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Best Famous Rheumatic Poems

Here is a collection of the all-time best famous Rheumatic poems. This is a select list of the best famous Rheumatic poetry. Reading, writing, and enjoying famous Rheumatic poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rheumatic poems.

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Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.
On Jessore road Mother wept at my knees Bengali tongue cried mister Please Identity card torn up on the floor Husband still waits at the camp office door Baby at play I was washing the flood Now they won't give us any more food The pieces are here in my celluloid purse Innocent baby play our death curse Two policemen surrounded by thousands of boys Crowded waiting their daily bread joys Carry big whistles & long bamboo sticks to whack them in line They play hungry tricks Breaking the line and jumping in front Into the circle sneaks one skinny runt Two brothers dance forward on the mud stage Teh gaurds blow their whistles & chase them in rage Why are these infants massed in this place Laughing in play & pushing for space Why do they wait here so cheerful & dread Why this is the House where they give children bread The man in the bread door Cries & comes out Thousands of boys and girls Take up his shout Is it joy? is it prayer? "No more bread today" Thousands of Children at once scream "Hooray!" Run home to tents where elders await Messenger children with bread from the state No bread more today! & and no place to squat Painful baby, sick **** he has got.
Malnutrition skulls thousands for months Dysentery drains bowels all at once Nurse shows disease card Enterostrep Suspension is wanting or else chlorostrep Refugee camps in hospital shacks Newborn lay naked on mother's thin laps Monkeysized week old Rheumatic babe eye Gastoenteritis Blood Poison thousands must die September Jessore Road rickshaw 50,000 souls in one camp I saw Rows of bamboo huts in the flood Open drains, & wet families waiting for food Border trucks flooded, food cant get past, American Angel machine please come fast! Where is Ambassador Bunker today? Are his Helios machinegunning children at play? Where are the helicopters of U.
S.
AID? Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light? Bombing North Laos all day and all night? Where are the President's Armies of Gold? Billionaire Navies merciful Bold? Bringing us medicine food and relief? Napalming North Viet Nam and causing more grief? Where are our tears? Who weeps for the pain? Where can these families go in the rain? Jessore Road's children close their big eyes Where will we sleep when Our Father dies? Whom shall we pray to for rice and for care? Who can bring bread to this **** flood foul'd lair? Millions of children alone in the rain! Millions of children weeping in pain! Ring O ye tongues of the world for their woe Ring out ye voices for Love we don't know Ring out ye bells of electrical pain Ring in the conscious of America brain How many children are we who are lost Whose are these daughters we see turn to ghost? What are our souls that we have lost care? Ring out ye musics and weep if you dare-- Cries in the mud by the thatch'd house sand drain Sleeps in huge pipes in the wet ****-field rain waits by the pump well, Woe to the world! whose children still starve in their mother's arms curled.
Is this what I did to myself in the past? What shall I do Sunil Poet I asked? Move on and leave them without any coins? What should I care for the love of my loins? What should we care for our cities and cars? What shall we buy with our Food Stamps on Mars? How many millions sit down in New York & sup this night's table on bone & roast pork? How many millions of beer cans are tossed in Oceans of Mother? How much does She cost? Cigar gasolines and asphalt car dreams Stinking the world and dimming star beams-- Finish the war in your breast with a sigh Come tast the tears in your own Human eye Pity us millions of phantoms you see Starved in Samsara on planet TV How many millions of children die more before our Good Mothers perceive the Great Lord? How many good fathers pay tax to rebuild Armed forces that boast the children they've killed? How many souls walk through Maya in pain How many babes in illusory pain? How many families hollow eyed lost? How many grandmothers turning to ghost? How many loves who never get bread? How many Aunts with holes in their head? How many sisters skulls on the ground? How many grandfathers make no more sound? How many fathers in woe How many sons nowhere to go? How many daughters nothing to eat? How many uncles with swollen sick feet? Millions of babies in pain Millions of mothers in rain Millions of brothers in woe Millions of children nowhere to go New York, November 14-16, 1971


