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Best Famous Resounds Poems

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Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth.
One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity.
Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium.
II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees.
III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978


Written by Pablo Neruda | Create an image from this poem

Ode To Salt

 This salt
in the saltcellar
I once saw in the salt mines.
I know you won't believe me, but it sings, salt sings, the skin of the salt mines sings with a mouth smothered by the earth.
I shivered in those solitudes when I heard the voice of the salt in the desert.
Near Antofagasta the nitrous pampa resounds: a broken voice, a mournful song.
In its caves the salt moans, mountain of buried light, translucent cathedral, crystal of the sea, oblivion of the waves.
And then on every table in the world, salt, we see your piquant powder sprinkling vital light upon our food.
Preserver of the ancient holds of ships, discoverer on the high seas, earliest sailor of the unknown, shifting byways of the foam.
Dust of the sea, in you the tongue receives a kiss from ocean night: taste imparts to every seasoned dish your ocean essence; the smallest, miniature wave from the saltcellar reveals to us more than domestic whiteness; in it, we taste infinitude.
Written by William Shakespeare | Create an image from this poem

from Venus and Adonis

 But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds, And now his woven girths he breaks asunder; The bearing earth with his hard hoof he wounds, Whose hollow womb resounds like heaven's thunder; The iron bit he crushes 'tween his teeth Controlling what he was controlled with.
His ears up-prick'd; his braided hanging mane Upon his compass'd crest now stand on end; His nostrils drink the air, and forth again, As from a furnace, vapours doth he send: His eye, which scornfully glisters like fire, Shows his hot courage and his high desire.
Sometime her trots, as if he told the steps, With gentle majesty and modest pride; Anon he rears upright, curvets and leaps, As who should say, 'Lo! thus my strength is tried; And this I do to captivate the eye Of the fair breeder that is standing by.
' What recketh he his rider's angry stir, His flattering 'Holla,' or his 'Stand, I say?' What cares he now for curb of pricking spur? For rich caparisons or trapping gay? He sees his love, and nothing else he sees, Nor nothing else with his proud sight agrees.
Look, when a painter would surpass the life, In limning out a well-proportion'd steed, His art with nature's workmanship at strife, As if the dead the living should exceed; So did this horse excel a common one, In shape, in courage, colour, pace and bone Round-hoof'd, short-jointed, fetlocks shag and long, Broad breast, full eye, small head, and nostril wide, High crest, short ears, straight legs and passing strong, Thin mane, thick tail, broad buttock, tender hide: Look, what a horse should have he did not lack, Save a proud rider on so proud a back.
Sometimes he scuds far off, and there he stares; Anon he starts at stirring of a feather; To bid the wind a race he now prepares, And whe'r he run or fly they know not whether; For through his mane and tail the high wind sings, Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her; She answers him as if she knew his mind; Being proud, as females are, to see him woo her, She puts on outward strangeness, seems unkind, Spurns at his love and scorns the heat he feels, Beating his kind embracements with her heels.
Then, like a melancholy malcontent, He vails his tail that, like a falling plume Cool shadow to his melting buttock lent: He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd, Grew kinder, and his fury was assuag'd.
His testy master goeth about to take him; When lo! the unback'd breeder, full of fear, Jealous of catching, swiftly doth forsake him, With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them, Out-stripping crows that strive to over-fly them.
I prophesy they death, my living sorrow, If thou encounter with the boar to-morrow.
"But if thou needs wilt hunt, be rul'd by me; Uncouple at the timorous flying hare, Or at the fox which lives by subtlety, Or at the roe which no encounter dare: Pursue these fearful creatures o'er the downs, And on they well-breath'd horse keep with they hounds.
"And when thou hast on food the purblind hare, Mark the poor wretch, to overshoot his troubles How he outruns with winds, and with what care He cranks and crosses with a thousand doubles: The many musits through the which he goes Are like a labyrinth to amaze his foes.
"Sometime he runs among a flock of sheep, To make the cunning hounds mistake their smell, And sometime where earth-delving conies keep, To stop the loud pursuers in their yell, And sometime sorteth with a herd of deer; Danger deviseth shifts; wit waits on fear: "For there his smell with other being mingled, The hot scent-snuffing hounds are driven to doubt, Ceasing their clamorous cry till they have singled With much ado the cold fault cleanly out; Then do they spend their mouths: Echo replies, As if another chase were in the skies.
"By this, poor Wat, far off upon a hill, Stands on his hinder legs with listening ear, To hearken if his foes pursue him still: Anon their loud alarums he doth hear; And now his grief may be compared well To one sore sick that hears the passing-bell.
"Then shalt thou see the dew-bedabbled wretch Turn, and return, indenting with the way; Each envious briar his weary legs doth scratch, Each shadow makes him stop, each murmur stay: For misery is trodden on by many, And being low never reliev'd by any.
"Lie quietly, and hear a little more; Nay, do not struggle, for thou shalt not rise: To make thee hate the hunting of the boar, Unlike myself thou hear'st me moralize, Applying this to that, and so to so; For love can comment upon every woe.
"
Written by Robert Burns | Create an image from this poem

