Written by
Mark Doty |
Today the Masons are auctioning
their discarded pomp: a trunk of turbans,
gemmed and ostrich-plumed, and operetta costumes
labeled inside the collar "Potentate"
and "Vizier." Here their chairs, blazoned
with the Masons' sign, huddled
like convalescents, lean against one another
on the grass. In a casket are rhinestoned poles
the hierophants carried in parades;
here's a splendid golden staff some ranking officer waved,
topped with a golden pyramid and a tiny,
inquisitive sphinx. No one's worn this stuff
for years, and it doesn't seem worth buying;
where would we put it? Still,
I want that staff. I used to love
to go to the library -- the smalltown brick refuge
of those with nothing to do, really,
'Carnegie' chiseled on the pediment
above columns that dwarfed an inconsequential street.
Embarrassed to carry the same book past
the water fountain's plaster centaurs
up to the desk again, I'd take
The Wonders of the World to the Reading Room
where Art and Industry met in the mural
on the dome. The room smelled like two decades
before I was born, when the name
carved over the door meant something.
I never read the second section,
"Wonders of the Modern World";
I loved the promise of my father's blueprints,
the unfulfilled turquoise schemes,
but in the real structures
you could hardly imagine a future.
I wanted the density of history,
which I confused with the smell of the book:
Babylon's ziggurat tropical with ferns,
engraved watercourses rippling;
the Colossus of Rhodes balanced
over the harbormouth on his immense ankles.
Athena filled one end of the Parthenon,
in an "artist's reconstruction",
like an adult in a dollhouse.
At Halicarnassus, Mausolus remembered himself
immensely, though in the book
there wasn't even a sketch,
only a picture of huge fragments.
In the pyramid's deep clockworks,
did the narrow tunnels mount toward
the eye of God? That was the year
photos were beamed back from space;
falling asleep I used to repeat a new word
to myself, telemetry, liking the way
it seemed to allude to something storied.
The earth was whorled marble,
at that distance. Even the stuck-on porticoes
and collonades downtown were narrative,
somehow, but the buildings my father engineered
were without stories. All I wanted
was something larger than our ordinary sadness --
greater not in scale but in context,
memorable, true to a proportioned,
subtle form. Last year I knew a student,
a half mad boy who finally opened his arms
with a razor, not because he wanted to die
but because he wanted to design something grand
on his own body. Once he said, When a child
realizes his parents aren't enough,
he turns to architecture.
I think I know what he meant.
Imagine the Masons parading,
one of them, in his splendid get-up,
striding forward with the golden staff,
above his head Cheops' beautiful shape --
a form we cannot separate
from the stories about the form,
even if we hardly know them,
even if it no longer signifies, if it only shines.
|
Written by
Charles Simic |
A New Version: 1980
What is that little black thing I see there
in the white?
Walt Whitman
One
Out of poverty
To begin again:
With the color of the bride
And that of blindness,
Touch what I can
Of the quick,
Speak and then wait,
As if this light
Will continue to linger
On the threshold.
All that is near,
I no longer give it a name.
Once a stone hard of hearing,
Once sharpened into a knife...
Now only a chill
Slipping through.
Enough glow to kneel by and ask
To be tied to its tail
When it goes marrying
Its cousins, the stars.
Is it a cloud?
If it's a cloud it will move on.
The true shape of this thought,
Migrant, waning.
Something seeks someone,
It bears him a gift
Of himself, a bit
Of snow to taste,
Glimpse of his own nakedness
By which to imagine the face.
On a late afternoon of snow
In a dim badly-aired grocery,
Where a door has just rung
With a short, shrill echo,
A little boy hands the old,
Hard-faced woman
Bending low over the counter,
A shiny nickel for a cupcake.
Now only that shine, now
Only that lull abides.
That your gaze
Be merciful,
Sister, bride
Of my first hopeless insomnia.
Kind nurse, show me
The place of salves.
Teach me the song
That makes a man rise
His glass at dusk
Until a star dances in it.
Who are you? Are you anybody
A moonrock would recognize?
There are words I need.
They are not near men.
I went searching.
Is this a deathmarch?
You bend me, bend me,
Oh toward what flower!
Little-known vowel,
Noose big for us all.
As strange as a shepherd
In the Arctic Circle.
Someone like Bo-peep.
All his sheep are white
And he can't get any sleep
Over lost sheep.
