Written by
Ralph Waldo Emerson |
EXULTING BEAUTY,phantom of an hour,
Whose magic spells enchain the heart,
Ah ! what avails thy fascinating pow'r,
Thy thrilling smile, thy witching art ?
Thy lip, where balmy nectar glows;
Thy cheek, where round the damask rose
A thousand nameless Graces move,
Thy mildly speaking azure eyes,
Thy golden hair, where cunning Love
In many a mazy ringlet lies?
Soon as thy radiant form is seen,
Thy native blush, thy timid mien,
Thy hour is past ! thy charms are vain!
ILL-NATURE haunts thee with her sallow train,
Mean JEALOUSY deceives thy list'ning ear,
And SLANDER stains thy cheek with many a bitter tear.
In calm retirement form'd to dwell,
NATURE, thy handmaid fair and kind,
For thee, a beauteous garland twin'd;
The vale-nurs'd Lily's downcast bell
Thy modest mien display'd,
The snow-drop, April's meekest child,
With myrtle blossoms undefil'd,
Thy mild and spotless mind pourtray'd;
Dear blushing maid, of cottage birth,
'Twas thine, o'er dewy meads to stray,
While sparkling health, and frolic mirth
Led on thy laughing Day.
Lur'd by the babbling tongue of FAME,
Too soon, insidious FLATT'RY came;
Flush'd VANITY her footsteps led,
To charm thee from thy blest repose,
While Fashion twin'd about thy head
A wreath of wounding woes;
See Dissipation smoothly glide,
Cold Apathy, and puny Pride,
Capricious Fortune, dull, and blind,
O'er splendid Folly throws her veil,
While Envy's meagre tribe assail
Thy gentle form, and spotless mind.
Their spells prevail! no more those eyes
Shoot undulating fires;
On thy wan cheek, the young rose dies,
Thy lip's deep tint expires;
Dark Melancholy chills thy mind;
Thy silent tear reveals thy woe;
TIME strews with thorns thy mazy way,
Where'er thy giddy footsteps stray,
Thy thoughtless heart is doom'd to find
An unrelenting foe.
'Tis thus, the infant Forest flow'r
Bespangled o'er with glitt'ring dew,
At breezy morn's refreshing hour,
Glows with pure tints of varying hue,
Beneath an aged oak's wide spreading shade,
Where no rude winds, or beating storms invade.
Transplanted from its lonely bed,
No more it scatters perfumes round,
No more it rears its gentle head,
Or brightly paints the mossy ground;
For ah! the beauteous bud, too soon,
Scorch'd by the burning eye of day;
Shrinks from the sultry glare of noon,
Droops its enamell'd brow, and blushing, dies away.
|
Written by
Mark Strand |
1
We are reading the story of our lives
which takes place in a room.
The room looks out on a street.
There is no one there,
no sound of anything.
The tress are heavy with leaves,
the parked cars never move.
We keep turning the pages, hoping for something,
something like mercy or change,
a black line that would bind us
or keep us apart.
The way it is, it would seem
the book of our lives is empty.
The furniture in the room is never shifted,
and the rugs become darker each time
our shadows pass over them.
It is almost as if the room were the world.
We sit beside each other on the couch,
reading about the couch.
We say it is ideal.
It is ideal.
2
We are reading the story of our lives,
as though we were in it,
as though we had written it.
This comes up again and again.
In one of the chapters
I lean back and push the book aside
because the book says
it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book.
Beyond my life into another life.
I put the pen down.
The book says: "He put the pen down
and turned and watched her reading
the part about herself falling in love."
The book is more accurate than we can imagine.
I lean back and watch you read
about the man across the street.
They built a house there,
and one day a man walked out of it.
You fell in love with him
because you knew that he would never visit you,
would never know you were waiting.
Night after night you would say
that he was like me.
I lean back and watch you grow older without me.
Sunlight falls on your silver hair.
The rugs, the furniture,
seem almost imaginary now.
"She continued to read.
