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Best Famous Retrace Poems

Here is a collection of the all-time best famous Retrace poems. This is a select list of the best famous Retrace poetry. Reading, writing, and enjoying famous Retrace poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of retrace poems.

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Written by Charlotte Bronte | Create an image from this poem

The Missionary

 Lough, vessel, plough the British main,
Seek the free ocean's wider plain; 
Leave English scenes and English skies,
Unbind, dissever English ties; 
Bear me to climes remote and strange, 
Where altered life, fast-following change,
Hot action, never-ceasing toil, 
Shall stir, turn, dig, the spirit's soil; 
Fresh roots shall plant, fresh seed shall sow, 
Till a new garden there shall grow, 
Cleared of the weeds that fill it now,­ 
Mere human love, mere selfish yearning, 
Which, cherished, would arrest me yet.
I grasp the plough, there's no returning, Let me, then, struggle to forget.
But England's shores are yet in view, And England's skies of tender blue Are arched above her guardian sea.
I cannot yet Remembrance flee; I must again, then, firmly face That task of anguish, to retrace.
Wedded to home­I home forsake, Fearful of change­I changes make; Too fond of ease­I plunge in toil; Lover of calm­I seek turmoil: Nature and hostile Destiny Stir in my heart a conflict wild; And long and fierce the war will be Ere duty both has reconciled.
What other tie yet holds me fast To the divorced, abandoned past? Smouldering, on my heart's altar lies The fire of some great sacrifice, Not yet half quenched.
The sacred steel But lately struck my carnal will, My life-long hope, first joy and last, What I loved well, and clung to fast; What I wished wildly to retain, What I renounced with soul-felt pain; What­when I saw it, axe-struck, perish­ Left me no joy on earth to cherish; A man bereft­yet sternly now I do confirm that Jephtha vow: Shall I retract, or fear, or flee ? Did Christ, when rose the fatal tree Before him, on Mount Calvary ? 'Twas a long fight, hard fought, but won, And what I did was justly done.
Yet, Helen ! from thy love I turned, When my heart most for thy heart burned; I dared thy tears, I dared thy scorn­ Easier the death-pang had been borne.
Helen ! thou mightst not go with me, I could not­dared not stay for thee ! I heard, afar, in bonds complain The savage from beyond the main; And that wild sound rose o'er the cry Wrung out by passion's agony; And even when, with the bitterest tear I ever shed, mine eyes were dim, Still, with the spirit's vision clear, I saw Hell's empire, vast and grim, Spread on each Indian river's shore, Each realm of Asia covering o'er.
There the weak, trampled by the strong, Live but to suffer­hopeless die; There pagan-priests, whose creed is Wrong, Extortion, Lust, and Cruelty, Crush our lost race­and brimming fill The bitter cup of human ill; And I­who have the healing creed, The faith benign of Mary's Son; Shall I behold my brother's need And selfishly to aid him shun ? I­who upon my mother's knees, In childhood, read Christ's written word, Received his legacy of peace, His holy rule of action heard; I­in whose heart the sacred sense Of Jesus' love was early felt; Of his pure full benevolence, His pitying tenderness for guilt; His shepherd-care for wandering sheep, For all weak, sorrowing, trembling things, His mercy vast, his passion deep Of anguish for man's sufferings; I­schooled from childhood in such lore­ Dared I draw back or hesitate, When called to heal the sickness sore Of those far off and desolate ? Dark, in the realm and shades of Death, Nations and tribes and empires lie, But even to them the light of Faith Is breaking on their sombre sky: And be it mine to bid them raise Their drooped heads to the kindling scene, And know and hail the sunrise blaze Which heralds Christ the Nazarene.
I know how Hell the veil will spread Over their brows and filmy eyes, And earthward crush the lifted head That would look up and seek the skies; I know what war the fiend will wage Against that soldier of the cross, Who comes to dare his demon-rage, And work his kingdom shame and loss.
Yes, hard and terrible the toil Of him who steps on foreign soil, Resolved to plant the gospel vine, Where tyrants rule and slaves repine; Eager to lift Religion's light Where thickest shades of mental night Screen the false god and fiendish rite; Reckless that missionary blood, Shed in wild wilderness and wood, Has left, upon the unblest air, The man's deep moan­the martyr's prayer.
I know my lot­I only ask Power to fulfil the glorious task; Willing the spirit, may the flesh Strength for the day receive afresh.
May burning sun or deadly wind Prevail not o'er an earnest mind; May torments strange or direst death Nor trample truth, nor baffle faith.
Though such blood-drops should fall from me As fell in old Gethsemane, Welcome the anguish, so it gave More strength to work­more skill to save.
And, oh ! if brief must be my time, If hostile hand or fatal clime Cut short my course­still o'er my grave, Lord, may thy harvest whitening wave.
So I the culture may begin, Let others thrust the sickle in; If but the seed will faster grow, May my blood water what I sow ! What ! have I ever trembling stood, And feared to give to God that blood ? What ! has the coward love of life Made me shrink from the righteous strife ? Have human passions, human fears Severed me from those Pioneers, Whose task is to march first, and trace Paths for the progress of our race ? It has been so; but grant me, Lord, Now to stand steadfast by thy word ! Protected by salvation's helm, Shielded by faith­with truth begirt, To smile when trials seek to whelm And stand 'mid testing fires unhurt ! Hurling hell's strongest bulwarks down, Even when the last pang thrills my breast, When Death bestows the Martyr's crown, And calls me into Jesus' rest.
Then for my ultimate reward­ Then for the world-rejoicing word­ The voice from Father­Spirit­Son: " Servant of God, well hast thou done !"