And he's got a flute
Which says Bo-peep,
Which says Poor boy,
Take care of your snow-sheep.
to A.S. Hamilton
Then all's well and white,
And no more than white.
Illinois snowbound.
Indiana with one bare tree.
Michigan a storm-cloud.
Wisconsin empty of men.
There's a trap on the ice
Laid there centuries ago.
The bait is still fresh.
The metal glitters as the night descends.
Woe, woe, it sings from the bough.
Our Lady, etc...
You had me hoodwinked.
I see your brand new claws.
Praying, what do I betray
By desiring your purity?
There are old men and women,
All bandaged up, waiting
At the spiked, wrought-iron gate
Of the Great Eye and Ear Infirmery.
We haven't gone far...
Fear lives there too.
Five ears of my fingertips
Against the white page.
What do you hear?
We hear holy nothing
Blindfolding itself.
It touched you once, twice,
And tore like a stitch
Out of a new wound.
Two
What are you up to son of a gun?
I roast on my heart's dark side.
What do you use as a skewer sweetheart?
I use my own crooked backbone.
What do you salt yourself with loverboy?
I grind the words out of my spittle.
And how will you know when you're done chump?
When the half-moons on my fingernails set.
With what knife will you carve yourself smartass?
The one I hide in my tongue's black boot.
Well, you can't call me a wrestler
If my own dead weight has me pinned down.
Well, you can't call me a cook
If the pot's got me under its cover.
Well, you can't call me a king
if the flies hang their hats in my mouth.
Well, you can't call me smart,
When the rain's falling my cup's in the cupboard.
Nor can you call me a saint,
If I didn't err, there wouldn't be these smudges.
One has to manage as best as one can.
The poppies ate the sunset for supper.
One has to manage as best as one can.
Who stole my blue thread, the one
I tied around my pinky to remember?
One has to manage as best as one can.
The flea I was standing on, jumped.
One has to manage as best as one can.
I think my head went out for a walk.
One has to manage as best as one can.
This is breath, only breath,
Think it over midnight!
A fly weighs twice as much.
The struck match nods as it passes,
But when I shout,
Its true name sticks in my throat.
It has to be cold
So the breath turns white,
And then mother, who's fast enough
To write his life on it?
A song in prison
And for prisoners,
Made of what the condemned
Have hidden from the jailers.
White--let me step aside
So that the future may see you,
For when this sheet is blown away,
What else is left
But to set the food on the table,
To cut oneself a slice of bread?
In an unknown year
Of an algebraic century,
An obscure widow
Wrapped in the colors of widowhood,
Met a true-blue orphan
On an indeterminate street-corner.
She offered him
A tiny sugar cube
In the hand so wizened
All the lines said: fate.
Do you take this line
Stretching to infinity?
I take this chipped tooth
On which to cut it in half.
Do you take this circle
Bounded by a single curved line?
I take this breath
That it cannot capture.
Then you may kiss the spot
Where her bridal train last rustled.
Winter can come now,
The earth narrow to a ditch--
And the sky with its castles and stone lions
Above the empty plains.
The snow can fall...
What other perennials would you plant,
My prodigals, my explorers
Tossing and turning in the dark
For those remote, finely honed bees,
The December stars?
Had to get through me elsewhere.
Woe to bone
That stood in their way.
Woe to each morsel of flesh.
White ants
In a white anthill.
The rustle of their many feet
Scurrying--tiptoing too.
Gravedigger ants.
Village-idiot ants.
This is the last summoning.
Solitude--as in the beginning.
A zero burped by a bigger zero--
It's an awful licking I got.
And fear--that dead letter office.
And doubt--that Chinese shadow play.
Does anyone still say a prayer
Before going to bed?
White sleeplessness.
No one knows its weight.
What The White Had To Say
For how could anything white be distinct
from or divided from whiteness?
Meister Eckhart
Because I am the bullet
That has gone through everyone already,
I thought of you long before you thought of me.
Each one of you still keeps a blood-stained handkerchief
In which to swaddle me, but it stays empty
And even the wind won't remain in it long.
Cleverly you've invented name after name for me,
Mixed the riddles, garbled the proverbs,
Shook you loaded dice in a tin cup,
But I do not answer back even to your curses,
For I am nearer to you than your breath.
One sun shines on us both through a crack in the roof.