Written by Walt Whitman | Create an image from this poem

A Hand-Mirror

 HOLD it up sternly! See this it sends back! (Who is it? Is it you?) 
Outside fair costume—within ashes and filth, 
No more a flashing eye—no more a sonorous voice or springy step; 
Now some slave’s eye, voice, hands, step, 
A drunkard’s breath, unwholesome eater’s face, venerealee’s flesh,
Lungs rotting away piecemeal, stomach sour and cankerous, 
Joints rheumatic, bowels clogged with abomination, 
Blood circulating dark and poisonous streams, 
Words babble, hearing and touch callous, 
No brain, no heart left—no magnetism of sex;
Such, from one look in this looking-glass ere you go hence, 
Such a result so soon—and from such a beginning!
Written by Robert William Service | Create an image from this poem

Farewell To Verse

 In youth when oft my muse was dumb,
 My fancy nighly dead,
To make my inspiration come
 I stood upon my head;
And thus I let the blood down flow
 Into my cerebellum,
And published every Spring or so
 Slim tomes in vellum.
Alas! I am rheumatic now, Grey is my crown; I can no more with brooding brow Stand upside-down.
I fear I might in such a pose Burst brain blood-vessel; And that would be a woeful close To my rhyme wrestle.
If to write verse I must reverse I fear I'm stymied; In ink of prose I must immerse A pen de-rhymèd.
No more to spank the lyric lyre Like Keats or Browning, May I inspire the Sacred Fire My Upside-downing.
Written by Robert William Service | Create an image from this poem

The Sewing-Girl

 The humble garret where I dwell
Is in that Quarter called the Latin;
It isn't spacious -- truth to tell,
There's hardly room to swing a cat in.
But what of that! It's there I fight For food and fame, my Muse inviting, And all the day and half the night You'll find me writing, writing, writing.
Now, it was in the month of May As, wrestling with a rhyme rheumatic, I chanced to look across the way, And lo! within a neighbor attic, A hand drew back the window shade, And there, a picture glad and glowing, I saw a sweet and slender maid, And she was sewing, sewing, sewing.
So poor the room, so small, so scant, Yet somehow oh, so bright and airy.
There was a pink geranium plant, Likewise a very pert canary.
And in the maiden's heart it seemed Some fount of gladness must be springing, For as alone I sadly dreamed I heard her singing, singing, singing.
God love her! how it cheered me then To see her there so brave and pretty; So she with needle, I with pen, We slaved and sang above the city.
And as across my streams of ink I watched her from a poet's distance, She stitched and sang .
.
.
I scarcely think She was aware of my existence.
And then one day she sang no more.
That put me out, there's no denying.
I looked -- she labored as before, But, bless me! she was crying, crying.
Her poor canary chirped in vain; Her pink geranium drooped in sorrow; "Of course," said I, "she'll sing again.
Maybe," I sighed, "she will to-morrow.
" Poor child; 'twas finished with her song: Day after day her tears were flowing; And as I wondered what was wrong She pined and peaked above her sewing.
And then one day the blind she drew, Ah! though I sought with vain endeavor To pierce the darkness, well I knew My sewing-girl had gone for ever.
And as I sit alone to-night My eyes unto her room are turning .
.
.
I'd give the sum of all I write Once more to see her candle burning, Once more to glimpse her happy face, And while my rhymes of cheer I'm ringing, Across the sunny sweep of space To hear her singing, singing, singing.
Written by Paul Laurence Dunbar | Create an image from this poem