She seemed to consider his absence
of no special importance,
as someone on a perfect day will consider
the weather a failure
because it did not change his mind."
You narrow your eyes.
You have the impulse to close the book
which describes my resistance:
how when I lean back I imagine
my life without you, imagine moving
into another life, another book.
It describes your dependence on desire,
how the momentary disclosures
of purpose make you afraid.
The book describes much more than it should.
It wants to divide us.
3
This morning I woke and believed
there was no more to to our lives
than the story of our lives.
When you disagreed, I pointed
to the place in the book where you disagreed.
You fell back to sleep and I began to read
those mysterious parts you used to guess at
while they were being written
and lose interest in after they became
part of the story.
In one of them cold dresses of moonlight
are draped over the chairs in a man's room.
He dreams of a woman whose dresses are lost,
who sits in a garden and waits.
She believes that love is a sacrifice.
The part describes her death
and she is never named,
which is one of the things
you could not stand about her.
A little later we learn
that the dreaming man lives
in the new house across the street.
This morning after you fell back to sleep
I began to turn the pages early in the book:
it was like dreaming of childhood,
so much seemed to vanish,
so much seemed to come to life again.
I did not know what to do.
The book said: "In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord,
anxious in his own kingdom."
4
Before you woke
I read another part that described your absence
and told how you sleep to reverse
the progress of your life.
I was touched by my own loneliness as I read,
knowing that what I feel is often the crude
and unsuccessful form of a story
that may never be told.
"He wanted to see her naked and vulnerable,
to see her in the refuse, the discarded
plots of old dreams, the costumes and masks
of unattainable states.
It was as if he were drawn
irresistably to failure."
It was hard to keep reading.
I was tired and wanted to give up.
The book seemed aware of this.
It hinted at changing the subject.
I waited for you to wake not knowing
how long I waited,
and it seemed that I was no longer reading.
I heard the wind passing
like a stream of sighs
and I heard the shiver of leaves
in the trees outside the window.
It would be in the book.
Everything would be there.
I looked at your face
and I read the eyes, the nose, the mouth . . .
5
If only there were a perfect moment in the book;
if only we could live in that moment,
we could being the book again
as if we had not written it,
as if we were not in it.
But the dark approaches
to any page are too numerous
and the escapes are too narrow.
We read through the day.
Each page turning is like a candle
moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
"He never wanted to read another book
and she kept staring into the street.
The cars were still there,
the deep shade of trees covered them.
The shades were drawn in the new house.
Maybe the man who lived there,
the man she loved, was reading
the story of another life.
She imagine a bare parlor,
a cold fireplace, a man sitting
writing a letter to a woman
who has sacrificed her life for love."
If there were a perfect moment in the book,
it would be the last.
The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains. It only reveals.
6
The day goes on.
We study what we remember.
We look into the mirror across the room.
We cannot bear to be alone.
The book goes on.
"They became silent and did not know how to begin
the dialogue which was necessary.
It was words that created divisions in the first place,
that created loneliness.
They waited
they would turn the pages, hoping
something would happen.
They would patch up their lives in secret:
each defeat forgiven because it could not be tested,
each pain rewarded because it was unreal.
They did nothing."
7
The book will not survive.
We are the living proof of that.
It is dark outside, in the room it is darker.
I hear your breathing.
You are asking me if I am tired,
if I want to keep reading.
Yes, I am tired.
Yes, I want to keep reading.
I say yes to everything.
You cannot hear me.
"They sat beside each other on the couch.
They were the copies, the tired phantoms
of something they had been before.
The attitudes they took were jaded.
They stared into the book
and were horrified by their innocence,
their reluctance to give up.
They sat beside each other on the couch.
They were determined to accept the truth.
Whatever it was they would accept it.
The book would have to be written
and would have to be read.
They are the book and they are
nothing else.
|
Written by
Anne Kingsmill Finch |
In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.
|
Written by
William Carlos (WCW) Williams |
A middle-northern March, now as always—
gusts from the South broken against cold winds—
but from under, as if a slow hand lifted a tide,
it moves—not into April—into a second March,
the old skin of wind-clear scales dropping
upon the mold: this is the shadow projects the tree
upward causing the sun to shine in his sphere.