A spoon brings me through the window at dawn.
A plate shows me off to the four walls
While with my tail I swing at the flies.
But there's no tail and the flies are your thoughts.
Steadily, patiently I life your arms.
I arrange them in the posture of someone drowning,
And yet the sea in which you are sinking,
And even this night above it, is myself.
Because I am the bullet
That has baptized each one of your senses,
Poems are made of our lusty wedding nights...
The joy of words as they are written.
The ear that got up at four in the morning
To hear the grass grow inside a word.
Still, the most beautiful riddle has no answer.
I am the emptiness that tucks you in like a
mockingbird's nest,
The fingernail that scratched on your sleep's
blackboard.
Take a letter: From cloud to onion.
Say: There was never any real choice.
One gaunt shadowy mother wiped our asses,
The same old orphanage taught us loneliness.
Street-organ full of blue notes,
I am the monkey dancing to your grinding--
And still you are afraid-and so,
It's as if we had not budged from the beginning.
Time slopes. We are falling head over heels
At the speed of night. That milk tooth
You left under the pillow, it's grinning.
1970-1980
This currently out-of-print edition:
Copyright ©1980 Logbridge-Rhodes, Inc.
An earlier version of White was first published
by New Rivers Press in 1972.
|
Written by
Edgar Lee Masters |
Why are you running so fast hither and thither
Chasing midges or butterflies?
Some of you are standing solemnly scratching for grubs;
Some of you are waiting for corn to be scattered.
This is life, is it?
Cock-a-doodle-do! Very well, Thomas Rhodes,
You are cock of the walk, no doubt.
But here comes Elliott Hawkins,
Gluck, Gluck, Gluck, attracting political followers.
Quah! quah! quah! why so poetical, Minerva,
This gray morning?
Kittie -- quah -- quah! for shame, Lucius Atherton,
The raucous squawk you evoked from the throat
Of Aner Clute will be taken up later
By Mrs. Benjamin Pantier as a cry
Of votes for women: Ka dook -- dook!
What inspiration has come to you, Margaret Fuller Slack?
And why does your gooseberry eye
Flit so liquidly, Tennessee Claflin Shope?
Are you trying to fathom the esotericism of an egg?
Your voice is very metallic this morning, Hortense Robbins --
Almost like a guinea hen's!
Quah! That was a guttural sigh, Isaiah Beethoven;
Did you see the shadow of the hawk,
Or did you step upon the drumsticks
Which the cook threw out this morning?
Be chivalric, heroic, or aspiring,
Metaphysical, religious, or rebellious,
You shall never get out of the barnyard
Except by way of over the fence
Mixed with potato peelings and such into the trough!
|
Written by
Edgar Lee Masters |
The very fall my sister Nancy Knapp
Set fire to the house
They were trying Dr. Duval
For the murder of Zora Clemens,
And I sat in the court two weeks
Listening to every witness.
It was clear he had got her in a family way;
And to let the child be born
Would not do.
Well, how about me with eight children,
And one coming, and the farm
Mortgaged to Thomas Rhodes?
And when I got home that night,
(After listening to the story of the buggy ride,
And the finding of Zora in the ditch,)
The first thing I saw, right there by the steps,
Where the boys had hacked for angle worms,
Was the hatchet!
And just as I entered there was my wife,
Standing before me, big with child.
She started the talk of the mortgaged farm,
And I killed her.
|
Written by
Constantine P Cavafy |
Apollonius was talking about
proper education and conduct with a young
man who was building a luxurious
house in Rhodes. "As for me" said the Tyanian
at last, "when I enter a temple
however small it may be, I very much prefer
to see a statue of ivory and gold
than a clay and vulgar one in a large temple".--
The "clay" and "vulgar"; the detestable:
that already some people (without enough training)
it deceives knavishly. The clay and vulgar.
|
Written by
Edgar Lee Masters |
After I got religion and steadied down
They gave me a job in the canning works,
And every morning I had to fill
The tank in the yard with gasoline,
That fed the blow-fires in the sheds
To heat the soldering irons.
And I mounted a rickety ladder to do it,
Carrying buckets full of the stuff.
One morning, as I stood there pouring,
The air grew still and seemed to heave,
And I shot up as the tank exploded,
And down I came with both legs broken,
And my eyes burned crisp as a couple of eggs.
For someone left a blow-fire going,
And something sucked the flame in the tank.