Tam OShanter

 A Tale

"Of Brownyis and of Bogilis full is this Buke.
" —Gawin Douglas.
When chapman billies leave the street, And drouthy neebors neebors meet, As market-days are wearing late, An' folk begin to tak' the gate; While we sit bousing at the nappy, An' getting fou and unco happy, We think na on the lang Scots miles, The mosses, waters, slaps, and stiles, That lie between us and our hame, Whare sits our sulky, sullen dame, Gathering her brows like gathering storm, Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter, As he frae Ayr ae night did canter, (Auld Ayr, wham ne'er a town surpasses, For honest men and bonie lasses).
O Tam! hadst thou but been sae wise, As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum, That frae November till October, Ae market-day thou was nae sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That ev'ry naig was ca'd a shoe on, The smith and thee gat roarin fou on; That at the Lord's house, ev'n on Sunday, Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon, Thou would be found deep drowned in Doon; Or catched wi' warlocks in the mirk, By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthened sage advices, The husband frae the wife despises! But to our tale: Ae market-night, Tam had got planted unco right; Fast by an ingle, bleezing finely, Wi' reaming swats, that drank divinely; And at his elbow, Souter Johnny, His ancient, trusty, drouthy crony; Tam lo'ed him like a vera brither; They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter; And aye the ale was growing better: The landlady and Tam grew gracious, Wi' favours, secret, sweet, and precious: The Souter tauld his queerest stories; The landlord's laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure: Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the borealis race, That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm.
— Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o' night's black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallowed; Loud, deep, and lang the thunder bellowed: That night, a child might understand, The De'il had business on his hand.
Weel mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro' dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet; Whiles crooning o'er some auld Scots sonnet; Whiles glow'rin round wi' prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Whare ghaists and houlets nightly cry.
By this time he was cross the ford, Whare in the snaw the chapman smoored; And past the birks and meikle stane, Whare drunken Charlie brak's neck-bane; And thro' the whins, and by the cairn, Whare hunters fand the murdered bairn; And near the thorn, aboon the well, Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods; The doubling storm roars thro' the woods; The lightnings flash from pole to pole; Near and more near the thunders roll; When, glimmering thro' the groaning trees, Kirk-Alloway seemed in a bleeze; Thro' ilka bore the beams were glancing; And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst mak' us scorn! Wi' tippenny, we fear nae evil; Wi' usquabae, we'll face the devil! The swats sae reamed in Tammie's noddle, Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished, Till, by the heel and hand admonished, She ventured forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance; Nae cotillion, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o' beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screwed the pipes and gart them skirl, Till roof and rafters a' did dirl.
— Coffins stood round, like open presses, That shawed the Dead in their last dresses; And by some devilish cantraip sleight Each in its cauld hand held a light, By which heroic Tam was able To note upon the haly table, A murderer's banes in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi' his last gasp his gab did gape; Five tomahawks, wi' blude red-rusted; Five scimitars, wi' murder crusted; A garter, which a babe had strangled; A knife, a father's throat had mangled, Whom his ain son o' life bereft, The grey hairs yet stack to the heft; Wi' mair of horrible and awfu', Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: The Piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linket at it in her sark! Now Tam, O Tam! had they been queans, A' plump and strapping in their teens; Their sarks, instead o' creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o' mine, my only pair, That ance were plush, o' gude blue hair, I wad hae gi'en them off my hurdies, For ae blink o' the bonie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie: `There was ae winsome wench and waulie', That night enlisted in the core (Lang after kenned on Carrick shore; For mony a beast to dead she shot, And perished mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o' Paisley harn, That while a lassie she had worn, In longitude tho' sorely scanty, It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie, That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever graced a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewitched, And thought his very een enriched; Even Satan glowered, and fidged fu' fain, And hotched and blew wi' might and main: Till first ae caper, syne anither, Tam tint his reason a' thegither, And roars out, "Weel done, Cutty-sark!" And in an instant all was dark: And scarcely had he Maggie rallied, When out the hellish legion sallied.
As bees bizz out wi' angry fyke, When plundering herds assail their byke; As open pussie's mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When "Catch the thief!" resounds aloud; So Maggie runs, the witches follow, Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin! In hell they'll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the key-stane of the brig; There at them thou thy tail may toss, A running stream they dare na cross.
But ere the key-stane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi' furious ettle; But little wist she Maggie's mettle— Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read, Ilk man and mother's son, take heed: Whene'er to drink you are inclined, Or cutty-sarks run in your mind, Think, ye may buy the joys o'er dear, Remember Tam o'Shanter's mare.
Written by Walt Whitman | Create an image from this poem

