix for a character trait?

Try as I may I can’t get my head round the manifold virtues

Of Geraldine Monk or either Riley

Poetry has to have a meaning, not just patterns on a page,

Vertical words and snips of scores just make me rage.

Is Thom Gunn really the age-old sleaze-weasel Andrew Duncan says?

Is Tim Allen right to give Geraldine Monk an eleven page review?

At least they care for poetry to give their lives to it

As we do, too.

My syntax far from perfect, my writing illegible

But somehow I’ll get through, Bloodaxe and Carcourt 

May jeer but an Indian printer’s busy with my ‘Collected’

And, Calcutta typesetters permitting, it will be out this year

With the red gold script of sari cloth on the spine

And **** those dusty grey contemporary voices

Those verses will be mine.

Haslam’s a whole lot better but touchy as a prima donna

And couldn’t take it when I said he’d be a whole lot better

If he’d unloose his affects and let them scatter

I’m envious of his habitat, The Haworth Moors

Living there should be the inspiration of my old age

But being monophobic I can’t face the isolation

Or persuade my passionate friend to join me.

What urban experiences can improve

Upon a cottage life with my own muse!
Written by James Whitcomb Riley | Create an image from this poem

The Raggedy Man

 O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed -- an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen -- ef our hired girl says he can --
He milks the cow fer 'Lizabuth Ann. --
 Ain't he a' awful good Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


W'y, The Raggedy Man -- he's ist so good,
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do. --
He clumbed clean up in our big tree
An' shooked a' apple down fer me --
An' 'nother 'n', too, fer 'Lizabuth Ann --
An' 'nother 'n', too, fer The Raggedy Man. --
 Ain't he a' awful kind Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


An' The Raggedy Man one time say he
Pick' roast' rambos from a' orchurd-tree,
An' et 'em -- all ist roast' an' hot! --
An' it's so, too! -- 'cause a corn-crib got
Afire one time an' all burn' down
On "The Smoot Farm," 'bout four mile from town --
On "The Smoot Farm"! Yes -- an' the hired han'
'At worked there nen 'uz The Raggedy Man! --
 Ain't he the beatin'est Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


The Raggedy Man's so good an' kind
He'll be our "horsey," an' "haw" an' mind
Ever'thing 'at you make him do --
An' won't run off -- 'less you want him to!
I drived him wunst way down our lane
An' he got skeered, when it 'menced to rain,
An' ist rared up an' squealed and run
Purt' nigh away! -- an' it's all in fun!
Nen he skeered ag'in at a' old tin can ...
 Whoa! y' old runaway Raggedy Man!
 Raggedy! Raggedy! Raggedy Man!


An' The Raggedy Man, he knows most rhymes,
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers the'rselves:
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
Er Ma, er Pa, er The Raggedy Man!
 Ain't he a funny old Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


An' wunst, when The Raggedy Man come late,
An' pigs ist root' thue the garden-gate,
He 'tend like the pigs 'uz bears an' said,
"Old Bear-shooter'll shoot 'em dead!"
An' race' an' chase' 'em, an' they'd ist run
When he pint his hoe at 'em like it's a gun
An' go "Bang! -- Bang!" nen 'tend he stan'
An' load up his gun ag'in! Raggedy Man!
 He's an old Bear-shooter Raggedy Man!
 Raggedy! Raggedy! Raggedy Man!


An' sometimes The Raggedy Man lets on
We're little prince-children, an' old King's gone
To git more money, an' lef' us there --
And Robbers is ist thick ever'where;
An' nen -- ef we all won't cry, fer shore --
The Raggedy Man he'll come and "'splore
The Castul-halls," an' steal the "gold" --
An' steal us, too, an' grab an' hold
An' pack us off to his old "Cave"! -- An'
 Haymow's the "cave" o' The Raggedy Man! --
 Raggedy! Raggedy! Raggedy Man!


