Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace.
He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable.
But everything is getting choked to the point of
Silence.
Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover.
Suddenly all is
Loathing.
I don't want to go back inside any more.
You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run.
"Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes.
Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep.
Farewell bocages,
Tanneries, water-meadows.
The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes.
I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language.
Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours.
While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways.
Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone.
What happened to creative evolution?"
Sighed Aglavaine.
Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time.
In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us.
And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement.
We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product.
True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St.
Petersburg.
Somewhere
Ravens pray for us.
" The storm finished brewing.
And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love.
Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it.
Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums.
Morning is
Impermanent.
Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition.
No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it.
This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space.
Life, our
Life anyway, is between.
We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
Written by
Henry Lawson |
The world is narrow and ways are short, and our lives are dull and slow,
For little is new where the crowds resort, and less where the wanderers go;
Greater, or smaller, the same old things we see by the dull road-side --
And tired of all is the spirit that sings
of the days when the world was wide.
When the North was hale in the march of Time,
and the South and the West were new,
And the gorgeous East was a pantomime, as it seemed in our boyhood's view;
When Spain was first on the waves of change,
and proud in the ranks of pride,
And all was wonderful, new and strange in the days when the world was wide.
Then a man could fight if his heart were bold,
and win if his faith were true --
Were it love, or honour, or power, or gold, or all that our hearts pursue;
Could live to the world for the family name, or die for the family pride,
Could fly from sorrow, and wrong, and shame
in the days when the world was wide.
They sailed away in the ships that sailed ere science controlled the main,
When the strong, brave heart of a man prevailed
as 'twill never prevail again;
They knew not whither, nor much they cared --
let Fate or the winds decide --
The worst of the Great Unknown they dared
in the days when the world was wide.
They raised new stars on the silent sea that filled their hearts with awe;
They came to many a strange countree and marvellous sights they saw.
The villagers gaped at the tales they told,
and old eyes glistened with pride --
When barbarous cities were paved with gold
in the days when the world was wide.
'Twas honest metal and honest wood, in the days of the Outward Bound,
When men were gallant and ships were good -- roaming the wide world round.
The gods could envy a leader then when `Follow me, lads!' he cried --
They faced each other and fought like men
in the days when the world was wide.
They tried to live as a freeman should -- they were happier men than we,
In the glorious days of wine and blood, when Liberty crossed the sea;
'Twas a comrade true or a foeman then, and a trusty sword well tried --
They faced each other and fought like men
in the days when the world was wide.
The good ship bound for the Southern seas when the beacon was Ballarat,
With a `Ship ahoy!' on the freshening breeze,
`Where bound?' and `What ship's that?' --
The emigrant train to New Mexico -- the rush to the Lachlan Side --
Ah! faint is the echo of Westward Ho!
from the days when the world was wide.
South, East, and West in advance of Time -- and, ay! in advance of Thought
Those brave men rose to a height sublime -- and is it for this they fought?
And is it for this damned life we praise the god-like spirit that died
At Eureka Stockade in the Roaring Days
with the days when the world was wide?
We fight like women, and feel as much; the thoughts of our hearts we guard;
Where scarcely the scorn of a god could touch,
the sneer of a sneak hits hard;
The treacherous tongue and cowardly pen, the weapons of curs, decide --
They faced each other and fought like men
in the days when the world was wide.
Think of it all -- of the life that is! Study your friends and foes!
Study the past! And answer this: `Are these times better than those?'
The life-long quarrel, the paltry spite, the sting of your poisoned pride!
No matter who fell it were better to fight
as they did when the world was wide.
Boast as you will of your mateship now -- crippled and mean and sly --
The lines of suspicion on friendship's brow
were traced since the days gone by.
There was room in the long, free lines of the van
to fight for it side by side --
There was beating-room for the heart of a man
in the days when the world was wide.
.
.
.
.
.
With its dull, brown days of a-shilling-an-hour
the dreary year drags round:
Is this the result of Old England's power?
-- the bourne of the Outward Bound?
Is this the sequel of Westward Ho! -- of the days of Whate'er Betide?
The heart of the rebel makes answer `No!
We'll fight till the world grows wide!'
The world shall yet be a wider world -- for the tokens are manifest;
East and North shall the wrongs be hurled that followed us South and West.
The march of Freedom is North by the Dawn! Follow, whate'er betide!
Sons of the Exiles, march! March on! March till the world grows wide!
|
Written by
Conrad Aiken |
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write .
.
.
The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say .
.
.