Mystic Trumpeter The

 1
HARK! some wild trumpeter—some strange musician, 
Hovering unseen in air, vibrates capricious tunes to-night.
I hear thee, trumpeter—listening, alert, I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued—now in the distance lost.
2 Come nearer, bodiless one—haply, in thee resounds Some dead composer—haply thy pensive life Was fill’d with aspirations high—unform’d ideals, Waves, oceans musical, chaotically surging, That now, ecstatic ghost, close to me bending, thy cornet echoing, pealing, Gives out to no one’s ears but mine—but freely gives to mine, That I may thee translate.
3 Blow, trumpeter, free and clear—I follow thee, While at thy liquid prelude, glad, serene, The fretting world, the streets, the noisy hours of day, withdraw; A holy calm descends, like dew, upon me, I walk, in cool refreshing night, the walks of Paradise, I scent the grass, the moist air, and the roses; Thy song expands my numb’d, imbonded spirit—thou freest, launchest me, Floating and basking upon Heaven’s lake.
4 Blow again, trumpeter! and for my sensuous eyes, Bring the old pageants—show the feudal world.
What charm thy music works!—thou makest pass before me, Ladies and cavaliers long dead—barons are in their castle halls—the troubadours are singing; Arm’d knights go forth to redress wrongs—some in quest of the Holy Grail: I see the tournament—I see the contestants, encased in heavy armor, seated on stately, champing horses; I hear the shouts—the sounds of blows and smiting steel: I see the Crusaders’ tumultuous armies—Hark! how the cymbals clang! Lo! where the monks walk in advance, bearing the cross on high! 5 Blow again, trumpeter! and for thy theme, Take now the enclosing theme of all—the solvent and the setting; Love, that is pulse of all—the sustenace and the pang; The heart of man and woman all for love; No other theme but love—knitting, enclosing, all-diffusing love.
O, how the immortal phantoms crowd around me! I see the vast alembic ever working—I see and know the flames that heat the world; The glow, the blush, the beating hearts of lovers, So blissful happy some—and some so silent, dark, and nigh to death: Love, that is all the earth to lovers—Love, that mocks time and space; Love, that is day and night—Love, that is sun and moon and stars; Love, that is crimson, sumptuous, sick with perfume; No other words, but words of love—no other thought but Love.
6 Blow again, trumpeter—conjure war’s Wild alarums.
Swift to thy spell, a shuddering hum like distant thunder rolls; Lo! where the arm’d men hasten—Lo! mid the clouds of dust, the glint of bayonets; I see the grime-faced cannoniers—I mark the rosy flash amid the smoke—I hear the cracking of the guns: —Nor war alone—thy fearful music-song, wild player, brings every sight of fear, The deeds of ruthless brigands—rapine, murder—I hear the cries for help! I see ships foundering at sea—I behold on deck, and below deck, the terrible tableaux.
7 O trumpeter! methinks I am myself the instrument thou playest! Thou melt’st my heart, my brain—thou movest, drawest, changest them, at will: And now thy sullen notes send darkness through me; Thou takest away all cheering light—all hope: I see the enslaved, the overthrown, the hurt, the opprest of the whole earth; I feel the measureless shame and humiliation of my race—it becomes all mine; Mine too the revenges of humanity—the wrongs of ages—baffled feuds and hatreds; Utter defeat upon me weighs—all lost! the foe victorious! (Yet ’mid the ruins Pride colossal stands, unshaken to the last; Endurance, resolution, to the last.
) 8 Now, trumpeter, for thy close, Vouchsafe a higher strain than any yet; Sing to my soul—renew its languishing faith and hope; Rouse up my slow belief—give me some vision of the future; Give me, for once, its prophecy and joy.
O glad, exulting, culminating song! A vigor more than earth’s is in thy notes! Marches of victory—man disenthrall’d—the conqueror at last! Hymns to the universal God, from universal Man—all joy! A reborn race appears—a perfect World, all joy! Women and Men, in wisdom, innocence and health—all joy! Riotous, laughing bacchanals, fill’d with joy! War, sorrow, suffering gone—The rank earth purged—nothing but joy left! The ocean fill’d with joy—the atmosphere all joy! Joy! Joy! in freedom, worship, love! Joy in the ecstacy of life! Enough to merely be! Enough to breathe! Joy! Joy! all over Joy!


