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Best Famous Richness Poems

Here is a collection of the all-time best famous Richness poems. This is a select list of the best famous Richness poetry. Reading, writing, and enjoying famous Richness poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of richness poems.

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Written by Elinor Wylie | Create an image from this poem

Wild Peaches

 1

When the world turns completely upside down 
You say we'll emigrate to the Eastern Shore 
Aboard a river-boat from Baltimore; 
We'll live among wild peach trees, miles from town, 
You'll wear a coonskin cap, and I a gown 
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor, We'll swim in milk and honey till we drown.
The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot.
2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold; The little puddles will be roofed with glass.
The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter's over.
By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear.
3 When April pours the colours of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird's beak, We shall live well -- we shall live very well.
The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We'll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback.
4 Down to the Puritan marrow of my bones There's something in this richness that I hate.
I love the look, austere, immaculate, Of landscapes drawn in pearly monotones.
There's something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom's breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.


Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of Sigmund Freud


When there are so many we shall have to mourn,
when grief has been made so public, and exposed
to the critique of a whole epoch
the frailty of our conscience and anguish,
of whom shall we speak? For every day they die
among us, those who were doing us some good,
who knew it was never enough but
hoped to improve a little by living.
Such was this doctor: still at eighty he wished
to think of our life from whose unruliness
so many plausible young futures
with threats or flattery ask obedience,
but his wish was denied him: he closed his eyes
upon that last picture, common to us all,
of problems like relatives gathered
puzzled and jealous about our dying.
For about him till the very end were still
those he had studied, the fauna of the night,
and shades that still waited to enter
the bright circle of his recognition
turned elsewhere with their disappointment as he
was taken away from his life interest
to go back to the earth in London,
an important Jew who died in exile.
Only Hate was happy, hoping to augment
his practice now, and his dingy clientele
who think they can be cured by killing
and covering the garden with ashes.
They are still alive, but in a world he changed
simply by looking back with no false regrets;
all he did was to remember
like the old and be honest like children.
He wasn't clever at all: he merely told
the unhappy Present to recite the Past
like a poetry lesson till sooner
or later it faltered at the line where
long ago the accusations had begun,
and suddenly knew by whom it had been judged,
how rich life had been and how silly,
and was life-forgiven and more humble,
able to approach the Future as a friend
without a wardrobe of excuses, without
a set mask of rectitude or an
embarrassing over-familiar gesture.
No wonder the ancient cultures of conceit
in his technique of unsettlement foresaw
the fall of princes, the collapse of
their lucrative patterns of frustration:
if he succeeded, why, the Generalised Life
would become impossible, the monolith
of State be broken and prevented
the co-operation of avengers.
Of course they called on God, but he went his way
down among the lost people like Dante, down
to the stinking fosse where the injured
lead the ugly life of the rejected,
and showed us what evil is, not, as we thought,
deeds that must be punished, but our lack of faith,
our dishonest mood of denial,
the concupiscence of the oppressor.
If some traces of the autocratic pose,
the paternal strictness he distrusted, still
clung to his utterance and features,
it was a protective coloration
for one who'd lived among enemies so long:
if often he was wrong and, at times, absurd,
to us he is no more a person
now but a whole climate of opinion
under whom we conduct our different lives:
Like weather he can only hinder or help,
the proud can still be proud but find it
a little harder, the tyrant tries to
make do with him but doesn't care for him much:
he quietly surrounds all our habits of growth
and extends, till the tired in even
the remotest miserable duchy
have felt the change in their bones and are cheered
till the child, unlucky in his little State,
some hearth where freedom is excluded,
a hive whose honey is fear and worry,
feels calmer now and somehow assured of escape,
while, as they lie in the grass of our neglect,
so many long-forgotten objects
revealed by his undiscouraged shining
are returned to us and made precious again;
games we had thought we must drop as we grew up,
little noises we dared not laugh at,
faces we made when no one was looking.
But he wishes us more than this.
To be free
is often to be lonely.
He would unite
the unequal moieties fractured
by our own well-meaning sense of justice,
would restore to the larger the wit and will
the smaller possesses but can only use
for arid disputes, would give back to
the son the mother's richness of feeling:
but he would have us remember most of all
to be enthusiastic over the night,
not only for the sense of wonder
it alone has to offer, but also
because it needs our love.
With large sad eyes
its delectable creatures look up and beg
us dumbly to ask them to follow:
they are exiles who long for the future
that lives in our power, they too would rejoice
if allowed to serve enlightenment like him,
even to bear our cry of 'Judas',
as he did and all must bear who serve it.
One rational voice is dumb.
Over his grave
the household of Impulse mourns one dearly loved:
sad is Eros, builder of cities,
and weeping anarchic Aphrodite.
Written by Sylvia Plath | Create an image from this poem

