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Best Famous Reverting Poems

Here is a collection of the all-time best famous Reverting poems. This is a select list of the best famous Reverting poetry. Reading, writing, and enjoying famous Reverting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of reverting poems.

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Written by Amy Clampitt | Create an image from this poem

Fog

 A vagueness comes over everything,
as though proving color and contour
alike dispensable: the lighthouse
extinct, the islands' spruce-tips
drunk up like milk in the
universal emulsion; houses
reverting into the lost
and forgotten; granite
subsumed, a rumor
in a mumble of ocean.
Tactile definition, however, has not been totally banished: hanging tassel by tassel, panicled foxtail and needlegrass, dropseed, furred hawkweed, and last season's rose-hips are vested in silenced chimes of the finest, clearest sea-crystal.
Opacity opens up rooms, a showcase for the hueless moonflower corolla, as Georgia O'Keefe might have seen it, of foghorns; the nodding campanula of bell buoys; the ticking, linear filigree of bird voices.


Written by Amy Clampitt | Create an image from this poem

Salvage

 Daily the cortege of crumpled 
defunct cars 
goes by by the lasagna-
layered flatbed 
truckload: hardtop 

reverting to tar smudge,
wax shine antiqued to crusted 
winepress smear, 
windshield battered to
intact ice-tint, a rarity

fresh from the Pleistocene.
I like it; privately I find esthetic satisfaction in these ceremonial removals from the category of received ideas to regions where pigeons' svelte smoke-velvet limousines, taxiing in whirligigs, reclaim a parking lot, and the bag-laden hermit woman, disencumbered of a greater incubus, the crush of unexamined attitudes, stoutly follows her routine, mining the mountainsides of our daily refuse for artifacts: subversive re-establishing with each arcane trash-basket dig the pleasures of the ruined.
Written by Walt Whitman | Create an image from this poem

Elemental Drifts

 1
ELEMENTAL drifts! 
How I wish I could impress others as you have just been impressing me! 

As I ebb’d with an ebb of the ocean of life, 
As I wended the shores I know, 
As I walk’d where the ripples continually wash you, Paumanok,
Where they rustle up, hoarse and sibilant, 
Where the fierce old mother endlessly cries for her castaways, 
I, musing, late in the autumn day, gazing off southward, 
Alone, held by this eternal Self of me, out of the pride of which I utter my poems, 
Was seiz’d by the spirit that trails in the lines underfoot,
In the rim, the sediment, that stands for all the water and all the land of the globe.
Fascinated, my eyes, reverting from the south, dropt, to follow those slender winrows, Chaff, straw, splinters of wood, weeds, and the sea-gluten, Scum, scales from shining rocks, leaves of salt-lettuce, left by the tide: Miles walking, the sound of breaking waves the other side of me, Paumanok, there and then, as I thought the old thought of likenesses, These you presented to me, you fish-shaped island, As I wended the shores I know, As I walk’d with that eternal Self of me, seeking types.
2 As I wend to the shores I know not, As I list to the dirge, the voices of men and women wreck’d, As I inhale the impalpable breezes that set in upon me, As the ocean so mysterious rolls toward me closer and closer, I, too, but signify, at the utmost, a little wash’d-up drift, A few sands and dead leaves to gather, Gather, and merge myself as part of the sands and drift.
O baffled, balk’d, bent to the very earth, Oppress’d with myself that I have dared to open my mouth, Aware now, that, amid all that blab whose echoes recoil upon me, I have not once had the least idea who or what I am, But that before all my insolent poems the real ME stands yet untouch’d, untold, altogether unreach’d, Withdrawn far, mocking me with mock-congratulatory signs and bows, With peals of distant ironical laughter at every word I have written, Pointing in silence to these songs, and then to the sand beneath.
Now I perceive I have not understood anything—not a single object—and that no man ever can.
I perceive Nature, here in sight of the sea, is taking advantage of me, to dart upon me, and sting me, Because I have dared to open my mouth, to sing at all.
3 You oceans both! I close with you; We murmur alike reproachfully, rolling our sands and drift, knowing not why, These little shreds indeed, standing for you and me and all.
You friable shore, with trails of debris! You fish-shaped island! I take what is underfoot; What is yours is mine, my father.
I too Paumanok, I too have bubbled up, floated the measureless float, and been wash’d on your shores; I too am but a trail of drift and debris, I too leave little wrecks upon you, you fish-shaped island.
I throw myself upon your breast, my father, I cling to you so that you cannot unloose me, I hold you so firm, till you answer me something.
Kiss me, my father, Touch me with your lips, as I touch those I love, Breathe to me, while I hold you close, the secret of the murmuring I envy.
4 Ebb, ocean of life, (the flow will return,) Cease not your moaning, you fierce old mother, Endlessly cry for your castaways—but fear not, deny not me, Rustle not up so hoarse and angry against my feet, as I touch you, or gather from you.
I mean tenderly by you and all, I gather for myself, and for this phantom, looking down where we lead, and following me and mine.
Me and mine! We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See! from my dead lips the ooze exuding at last! See—the prismatic colors, glistening and rolling!) Tufts of straw, sands, fragments, Buoy’d hither from many moods, one contradicting another, From the storm, the long calm, the darkness, the swell; Musing, pondering, a breath, a briny tear, a dab of liquid or soil; Up just as much out of fathomless workings fermented and thrown; A limp blossom or two, torn, just as much over waves floating, drifted at random; Just as much for us that sobbing dirge of Nature; Just as much, whence we come, that blare of the cloud-trumpets; We, capricious, brought hither, we know not whence, spread out before you, You, up there, walking or sitting, Whoever you are—we too lie in drifts at your feet.

Book: Reflection on the Important Things