Written by
Emily Dickinson |
A faded Boy -- in sallow Clothes
Who drove a lonesome Cow
To pastures of Oblivion --
A statesman's Embryo --
The Boys that whistled are extinct --
The Cows that fed and thanked
Remanded to a Ballad's Barn
Or Clover's Retrospect --
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Written by
George Eliot |
Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air,
And all our rarer, better, truer self
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better, -- saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love, --
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever. This is life to come, --
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, -- be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.
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Written by
Judith Skillman |
After they passed beneath us I could tell
more would be coming, beneath the sand,
under the bejeweled sky, under the first
layer of earth where water exists
in flutes and eddies. I lay there with you,
not wanting to leave your side even
for them, the miraculous creatures of sex
and sediment, the ones who obey currents
and ladders, blindly seeking out their own
individual deaths, their pink flesh peeling
against the rocks. I saw the spool of eggs,
endless possibilities that would not be.
How they labored to breathe the air that night,
caught under our queen-sized bed, the male
and the female, Silvers and Kings whose pale
eyes saw into the lidless dark. I could tell
they loved each other without speech, circling
there apart from water, and I remembered
a snippet from a French film in which a woman
masturbates with a fish, and thought how progressive
I had become in retrospect. There we were,
left behind by the tides, deserted by
the institution of wind on a night
so soundless it could have been our first
night together, before we became victims
of those slippery, dirty, messy words.
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Written by
Les Murray |
All the air conditioners now slacken
their hummed carrier wave. Once again
we've served our three months with remissions
in the steam and dry iron of this seaboard.
In jellied glare, through the nettle-rash season
we've watched the sky's fermenting laundry
portend downpours. Some came, and steamed away,
and we were clutched back into the rancid
saline midnights of orifice weather,
to damp grittiness and wiping off the air.
Metaphors slump irritably together in
the muggy weeks. Shark and jellyfish shallows
become suburbs where you breathe a fat towel;
babies burst like tomatoes with discomfort
in the cotton-wrapped pointing street markets;
the Lycra-bulging surf drips from non-swimmers
miles from shore, and somehow includes soil.
Skins, touching, soak each other. Skin touching
any surface wets that and itself
in a kind of mutual digestion.
Throbbing heads grow lianas of nonsense.
It's our annual visit to the latitudes
of rice, kerosene and resignation,
an averted, temporary visit
unrelated, for most, to the attitudes
of festive northbound jets gaining height -
closer, for some few, to the memory
of ulcers scraped with a tin spoon
or sweated faces bowing before dry
where the flesh is worn inside out,
all the hunger-organs clutched in rank nylon,
by those for whom exhaustion is spirit:
an intrusive, heart-narrowing season
at this far southern foot of the monsoon.
As the kleenex flower, the hibiscus
drops its browning wads, we forget
annually, as one forgets a sickness.
The stifling days will never come again,
not now that we've seen the first sweater
tugged down on the beauties of division
and inside the rain's millions, a risen
loaf of cat on a cool night verandah.
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Written by
Robert Southey |
(Time Night. Scene the woods.)
Where shall I turn me? whither shall I bend
My weary way? thus worn with toil and faint
How thro' the thorny mazes of this wood
Attain my distant dwelling? that deep cry
That rings along the forest seems to sound
My parting knell: it is the midnight howl
Of hungry monsters prowling for their prey!
Again! oh save me--save me gracious Heaven!
I am not fit to die!
Thou coward wretch
Why heaves thy trembling heart? why shake thy limbs
Beneath their palsied burden? is there ought
So lovely in existence? would'st thou drain
Even to its dregs the bitter draught of life?
Dash down the loathly bowl! poor outcast slave
Stamp'd with the brand of Vice and Infamy
Why should the villain Frederic shrink from Death?
Death! where the magic in that empty name
That chills my inmost heart? why at the thought
Starts the cold dew of fear on every limb?
There are no terrors to surround the Grave,
When the calm Mind collected in itself
Surveys that narrow house: the ghastly train
That haunt the midnight of delirious Guilt
Then vanish; in that home of endless rest
All sorrows cease.--Would I might slumber there!
Why then this panting of the fearful heart?