Written by Robert Burns | Create an image from this poem

310. Tam o' Shanter: A Tale

 WHEN chapman billies leave the street,
And drouthy neibors, neibors, meet;
As market days are wearing late,
And folk begin to tak the gate,
While we sit bousing at the nappy,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and stiles,
That lie between us and our hame,
Where sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest TAM O’ SHANTER, As he frae Ayr ae night did canter: (Auld Ayr, wham ne’er a town surpasses, For honest men and bonie lasses).
O Tam! had’st thou but been sae wise, As taen thy ain wife Kate’s advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum; That frae November till October, Ae market-day thou was na sober; That ilka melder wi’ the Miller, Thou sat as lang as thou had siller; That ev’ry naig was ca’d a shoe on The Smith and thee gat roarin’ fou on; That at the L—d’s house, ev’n on Sunday, Thou drank wi’ Kirkton Jean till Monday, She prophesied that late or soon, Thou wad be found, deep drown’d in Doon, Or catch’d wi’ warlocks in the mirk, By Alloway’s auld, haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthen’d, sage advices, The husband frae the wife despises! But to our tale:—Ae market night, Tam had got planted unco right, Fast by an ingle, bleezing finely, Wi reaming sAats, that drank divinely; And at his elbow, Souter Johnie, His ancient, trusty, drougthy crony: Tam lo’ed him like a very brither; They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter; And aye the ale was growing better: The Landlady and Tam grew gracious, Wi’ favours secret, sweet, and precious: The Souter tauld his queerest stories; The Landlord’s laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E’en drown’d himsel amang the nappy.
As bees flee hame wi’ lades o’ treasure, The minutes wing’d their way wi’ pleasure: Kings may be blest, but Tam was glorious, O’er a’ the ills o’ life victorious! But pleasures are like poppies spread, You seize the flow’r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the Borealis race, That flit ere you can point their place; Or like the Rainbow’s lovely form Evanishing amid the storm.
— Nae man can tether Time nor Tide, The hour approaches Tam maun ride; That hour, o’ night’s black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he taks the road in, As ne’er poor sinner was abroad in.
The wind blew as ’twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallow’d; Loud, deep, and lang, the thunder bellow’d: That night, a child might understand, The deil had business on his hand.
Weel-mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro’ dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet, Whiles crooning o’er some auld Scots sonnet, Whiles glow’rin round wi’ prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Where ghaists and houlets nightly cry.
By this time he was cross the ford, Where in the snaw the chapman smoor’d; And past the birks and meikle stane, Where drunken Charlie brak’s neck-bane; And thro’ the whins, and by the cairn, Where hunters fand the murder’d bairn; And near the thorn, aboon the well, Where Mungo’s mither hang’d hersel’.
Before him Doon pours all his floods, The doubling storm roars thro’ the woods, The lightnings flash from pole to pole, Near and more near the thunders roll, When, glimmering thro’ the groaning trees, Kirk-Alloway seem’d in a bleeze, Thro’ ilka bore the beams were glancing, And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst make us scorn! Wi’ tippenny, we fear nae evil; Wi’ usquabae, we’ll face the devil! The swats sae ream’d in Tammie’s noddle, Fair play, he car’d na deils a boddle, But Maggie stood, right sair astonish’d, Till, by the heel and hand admonish’d, She ventur’d forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance: Nae cotillon, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o’ beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screw’d the pipes and gart them skirl, Till roof and rafters a’ did dirl.
