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Best Famous Research Poems

Here is a collection of the all-time best famous Research poems. This is a select list of the best famous Research poetry. Reading, writing, and enjoying famous Research poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of research poems.

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Written by Wystan Hugh (W H) Auden | Create an image from this poem

The Unknown Citizen

He was found by the Bureau of Statistics to beOne against whom there was no official complaint,And all the reports on his conduct agreeThat, in the modern sense of an old-fashioned word, he was asaint,For in everything he did he served the Greater Community.Except for the War till the day he retiredHe worked in a factory and never got fired,But satisfied his employers, Fudge Motors Inc.Yet he wasn't a scab or odd in his views,For his Union reports that he paid his dues,(Our report on his Union shows it was sound)And our Social Psychology workers foundThat he was popular with his mates and liked a drink.The Press are convinced that he bought a paper every dayAnd that his reactions to advertisements were normal in every way.Policies taken out in his name prove that he was fully insured,And his Health-card shows he was once in hospital but left it cured.Both Producers Research and High-Grade Living declareHe was fully sensible to the advantages of the Instalment PlanAnd had everything necessary to the Modern Man,A phonograph, a radio, a car and a frigidaire.Our researchers into Public Opinion are contentThat he held the proper opinions for the time of year;When there was peace, he was for peace: when there was war, he went.He was married and added five children to the population,Which our Eugenist says was the right number for a parent of hisgeneration.And our teachers report that he never interfered with theireducation.Was he free? Was he happy? The question is absurd:Had anything been wrong, we should certainly have heard.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Naming Of Cats

 The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey--
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter--
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover--
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
Written by Sidney Lanier | Create an image from this poem

Ode To The Johns Hopkins University

 How tall among her sisters, and how fair, --
How grave beyond her youth, yet debonair
As dawn, 'mid wrinkled Matres of old lands
Our youngest Alma Mater modest stands!
In four brief cycles round the punctual sun
Has she, old Learning's latest daughter, won
This grace, this stature, and this fruitful fame.
Howbeit she was born
Unnoised as any stealing summer morn.
From far the sages saw, from far they came
And ministered to her,
Led by the soaring-genius'd Sylvester
That, earlier, loosed the knot great Newton tied,
And flung the door of Fame's locked temple wide.
As favorable fairies thronged of old and blessed
The cradled princess with their several best,
So, gifts and dowers meet
To lay at Wisdom's feet,
These liberal masters largely brought --
Dear diamonds of their long-compressed thought,
Rich stones from out the labyrinthine cave
Of research, pearls from Time's profoundest wave
And many a jewel brave, of brilliant ray,
Dug in the far obscure Cathay
Of meditation deep --
With flowers, of such as keep
Their fragrant tissues and their heavenly hues
Fresh-bathed forever in eternal dews --
The violet with her low-drooped eye,
For learned modesty, --
The student snow-drop, that doth hang and pore
Upon the earth, like Science, evermore,
And underneath the clod doth grope and grope, --
The astronomer heliotrope,
That watches heaven with a constant eye, --
The daring crocus, unafraid to try
(When Nature calls) the February snows, --
And patience' perfect rose.
Thus sped with helps of love and toil and thought,
Thus forwarded of faith, with hope thus fraught,
In four brief cycles round the stringent sun
This youngest sister hath her stature won.

Nay, why regard
The passing of the years? Nor made, nor marr'd,
By help or hindrance of slow Time was she:
O'er this fair growth Time had no mastery:
So quick she bloomed, she seemed to bloom at birth,
As Eve from Adam, or as he from earth.
Superb o'er slow increase of day on day,
Complete as Pallas she began her way;
Yet not from Jove's unwrinkled forehead sprung,
But long-time dreamed, and out of trouble wrung,
Fore-seen, wise-plann'd, pure child of thought and pain,
Leapt our Minerva from a mortal brain.