I've just re-read your letter—
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose .
.
.
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics .
.
.
You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst .
.
.
Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays .
.
.
And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber .
.
.
Which now you've reached.
What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
Sickness, humiliation, slow defeat,
Bareness, and ugliness, and iteration,—
Too meaningless; or, if it has a meaning,
Too tiresomely insistent on one meaning:
Futility .
.
.
This world, I hear you saying,—
With lifted chin, and arm in outflung gesture,
Coldly imperious,—this transient world,
What has it then to give, if not containing
Deep hints of nobler worlds? We know its beauties,—
Momentary and trivial for the most part,
Perceived through flesh, passing like flesh away,—
And know how much outweighed they are by darkness.
We are like searchers in a house of darkness,
A house of dust; we creep with little lanterns,
Throwing our tremulous arcs of light at random,
Now here, now there, seeing a plane, an angle,
An edge, a curve, a wall, a broken stairway
Leading to who knows what; but never seeing
The whole at once .
.
.
We grope our way a little,
And then grow tired.
No matter what we touch,
Dust is the answer—dust: dust everywhere.
If this were all—what were the use, you ask?
But this is not: for why should we be seeking,
Why should we bring this need to seek for beauty,
To lift our minds, if there were only dust?
This is the central chamber you have come to:
Turning your back to the world, until you came
To this deep room, and looked through rose-stained windows,
And saw the hues of the world so sweetly changed.
Well, in a measure, so only do we all.
I am not sure that you can be refuted.
At the very last we all put faith in something,—
You in this ghost that animates your world,
This ethical ghost,—and I, you'll say, in reason,—
Or sensuous beauty,—or in my secret self .
.
.
Though as for that you put your faith in these,
As much as I do—and then, forsaking reason,—
Ascending, you would say, to intuition,—
You predicate this ghost of yours, as well.
Of course, you might have argued,—and you should have,—
That no such deep appearance of design
Could shape our world without entailing purpose:
For can design exist without a purpose?
Without conceiving mind? .
.
.
We are like children
Who find, upon the sands, beside a sea,
Strange patterns drawn,—circles, arcs, ellipses,
Moulded in sand .
.
.
Who put them there, we wonder?
Did someone draw them here before we came?
Or was it just the sea?—We pore upon them,
But find no answer—only suppositions.
And if these perfect shapes are evidence
Of immanent mind, it is but circumstantial:
We never come upon him at his work,
He never troubles us.
He stands aloof—
Well, if he stands at all: is not concerned
With what we are or do.
You, if you like,
May think he broods upon us, loves us, hates us,
Conceives some purpose of us.
In so doing
You see, without much reason, will in law.
I am content to say, 'this world is ordered,
Happily so for us, by accident:
We go our ways untroubled save by laws
Of natural things.
' Who makes the more assumption?
If we were wise—which God knows we are not—
(Notice I call on God!) we'd plumb this riddle
Not in the world we see, but in ourselves.
These brains of ours—these delicate spinal clusters—
Have limits: why not learn them, learn their cravings?
Which of the two minds, yours or mine, is sound?
Yours, which scorned the world that gave it freedom,
Until you managed to see that world as omen,—
Or mine, which likes the world, takes all for granted,
Sorrow as much as joy, and death as life?—
You lean on dreams, and take more credit for it.
I stand alone .
.
.
Well, I take credit, too.
You find your pleasure in being at one with all things—
Fusing in lambent dream, rising and falling
As all things rise and fall .
.
.
I do that too—
With reservations.
I find more varied pleasure
In understanding: and so find beauty even
In this strange dream of yours you call the truth.
Well, I have bored you.
And it's growing late.
For household news—what have you heard, I wonder?
You must have heard that Paul was dead, by this time—
Of spinal cancer.
Nothing could be done—
We found it out too late.
His death has changed me,
Deflected much of me that lived as he lived,
Saddened me, slowed me down.
Such things will happen,
Life is composed of them; and it seems wisdom
To see them clearly, meditate upon them,
And understand what things flow out of them.
Otherwise, all goes on here much as always.
Why won't you come and see us, in the spring,
And bring old times with you?—If you could see me
Sitting here by the window, watching Venus
Go down behind my neighbor's poplar branches,—
Just where you used to sit,—I'm sure you'd come.