— Coffins stood round, like open presses, That shaw’d the Dead in their last dresses; And (by some devilish cantraip sleight) Each in its cauld hand held a light.
By which heroic Tam was able To note upon the haly table, A murderer’s banes, in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi’ his last gasp his gabudid gape; Five tomahawks, wi’ blude red-rusted: Five scimitars, wi’ murder crusted; A garter which a babe had strangled: A knife, a father’s throat had mangled.
Whom his ain son of life bereft, The grey-hairs yet stack to the heft; Wi’ mair of horrible and awfu’, Which even to name wad be unlawfu’.
As Tammie glowr’d, amaz’d, and curious, The mirth and fun grew fast and furious; The Piper loud and louder blew, The dancers quick and quicker flew, The reel’d, they set, they cross’d, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linkit at it in her sark! Now Tam, O Tam! had they been queans, A’ plump and strapping in their teens! Their sarks, instead o’ creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o’ mine, my only pair, That ance were plush o’ guid blue hair, I wad hae gien them off my hurdies, For ae blink o’ the bonie burdies! But wither’d beldams, auld and droll, Rigwoodie hags wad spean a foal, Louping an’ flinging on a crummock.
I wonder did na turn thy stomach.
But Tam kent what was what fu’ brawlie: There was ae winsome wench and waulie That night enlisted in the core, Lang after ken’d on Carrick shore; (For mony a beast to dead she shot, And perish’d mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o’ Paisley harn, That while a lassie she had worn, In longitude tho’ sorely scanty, It was her best, and she was vauntie.
Ah! little ken’d thy reverend grannie, That sark she coft for her wee Nannie, Wi twa pund Scots (’twas a’ her riches), Wad ever grac’d a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewithc’d, And thought his very een enrich’d: Even Satan glowr’d, and fidg’d fu’ fain, And hotch’d and blew wi’ might and main: Till first ae caper, syne anither, Tam tint his reason a thegither, And roars out, “Weel done, Cutty-sark!” And in an instant all was dark: And scarcely had he Maggie rallied.
When out the hellish legion sallied.
As bees bizz out wi’ angry fyke, When plundering herds assail their byke; As open pussie’s mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When “Catch the thief!” resounds aloud; So Maggie runs, the witches follow, Wi’ mony an eldritch skreich and hollow.
Ah, Tam! Ah, Tam! thou’ll get thy fairin! In hell, they’ll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu’ woman! Now, do thy speedy-utmost, Meg, And win the key-stone o’ the brig; There, at them thou thy tail may toss, A running stream they dare na cross.
But ere the keystane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi’ furious ettle; But little wist she Maggie’s mettle! Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o’ truth shall read, Ilk man and mother’s son, take heed: Whene’er to Drink you are inclin’d, Or Cutty-sarks rin in your mind, Think ye may buy the joys o’er dear; Remember Tam o’ Shanter’s mare.
Written by A E Housman | Create an image from this poem