Written by Philip Levine | Create an image from this poem

The Dead

 A good man is seized by the police
and spirited away.
Months later someone brags that he shot him once through the back of the head with a Walther 7.
65, and his life ended just there.
Those who loved him go on searching the cafés in the Barrio Chino or the bars near the harbor.
A comrade swears he saw him at a distance buying two kilos of oranges in the market of San José and called out, "Andrés, Andrés," but instead of turning to a man he'd known since child- hood and opening his great arms wide, he scurried off, the oranges tumbling out of the damp sack, one after another, a short bright trail left on the sidewalk to say, Farewell! Farewell to what? I ask.
I asked then and I ask now.
I first heard the story fifty years ago; it became part of the mythology I hauled with me from one graveyard to another, this belief in the power of my yearning.
The dead are every- where, crowding the narrow streets that jut out from the wide boulevard on which we take our morning walk.
They stand in the cold shadows of men and women come to sell themselves to anyone, they stride along beside me and stop when I stop to admire the bright garlands or the little pyramids of fruit, they reach a hand out to give money or to take change, they say "Good morning" or "Thank you," they turn with me and retrace my steps back to the bare little room I've come to call home.
Patiently, they stand beside me staring out over the soiled roofs of the world until the light fades and we are all one or no one.
They ask for so little, a prayer now and then, a toast to their health which is our health, a few lies no one reads incised on a dull plaque between a pharmacy and a sports store, the least little daily miracle.
Written by Hilda Doolittle | Create an image from this poem

Sheltered Garden

 I have had enough.
I gasp for breath.
Every way ends, every road, every foot-path leads at last to the hill-crest -- then you retrace your steps, or find the same slope on the other side, precipitate.
I have had enough -- border-pinks, clove-pinks, wax-lilies, herbs, sweet-cress.
O for some sharp swish of a branch -- there is no scent of resin in this place, no taste of bark, of coarse weeds, aromatic, astringent -- only border on border of scented pinks.
Have you seen fruit under cover that wanted light -- pears wadded in cloth, protected from the frost, melons, almost ripe, smothered in straw? Why not let the pears cling to the empty branch? All your coaxing will only make a bitter fruit -- let them cling, ripen of themselves, test their own worth, nipped, shrivelled by the frost, to fall at last but fair with a russet coat.
Or the melon -- let it bleach yellow in the winter light, even tart to the taste -- it is better to taste of frost -- the exquisite frost -- than of wadding and of dead grass.
For this beauty, beauty without strength, chokes out life.
I want wind to break, scatter these pink-stalks, snap off their spiced heads, fling them about with dead leaves -- spread the paths with twigs, limbs broken off, trail great pine branches, hurled from some far wood right across the melon-patch, break pear and quince -- leave half-trees, torn, twisted but showing the fight was valiant.
O to blot out this garden to forget, to find a new beauty in some terrible wind-tortured place.
Written by Robert Frost | Create an image from this poem