This year, they say, the springtime will be early.
|
Written by
Michael Drayton |
In Ionia whence sprang old poets' fame,
From whom that sea did first derive her name,
The blessed bed whereon the Muses lay,
Beauty of Greece, the pride of Asia,
Whence Archelaus, whom times historify,
First unto Athens brought philosophy:
In this fair region on a goodly plain,
Stretching her bounds unto the bord'ring main,
The mountain Latmus overlooks the sea,
Smiling to see the ocean billows play:
Latmus, where young Endymion used to keep
His fairest flock of silver-fleeced sheep,
To whom Silvanus often would resort,
At barley-brake to see the Satyrs sport;
And when rude Pan his tabret list to sound,
To see the fair Nymphs foot it in a round,
Under the trees which on this mountain grew,
As yet the like Arabia never knew;
For all the pleasures Nature could devise
Within this plot she did imparadise;
And great Diana of her special grace
With vestal rites had hallowed all the place.
Upon this mount there stood a stately grove,
Whose reaching arms to clip the welkin strove,
Of tufted cedars, and the branching pine,
Whose bushy tops themselves do so entwine,
As seem'd, when Nature first this work begun,
She then conspir'd against the piercing sun;
Under whose covert (thus divinely made)
Ph{oe}bus' green laurel flourish'd in the shade,
Fair Venus' myrtle, Mars his warlike fir,
Minerva's olive, and the weeping myrrh,
The patient palm, which thrives in spite of hate,
The poplar, to Alcides consecrate;
Which Nature in such order had disposed,
And therewithal these goodly walks inclosed,
As serv'd for hangings and rich tapestry,
To beautify this stately gallery.
Embroidering these in curious trails along,
The cluster'd grapes, the golden citrons hung,
More glorious than the precious fruit were these,
Kept by the dragon in Hesperides,
Or gorgeous arras in rich colours wrought,
With silk from Afric, or from Indy brought.
Out of this soil sweet bubbling fountains crept,
As though for joy the senseless stones had wept,
With straying channels dancing sundry ways,
With often turns, like to a curious maze;
Which breaking forth the tender grass bedewed,
Whose silver sand with orient pearl was strewed,
Shadowed with roses and sweet eglantine,
Dipping their sprays into this crystalline;
From which the birds the purple berries pruned,
And to their loves their small recorders tuned,
The nightingale, wood's herald of the spring,
The whistling woosel, mavis carolling,
Tuning their trebles to the waters' fall,
Which made the music more angelical;
Whilst gentle Zephyr murmuring among
Kept time, and bare the burthen to the song:
About whose brims, refresh'd with dainty showers,
Grew amaranthus, and sweet gilliflowers,
The marigold, Ph{oe}bus' beloved friend,
The moly, which from sorcery doth defend,
Violet, carnation, balm, and cassia,
Idea's primrose, coronet of may.
Above this grove a gentle fair ascent,
Which by degrees of milk-white marble went:
Upon the top, a paradise was found,
With which Nature this miracle had crown'd,
Empal'd with rocks of rarest precious stone,
Which like the flames of ?tna brightly shone,
And served as lanthorns furnished with light,
To guide the wand'ring passengers by night:
For which fair Ph{oe}be, sliding from her sphere,
Used oft times to come and sport her there,
And from the azure starry-painted sky
Embalm'd the banks with precious lunary:
That now her Maenalus she quite forsook,
And unto Latmus wholly her betook,
And in this place her pleasure us'd to take,
And all was for her sweet Endymion's sake;
Endymion, the lovely shepherds' boy,
Endymion, great Ph{oe}be's only joy,
Endymion, in whose pure-shining eyes
The naked fairies danced the heydegies.
The shag-hair'd Satyrs' mountain-climbing race
Have been made tame by gazing in his face.
For this boy's love, the water-nymphs have wept,
Stealing oft times to kiss him whilst he slept,
And tasting once the nectar of his breath,
Surfeit with sweet, and languish unto death;
And Jove oft-times bent to lascivious sport,
And coming where Endymion did resort,
Hath courted him, inflamed with desire,
Thinking some nymph was cloth'd in boy's attire.
And often-times the simple rural swains,
Beholding him in crossing o'er the plains,
Imagined, Apollo from above
Put on this shape, to win some maiden's love.
|
Written by
William Topaz McGonagall |
Oh, mighty city of New York, you are wonderful to behold--
Your buildings are magnificent-- the truth be it told--
They were the only thing that seemed to arrest my eye,
Because many of them are thirteen storeys high;
And as for Central Park, it is lovely to be seen--
Especially in the summer season when its shrubberies are green
And the Burns Statue is there to be seen,
Surrounded by trees on the beautiful sward so green;
Also Shakespeare and the immortal Sir Walter Scott,
Which by Scotchmen and Englishmen will never be forgot.