Fragment of a Greek Tragedy

 CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb And do not understand a word I say, Then wave your hand, to signify as much.
ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars? ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus? ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that-- CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door? CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good, And do not, on the other hand, be bad; For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.
CHORUS Strophe In speculation I would not willingly acquire a name For ill-digested thought; But after pondering much To this conclusion I at last have come: LIFE IS UNCERTAIN.
This truth I have written deep In my reflective midriff On tablets not of wax, Nor with a pen did I inscribe it there, For many reasons: LIFE, I say, IS NOT A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls This fact did I discover, Nor did the Delphine tripod bark it out, Nor yet Dodona.
Its native ingunuity sufficed My self-taught diaphragm.
Antistrophe Why should I mention The Inachean daughter, loved of Zeus? Her whom of old the gods, More provident than kind, Provided with four hoofs, two horns, one tail, A gift not asked for, And sent her forth to learn The unfamiliar science Of how to chew the cud.
She therefore, all about the Argive fields, Went cropping pale green grass and nettle-tops, Nor did they disagree with her.
But yet, howe'er nutritious, such repasts I do not hanker after: Never may Cypris for her seat select My dappled liver! Why should I mention Io? Why indeed? I have no notion why.
Epode But now does my boding heart, Unhired, unaccompanied, sing A strain not meet for the dance.
Yes even the palace appears To my yoke of circular eyes (The right, nor omit I the left) Like a slaughterhouse, so to speak, Garnished with woolly deaths And many sphipwrecks of cows.
I therefore in a Cissian strain lament: And to the rapid Loud, linen-tattering thumps upon my chest Resounds in concert The battering of my unlucky head.
ERIPHYLE (within): O, I am smitten with a hatchet's jaw; And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way, Once more: he purposes to kill me dead.
CHORUS: I would not be reputed rash, but yet I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor; But thine arithmetic is quite correct.
Written by William Topaz McGonagall | Create an image from this poem

Jottings of New York

 Oh, mighty city of New York, you are wonderful to behold--
Your buildings are magnificent-- the truth be it told--
They were the only thing that seemed to arrest my eye,
Because many of them are thirteen storeys high;