The Raggedy Man -- one time, when he
Wuz makin' a little bow-'n'-orry fer me,
Says "When you're big like your Pa is,
Air you go' to keep a fine store like his --
An' be a rich merchunt -- an' wear fine clothes? --
Er what air you go' to be, goodness knows?"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man! --
 I'm ist go' to be a nice Raggedy Man!"
 Raggedy! Raggedy! Raggedy Man!
Written by James Whitcomb Riley | Create an image from this poem

A Song of the Road

 O I will walk with you, my lad, whichever way you fare, 
You'll have me, too, the side o' you, with heart as light as air; 
No care for where the road you take's a-leadin' anywhere,-- 
It can but be a joyful ja'nt whilst you journey there. 
The road you take's the path o' love, an' that's the bridth o' two-- 
An' I will walk with you, my lad -- O I will walk with you.

Ho! I will walk with you, my lad, 
Be weather black or blue 
Or roadsides frost or dew, my lad -- 
O I will walk with you.

Aye, glad, my lad, I'll walk with you, whatever winds may blow, 
Or summer blossoms stay our steps, or blinding drifts of snow; 
The way thay you set face an' foot 's the way that I will go, 
An' brave I'll be, abreast o' ye, the Saints and Angels know! 
With loyal hand in loyal hand, an' one heart made o' two, 
Through summer's gold, or winter's cold, It's I will walk with you.

Sure, I will walk with you, my lad, 
A love ordains me to,-- 
To Heaven's door, an' through, my lad. 
O I will walk with you.


Written by James Whitcomb Riley | Create an image from this poem

The Merman

 I

Who would be
A merman bold,
Sitting alone
Singing alone
Under the sea,
With a crown of gold,
On a throne?

II

I would be a merman bold,
I would sit and sing the whole of the day;
I would fill the sea-halls with a voice of power;
But at night I would roam abroad and play
With the mermaids in and out of the rocks,
Dressing their hair with the white sea-flower;
And holding them back by their flowing locks
I would kiss them often under the sea,
And kiss them again till they kiss'd me
 Laughingly, laughingly;
And then we would wander away, away,
To the pale-green sea-groves straight and high,
 Chasing each other merrily.

III

There would be neither moon nor star;
But the wave would make music above us afar --
Low thunder and light in the magic night --
 Neither moon nor star.
We would call aloud in the dreamy dells,
Call to each other and whoop and cry
 All night, merrily, merrily.
They would pelt me with starry spangles and shells,
Laughing and clapping their hands between,
 All night, merrily, merrily,
But I would throw to them back in mine
Turkis and agate and almondine;
Then leaping out upon them unseen
I would kiss them often under the sea,
And kiss them again till they kiss'd me
 Laughingly, laughingly.
O, what a happy life where mine
Under the hollow-hung ocean green!
Soft are the moss-beds under the sea;
We would live merrily, merrily.
Written by Robert William Service | Create an image from this poem

The Ballad Of Touch-The-Button Nell

 Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep...

 * * * * * * * * * * *

They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.

Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.

"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.

He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.

"And do you love me true?" she cried. "I love you as my life."
"How can you prove your love?" she sighed. "I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.

"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground. When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring."

So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.

 * * * * * * * * * * *

Now like all others of her ilk, the lady had a friend,
And what she made my way of trade, she gave to him to spend;
To stake him in a poker game, or pay his bar-room score;
He was a pimp from Paris. and his name was Lew Lamore.

And so as Dooleyvitch went forth and worked as he was bid,
And wrested from the frozen muck the yellow stuff it hid,
And brought it to his Lady Nell, she gave him love galore -
But handed over all her gains to festive Lew Lamore.

 * * * * * * * * * * *

A year had gone, a weary year of strain and bloody sweat;
Of pain and hurt in dark and dirt, of fear that she forget.
He sought once more her cabin door: "I've laboured like a beast;
But now, dear one, the time has come to go before the priest.