There are people on the Sabbath day in thousands resort--
All lov'd, in conversation, and eager for sport;
And some of them viewing the wild beasts there,
While the joyous shouts of children does rend the air--
And also beautiful black swans, I do declare.
And there's beautiful boats to be seen there,
And joyous shouts of children does rend the air,
While the boats sail along with them o'er Lohengrin Lake,
And fare is 5 cents for children, and adults ten is all they take.
And there's also summer-house shades, and merry-go-rounds
And with the merry laughter of the children the Park resounds,
During the live-long Sabbath day
Enjoying themselves at the merry-go-round play.
Then there's the elevated railroads abont five storeys high,
Which the inhabitants can hear night and day passing by;
Of, such a mass of people there daily do throng--
No less than five 100,000 daily pass along;
And all along the city you can get for five cents--
And, believe me, among the passengers there's few discontent.
And the top of the houses are mostly all flat,
And in the warm weather the people gather to chat;
Besides, on the housetops they dry their clothes;
And, also, many people all night on the housetops repose.
And numerous ships end steamboats are there to be seen,
Sailing along the East River water, which is very green--
Which is certainly a most beautiful sight
To see them sailing o'er the smooth water day and night.
And as for Brooklyn Bridge, it's a very great height,
And fills the stranger's heart with wonder at first sight;
And with all its loftiness I venture to say
It cannot surpass the new railway bridge of the Silvery Tay.
And there's also ten thousand rumsellers there--
Oh, wonderful to think of, I do declare!
To accommodate the people of New York therein,
And to encourage them to commit all sorts of sin.
And on the Sabbath day ye will see many a man
Going for beer with a big tin can,
And seems proud to be seen carrying home the beer
To treat his neighbours and his family dear.
Then at night numbers of the people dance and sing,
Making the walls of their houses to ring
With their songs and dancing on Sabbath night,
Which I witnessed with disgust, and fled from the sight.
And with regard to New York and the sights I did see--
Believe me, I never saw such sights in Dundee;
And the morning I sailed from the city of New York
My heart it felt as light as a cork.
|
Written by
William Topaz McGonagall |
Near the village of Udorf, on the banks of the Rhine,
There lived a miller and his family, once on a time;
And there yet stands the mill in a state of decay,
And concerning the miller and his family, attend to my lay.
The miller and his family went to Church one Sunday morn,
Leaving behind their darling child, the youngest born,
In charge of brave Hanchen, the servant maid,
A kind-hearted girl and not the least afraid.
As Hanchen was engaged preparing dinner for the family
She chanced to turn round, and there she did see
Heinrich Bottler, her lover, and she sincerely loved him,
Then she instantly got him something to eat and bade him begin.
And in the midst of her business she sat down beside him,
While he did justice to the meat and thought it no sin,
But while he was eating he let fall his knife,
Then he commanded Hanchen to pick it up or else he'd take her life.
Then as she stooped down to pick up the knife,
The villain caught her by the throat, and swore he'd take her life,
Then he drew a dagger from under his coat,
Crying, tell me where your master's money is, or I'll cut your throat.
And still he threatened to kill her with the dagger in his hand,
If the poor girl didn't comply with his demand,
While in his choking grasp her breath was fleeting faster and faster,
Therefore she had no other choice but to die or betray her master.
Then she cried, mercy, for Heaven's sake let go thy hold.
And I'll tell thee where my master keeps his gold;
Then he let go his hold without delay,
And she unto him thus boldly did say.
Here, take this axe and use it, while I run upstairs,
To gather all my money, besides all my wares,
Because I'm resolved to fly along with you,
When you've robbed my master of his gold and bid France adieu.
Then deceived by her plan he allowed her to leave the room,
Telling her to make haste and come back very soon,
Then to her master's bedroom she led the way,
And showed him the coffer where her master's money lay
Then Heinrich with the axe broke the coffer very soon,
While Hanchen instead of going upstairs to her room,
Bolted all the doors upon him without dismay,
While Heinrich was busy preparing to carry her master's money away.
Then she rushed to the mill to give the alarm,
Resolved to protect her master's money, while she could wield an arm;
And the only being in sight was her master's boy of five years old,
Then she cried, run! run! and tell father there's a robber taking his gold.