So we will put on our pink felt hat—new last year!
—newer this by virtue of brown eyes turning back
the seasons—and let us walk to the orchid-house,
see the flowers will take the prize tomorrow
at the Palace.
Stop here, these are our oleanders.
When they are in bloom—
You would waste words
It is clearer to me than if the pink
were on the branch. It would be a searching in
a colored cloud to reveal that which now, huskless,
shows the very reason for their being.
And these the orange-trees, in blossom—no need
to tell with this weight of perfume in the air.
If it were not so dark in this shed one could better
see the white.
It is that very perfume
has drawn the darkness down among the leaves.
Do I speak clearly enough?
It is this darkness reveals that which darkness alone
loosens and sets spinning on waxen wings—
not the touch of a finger-tip, not the motion
of a sigh. A too heavy sweetness proves
its own caretaker.
And here are the orchids!
Never having seen
such gaiety I will read these flowers for you:
This is an odd January, died—in Villon's time.
Snow, this is and this the stain of a violet
grew in that place the spring that foresaw its own doom.
And this, a certain July from Iceland:
a young woman of that place
breathed it toward the South. It took root there.
The color ran true but the plant is small.
This falling spray of snow-flakes is
a handful of dead Februaries
prayed into flower by Rafael Arevalo Martinez
of Guatemala.
Here's that old friend who
went by my side so many years: this full, fragile
head of veined lavender. Oh that April
that we first went with our stiff lusts
leaving the city behind, out to the green hill—
May, they said she was. A hand for all of us:
this branch of blue butterflies tied to this stem.
June is a yellow cup I'll not name; August
the over-heavy one. And here are—
russet and shiny, all but March. And March?
Ah, March—
Flowers are a tiresome pastime.
One has a wish to shake them from their pots
root and stem, for the sun to gnaw.
Walk out again into the cold and saunter home
to the fire. This day has blossomed long enough.
I have wiped out the red night and lit a blaze
instead which will at least warm our hands
and stir up the talk.
I think we have kept fair time.
Time is a green orchard.
|
Written by
Sylvia Plath |
The photographic chamber of the eye
records bare painted walls, while an electric light
lays the chromium nerves of plumbing raw;
such poverty assaults the ego; caught
naked in the merely actual room,
the stranger in the lavatory mirror
puts on a public grin, repeats our name
but scrupulously reflects the usual terror.
Just how guilty are we when the ceiling
reveals no cracks that can be decoded? when washbowl
maintains it has no more holy calling
than physical ablution, and the towel
dryly disclaims that fierce troll faces lurk
in its explicit folds? or when the window,
blind with steam, will not admit the dark
which shrouds our prospects in ambiguous shadow?
Twenty years ago, the familiar tub
bred an ample batch of omens; but now
water faucets spawn no danger; each crab
and octopus -- scrabbling just beyond the view,
waiting for some accidental break
in ritual, to strike -- is definitely gone;
the authentic sea denies them and will pluck
fantastic flesh down to the honest bone.
We take the plunge; under water our limbs
waver, faintly green, shuddering away
from the genuine color of skin; can our dreams
ever blur the intransigent lines which draw
the shape that shuts us in? absolute fact
intrudes even when the revolted eye
is closed; the tub exists behind our back;
its glittering surfaces are blank and true.
Yet always the ridiculous nude flanks urge
the fabrication of some cloth to cover
such starkness; accuracy must not stalk at large:
each day demands we create our whole world over,
disguising the constant horror in a coat
of many-colored fictions; we mask our past
in the green of Eden, pretend future's shining fruit
can sprout from the navel of this present waste.
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
|
Written by
Pablo Neruda |
This salt
in the saltcellar
I once saw in the salt mines.
I know
you won't
believe me,
but
it sings,
salt sings, the skin
of the salt mines
sings
with a mouth smothered
by the earth.