"I've brought you gold - a hundred fold I'll bring you bye and bye;
But oh I want you, want you bad; I want you till I die.
Come, quit this life with evil rife - we'll joy while yet we can..."
"I may not wed with you," she said; "I love another man.

"I love him and I hate him so. He holds me in a spell.
He beats me - see my bruisèd brest; he makes my life a hell.
He bleeds me, as by sin and shame I earn my daily bread:
Oh cruel Fate, I cannot mate till Lew Lamore is dead!"

 * * * * * * * * * * *

The long lean flume streaked down the hill, five hundred feet of fall;
The waters in the dam above chafed at their prison wall;
They surged and swept, they churned and leapt, with savage glee and strife;
With spray and spume the dizzy flume thrilled like a thing of life.

"We must be free," the waters cried, and scurried down the slope;
"No power can hold us back," they roared, and hurried in their hope.
Into a mighty pipe they plunged, like maddened steers they ran,
And crashed out through a shard of steel - to serve the will of Man.

And there, by hydraulicking his ground beside a bedrock ditch,
With eye aflame and savage aim was Riley Dooleyvitch.
In long hip-boots and overalls, and dingy denim shirt,
Behind a giant monitor he pounded at the dirt.

A steely shaft of water shot, and smote the face of clay;
It burrowed in the frozen muck, and scooped the dirt away;
It gored the gravel from its bed, it bellowed like a bull;
It hurled the heavy rock aloft like heaps of fleecy wool.

Strength of a hundred men was there, resistess might and skill,
And only Riley Dooleyvitch to swing it at his will.
He played it up, he played it down, nigh deafened by its roar,
'Til suddenly he raised his eyes, and there stood Lew Lamore.

Pig-eyed and heavy jowled he stood and puffed a big cigar;
As cool as though he ruled the roost in some Montmartre bar.
He seemed to say, "I've got a cinch, a double diamond hitch:
I'll skin this Muscovitish oaf, this Riley Dooleyvitch.

He shouted: "Stop ze water gun; it stun me... Sacré damn!
I like to make one beezness deal; you know ze man I am.
Zat leetle girl, she loves me so - I tell you what I do:
You geeve to me zees claim... Jeecrize! I geeve zat girl to you."

"I'll see you damned," says Dooleyvitch; but e'er he checked his tongue,
(It may have been an accident) the little Giant swung;
Swift as a lightning flash it swung, until it plumply bore
And met with an obstruction in the shape of Lew lamore.

It caught him up, and spun him round, and tossed him like a ball;
It played and pawed him in the air, before it let him fall.
Then just to show what it could do, with savage rend and thud,
It ripped the entrails from his spine, and dropped him in the mud.

They gathered up the broken bones, and sadly in a sack,
They bore to town the last remains of Lew Lamore, the macque.
And would you hear the full details of how it all befell,
Ask Missis Riley Dooleyvitch (late Touch-the-Button Nell).
Written by James Whitcomb Riley | Create an image from this poem

Little Orphant Annie

 INSCRIBED WITH ALL FAITH AND AFFECTION

To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.

Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board-an'-keep;
An' all us other childern, when the supper-things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!

Wunst they wuz a little boy wouldn't say his prayers,--
An' when he went to bed at night, away up-stairs,
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kivvers down, he wuzn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'-wheres, I guess;
But all they ever found wuz thist his pants an' roundabout:--
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!

An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' wunst, when they was "company," an' ole folks wuz there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They wuz two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!

An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parunts, an' yer teachurs fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
Written by James Whitcomb Riley | Create an image from this poem

Knee-Deep in June

 Tell you what I like the best -- 
'Long about knee-deep in June, 
'Bout the time strawberries melts 
On the vine, -- some afternoon 
Like to jes' git out and rest, 
And not work at nothin' else! 