And here, O finer Pallas, long remain, --
Sit on these Maryland hills, and fix thy reign,
And frame a fairer Athens than of yore
In these blest bounds of Baltimore, --
Here, where the climates meet
That each may make the other's lack complete, --
Where Florida's soft Favonian airs beguile
The nipping North, -- where nature's powers smile, --
Where Chesapeake holds frankly forth her hands
Spread wide with invitation to all lands, --
Where now the eager people yearn to find
The organizing hand that fast may bind
Loose straws of aimless aspiration fain
In sheaves of serviceable grain, --
Here, old and new in one,
Through nobler cycles round a richer sun
O'er-rule our modern ways,
O blest Minerva of these larger days!
Call here thy congress of the great, the wise,
The hearing ears, the seeing eyes, --
Enrich us out of every farthest clime, --
Yea, make all ages native to our time,
Till thou the freedom of the city grant
To each most antique habitant
Of Fame, --
Bring Shakespeare back, a man and not a name, --
Let every player that shall mimic us
In audience see old godlike Aeschylus, --
Bring Homer, Dante, Plato, Socrates, --
Bring Virgil from the visionary seas
Of old romance, -- bring Milton, no more blind, --
Bring large Lucretius, with unmaniac mind, --
Bring all gold hearts and high resolved wills
To be with us about these happy hills, --
Bring old Renown
To walk familiar citizen of the town, --
Bring Tolerance, that can kiss and disagree, --
Bring Virtue, Honor, Truth, and Loyalty, --
Bring Faith that sees with undissembling eyes, --
Bring all large Loves and heavenly Charities, --
Till man seem less a riddle unto man
And fair Utopia less Utopian,
And many peoples call from shore to shore,
`The world has bloomed again, at Baltimore!'
Written by G K Chesterton | Create an image from this poem

On the Disastrous Spread of Aestheticism in all Classes

 Impetuously I sprang from bed,
Long before lunch was up,
That I might drain the dizzy dew
From the day's first golden cup.

In swift devouring ecstasy
Each toil in turn was done;
I had done lying on the lawn
Three minutes after one.

For me, as Mr. Wordsworth says,
The duties shine like stars;
I formed my uncle's character,
Decreasing his cigars.

But could my kind engross me? No!
Stern Art-what sons escape her?
Soon I was drawing Gladstone's nose
On scraps of blotting paper.

Then on-to play one-fingered tunes
Upon my aunt's piano.
In short, I have a headlong soul,
I much resemble Hanno.

(Forgive the entrance of the not
Too cogent Carthaginian.
It may have been to make a rhyme;
I lean to that opinion.)

Then my great work of book research
Till dusk I took in hand-
The forming of a final, sound
Opinion on The Strand.

But when I quenched the midnight oil,
And closed the Referee,
Whose thirty volumes folio
I take to bed with me,

I had a rather funny dream,
Intense, that is, and mystic;
I dreamed that, with one leap and yell,
The world became artistic.

The Shopmen, when their souls were still,
Declined to open shops-
And Cooks recorded frames of mind
In sad and subtle chops.

The stars were weary of routine:
The trees in the plantation
Were growing every fruit at once,
In search of sensation.

The moon went for a moonlight stroll,
And tried to be a bard,
And gazed enraptured at itself:
I left it trying hard.

The sea had nothing but a mood
Of 'vague ironic gloom,'
With which t'explain its presence in
My upstairs drawing-room.

The sun had read a little book
That struck him with a notion:
He drowned himself and all his fires
Deep in a hissing ocean.

Then all was dark, lawless, and lost:
I heard great devilish wings:
I knew that Art had won, and snapt
The Covenant of Things.

I cried aloud, and I awoke,
New labours in my head.
I set my teeth, and manfully
Began to lie in bed.

Toiling, rejoicing, sorrowing,
So I my life conduct.
Each morning see some task begun,
Each evening see it chucked.

But still, in sudden moods of dusk,
I hear those great weird wings,
Feel vaguely thankful to the vast
Stupidity of things.

Envoi

Clear was the night: the moon was young
The larkspurs in the plots
Mingled their orange with the gold
Of the forget-me-nots.

The poppies seemed a silver mist:
So darkly fell the gloom.
You scarce had guessed yon crimson streaks
Were buttercups in bloom.

But one thing moved: a little child
Crashed through the flower and fern:
And all my soul rose up to greet 
The sage of whom I learn.

I looked into his awful eyes:
I waited his decree:
I made ingenious attempts
To sit upon his knee.

The babe upraised his wondering eyes,
And timidly he said,
"A trend towards experiment
In modern minds is bred.

"I feel the will to roam, to learn
By test, experience, nous,
That fire is hot and ocean deep,
And wolves carnivorous.

"My brain demands complexity,"
The lisping cherub cried.
I looked at him, and only said,
"Go on. The world is wide."