This miser love of Life that dreads to lose
Its cherish'd torment? shall the diseased man
Yield up his members to the surgeon's knife,
Doubtful of succour, but to ease his frame
Of fleshly anguish, and the coward wretch,
Whose ulcered soul can know no human help
Shrink from the best Physician's certain aid?
Oh it were better far to lay me down
Here on this cold damp earth, till some wild beast
Seize on his willing victim!
If to die
Were all, it were most sweet to rest my head
On the cold clod, and sleep the sleep of Death.
But if the Archangel's trump at the last hour
Startle the ear of Death and wake the soul
To frenzy!--dreams of infancy! fit tales
For garrulous beldames to affrighten babes!
I have been guilty, yet my mind can bear
The retrospect of guilt, yet in the hour
Of deep contrition to THE ETERNAL look
For mercy! for the child of Poverty,
And "disinherited of happiness,"
What if I warr'd upon the world? the world
Had wrong'd me first: I had endur'd the ills
Of hard injustice; all this goodly earth
Was but to me one wild waste wilderness;
I had no share in Nature's patrimony,
Blasted were all my morning hopes of Youth,
Dark DISAPPOINTMENT follow'd on my ways,
CARE was my bosom inmate, and keen WANT
Gnaw'd at my heart. ETERNAL ONE thou know'st
How that poor heart even in the bitter hour
Of lewdest revelry has inly yearn'd
For peace!
My FATHER! I will call on thee,
Pour to thy mercy seat my earnest prayer,
And wait thy peace in bowedness of soul.
Oh thoughts of comfort! how the afflicted heart,
Tired with the tempest of its passions, rests
On you with holy hope! the hollow howl
Of yonder harmless tenant of the woods
Bursts not with terror on the sober'd sense.
If I have sinn'd against mankind, on them
Be that past sin; they made me what I was.
In these extremest climes can Want no more
Urge to the deeds of darkness, and at length
Here shall I rest. What tho' my hut be poor--
The rains descend not thro' its humble roof:
Would I were there again! the night is cold;
And what if in my wanderings I should rouse
The savage from his thicket!
Hark! the gun!
And lo--the fire of safety! I shall reach
My little hut again! again by toil
Force from the stubborn earth my sustenance,
And quick-ear'd guilt will never start alarm'd
Amid the well-earn'd meal. This felon's garb--
Will it not shield me from the winds of Heaven?
And what could purple more? Oh strengthen me
Eternal One in this serener state!
Cleanse thou mine heart, so PENITENCE and FAITH
Shall heal my soul and my last days be peace.
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Written by
Kathleen Raine |
Yours is the face that the earth turns to me,
Continuous beyond its human features lie
The mountain forms that rest against the sky.
With your eyes, the reflecting rainbow, the sun's light
Sees me; forest and flower, bird and beast
Know and hold me forever in the world's thought,
Creation's deep untroubled retrospect.
When your hand touches mine it is the earth
That takes me--the green grass,
And rocks and rivers; the green graves,
And children still unborn, and ancestors,
In love passed down from hand to hand from God.
Your love comes from the creation of the world,
From those paternal fingers, streaming through the clouds
That break with light the surface of the sea.
Here, where I trace your body with my hand,
Love's presence has no end;
For these, your arms that hold me, are the world's.
In us, the continents, clouds and oceans meet
Our arbitrary selves, extensive with the night,
Lost, in the heart's worship, and the body's sleep.
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Written by
Emily Dickinson |
To make Routine a Stimulus
Remember it can cease --
Capacity to Terminate
Is a Specific Grace --
Of Retrospect the Arrow
That power to repair
Departed with the Torment
Become, alas, more fair --
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Written by
Emily Dickinson |
The distance that the dead have gone
Does not at first appear --
Their coming back seems possible
For many an ardent year.
And then, that we have followed them,
We more than half suspect,
So intimate have we become
With their dear retrospect.
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Written by
Emily Dickinson |
The Props assist the House
Until the House is built
And then the Props withdraw
And adequate, erect,
The House support itself
And cease to recollect
The Auger and the Carpenter --
Just such a retrospect
Hath the perfected Life --
A past of Plank and Nail
And slowness -- then the Scaffolds drop
Affirming it a Soul.
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Written by
Conrad Aiken |
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
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