Then the boy did as she bid him without any doubt,
And set off, running on the road she pointed out;
But at this moment, a shrill whistle made her stand aghast,
When she heard Heinrich, crying, catch that child that's running so fast.
But still the boy ran on with might and main,
Until a ruffian sprang up from the bed of a natural drain;
And snatching the boy in his arms, and hastening towards the mill,
While brave Hanchen was afraid the boy would he kill.
Then the villain came rushing with the boy towards the mill,
Crying, open the door, or the child I'll kill;
But she cried, never will I open the door to thee,
No! I will put my trust in God, and He'll save the child and me.
Then the ruffian set down the child, for a moment to look about,
Crying, open the door, or I'll fire the mill without doubt;
And while searching for combustibles, he discovered an inlet to the mill,
Saying, my pretty maid, once I get in, it's you I will kill.
Then he tied the hands and feet of the poor child,
Which caused it to scream with fear, very wild;
Then he stole back to the aperture to effect an entrance,
And when Hanchen saw him, she said now is my chance.
So the ruffian got safely in the great drum wheel,
Then Hanchen set on the engine, which made the ruffian reel;
And as he was whirled about, he screamed aloud,
And when Hanchen saw him like a rat in a trap, she felt very proud.
At length the master arrived and his family,
And when she heard his kindly voice her heart was full of glee,
Then she opened the mill door and let him in,
While her eyes with tears of joy were full to the brim.
Then the master set off the engine without delay,
And the ruffian was dragged forth while he shook with dismay,
And Heinrich and he were bound together under a strong escort,
And conveyed to Bonn Prison where villains resort.
So thus ends the story of Hanchen, a heroine brave,
That tried hard her master's gold to save,
And for her bravery she got married to the miller's eldest son,
And Hanchen on her marriage night cried Heaven's will be done.
|
Written by
Alexander Pope |
He said, and pass'd with sad presaging heart
To seek his spouse, his soul's far dearer part;
At home he sought her, but he sought in vain:
She, with one maid of all her menial train,
Had thence retir'd; and, with her second joy,
The young Astyanax, the hope of Troy,
Pensive she stood on Ilion's tow'ry height,
Beheld the war, and sicken'd at the sight;
There her sad eyes in vain her lord explore,
Or weep the wounds her bleeding country bore.
But he, who found not whom his soul desir'd,
Whose virtue charm'd him as her beauty fir'd,
Stood in the gates, and ask'd what way she bent
Her parting steps; if to the fane she went,
Where late the mourning matrons made resort,
Or sought her sisters in the Trojan court.
"Not to the court" replied th' attendant train,
"Nor, mixed with matrons, to Minerva's fane;
To Ilion's steepy tow'r she bent her way,
To mark the fortunes of the doubtful day.
Troy fled, she heard, before the Grecian sword;
She heard, and trembled for her absent lord.
Distracted with surprise, she seem'd to fly,
Fear on her cheek and sorrow in her eye.
The nurse attended with her infant boy,
The young Astyanax, the hope of Troy.
"
Hector, this heard, return'd without delay;
Swift through the town he trod his former way
Through streets of palaces and walks of state,
And met the mourner at the Scæan gate.
With haste to meet him sprung the joyful fair,
His blameless wife, E{"e}tion's wealthy heir
(Cilician Thebè great E{"e}tion sway'd,
And Hippoplacus' wide-extended shade);
The nurse stood near, in whose embraces prest
His only hope hung smiling at her breast,
Whom each soft charm and early grace adorn,
Fair as the new-born star that gilds the morn.
To this lov'd infant Hector gave the name
Scamandrius, from Scamander's honour'd stream;
Astyanax the Trojans call'd the boy,
From his great father, the defence of Troy.
Silent the warrior smil'd, and pleas'd, resign'd
To tender passions all his mighty mind:
His beauteous princess cast a mournful look,
Hung on his hand, and then dejected spoke;
Her bosom labour'd with a boding sigh,
And the big tear stood trembling in her eye.
"Too daring prince! ah whither dost thou run?
Ah, too forgetful of thy wife and son!
And think'st thou not how wretched we shall be,
A widow I, a helpless orphan he!
For sure such courage length of life denies,
And thou must fall, thy virtue's sacrifice.
Greece in her single heroes strove in vain;
Now hosts oppose thee, and thou must be slain!
Oh, grant me, gods! e'er Hector meets his doom,
All I can ask of heav'n, an early tomb!
So shall my days in one sad tenor run,
And end with sorrows as they first begun.
No parent now remains, my griefs to share,
No father's aid, no mother's tender care.