A tear rolled down his pinafore,
"Yet from my life must pass
The simple love of sun and moon,
The old games in the grass;

"Now that my back is to my home
Could these again be found?"
I looked on him and only said,
"Go on. The world is round."
Written by Philip Larkin | Create an image from this poem

Vers De Société

 My wife and I have asked a crowd of craps
To come and waste their time and ours: perhaps
You'd care to join us? In a pig's ****, friend.
Day comes to an end.
The gas fire breathes, the trees are darkly swayed.
And so Dear Warlock-Williams: I'm afraid--

Funny how hard it is to be alone.
I could spend half my evenings, if I wanted,
Holding a glass of washing sherry, canted
Over to catch the drivel of some *****
Who's read nothing but Which;
Just think of all the spare time that has flown

Straight into nothingness by being filled
With forks and faces, rather than repaid
Under a lamp, hearing the noise of wind,
And looking out to see the moon thinned
To an air-sharpened blade.
A life, and yet how sternly it's instilled

All solitude is selfish. No one now
Believes the hermit with his gown and dish
Talking to God (who's gone too); the big wish
Is to have people nice to you, which means
Doing it back somehow.
Virtue is social. Are, then, these routines

Playing at goodness, like going to church?
Something that bores us, something we don't do well
(Asking that ass about his fool research)
But try to feel, because, however crudely,
It shows us what should be?
Too subtle, that. Too decent, too. Oh hell,

Only the young can be alone freely.
The time is shorter now for company,
And sitting by a lamp more often brings
Not peace, but other things.
Beyond the light stand failure and remorse
Whispering Dear Warlock-Williams: Why, of course--


Written by Rg Gregory | Create an image from this poem

a reader's de profundis

 in my reading of the moment i have learned
the figure next to christ in da vinci’s last supper
(a painting i have actually seen in a milan church
fragilely restored) is a woman – an honour earned
by mary magdalene who (according to research)
turns out to be christ’s wife – hang on what a whopper

cry those who can’t contemplate centuries of teaching
down the drain – who suck up to the precious thought
of divine purity (eternity’s abstention from all
the dirty business of the body) pasteurising preaching
let christ stay a product of the time before the fall
(da vinci had a darkness different from what’s taught)

mona lisa (amon-isis) – enigmatic smile and code
for male and female balance – offensive to the powers
that ran the bible their way (hoodwinked future ages)
turned the bright sun black to mask the path they strode
wrapped their ascetic bloodstreams in the holy pages
before which (even today) the congregation cowers

da vinci was an artist scientist (probably a necromancer)
had his own black sun – dabbled in the anti-matter
that official truth hates (creates) – that nurtures riddles 
through passageways that breed the ill-reputed answer
(soiled honour’s defence against sly caesar’s fiddles)
hissing its way lightwards through conspiracy chatter

christ had a woman at his right hand – locked together
(so da vinci had the painting say) like the letter m
the rumoured whore redeemed – the partner siamesed
into the one flesh – sharing the equal tragic tether
the whole edifice of the holy roman church teased
into collapse – virginal rose snapped at the stem

not that it seemed to make a difference – the vatican
still had its glory years ahead (its gory inquisitions)
da vinci stayed honoured in the breeches the word advanced
though its priests wore skirts – the brutality of man
multiplied its converts (scientifically enhanced)
not one power in the world changed its dirty dispositions

yesterday was aeons ago – tomorrow’s loath to come
no one really cares if magdalene was wife or whore
da vinci is someone to gawp at – all’s mutable (unreal)
what’s truth - we still know bugger-all (live by rule of thumb)
so educatedly dumb can’t trust what we think know feel
a thriller brought this on – half opened a not-there door
Written by Thomas Hardy | Create an image from this poem

Her Dilemma

 THE two were silent in a sunless church,
Whose mildewed walls, uneven paving-stones,
And wasted carvings passed antique research;
And nothing broke the clock's dull monotones.

Leaning against a wormy poppy-head,
So wan and worn that he could scarcely stand,
--For he was soon to die,--he softly said,
"Tell me you love me!"--holding hard her hand.

She would have given a world to breathe "yes" truly,
So much his life seemed hanging on her mind,
And hence she lied, her heart persuaded throughly,
'Twas worth her soul to be a moment kind.