Bond and Free

 Love has earth to which she clings
With hills and circling arms about--
Wall within wall to shut fear out.
But Though has need of no such things, For Thought has a pair of dauntless wings.
On snow and sand and turn, I see Where Love has left a printed trace With straining in the world's embrace.
And such is Love and glad to be But Though has shaken his ankles free.
Though cleaves the interstellar gloom And sits in Sirius' disc all night, Till day makes him retrace his flight With smell of burning on every plume, Back past the sun to an earthly room.
His gains in heaven are what they are.
Yet some say Love by being thrall And simply staying possesses all In several beauty that Thought fares far To find fused in another star.
Written by Paul Laurence Dunbar | Create an image from this poem

YESTERDAY AND TO-MORROW

Yesterday I held your hand,
Reverently I pressed it,
And its gentle yieldingness
From my soul I blessed it.
But to-day I sit alone,
Sad and sore repining;
Must our gold forever know
Flames for the refining?
Yesterday I walked with you,
Could a day be sweeter?
Life was all a lyric song
Set to tricksy meter.
Ah, to-day is like a dirge,—
Place my arms around you,
Let me feel the same dear joy
As when first I found you.
Let me once retrace my steps,
From these roads unpleasant,
Let my heart and mind and soul
All ignore the present.
Yesterday the iron seared
And to-day means sorrow.
Pause, my soul, arise, arise,
Look where gleams the morrow.[Pg 258]


Written by William Cowper | Create an image from this poem

The Task: Book IV The Winter Evening (excerpts)

 Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind, Yet careless what he brings, his one concern Is to conduct it to the destin'd inn: And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch, Cold and yet cheerful: messenger of grief Perhaps to thousands, and of joy to some; To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks, Births, deaths, and marriages, epistles wet With tears that trickled down the writer's cheeks Fast as the periods from his fluent quill, Or charg'd with am'rous sighs of absent swains, Or nymphs responsive, equally affect His horse and him, unconscious of them all.
But oh th' important budget! usher'd in With such heart-shaking music, who can say What are its tidings? have our troops awak'd? Or do they still, as if with opium drugg'd, Snore to the murmurs of th' Atlantic wave? Is India free? and does she wear her plum'd And jewell'd turban with a smile of peace, Or do we grind her still? The grand debate, The popular harangue, the tart reply, The logic, and the wisdom, and the wit, And the loud laugh--I long to know them all; I burn to set th' imprison'd wranglers free, And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud-hissing urn Throws up a steamy column, and the cups, That cheer but not inebriate, wait on each, So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face Sweats in the crowded theatre, and, squeez'd And bor'd with elbow-points through both his sides, Out-scolds the ranting actor on the stage: Nor his, who patient stands till his feet throb, And his head thumps, to feed upon the breath Of patriots, bursting with heroic rage, Or placemen, all tranquility and smiles.
This folio of four pages, happy work! Which not ev'n critics criticise; that holds Inquisitive attention, while I read, Fast bound in chains of silence, which the fair, Though eloquent themselves, yet fear to break; What is it, but a map of busy life, Its fluctuations, and its vast concerns?.
.
.
Oh winter, ruler of th' inverted year, Thy scatter'd hair with sleet like ashes fill'd, Thy breath congeal'd upon thy lips, thy cheeks Fring'd with a beard made white with other snows Than those of age, thy forehead wrapp'd in clouds, A leafless branch thy sceptre, and thy throne A sliding car, indebted to no wheels, But urg'd by storms along its slipp'ry way, I love thee, all unlovely as thou seem'st, And dreaded as thou art! Thou hold'st the sun A pris'ner in the yet undawning east, Short'ning his journey between morn and noon, And hurrying him, impatient of his stay, Down to the rosy west; but kindly still Compensating his loss with added hours Of social converse and instructive ease, And gath'ring, at short notice, in one group The family dispers'd, and fixing thought, Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights, Fire-side enjoyments, home-born happiness, And all the comforts that the lowly roof Of undisturb'd retirement, and the hours Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates; No powder'd pert proficient in the art Of sounding an alarm, assaults these doors Till the street rings; no stationary steeds Cough their own knell, while, heedless of the sound, The silent circle fan themselves, and quake: But here the needle plies its busy task, The pattern grows, the well-depicted flow'r, Wrought patiently into the snowy lawn, Unfolds its bosom; buds, and leaves, and sprigs, And curling tendrils, gracefully dispos'd, Follow the nimble finger of the fair; A wreath that cannot fade, or flow'rs that blow With most success when all besides decay.
The poet's or historian's page, by one Made vocal for th' amusement of the rest; The sprightly lyre, whose treasure of sweet sounds The touch from many a trembling chord shakes out; And the clear voice symphonious, yet distinct, And in the charming strife triumphant still; Beguile the night, and set a keener edge On female industry: the threaded steel Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites Of the last meal commence.
A Roman meal; Such as the mistress of the world once found Delicious, when her patriots of high note, Perhaps by moonlight, at their humble doors, And under an old oak's domestic shade, Enjoy'd--spare feast!--a radish and an egg! Discourse ensues, not trivial, yet not dull, Nor such as with a frown forbids the play Of fancy, or proscribes the sound of mirth: Nor do we madly, like an impious world, Who deem religion frenzy, and the God That made them an intruder on their joys, Start at his awful name, or deem his praise A jarring note.
Themes of a graver tone, Exciting oft our gratitude and love, While we retrace with mem'ry's pointing wand, That calls the past to our exact review, The dangers we have 'scaped, the broken snare, The disappointed foe, deliv'rance found Unlook'd for, life preserv'd and peace restor'd-- Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd The Sabine bard.
Oh ev'nings, I reply, More to be priz'd and coveted than yours, As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy.
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.
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Written by Susan Rich | Create an image from this poem