Lorelei

 It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,

The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,

The massive castle turrets
Doubling themselves in a glass
All stillness.
Yet these shapes float Up toward me, troubling the face Of quiet.
From the nadir They rise, their limbs ponderous With richness, hair heavier Than sculptured marble.
They sing Of a world more full and clear Than can be.
Sisters, your song Bears a burden too weighty For the whorled ear's listening Here, in a well-steered country, Under a balanced ruler.
Deranging by harmony Beyond the mundane order, Your voices lay siege.
You lodge On the pitched reefs of nightmare, Promising sure harborage; By day, descant from borders Of hebetude, from the ledge Also of high windows.
Worse Even than your maddening Song, your silence.
At the source Of your ice-hearted calling -- Drunkenness of the great depths.
O river, I see drifting Deep in your flux of silver Those great goddesses of peace.
Stone, stone, ferry me down there.
Written by Walt Whitman | Create an image from this poem

Longings for Home

 O MAGNET-SOUTH! O glistening, perfumed South! My South! 
O quick mettle, rich blood, impulse, and love! Good and evil! O all dear to me! 
O dear to me my birth-things—All moving things, and the trees where I was
 born—the
 grains,
 plants, rivers; 
Dear to me my own slow sluggish rivers where they flow, distant, over flats of silvery
 sands,
 or
 through swamps; 
Dear to me the Roanoke, the Savannah, the Altamahaw, the Pedee, the Tombigbee, the Santee,
 the
 Coosa, and the Sabine;
O pensive, far away wandering, I return with my Soul to haunt their banks again; 
Again in Florida I float on transparent lakes—I float on the Okeechobee—I cross
 the
 hummock land, or through pleasant openings, or dense forests; 
I see the parrots in the woods—I see the papaw tree and the blossoming titi; 
Again, sailing in my coaster, on deck, I coast off Georgia—I coast up the Carolinas, 
I see where the live-oak is growing—I see where the yellow-pine, the scented
 bay-tree, the
 lemon and orange, the cypress, the graceful palmetto;
I pass rude sea-headlands and enter Pamlico Sound through an inlet, and dart my vision
 inland; 
O the cotton plant! the growing fields of rice, sugar, hemp! 
The cactus, guarded with thorns—the laurel-tree, with large white flowers; 
The range afar—the richness and barrenness—the old woods charged with mistletoe
 and
 trailing moss, 
The piney odor and the gloom—the awful natural stillness, (Here in these dense swamps
 the
 freebooter carries his gun, and the fugitive slave has his conceal’d hut;)
O the strange fascination of these half-known, half-impassable swamps, infested by
 reptiles,
 resounding with the bellow of the alligator, the sad noises of the night-owl and the
 wild-cat,
 and
 the whirr of the rattlesnake; 
The mocking-bird, the American mimic, singing all the forenoon—singing through the
 moon-lit
 night, 
The humming-bird, the wild turkey, the raccoon, the opossum; 
A Tennessee corn-field—the tall, graceful, long-leav’d corn—slender,
 flapping,
 bright
 green with tassels—with beautiful ears, each well-sheath’d in its husk; 
An Arkansas prairie—a sleeping lake, or still bayou;
O my heart! O tender and fierce pangs—I can stand them not—I will depart; 
O to be a Virginian, where I grew up! O to be a Carolinian! 
O longings irrepressible! O I will go back to old Tennessee, and never wander more!
Written by The Bible | Create an image from this poem

Colossians 3:16-17

May the word of Jesus Christ
Make its home in your hearts
And dwell in all its richness,
Permeating every part
So you may have His wisdom
In teaching one another
What you have learned from Him
Shared with sisters and brothers
And we will sing a new song
When His Holy Spirit comes in,
Making melody in our hearts
With spiritual songs and hymns
And whatever you may do
In word, thought or deed,
Do everything in the name of Jesus
Giving praise unto thee.

