Written by
T S (Thomas Stearns) Eliot |
TWELVE o’clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, “Regard that woman
Who hesitates toward you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.
”
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street-lamp said,
“Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.
”
So the hand of the child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child’s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
“Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.
”
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
“Four o’clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.
”
The last twist of the knife.
|
Written by
Robert William Service |
Lord, let me live, that more and more
Your wonder world I may adore;
With every dawn to grow and grow
Alive to graciousness aglow;
And every eve in beauty see
Reason for rhapsody.
Lord, let me bide, that I may prove
The buoyant brightness of my love
For sapphire sea and lyric sky
And buttercup and butterfly;
And glory in the golden thought
Of rapture You have wrought.
Lord, let me linger, just for this,--
To win to utterness of bliss;
To see in every dawn design
Proof of Your Providence divine;
With night to find ablaze above,
Assurance of Your love.
Lord, for Your praise my days prolong,
That I may sing in sunny sort,
And prove with my exultant song
The longest life is all to short:
Aye, even in a bead of dew
To shrine in beauty--YOU.
|
Written by
Sidney Lanier |
Between Dawn and Sunrise.
Were silver pink, and had a soul,
Which soul were shy, which shyness might
A visible influence be, and roll
Through heaven and earth -- 'twere thou, O light!
O rhapsody of the wraith of red,
O blush but yet in prophecy,
O sun-hint that hath overspread
Sky, marsh, my soul, and yonder sail.
|
Written by
Robert Louis Stevenson |
Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.
As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:
We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:
Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words.
Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.
|
Written by
Emile Verhaeren |
The landscape now reveals a change;
A stair—that twinèd elm-boughs hold
Enclosed 'mid hedges mystic, strange—
Inaugurates a green and gold
Vision of gardens, range on range.
Each step's a hope, that doth ascend
Stairwise to expectation's height;
A weary way it is to wend
While noonday suns are burning bright.
But rest waits at the evening's end.
Streams, that wash white from sin, flow deep,
And round about the fresh lawns twine;
While there, beneath the green banks steep,
Beside his cross, the Lamb Divine
Lies tranquilly in peaceful sleep.
The daisied grass is glad, and gay
With crystal butterflies the hedge.
Where globes of fruit shine blue; here stray
Peacocks beside the box-trees' edge:
A shining lion bars the way.
Flowers, upright as the ecstasies
And ardours of white spirits pure,
With branches springing fountain-wise,
Burst upward, and by impulse sure
To their own soaring splendour rise.
Gently and very slowly swayed.
The wind a wordless rhapsody
Sings—and the shimm'ring air doth braid
An aureole of filigree
Round every disk with emerald laid.
Even the shade is but a flight
Toward flickering radiances, that slip
From space to space; and now the light
Sleeps, with calmed rays, upon the lip
Of lilac-blossoms golden-white.
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