The fierce Achilles wrapp'd our walls in fire,
Laid Thebè waste, and slew my warlike sire!
His fate compassion in the victor bred;
Stern as he was, he yet rever'd the dead,
His radiant arms preserv'd from hostile spoil,
And laid him decent on the fun'ral pile;
Then rais'd a mountain where his bones were burn'd:
The mountain nymphs the rural tomb adorn'd;
Jove's sylvan daughters bade their elms bestow
A barren shade, and in his honour grow.
"By the same arm my sev'n brave brothers fell;
In one sad day beheld the gates of hell:
While the fat herds and snowy flocks they fed,
Amid their fields the hapless heroes bled!
My mother liv'd to bear the victor's bands,
The queen of Hippoplacia's sylvan lands;
Redeem'd too late, she scarce beheld again
Her pleasing empire and her native plain,
When, ah! oppress'd by life-consuming woe,
She fell a victim to Diana's bow.
"Yet while my Hector still survives, I see
My father, mother, brethren, all, in thee:
Alas! my parents, brothers, kindred, all,
Once more will perish if my Hector fall.
Thy wife, thy infant, in thy danger share:
Oh, prove a husband's and a father's care!
That quarter most the skilful Greeks annoy,
Where yon wild fig-trees join the wall of Troy:
Thou from this tow'r defend th' important post
There Agamemnon points his dreadful host,
That pass Tydides, Ajax, strive to gain,
And there the vengeful Spartan fires his train.
Thrice our bold foes the fierce attack have giv'n,
Or led by hopes, or dictated from heav'n.
Let others in the field their arms employ,
But stay my Hector here, and guard his Troy.
"
The chief replied: "That post shall be my care,
Not that alone, but all the works of war.
How would the sons of Troy, in arms renown'd,
And Troy's proud dames, whose garments sweep the ground,
Attaint the lustre of my former name,
Should Hector basely quit the field of fame?
My early youth was bred to martial pains,
My soul impels me to th' embattled plains:
Let me be foremost to defend the throne,
And guard my father's glories, and my own.
Yet come it will, the day decreed by fates,
(How my heart trembles while my tongue relates!)
The day when thou, imperial Troy! must bend,
And see thy warriors fall, thy glories end.
And yet no dire presage so wounds my mind,
My mother's death, the ruin of my kind,
Not Priam's hoary hairs defil'd with gore,
Not all my brothers gasping on the shore,
As thine, Andromache! thy griefs I dread;
I see thee trembling, weeping, captive led.
In Argive looms our battles to design,
And woes, of which so large a part was thine!
To bear the victor's hard commands, or bring
The weight of waters from Hyperia's spring!
There, while you groan beneath the load of life,
They cry, 'Behold the mighty Hector's wife!'
Some haughty Greek, who lives thy tears to see,
Embitters all thy woes by naming me.
The thoughts of glory past and present shame,
A thousand griefs, shall waken at the name!
May I lie cold before that dreadful day,
Press'd with a load of monumental clay!
Thy Hector, wrapp'd in everlasting sleep,
Shall neither hear thee sigh, nor see thee weep.
"
Thus having spoke, th' illustrious chief of Troy
Stretch'd his fond arms to clasp the lovely boy.
The babe clung crying to his nurse's breast,
Scar'd at the dazzling helm and nodding crest.
With secret pleasure each fond parent smil'd,
And Hector hasted to relieve his child;
The glitt'ring terrors from his brows unbound,
And plac'd the beaming helmet on the ground.
Then kiss'd the child, and, lifting high in air,
Thus to the gods preferr'd a father's pray'r:
"O thou! whose glory fills th' ethereal throne,
And all ye deathless pow'rs! protect my son!
Grant him, like me, to purchase just renown,
To guard the Trojans, to defend the crown,
Against his country's foes the war to wage,
And rise the Hector of the future age!
So when, triumphant from successful toils,
Of heroes slain he bears the reeking spoils,
Whole hosts may hail him with deserv'd acclaim,
And say, 'This chief transcends his father's fame':
While pleas'd, amidst the gen'ral shouts of Troy,
His mother's conscious heart o'erflows with joy.
"
He spoke, and fondly gazing on her charms,
Restor'd the pleasing burthen to her arms;
Soft on her fragrant breast the babe she laid,
Hush'd to repose, and with a smile survey'd.
The troubled pleasure soon chastis'd by fear,
She mingled with the smile a tender tear.