Scripture Poem © Copyright Of M.
S.
Lowndes


Written by Henry David Thoreau | Create an image from this poem

The Summer Rain

 My books I'd fain cast off, I cannot read, 
'Twixt every page my thoughts go stray at large 
Down in the meadow, where is richer feed, 
And will not mind to hit their proper targe.
Plutarch was good, and so was Homer too, Our Shakespeare's life were rich to live again, What Plutarch read, that was not good nor true, Nor Shakespeare's books, unless his books were men.
Here while I lie beneath this walnut bough, What care I for the Greeks or for Troy town, If juster battles are enacted now Between the ants upon this hummock's crown? Bid Homer wait till I the issue learn, If red or black the gods will favor most, Or yonder Ajax will the phalanx turn, Struggling to heave some rock against the host.
Tell Shakespeare to attend some leisure hour, For now I've business with this drop of dew, And see you not, the clouds prepare a shower-- I'll meet him shortly when the sky is blue.
This bed of herd's grass and wild oats was spread Last year with nicer skill than monarchs use.
A clover tuft is pillow for my head, And violets quite overtop my shoes.
And now the cordial clouds have shut all in, And gently swells the wind to say all's well; The scattered drops are falling fast and thin, Some in the pool, some in the flower-bell.
I am well drenched upon my bed of oats; But see that globe come rolling down its stem, Now like a lonely planet there it floats, And now it sinks into my garment's hem.
Drip drip the trees for all the country round, And richness rare distills from every bough; The wind alone it is makes every sound, Shaking down crystals on the leaves below.
For shame the sun will never show himself, Who could not with his beams e'er melt me so; My dripping locks--they would become an elf, Who in a beaded coat does gayly go.
Written by Frank Bidart | Create an image from this poem