I shivered in those solitudes
when I heard
the voice of
the salt
in the desert.
Near Antofagasta
the nitrous
pampa
resounds:
a broken
voice,
a mournful
song.
In its caves
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion
of the waves.
And then on every table
in the world,
salt,
we see your piquant
powder
sprinkling
vital light
upon
our food. Preserver
of the ancient
holds of ships,
discoverer
on
the high seas,
earliest
sailor
of the unknown, shifting
byways of the foam.
Dust of the sea, in you
the tongue receives a kiss
from ocean night:
taste imparts to every seasoned
dish your ocean essence;
the smallest,
miniature
wave from the saltcellar
reveals to us
more than domestic whiteness;
in it, we taste infinitude.
|
Written by
Edwin Arlington Robinson |
I
We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel --
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II
Tumultuously void of a clean scheme
Whereon to build, whereof to formulate,
The legion life that riots in mankind
Goes ever plunging upward, up and down,
Most like some crazy regiment at arms,
Undisciplined of aught but Ignorance,
And ever led resourcelessly along
To brainless carnage by drunk trumpeters.
III
To me the groaning of world-worshippers
Rings like a lonely music played in hell
By one with art enough to cleave the walls
Of heaven with his cadence, but without
The wisdom or the will to comprehend
The strangeness of his own perversity,
And all without the courage to deny
The profit and the pride of his defeat.
IV
While we are drilled in error, we are lost
Alike to truth and usefulness. We think
We are great warriors now, and we can brag
Like Titans; but the world is growing young,
And we, the fools of time, are growing with it: --
We do not fight to-day, we only die;
We are too proud of death, and too ashamed
Of God, to know enough to be alive.
V
There is one battle-field whereon we fall
Triumphant and unconquered; but, alas!
We are too fleshly fearful of ourselves
To fight there till our days are whirled and blurred
By sorrow, and the ministering wheels
Of anguish take us eastward, where the clouds
Of human gloom are lost against the gleam
That shines on Thought's impenetrable mail.
VI
When we shall hear no more the cradle-songs
Of ages -- when the timeless hymns of Love
Defeat them and outsound them -- we shall know
The rapture of that large release which all
Right science comprehends; and we shall read,
With unoppressed and unoffended eyes,
That record of All-Soul whereon God writes
In everlasting runes the truth of Him.
VII
The guerdon of new childhood is repose: --
Once he has read the primer of right thought,
A man may claim between two smithy strokes
Beatitude enough to realize
God's parallel completeness in the vague
And incommensurable excellence
That equitably uncreates itself
And makes a whirlwind of the Universe.
VIII
There is no loneliness: -- no matter where
We go, nor whence we come, nor what good friends
Forsake us in the seeming, we are all
At one with a complete companionship;
And though forlornly joyless be the ways
We travel, the compensate spirit-gleams
Of Wisdom shaft the darkness here and there,
Like scattered lamps in unfrequented streets.
IX
When one that you and I had all but sworn
To be the purest thing God ever made
Bewilders us until at last it seems
An angel has come back restigmatized, --
Faith wavers, and we wonder what there is
On earth to make us faithful any more,
But never are quite wise enough to know
The wisdom that is in that wonderment.
X
Where does a dead man go? -- The dead man dies;
But the free life that would no longer feed
On fagots of outburned and shattered flesh
Wakes to a thrilled invisible advance,
Unchained (or fettered else) of memory;
And when the dead man goes it seems to me
'T were better for us all to do away
With weeping, and be glad that he is gone.
XI
So through the dusk of dead, blank-legended,
And unremunerative years we search
To get where life begins, and still we groan
Because we do not find the living spark
Where no spark ever was; and thus we die,
Still searching, like poor old astronomers
Who totter off to bed and go to sleep,
To dream of untriangulated stars.
XII
With conscious eyes not yet sincere enough
To pierce the glimmered cloud that fluctuates
Between me and the glorifying light
That screens itself with knowledge, I discern
The searching rays of wisdom that reach through
The mist of shame's infirm credulity,
And infinitely wonder if hard words
Like mine have any message for the dead.