But the sad need thereof, his nearing death,
So mocked humanity that she shamed to prize
A world conditioned thus, or care for breath
Where Nature such dilemmas could devise.
Written by Emily Dickinson | Create an image from this poem

The Lilac is an ancient shrub

 The Lilac is an ancient shrub
But ancienter than that
The Firmamental Lilac
Upon the Hill tonight --
The Sun subsiding on his Course
Bequeaths this final Plant
To Contemplation -- not to Touch --
The Flower of Occident.
Of one Corolla is the West --
The Calyx is the Earth --
The Capsules burnished Seeds the Stars
The Scientist of Faith
His research has but just begun --
Above his synthesis
The Flora unimpeachable
To Time's Analysis --
"Eye hath not seen" may possibly
Be current with the Blind
But let not Revelation
By theses be detained --
Written by Rupert Brooke | Create an image from this poem

Rupert Brooke - Sonnet (Suggested By Some Of The Proceedings Of The Society For Psychical Research )

 Not with vain tears, when we're beyond the sun,
We'll beat on the substantial doors, nor tread
Those dusty high-roads of the aimless dead
Plaintive for Earth; but rather turn and run
Down some close-covered by-way of the air,
Some low sweet alley between wind and wind,
Stoop under faint gleams, thread the shadows, find
Some whispering ghost-forgotten nook, and there

Spend in pure converse our eternal day;
Think each in each, immediately wise;
Learn all we lacked before; hear, know, and say
What this tumultuous body now denies;
And feel, who have laid our groping hands away;
And see, no longer blinded by our eyes.
Written by Omer Tarin | Create an image from this poem

Mohenjodaro Reviisited

I. You are not dead

Why do they call you 
Mohen-jo-daro,
“ Mounds-of-the-Dead”?
You are not dead!
You have never been dead
Or buried
Or cremated
By the scorching banks of the Sindhu;

Historians have conspired against you

A thousand and one tales 
Have besmirched your name
Misguided fools have imagined 
Your obituary to be true;
Sentimental fools have sung elegies
By their own graves
Garlanded their own biers,
Cursed the stars and howled at the heavens
Self-piteous tears, in the hope 
That some part of their practiced grief would be remembered
As poetry,
A fitting tribute to your eternal face;
Maybe, they would be able to, by their ululations,
Raise demons from the earth
Or bring forth spectres
From darkest shadows of the thinnest air, precipitating
Some prophecy, nameless and foreboding, a small
Tin medal on their pathetic breasts,
Stark in their hunger for inspired flights;

Other dust should fashion other jars, not having the consistency 
Of ours.
It has been foretold that you will not die
That you will not die thus, at the behest of historians
Or for the research of archaeologists
Or even the yapping lap-dogs
Aping the tawny shades of our leonine skins;
It has been foretold,
And we are witnesses to you survival.



II. Priest-Kings and dancing girls

The sands have shifted,
As the river has---
You are only abandoned,
“Mound-abandoned-and-shifted”.
Take heart! Be not sad,
The sons of Sindhu are around you;
You cannot die while your sons live,
While the children of the river still ply their wide boats 
On your consort’s undulating breast;
While your daughters carry their vessels
Fashioned from your clay;

In every face, you are alive.
In the mien of priest-kings who have renounced
Their crowns and pulpits for lives of love and freedom—
At Bhit Shah, they sing your songs;
At Sehwan, they celebrate your being;
In every prayer and call to prayer you are revealed
Rising gradually towards the heights of Kirthar
Rolling ceaselessly over the sands of Kutch
With every partridge crooning in the cotton, 
With every mallard winging over Manchar,
You come forth—
The Breaker-of-the-Shackles-of-Tyranny
The-Keeper-of-the-Honour-of-Dancing –girls
Friend-of-the-Imprisoned-Hari
Last-Flower-amidst-the-Thorns-of-Despair!
You are the yellow turmeric staining the red ajrak
Of our wounds
Anointing your martyrs
Healing your casualties
Soothing us with your whispered lullaby
Such as our mothers used to sing us 
In our cradles
From the earliest dawn of creation;

Even now, your humped oxen plod home in the evening 
Of their tillage;
Every day I hear the rise and fall of your undeciphered script
In the cadences of children
In the chattering of women
In the murmur of lovers
In the gestures of old men
In the anger of the young.



III. A Dream Untold

It was said, long ago, that you will not die
That forever you will live in the eyes of every child,
That you will rise from your gargantuan sleep,
Arise, woken by the winds!
When the Eastern Gates of your citadel are opened wide
All wars will cease
Your sons will no longer flinch under the lash,
Your daughters will no longer be distraught,
The pillars of fire and smoke will settle down
And the silent waste-lands speak with voices of prophecy;

When precious stones will once again etch the bright circumference
Of your ruins
And the heavens shake themselves into fleeting shapes,
Vain and irresolute constellations plunge
Into narrow circles of despair—

It has been said that you will flourish again,
When the crashing shores 
Of sea and river
Melt into each other
When waves shiver
Into the rock’s embrace.

Then I, too, shall awaken, I trust, 
And behold you in your truth.

------------



* (c) Omer Tarin. Pub ''The Glasgow Seeker'', UK, 2005 

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