Lost By Way of Tchin-Tabarden

 Republic of Niger

Nomads are said to know their way by an exact spot in the sky,

the touch of sand to their fingers, granules on the tongue.
But sometimes a system breaks down.
I witness a shift of light, study the irregular shadings of dunes.
Why am I traveling this road to Zinder, where really there is no road? No service station at this check point, just one commercant hawking Fanta in gangrene hues.
C'est formidable! he gestures --- staring ahead over a pyramid of foreign orange juice.
In the desert life is distilled to an angle of wind, camel droppings, salted food.
How long has this man been here, how long can I stay contemplating a route home? It's so easy to get lost and disappear, die of thirst and longing as the Sultan's three wives did last year.
Found in their Mercedes, the chauffeur at the wheel, how did they fail to return home to Ágadez, retrace a landscape they'd always believed? No cross-streets, no broken yellow lines; I feel relief at the abandonment of my own geography.
I know there's no surveyor but want to imagine the aerial map that will send me above flame trees, snaking through knots of basalt.
I'll mark the exact site for a lean-to where the wind and dust travel easily along my skin, and I'm no longer satiated by the scent of gasoline.
I'll arrive there out of balance, untaught; ready for something called home.
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 03: 03: Haunted Chambers

 The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles; They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday? Through soundless labyrinths of dream you pass, Through many doors to the one door of all.
Soon as it's opened we shall hear a music: Or see a skeleton fall .
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We walk with you.
Where is it that you lead us? We climb the muffled stairs beneath high lanterns.
We descend again.
We grope through darkened cells.
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me .
.
.
Is full of bells.
This is the thing remembered I would forget— No matter where I go, how soft I tread, This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me; Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband— The torn certificate for my daughter's grave— These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you: Nothing is here I could not frankly tell you: No hint of guilt, or faithlessness, or threat.
Dreams—they are madness.
Staring eyes—illusion.
Let us return, hear music, and forget .
.
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Written by George (Lord) Byron | Create an image from this poem

On A Distant View Of Harrow

 Ye scenes of my childhood, whose lov'd recollection
Embitters the present, compar'd with the past;
Where science first dawn'd on the powers of reflection,
And friendships were form'd, too romantic to last;

Where fancy, yet, joys to retrace the resemblance
Of comrades, in friendship and mischief allied;
How welcome to me your ne'er fading remembrance,
Which rests in the bosom, though hope is deny'd!