Herbert White

 "When I hit her on the head, it was good,

and then I did it to her a couple of times,--
but it was funny,--afterwards,
it was as if somebody else did it .
.
.
Everything flat, without sharpness, richness or line.
Still, I liked to drive past the woods where she lay, tell the old lady and the kids I had to take a piss, hop out and do it to her .
.
.
The whole buggy of them waiting for me made me feel good; but still, just like I knew all along, she didn't move.
When the body got too discomposed, I'd just jack off, letting it fall on her .
.
.
--It sounds crazy, but I tell you sometimes it was beautiful--; I don't know how to say it, but for a miute, everything was possible--; and then, then,-- well, like I said, she didn't move: and I saw, under me, a little girl was just lying there in the mud: and I knew I couldn't have done that,-- somebody else had to have done that,-- standing above her there, in those ordinary, shitty leaves .
.
.
--One time, I went to see Dad in a motel where he was staying with a woman; but she was gone; you could smell the wine in the air; and he started, real embarrassing, to cry .
.
.
He was still a little drunk, and asked me to forgive him for all he hasn't done--; but, What the ****? Who would have wanted to stay with Mom? with bastards not even his own kids? I got in the truck, and started to drive and saw a little girl-- who I picked up, hit on the head, and screwed, and screwed, and screwed, and screwed, then buried, in the garden of the motel .
.
.
--You see, ever since I was a kid I wanted to feel things make sense: I remember looking out the window of my room back home,-- and being almost suffocated by the asphalt; and grass; and trees; and glass; just there, just there, doing nothing! not saying anything! filling me up-- but also being a wall; dead, and stopping me; --how I wanted to see beneath it, cut beneath it, and make it somehow, come alive .
.
.
The salt of the earth; Mom once said, 'Man's ***** is the salt of the earth .
.
.
' --That night, at that Twenty-nine Palms Motel I had passed a million times on the road, everything fit together; was alright; it seemed like everything had to be there, like I had spent years trying, and at last finally finished drawing this huge circle .
.
.
--But then, suddenly I knew somebody else did it, some bastard had hurt a little girl--; the motel I could see again, it had been itself all the time, a lousy pile of bricks, plaster, that didn't seem to have to be there,--but was, just by chance .
.
.
--Once, on the farm, when I was a kid, I was screwing a goat; and the rope around his neck when he tried to get away pulled tight;--and just when I came, he died .
.
.
I came back the next day; jacked off over his body; but it didn't do any good .
.
.
Mom once said: 'Man's ***** is the salt of the earth, and grows kids.
' I tried so hard to come; more pain than anything else; but didn't do any good .
.
.
--About six months ago, I heard Dad remarried, so I drove over to Connecticut to see him and see if he was happy.
She was twenty-five years younger than him: she had lots of little kids, and I don't know why, I felt shaky .
.
.
I stopped in front of the address; and snuck up to the window to look in .
.
.
--There he was, a kid six months old on his lap, laughing and bouncing the kid, happy in his old age to play the papa after years of sleeping around,-- it twisted me up .
.
.
To think that what he wouldn't give me, he wanted to give them .
.
.
I could have killed the bastard .
.
.
--Naturally, I just got right back in the car, and believe me, was determined, determined, to head straight for home .
.
.
but the more I drove, I kept thinking about getting a girl, and the more I thought I shouldn't do it, the more I had to-- I saw her coming out of the movies, saw she was alone, and kept circling the blocks as she walked along them, saying, 'You're going to leave her alone.
' 'You're going to leave her alone.
' --The woods were scary! As the seasons changed, and you saw more and more of the skull show through, the nights became clearer, and the buds,--erect, like nipples .
.
.
--But then, one night, nothing worked .
.
.
Nothing in the sky would blur like I wanted it to; and I couldn't, couldn't, get it to seem to me that somebody else did it .
.
.
I tried, and tried, but there was just me there, and her, and the sharp trees saying, "That's you standing there.
You're .
.
.
just you.
' I hope I fry.
--Hell came when I saw MYSELF .
.
.
and couldn't stand what I see .
.
.
"
Written by Kahlil Gibran | Create an image from this poem

Song of Fortune VI

 Man and I are sweethearts 
He craves me and I long for him, 
But alas! Between us has appeared 
A rival who brings us misery.
She is cruel and demanding, Possessing empty lure.
Her name is Substance.
She follows wherever we go And watches like a sentinel, bringing Restlessness to my lover.
I ask for my beloved in the forest, Under the trees, by the lakes.
I cannot find him, for Substance Has spirited him to the clamorous City and placed him on the throne Of quaking, metal riches.
I call for him with the voice of Knowledge and the song of Wisdom.
He does not hearken, for Substance Has enticed him into the dungeon Of selfishness, where avarice dwells.
I seek him in the field of Contentment, But I am alone, for my rival has Imprisoned him in the cave of gluttony And greed, and locked him there With painful chains of gold.
I call to him at dawn, when Nature smiles, But he does not hear, for excess has Laden his drugged eyes with sick slumber.
I beguile him at eventide, when Silence rules And the flowers sleep.
But he responds not, For his fear over what the morrow will Bring, shadows his thoughts.
He yearns to love me; He asks for me in this own acts.
But he Will find me not except in God's acts.
He seeks me in the edifices of his glory Which he has built upon the bones of others; He whispers to me from among His heaps of gold and silver; But he will find me only by coming to The house of Simplicity which God has built At the brink of the stream of affection.
He desires to kiss me before his coffers, But his lips will never touch mine except In the richness of the pure breeze.
He asks me to share with him his Fabulous wealth, but I will not forsake God's Fortune; I will not cast off my cloak of beauty.
He seeks deceit for medium; I seek only The medium of his heart.
He bruises his heart in his narrow cell; I would enrich his heart with all my love.
My beloved has learned how to shriek and Cry for my enemy, Substance; I would Teach him how to shed tears of affection And mercy from the eyes of his soul For all things, And utter sighs of contentment through Those tears.
Man is my sweetheart; I want to belong to him.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Spirit of Poetry