Orchard's where I'd ruther be -- 
Needn't fence it in fer me! -- 
Jes' the whole sky overhead, 
And the whole airth underneath -- 
Sort o' so's a man kin breathe 
Like he ort, and kind o' has 
Elbow-room to keerlessly 
Sprawl out len'thways on the grass 
Where the shadders thick and soft 
As the kivvers on the bed 
Mother fixes in the loft 
Allus, when they's company! 

Jes' a-sort o' lazin there - 
S'lazy, 'at you peek and peer 
Through the wavin' leaves above, 
Like a feller 'ats in love 
And don't know it, ner don't keer! 
Ever'thing you hear and see 
Got some sort o' interest - 
Maybe find a bluebird's nest 
Tucked up there conveenently 
Fer the boy 'at's ap' to be 
Up some other apple tree! 
Watch the swallers skootin' past 
Bout as peert as you could ast; 
Er the Bob-white raise and whiz 
Where some other's whistle is. 

Ketch a shadder down below, 
And look up to find the crow -- 
Er a hawk, - away up there, 
'Pearantly froze in the air! -- 
Hear the old hen squawk, and squat 
Over ever' chick she's got, 
Suddent-like! - and she knows where 
That-air hawk is, well as you! -- 
You jes' bet yer life she do! -- 
Eyes a-glitterin' like glass, 
Waitin' till he makes a pass! 

Pee-wees wingin', to express 
My opinion, 's second-class, 
Yit you'll hear 'em more er less; 
Sapsucks gittin' down to biz, 
Weedin' out the lonesomeness; 
Mr. Bluejay, full o' sass, 
In them baseball clothes o' his, 
Sportin' round the orchad jes' 
Like he owned the premises! 
Sun out in the fields kin sizz, 
But flat on yer back, I guess, 
In the shade's where glory is! 
That's jes' what I'd like to do 
Stiddy fer a year er two! 

Plague! Ef they ain't somepin' in 
Work 'at kind o' goes ag'in' 
My convictions! - 'long about 
Here in June especially! -- 
Under some ole apple tree, 
Jes' a-restin through and through, 
I could git along without 
Nothin' else at all to do 
Only jes' a-wishin' you 
Wuz a-gittin' there like me, 
And June wuz eternity! 

Lay out there and try to see 
Jes' how lazy you kin be! -- 
Tumble round and souse yer head 
In the clover-bloom, er pull 
Yer straw hat acrost yer eyes 
And peek through it at the skies, 
Thinkin' of old chums 'ats dead, 
Maybe, smilin' back at you 
In betwixt the beautiful 
Clouds o'gold and white and blue! -- 
Month a man kin railly love -- 
June, you know, I'm talkin' of! 

March ain't never nothin' new! -- 
April's altogether too 
Brash fer me! and May -- I jes' 
'Bominate its promises, -- 
Little hints o' sunshine and 
Green around the timber-land -- 
A few blossoms, and a few 
Chip-birds, and a sprout er two, -- 
Drap asleep, and it turns in 
Fore daylight and snows ag'in! -- 
But when June comes - Clear my th'oat 
With wild honey! -- Rench my hair 
In the dew! And hold my coat! 
Whoop out loud! And th'ow my hat! -- 
June wants me, and I'm to spare! 
Spread them shadders anywhere, 
I'll get down and waller there, 
And obleeged to you at that!
Written by James Whitcomb Riley | Create an image from this poem

The Willow

 Who shall sing a simple ditty about the Willow, 
Dainty-fine and delicate as any bending spray 
That dandles high the dainty bird that flutters there to trill a 
Tremulously tender song of greeting to the May.

Bravest, too, of all the trees! -- none to match your daring,-- 
First of greens to greet the Spring and lead in leafy sheen;-- 
Aye, and you're the last -- almost into winter wearing 
Still the leaf of loyalty -- still the badge of green.

Ah, my lovely willow! --let the waters lilt your graces,-- 
They alone with limped kisses lave your leaves above, 
Flashing back your silvan beauty, and in shady places 
Peering up with glimmering pebbles, like the eyes of love.

Book: Reflection on the Important Things