Again I revisit the hills where we sported,
The streams where we swam, and the fields where we fought;
The school where, loud warn'd by the bell, we resorted,
To pore o'er the precepts by Pedagogues taught.
Again I behold where for hours I have ponder'd, As reclining, at eve, on yon tombstone I lay; Or round the steep brow of the churchyard I wander'd, To catch the last gleam of the sun's setting ray.
I once more view the room, with spectators surrounded, Where, as Zanga, I trod on Alonzo o'erthrown; While, to swell my young pride, such applauses resounded, I fancied that Mossop himself was outshone.
Or, as Lear, I pour'd forth the deep imprecation, By my daughters, of kingdom and reason depriv'd; Till, fir'd by loud plaudits and self-adulation, I regarded myself as a Garrick reviv'd.
Ye dreams of my boyhood, how much I regret you! Unfaded your memory dwells in my breast; Though sad and deserted, I ne'er can forget you: Your pleasures may still be in fancy possest.
To Ida full oft may remembrance restore me, While Fate shall the shades of the future unroll! Since Darkness o'ershadows the prospect before me, More dear is the beam of the past to my soul! But if, through the course of the years which await me, Some new scene of pleasure should open to view, I will say, while with rapture the thought shall elate me, Oh! such were the days which my infancy knew.
Written by Andrew Barton Paterson | Create an image from this poem

A Voice from the Town

 I thought, in the days of the droving, 
Of steps I might hope to retrace, 
To be done with the bush and the roving 
And settle once more in my place.
With a heart that was well nigh to breaking, In the long, lonely rides on the plain, I thought of the pleasure of taking The hand of a lady again.
I am back into civilization, Once more in the stir and the strife, But the old joys have lost their sensation -- The light has gone out of my life; The men of my time they have married, Made fortunes or gone to the wall; Too long from the scene I have tarried, And somehow, I'm out of it all.
For I go to the balls and the races A lonely companionless elf, And the ladies bestow all their graces On others less grey than myself; While the talk goes around I'm a dumb one 'Midst youngsters that chatter and prate, And they call me "The Man who was Someone Way back in the year Sixty-eight.
" And I look, sour and old, at the dancers That swing to the strains of the band, And the ladies all give me the Lancers, No waltzes -- I quite understand.
For matrons intent upon matching Their daughters with infinite push, Would scarce think him worthy the catching, The broken-down man from the bush.
New partners have come and new faces, And I, of the bygone brigade, Sharply feel that oblivion my place is -- I must lie with the rest in the shade.
And the youngsters, fresh-featured and pleasant, They live as we lived -- fairly fast; But I doubt if the men of the present Are as good as the men of the past.
Of excitement and praise they are chary, There is nothing much good upon earth; Their watchword is nil admirari, They are bored from the days of their birth.
Where the life that we led was a revel They "wince and relent and refrain" -- I could show them the road -- to the devil, Were I only a youngster again.
I could show them the road where the stumps are, The pleasures that end in remorse, And the game where the Devil's three trumps are The woman, the card, and the horse.
Shall the blind lead the blind -- shall the sower Of wind read the storm as of yore? Though they get to their goal somewhat slower, They march where we hurried before.
For the world never learns -- just as we did They gallantly go to their fate, Unheeded all warnings, unheeded The maxims of elders sedate.
As the husbandman, patiently toiling, Draws a harvest each year from the soil, So the fools grow afresh for the spoiling, And a new crop of thieves for the spoil.
But a truce to this dull moralizing, Let them drink while the drops are of gold.
I have tasted the dregs -- 'twere surprising Were the new wine to me like the old; And I weary for lack of employment In idleness day after day, For the key to the door of enjoyment Is Youth -- and I've thrown it away.

Book: Shattered Sighs