The Circuit Judge said whoever did it
Was a fellow-servant of mine, and so
Old Rhodes' son didn't have to pay me.
And I sat on the witness stand as blind
As Jack the Fiddler, saying over and over,
"l didn't know him at all."
|
Written by
Edgar Lee Masters |
After I had attended lectures
At our Chautauqua, and studied French
For twenty years, committing the grammar
Almost by heart,
I thought I'd take a trip to Paris
To give my culture a final polish.
So I went to Peoria for a passport --
(Thomas Rhodes was on the train that morning.)
And there the clerk of the district Court
Made me swear to support and defend
The constitution -- yes, even me --
Who couldn't defend or support it at all!
And what do you think? That very morning
The Federal Judge, in the very next room
To the room where I took the oath,
Decided the constitution
Exempted Rhodes from paying taxes
For the water works of Spoon River!
|
Written by
Edgar Lee Masters |
All they said was true:
I wrecked my father's bank with my loans
To dabble in wheat; but this was true --
I was buying wheat for him as well,
Who couldn't margin the deal in his name
Because of his church relationship.
And while George Reece was serving his term
I chased the will-o'-the-wisp of women,
And the mockery of wine in New York.
It's deathly to sicken of wine and women
When nothing else is left in life.
But suppose your head is gray, and bowed
On a table covered with acrid stubs
Of cigarettes and empty glasses,
And a knock is heard, and you know it's the knock
So long drowned out by popping corks
And the pea-cock screams of demireps --
And you look up, and there's your Theft,
Who waited until your head was gray,
And your heart skipped beats to say to you:
The game is ended. I've called for you.
Go out on Broadway and be run over,
They'll ship you back to Spoon River.
|
Written by
Edgar Lee Masters |
I was the Sunday school superintendent,
The dummy president of the wagon works
And the canning factory,
Acting for Thomas Rhodes and the banking clique;
My son the cashier of the bank,
Wedded to Rhodes' daughter,
My week day spent in making money,
My Sundays at church and in prayer.
In everything a cog in the wheel of things-as-they-are:
Of money, master and man, made white
With the paint of the Christian creed.
And then:
The bank collapsed. I stood and looked at the wrecked machine --
The wheels with blow-holes stopped with putty and painted;
The rotten bolts, the broken rods;
And only the hopper for souls fit to be used again
In a new devourer of life, when newspapers, judges and money-magicians
Build over again.
I was stripped to the bone, but I lay in the Rock of Ages,
Seeing now through the game, no longer a dupe,
And knowing "the upright shall dwell in the land
But the years of the wicked shall be shortened."
Then suddenly, Dr. Meyers discovered
A cancer in my liver.
I was not, after all, the particular care of God!
Why, even thus standing on a peak
Above the mists through which I had climbed,
And ready for larger life in the world,
Eternal forces
Moved me on with a push.
|
Written by
Horace |
Let others Rhodes or Mytilene sing,
Or Ephesus, or Corinth, set between
Two seas, or Thebes, or Delphi, for its king
Each famous, or Thessalian Tempe green;
There are who make chaste Pallas' virgin tower
The daily burden of unending song,
And search for wreaths the olive's rifled bower;
The praise of Juno sounds from many a tongue,
Telling of Argos' steeds, Mycenaes's gold.
For me stern Sparta forges no such spell,
No, nor Larissa's plain of richest mould,
As bright Albunea echoing from her cell.
O headlong Anio! O Tiburnian groves,
And orchards saturate with shifting streams!
Look how the clear fresh south from heaven removes
The tempest, nor with rain perpetual teems!
You too be wise, my Plancus: life's worst cloud
Will melt in air, by mellow wine allay'd,
Dwell you in camps, with glittering banners proud,
Or 'neath your Tibur's canopy of shade.
When Teucer fled before his father's frown
From Salamis, they say his temples deep
He dipp'd in wine, then wreath'd with poplar crown,
And bade his comrades lay their grief to sleep:
"Where Fortune bears us, than my sire more kind,
There let us go, my own, my gallant crew.
'Tis Teucer leads, 'tis Teucer breathes the wind;
No more despair; Apollo's word is true.
Another Salamis in kindlier air
Shall yet arise. Hearts, that have borne with me
Worse buffets! drown to-day in wine your care;
To-morrow we recross the wide, wide sea!"
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