XIII
I grant you friendship is a royal thing,
But none shall ever know that royalty
For what it is till he has realized
His best friend in himself. 'T is then, perforce,
That man's unfettered faith indemnifies
Of its own conscious freedom the old shame,
And love's revealed infinitude supplants
Of its own wealth and wisdom the old scorn.
XIV
Though the sick beast infect us, we are fraught
Forever with indissoluble Truth,
Wherein redress reveals itself divine,
Transitional, transcendent. Grief and loss,
Disease and desolation, are the dreams
Of wasted excellence; and every dream
Has in it something of an ageless fact
That flouts deformity and laughs at years.
XV
We lack the courage to be where we are: --
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard's enmity.
XVI
Something as one with eyes that look below
The battle-smoke to glimpse the foeman's charge,
We through the dust of downward years may scan
The onslaught that awaits this idiot world
Where blood pays blood for nothing, and where life
Pays life to madness, till at last the ports
Of gilded helplessness be battered through
By the still crash of salvatory steel.
XVII
To you that sit with Sorrow like chained slaves,
And wonder if the night will ever come,
I would say this: The night will never come,
And sorrow is not always. But my words
Are not enough; your eyes are not enough;
The soul itself must insulate the Real,
Or ever you do cherish in this life --
In this life or in any life -- repose.
XVIII
Like a white wall whereon forever breaks
Unsatisfied the tumult of green seas,
Man's unconjectured godliness rebukes
With its imperial silence the lost waves
Of insufficient grief. This mortal surge
That beats against us now is nothing else
Than plangent ignorance. Truth neither shakes
Nor wavers; but the world shakes, and we shriek.
XIX
Nor jewelled phrase nor mere mellifluous rhyme
Reverberates aright, or ever shall,
One cadence of that infinite plain-song
Which is itself all music. Stronger notes
Than any that have ever touched the world
Must ring to tell it -- ring like hammer-blows,
Right-echoed of a chime primordial,
On anvils, in the gleaming of God's forge.
XX
The prophet of dead words defeats himself:
Whoever would acknowledge and include
The foregleam and the glory of the real,
Must work with something else than pen and ink
And painful preparation: he must work
With unseen implements that have no names,
And he must win withal, to do that work,
Good fortitude, clean wisdom, and strong skill.
XXI
To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought, --
These are the fleshly clogs of human greed,
The fundamental blunders of mankind.
XXII
Forebodings are the fiends of Recreance;
The master of the moment, the clean seer
Of ages, too securely scans what is,
Ever to be appalled at what is not;
He sees beyond the groaning borough lines
Of Hell, God's highways gleaming, and he knows
That Love's complete communion is the end
Of anguish to the liberated man.
XXIII
Here by the windy docks I stand alone,
But yet companioned. There the vessel goes,
And there my friend goes with it; but the wake
That melts and ebbs between that friend and me
Love's earnest is of Life's all-purposeful
And all-triumphant sailing, when the ships
Of Wisdom loose their fretful chains and swing
Forever from the crumbled wharves of Time.
|
Written by
Kahlil Gibran |
Where are you, my beloved? Are you in that little
Paradise, watering the flowers who look upon you
As infants look upon the breast of their mothers?
Or are you in your chamber where the shrine of
Virtue has been placed in your honor, and upon
Which you offer my heart and soul as sacrifice?
Or amongst the books, seeking human knowledge,
While you are replete with heavenly wisdom?
Oh companion of my soul, where are you? Are you
Praying in the temple? Or calling Nature in the
Field, haven of your dreams?
Are you in the huts of the poor, consoling the
Broken-hearted with the sweetness of your soul, and
Filling their hands with your bounty?
You are God's spirit everywhere;
You are stronger than the ages.
Do you have memory of the day we met, when the halo of
You spirit surrounded us, and the Angels of Love
Floated about, singing the praise of the soul's deed?
Do you recollect our sitting in the shade of the
Branches, sheltering ourselves from Humanity, as the ribs
Protect the divine secret of the heart from injury?