The soften'd chief with kind compassion view'd,
And dried the falling drops, and thus pursu'd:
"Andromache! my soul's far better part,
Why with untimely sorrows heaves thy heart?
No hostile hand can antedate my doom,
Till fate condemns me to the silent tomb.
Fix'd is the term to all the race of earth,
And such the hard condition of our birth.
No force can then resist, no flight can save;
All sink alike, the fearful and the brave.
No more--but hasten to thy tasks at home,
There guide the spindle, and direct the loom;
Me glory summons to the martial scene,
The field of combat is the sphere for men.
Where heroes war, the foremost place I claim,
The first in danger as the first in fame.
"
|
Written by
Sir Thomas Wyatt |
Mine own John Poynz, since ye delight to know
The cause why that homeward I me draw,
And flee the press of courts, whereso they go,
Rather than to live thrall under the awe
Of lordly looks, wrappèd within my cloak,
To will and lust learning to set a law:
It is not for because I scorn or mock
The power of them, to whom fortune hath lent
Charge over us, of right, to strike the stroke.
But true it is that I have always meant
Less to esteem them than the common sort,
Of outward things that judge in their intent
Without regard what doth inward resort.
I grant sometime that of glory the fire
Doth twyche my heart.
Me list not to report
Blame by honour, and honour to desire.
But how may I this honour now attain,
That cannot dye the colour black a liar?
My Poynz, I cannot from me tune to feign,
To cloak the truth for praise without desert
Of them that list all vice for to retain.
I cannot honour them that sets their part
With Venus and Bacchus all their life long;
Nor hold my peace of them although I smart.
I cannot crouch nor kneel to do so great a wrong,
To worship them, like God on earth alone,
That are as wolves these sely lambs among.
I cannot with my word complain and moan,
And suffer nought, nor smart without complaint,
Nor turn the word that from my mouth is gone.
I cannot speak and look like a saint,
Use willes for wit, and make deceit a pleasure,
And call craft counsel, for profit still to paint.
I cannot wrest the law to fill the coffer
With innocent blood to feed myself fat,
And do most hurt where most help I offer.
I am not he that can allow the state
Of him Caesar, and damn Cato to die,
That with his death did scape out of the gate
From Caesar's hands (if Livy do not lie)
And would not live where liberty was lost;
So did his heart the common weal apply.
I am not he such eloquence to boast
To make the crow singing as the swan;
Nor call the liond of cowardes beasts the most
That cannot take a mouse as the cat can;
And he that dieth for hunger of the gold
Call him Alexander; and say that Pan
Passeth Apollo in music many fold;
Praise Sir Thopias for a noble tale,
And scorn the story that the Knight told;
Praise him for counsel that is drunk of ale;
Grin when he laugheth that beareth all the sway,
Frown when he frowneth and groan when is pale;
On others' lust to hang both night and day:
None of these points would ever frame in me.
My wit is nought--I cannot learn the way.
And much the less of things that greater be,
That asken help of colours of device
To join the mean with each extremity,
With the nearest virtue to cloak alway the vice;
And as to purpose, likewise it shall fall
To press the virtue that it may not rise;
As drunkenness good fellowship to call;
The friendly foe with his double face
Say he is gentle and courteous therewithal;
And say that favel hath a goodly grace
In eloquence; and cruelty to name
Zeal of justice and change in time and place;
And he that suffer'th offence without blame
Call him pitiful; and him true and plain
That raileth reckless to every man's shame.
Say he is rude that cannot lie and feign;
The lecher a lover; and tyranny
To be the right of a prince's reign.
I cannot, I; no, no, it will not be!
This is the cause that I could never yet
Hang on their sleeves that way, as thou mayst see,
A chip of chance more than a pound of wit.
This maketh me at home to hunt and to hawk,
And in foul weather at my book to sit;
In frost and snow then with my bow to stalk;
No man doth mark whereso I ride or go:
In lusty leas at liberty I walk.
And of these news I feel nor weal nor woe,
Save that a clog doth hang yet at my heel.
No force for that, for it is ordered so,
That I may leap both hedge and dyke full well.
I am not now in France to judge the wine,
With saffry sauce the delicates to feel;
Nor yet in Spain, where one must him incline
Rather than to be, outwardly to seem:
I meddle not with wits that be so fine.
Nor Flanders' cheer letteth not my sight to deem
Of black and white; nor taketh my wit away
With beastliness; they beasts do so esteem.