THE PARTY

Dey had a gread big pahty down to Tom's de othah night;
Was I dah? You bet! I nevah in my life see sich a sight;
All de folks f'om fou' plantations was invited, an' dey come,
Dey come troopin' thick ez chillun when dey hyeahs a fife an' drum.
Evahbody dressed deir fines'—Heish yo' mouf an' git away,
Ain't seen no sich fancy dressin' sence las' quah'tly meetin' day;
Gals all dressed in silks an' satins, not a wrinkle ner a crease,
Eyes a-battin', teeth a-shinin', haih breshed back ez slick ez grease;
Sku'ts all tucked an' puffed an' ruffled, evah blessed seam an' stitch;
Ef you 'd seen 'em wif deir mistus, could n't swahed to which was which.
Men all dressed up in Prince Alberts, swaller-tails 'u'd tek yo' bref!
I cain't tell you nothin' 'bout it, y' ought to seen it fu' yo'se'f.
Who was dah? Now who you askin'? How you 'spect I gwine to know?
You mus' think I stood an' counted evahbody at de do.'
Ole man Babah's house-boy Isaac, brung dat gal, Malindy Jane,
Huh a-hangin' to his elbow, him a-struttin' wif a cane;
My, but Hahvey Jones was jealous! seemed to stick him lak a tho'n;[Pg 84]
But he laughed with Viney Cahteh, tryin' ha'd to not let on,
But a pusson would 'a' noticed f'om de d'rection of his look,
Dat he was watchin' ev'ry step dat Ike an' Lindy took.
Ike he foun' a cheer an' asked huh: "Won't you set down?" wif a smile,
An' she answe'd up a-bowin', "Oh, I reckon 't ain't wuth while."
Dat was jes' fu' Style, I reckon, 'cause she sot down jes' de same,
An' she stayed dah 'twell he fetched huh fu' to jine some so't o' game;
Den I hyeahd huh sayin' propah, ez she riz to go away,
"Oh, you raly mus' excuse me, fu' I hardly keers to play."
But I seen huh in a minute wif de othahs on de flo',
An' dah wasn't any one o' dem a-playin' any mo';
Comin' down de flo' a-bowin' an' a-swayin' an' a-swingin',
Puttin' on huh high-toned mannahs all de time dat she was singin':
"Oh, swing Johnny up an' down, swing him all aroun',
Swing Johnny up an' down, swing him all aroun',
Oh, swing Johnny up an' down, swing him all aroun'
Fa' you well, my dahlin'."
Had to laff at ole man Johnson, he 's a caution now, you bet—
Hittin' clost onto a hunderd, but he 's spry an' nimble yet;
He 'lowed how a-so't o' gigglin', "I ain't ole, I 'll let you see,
D'ain't no use in gittin' feeble, now you youngstahs jes' watch me,"
An' he grabbed ole Aunt Marier—weighs th'ee hunderd mo' er less,
An' he spun huh 'roun' de cabin swingin' Johnny lak de res'.
Evahbody laffed an' hollahed: "Go it! Swing huh, Uncle Jim!"
An' he swung huh too, I reckon, lak a youngstah, who but him.
Dat was bettah 'n young Scott Thomas, tryin' to be so awful smaht.
You know when dey gits to singin' an' dey comes to dat ere paht:
"In some lady's new brick house,
In some lady's gyahden.
Ef you don't let me out, I will jump out,
So fa' you well, my dahlin'."
Den dey 's got a circle 'roun' you, an' you's got to break de line;
Well, dat dahky was so anxious, lak to bust hisse'f a-tryin';[Pg 85]
Kep' on blund'rin' 'roun' an' foolin' 'twell he giv' one gread big jump,
Broke de line, an lit head-fo'most in de fiah-place right plump;
Hit 'ad fiah in it, mind you; well, I thought my soul I 'd bust,
Tried my best to keep f'om laffin', but hit seemed like die I must!
Y' ought to seen dat man a-scramblin' f'om de ashes an' de grime.
Did it bu'n him! Sich a question, why he did n't give it time;
Th'ow'd dem ashes and dem cindahs evah which-a-way I guess,
An' you nevah did, I reckon, clap yo' eyes on sich a mess;
Fu' he sholy made a picter an' a funny one to boot,
Wif his clothes all full o' ashes an' his face all full o' soot.
Well, hit laked to stopped de pahty, an' I reckon lak ez not
Dat it would ef Tom's wife, Mandy, had n't happened on de spot,
To invite us out to suppah—well, we scrambled to de table,
An' I 'd lak to tell you 'bout it—what we had—but I ain't able,
Mention jes' a few things, dough I know I had n't orter,
Fu' I know 't will staht a hank'rin' an' yo' mouf 'll 'mence to worter.
We had wheat bread white ez cotton an' a egg pone jes like gol',
Hog jole, bilin' hot an' steamin' roasted shoat an' ham sliced cold—
Look out! What's de mattah wif you? Don't be fallin' on de flo';
Ef it 's go'n' to 'fect you dat way, I won't tell you nothin' mo'.
Dah now—well, we had hot chittlin's—now you 's tryin' ag'in to fall,
Cain't you stan' to hyeah about it? S'pose you'd been an' seed it all;
Seed dem gread big sweet pertaters, layin' by de possum's side,
Seed dat coon in all his gravy, reckon den you 'd up and died!
Mandy 'lowed "you all mus' 'scuse me, d' wa'n't much upon my she'ves,
But I's done my bes' to suit you, so set down an' he'p yo'se'ves."
Tom, he 'lowed: "I don't b'lieve in 'pologisin' an' perfessin',
Let 'em tek it lak dey ketch it. Eldah Thompson, ask de blessin'."[Pg 86]
Wish you 'd seed dat colo'ed preachah cleah his th'oat an' bow his head;
One eye shet, an' one eye open,—dis is evah wud he said:
"Lawd, look down in tendah mussy on sich generous hea'ts ez dese;
Make us truly thankful, amen. Pass dat possum, ef you please!"
Well, we eat and drunk ouah po'tion, 'twell dah was n't nothin' lef,
An' we felt jes' like new sausage, we was mos' nigh stuffed to def!
Tom, he knowed how we 'd be feelin', so he had de fiddlah 'roun',
An' he made us cleah de cabin fu' to dance dat suppah down.
Jim, de fiddlah, chuned his fiddle, put some rosum on his bow,
Set a pine box on de table, mounted it an' let huh go!
He's a fiddlah, now I tell you, an' he made dat fiddle ring,
'Twell de ol'est an' de lamest had to give deir feet a fling.
Jigs, cotillions, reels an' breakdowns, cordrills an' a waltz er two;
Bless yo' soul, dat music winged 'em an' dem people lak to flew.
Cripple Joe, de old rheumatic, danced dat flo' f'om side to middle,
Th'owed away his crutch an' hopped it; what's rheumatics 'ginst a fiddle?
Eldah Thompson got so tickled dat he lak to los' his grace,
Had to tek bofe feet an' hol' dem so 's to keep 'em in deir place.
An' de Christuns an' de sinnahs got so mixed up on dat flo',
Dat I don't see how dey 'd pahted ef de trump had chanced to blow.
Well, we danced dat way an' capahed in de mos' redic'lous way,
'Twell de roostahs in de bahnyard cleahed deir th'oats an' crowed fu' day.
Y' ought to been dah, fu' I tell you evahthing was rich an' prime,
An' dey ain't no use in talkin', we jes had one scrumptious time![Pg 87]