 There is a quiet spirit in these woods,
That dwells where'er the gentle south-wind blows;
Where, underneath the white-thorn, in the glade,
The wild flowers bloom, or, kissing the soft air,
The leaves above their sunny palms outspread.
With what a tender and impassioned voice It fills the nice and delicate ear of thought, When the fast ushering star of morning comes O'er-riding the gray hills with golden scarf; Or when the cowled and dusky-sandaled Eve, In mourning weeds, from out the western gate, Departs with silent pace! That spirit moves In the green valley, where the silver brook, From its full laver, pours the white cascade; And, babbling low amid the tangled woods, Slips down through moss-grown stones with endless laughter.
And frequent, on the everlasting hills, Its feet go forth, when it doth wrap itself In all the dark embroidery of the storm, And shouts the stern, strong wind.
And here, amid The silent majesty of these deep woods, lts presence shall uplift thy thoughts from earth, As to the sunshine and the pure, bright air Their tops the green trees lift.
Hence gifted bards Have ever loved the calm and quiet shades.
For them there was an eloquent voice in all The sylvan pomp of woods, the golden sun, The flowers, the leaves, the river on its way, Blue skies, and silver clouds, and gentle winds, The swelling upland, where the sidelong sun Aslant the wooded slope, at evening, goes, Groves, through whose broken roof the sky looks in, Mountain, and shattered cliff, and sunny vale, The distant lake, fountains, and mighty trees, In many a lazy syllable, repeating Their old poetic legends to the wind.
And this is the sweet spirit, that doth fill The world; and, in these wayward days of youth, My busy fancy oft embodies it, As a bright image of the light and beauty That dwell in nature; of the heavenly forms We worship in our dreams, and the soft hues That stain the wild bird's wing, and flush the clouds When the sun sets.
Within her tender eye The heaven of April, with its changing light, And when it wears the blue of May, is hung, And on her lip the rich, red rose.
Her hair Is like the summer tresses of the trees, When twilight makes them brown, and on her cheek Blushes the richness of an autumn sky, With ever-shifting beauty.
Then her breath, It is so like the gentle air of Spring, As, front the morning's dewy flowers, it comes Full of their fragrance, that it is a joy To have it round us, and her silver voice Is the rich music of a summer bird, Heard in the still night, with its passionate cadence.
Written by Francis Thompson | Create an image from this poem

Gilded Gold

 Thou dost to rich attire a grace,
To let it deck itself with thee,
And teachest pomp strange cunning ways
To be thought simplicity.
But lilies, stolen from grassy mold, No more curled state unfold Translated to a vase of gold; In burning throne though they keep still Serenities unthawed and chill.
Therefore, albeit thou'rt stately so, In statelier state thou us'dst to go.
Though jewels should phosphoric burn Through those night-waters of thine hair, A flower from its translucid urn Poured silver flame more lunar-fair.
These futile trappings but recall Degenerate worshippers who fall In purfled kirtle and brocade To 'parel the white Mother-Maid.
For, as her image stood arrayed In vests of its self-substance wrought To measure of the sculptor's thought - Slurred by those added braveries; So for thy spirit did devise Its Maker seemly garniture, Of its own essence parcel pure, - From grave simplicities a dress, And reticent demurenesses, And love encinctured with reserve; Which the woven vesture should subserve.
For outward robes in their ostents Should show the soul's habiliments.
Therefore I say,--Thou'rt fair even so, But better Fair I use to know.
The violet would thy dusk hair deck With graces like thine own unsought.
Ah! but such place would daze and wreck Its simple, lowly rustic thought.
For so advanced, dear, to thee, It would unlearn humility! Yet do not, with an altered look, In these weak numbers read rebuke; Which are but jealous lest too much God's master-piece thou shouldst retouch.
Where a sweetness is complete, Add not sweets unto the sweet! Or, as thou wilt, for others so In unfamiliar richness go; But keep for mine acquainted eyes The fashions of thy Paradise.

Book: Reflection on the Important Things