And as for Central Park, it is lovely to be seen--
Especially in the summer season when its shrubberies are green
And the Burns Statue is there to be seen,
Surrounded by trees on the beautiful sward so green;
Also Shakespeare and the immortal Sir Walter Scott,
Which by Scotchmen and Englishmen will never be forgot.
There are people on the Sabbath day in thousands resort-- All lov'd, in conversation, and eager for sport; And some of them viewing the wild beasts there, While the joyous shouts of children does rend the air-- And also beautiful black swans, I do declare.
And there's beautiful boats to be seen there, And joyous shouts of children does rend the air, While the boats sail along with them o'er Lohengrin Lake, And fare is 5 cents for children, and adults ten is all they take.
And there's also summer-house shades, and merry-go-rounds And with the merry laughter of the children the Park resounds, During the live-long Sabbath day Enjoying themselves at the merry-go-round play.
Then there's the elevated railroads abont five storeys high, Which the inhabitants can hear night and day passing by; Of, such a mass of people there daily do throng-- No less than five 100,000 daily pass along; And all along the city you can get for five cents-- And, believe me, among the passengers there's few discontent.
And the top of the houses are mostly all flat, And in the warm weather the people gather to chat; Besides, on the housetops they dry their clothes; And, also, many people all night on the housetops repose.
And numerous ships end steamboats are there to be seen, Sailing along the East River water, which is very green-- Which is certainly a most beautiful sight To see them sailing o'er the smooth water day and night.
And as for Brooklyn Bridge, it's a very great height, And fills the stranger's heart with wonder at first sight; And with all its loftiness I venture to say It cannot surpass the new railway bridge of the Silvery Tay.
And there's also ten thousand rumsellers there-- Oh, wonderful to think of, I do declare! To accommodate the people of New York therein, And to encourage them to commit all sorts of sin.
And on the Sabbath day ye will see many a man Going for beer with a big tin can, And seems proud to be seen carrying home the beer To treat his neighbours and his family dear.
Then at night numbers of the people dance and sing, Making the walls of their houses to ring With their songs and dancing on Sabbath night, Which I witnessed with disgust, and fled from the sight.
And with regard to New York and the sights I did see-- Believe me, I never saw such sights in Dundee; And the morning I sailed from the city of New York My heart it felt as light as a cork.
Written by Thomas Hood | Create an image from this poem

The World is with Me

 The world is with me, and its many cares, 
Its woes--its wants--the anxious hopes and fears 
That wait on all terrestrial affairs-- 
The shades of former and of future years-- 
Forboding fancies and prophetic tears, 
Quelling a spirit that was once elate.
Heavens! what a wilderness the world appears, Where youth, and mirth, and health are out of date; But no--a laugh of innocence and joy Resounds, like music of the fairy race, And, gladly turning from the world's annoy, I gaze upon a little radiant face, And bless, internally, the merry boy Who "makes a son-shine in a shady place.
"
Written by George (Lord) Byron | Create an image from this poem

Lachin Y Gair

 Away, ye gay landscapes, ye garden of roses! 
In you let the minions of luxury rove; 
Restore me to the rocks, where the snowflake reposes, 
Though still they are sacred to freedom and love: 
Yet, Caledonia, beloved are thy mountains, 
Round their white summits though elements war; 
Though cataracts foam 'stead of smooth-flowing fountains, 
I sigh for the valley of dark Loch na Garr.
Ah! there my young footsteps in infancy wandered; My cap was teh bonnet, my cloak was the plaid; On chieftains long perished my memory pondered, As daily I strode through the pine-covered glade; I sought not my home till the day's dying glory Gave place to the rays of the bright polar star; For fancy was cheered by traditional story, Disclosed by the natives of dark Loch na Garr.
"Shades of the dead! have I not heard your voices Rise on the night-rolling breath of the gale?" Surely the soul of the hero rejoices, And rides on the wind, o'er his own Highland vale.
Rouch Loch na Garr while the stormy mist gathers, Winter presides in his cold icy car: Clouds there encircle the forms of my fathers; They dwell in the tempests of dark Loch na Garr.
"Ill-starred, though brave, did no visions foreboding Tell you that fate had forsaken your cause?" Ah! were you destined to die at Culloden, Victory crowned not your fall with applause: Still were you happy in death's earthy slumber, You rest with your clan in the caves of Braemar; The pibroch resounds, to the piper's loud number, Your deeds on the echoes of dark Loch na Garr.
Years have rolled on, Loch na Garr, since I left you, Years must elapse ere I tread you again: Nature of verdure and flowers has bereft you, Yet still are you dearer than Albion's plain.
England! thy beauties are tame and domestic To one who has roved o'er the mountains afar: Oh for the crags that are wild and majestic! The steep frowning glories of the dark Loch na Garr.

Book: Reflection on the Important Things