Written by Robert William Service | Create an image from this poem

The Old General

 Little Annabelle to please,
 (Lacking grace, I grant),
Grandpa down on hands and knees
 Plays the elephant.
Annabelle shrieks with delight, Bouncing up and down, On his back and holding tight To his dressing gown.
As they roll and bowl along, Round and round the room, There is sunshine and a song 'Spite December gloom.
Yet we hear not Grandpa's groans, Hushed his beard inside, As his old rheumatic bones Ache with every stride.
He has known his golden days, Soldiered with the best; And to prove the people's praise Medals bright his breast.
Yet though his renown we chant, How we love him well When he plays the elephant Just for Annabelle!
Written by Robert William Service | Create an image from this poem

Old Bob

 I guess folks think I'm mighty dumb
 Since Jack and Jim and Joe
Have hit the trail to Kingdom Come
 And left me here below:
Since Death, the bastard, bowled them out,
 And left me faced with--Doubt.
My pals have all passed out on me And I am by my lone; Old Bill was last, and now I see His name cut on a stone; A marble slab, but not as fine As I have picked for mine.
I nurse and curse rheumatic pain As on the porch I sit; With nothing special in my brain I rock and smoke and spit: When one is nearing to the end One sorely needs a friend.
My Pals have gone,--in God's good earth I guess they're packed up snug, And since I have no guts for mirth I zipper to my mug: The question that I ponder on Is--where the heck they've gone?
Written by Rg Gregory | Create an image from this poem

netley 47

 army hospital
rheumatic fever
bed-tied many weeks
too embarrassed to ask for bedpan
the rigmarole of screens and knowing attention
- for my pains
severe constipation
and bleeding piles

am led away to be injected

crouching
waist-down undressed
upon a marble table

being shaved the wrong end
(easy talk between doctor and nurse)

the needle takes its time
feeling for entrance
(gentle talk between fingers and tongue)

JAB
searing lava
stuck pig

bouquets in white coats

sorely to bed
time
evaporates the pain

and
later

much relief

Book: Reflection on the Important Things