Remember you the trails and forest we walked, with hands
Joined, and our heads leaning against each other, as if
We were hiding ourselves within ourselves?
Recall you the hour I bade you farewell,
And the Maritime kiss you placed on my lips?
That kiss taught me that joining of lips in Love
Reveals heavenly secrets which the tongue cannot utter!
That kiss was introduction to a great sigh,
Like the Almighty's breath that turned earth into man.
That sigh led my way into the spiritual world,
Announcing the glory of my soul; and there
It shall perpetuate until again we meet.
I remember when you kissed me and kissed me,
With tears coursing your cheeks, and you said,
"Earthly bodies must often separate for earthly purpose,
And must live apart impelled by worldly intent.
"But the spirit remains joined safely in the hands of
Love, until death arrives and takes joined souls to God.
"Go, my beloved; Love has chosen you her delegate;
Over her, for she is Beauty who offers to her follower
The cup of the sweetness of life.
As for my own empty arms, your love shall remain my
Comforting groom; you memory, my Eternal wedding."
Where are you now, my other self? Are you awake in
The silence of the night? Let the clean breeze convey
To you my heart's every beat and affection.
Are you fondling my face in your memory? That image
Is no longer my own, for Sorrow has dropped his
Shadow on my happy countenance of the past.
Sobs have withered my eyes which reflected your beauty
And dried my lips which you sweetened with kisses.
Where are you, my beloved? Do you hear my weeping
From beyond the ocean? Do you understand my need?
Do you know the greatness of my patience?
Is there any spirit in the air capable of conveying
To you the breath of this dying youth? Is there any
Secret communication between angels that will carry to
You my complaint?
Where are you, my beautiful star? The obscurity of life
Has cast me upon its bosom; sorrow has conquered me.
Sail your smile into the air; it will reach and enliven me!
Breathe your fragrance into the air; it will sustain me!
Where are you, me beloved?
Oh, how great is Love!
And how little am I!
|
Written by
Emily Brontë |
Still let my tyrants know, I am not doomed to wear
Year after year in gloom and desolate despair;
A messenger of Hope comes every night to me,
And offers for short life, eternal liberty.
He comes with western winds, with evening's wandering airs,
With that clear dusk of heaven that brings the thickest stars:
Winds take a pensive tone, and stars a tender fire,
And visions rise, and change, that kill me with desire.
Desire for nothing known in my maturer years,
When Joy grew mad with awe, at counting future tears:
When, if my spirit's sky was full of flashes warm,
I knew not whence they came, from sun or thunderstorm.
But first, a hush of peace—a soundless calm descends;
The struggle of distress and fierce impatience ends;
Mute music soothes my breast—unuttered harmony
That I could never dream, till Earth was lost to me.
Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels;
Its wings are almost free—its home, its harbour found;
Measuring the gulf, it stoops, and dares the final bound.
O dreadful is the check—intense the agony—
When the ear begins to hear, and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh, and the flesh to feel the chain.
Yet I would lose no sting, would wish no torture less;
The more that anguish racks, the earlier it will bless;
And robed in fires of hell, or bright with heavenly shine,
If it but herald Death, the vision is divine.
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Written by
Oscar Wilde |
The oleander on the wall
Grows crimson in the dawning light,
Though the grey shadows of the night
Lie yet on Florence like a pall.
The dew is bright upon the hill,
And bright the blossoms overhead,
But ah! the grasshoppers have fled,
The little Attic song is still.
Only the leaves are gently stirred
By the soft breathing of the gale,
And in the almond-scented vale
The lonely nightingale is heard.
The day will make thee silent soon,
O nightingale sing on for love!
While yet upon the shadowy grove
Splinter the arrows of the moon.
Before across the silent lawn
In sea-green vest the morning steals,
And to love's frightened eyes reveals
The long white fingers of the dawn
Fast climbing up the eastern sky
To grasp and slay the shuddering night,
All careless of my heart's delight,
Or if the nightingale should die.
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