Nor I am not where Christ is given in prey
For money, poison, and treason at Rome--
A common practice used night and day:
But here I am in Kent and Christendom
Among the Muses where I read and rhyme;
Where if thou list, my Poinz, for to come,
Thou shalt be judge how I do spend my time.
|
Written by
Anthony Hecht |
So there stood Matthew Arnold and this girl
With the cliffs of England crumbling away behind them,
And he said to her, "Try to be true to me,
And I'll do the same for you, for things are bad
All over, etc.
, etc.
"
Well now, I knew this girl.
It's true she had read
Sophocles in a fairly good translation
And caught that bitter allusion to the sea,
But all the time he was talking she had in mind
the notion of what his whiskers would feel like
On the back of her neck.
She told me later on
That after a while she got to looking out
At the lights across the channel, and really felt sad,
Thinking of all the wine and enormous beds
And blandishments in French and the perfumes.
And then she got really angry.
To have been brought
All the way down from London, and then be addressed
As sort of a mournful cosmic last resort
Is really tough on a girl, and she was pretty.
Anyway, she watched him pace the room
and finger his watch-chain and seem to sweat a bit,
And then she said one or two unprintable things.
But you mustn't judge her by that.
What I mean to say is,
She's really all right.
I still see her once in a while
And she always treats me right.
We have a drink
And I give her a good time, and perhaps it's a year
Before I see her again, but there she is,
Running to fat, but dependable as they come,
And sometimes I bring her a bottle of Nuit d'Amour.
[Ed.
note: See Matthew Arnold's poem "Dover Beach"]
|
Written by
William Topaz McGonagall |
'Twas at the Seige of Matagarda, during the Peninsular War,
That a Mrs Reston for courage outshone any man there by far;
She was the wife of a Scottish soldier in Matagarda Port,
And to attend to her husband she there did resort.
'Twas in the Spring of the year 1810,
That General Sir Thomas Graham occupied Matagarda with 150 men;
These consisted of a detachment from the Scots Brigade,
And on that occasion they weren't in the least afraid.
And Captain Maclaine of the 94th did the whole of them command,
And the courage the men displayed was really grand;
Because they held Matagarda for fifty-four days,
Against o'erwhelming numbers of the French - therefore they are worthy of praise.
The British were fighting on behalf of Spain,
But if they fought on their behalf they didn't fight in vain;
For they beat them manfully by land and sea,
And from the shores of Spain they were forced to flee.
Because Captain Maclaine set about repairing the old fort,
So as to make it comfortable for his men to resort;
And there he kept his men at work day by day,
Filling sand-bags and stuffing them in the walls without delay.
There was one woman in the fort during those trying dags,
A Mrs Reston, who is worthy of great praise;
She acted like a ministering angel to the soldiers while there,
By helping them to fill sand-bags, it was her constant care.
Mrs Reston behaved as fearlessly as any soldier in the garrison,
And amongst the soldiers golden opinions she won,
For her presence was everywhere amongst the men,
And the service invaluable she rendered to them.
Methinks I see that brave heroine carrying her child,
Whilst the bullets were falling around her, enough to drive her wild;
And bending over it to protect it from danger,
Because to war's alarms it was a stranger.
And while the shells shrieked around, and their fragments did scatter,
She was serving the men at the guns with wine and water;
And while the shot whistled around, her courage wasn't slack,
Because to the soldiers she carried sand-bags on her back.
A little drummer boy was told to fetch water from the well,
But he was afraid because the bullets from the enemy around it fell;
And the Doctor cried to the boy, Why are you standing there?
But Mrs Reston said, Doctor, the bairn is feared, I do declare.
And she said, Give me the pail, laddie, I'll fetch the water,
Not fearing that the shot would her brains scatter;
And without a moment's hesitation she took the pail,
Whilst the shot whirred thick around her, yet her courage didn't fail.
And to see that heroic woman the scene was most grand,
Because as she drew the water a shot cut the rope in her hand;
But she caught the pail with her hand dexterously,
Oh! the scene was imposing end most beautiful to see.
The British fought bravely, as they are always willing to do,
Although their numbers were but few;
So they kept up the cannonading with their artillery,
And stood manfully at their guns against the enemy.
And five times the flagstaff was shot away,
And as often was it replaced without dismay;
And the flag was fastened to an angle of the wall,
And the British resolved to defend it whatever did befall.
So the French were beaten and were glad to run,
And the British for defeating them golden opinions have won
Ah through brave Captain Maclaine and his heroes bold,
Likewise Mrs Reston, whose name should be written in letters of gold.
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