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Best Famous Repents Poems

Here is a collection of the all-time best famous Repents poems. This is a select list of the best famous Repents poetry. Reading, writing, and enjoying famous Repents poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of repents poems.

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Written by Victor Hugo | Create an image from this poem

TO SOME BIRDS FLOWN AWAY

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 






Written by Dorothy Parker | Create an image from this poem

Ballade at Thirty-five

 This, no song of an ingénue, 
This, no ballad of innocence; 
This, the rhyme of a lady who 
Followed ever her natural bents.
This, a solo of sapience, This, a chantey of sophistry, This, the sum of experiments, -- I loved them until they loved me.
Decked in garments of sable hue, Daubed with ashes of myriad Lents, Wearing shower bouquets of rue, Walk I ever in penitence.
Oft I roam, as my heart repents, Through God's acre of memory, Marking stones, in my reverence, "I loved them until they loved me.
" Pictures pass me in long review,-- Marching columns of dead events.
I was tender, and, often, true; Ever a prey to coincidence.
Always knew I the consequence; Always saw what the end would be.
We're as Nature has made us -- hence I loved them until they loved me.
Written by Christina Rossetti | Create an image from this poem

The Convent Threshold

 There's blood between us, love, my love,
There's father's blood, there's brother's blood,
And blood's a bar I cannot pass.
I choose the stairs that mount above, Stair after golden sky-ward stair, To city and to sea of glass.
My lily feet are soiled with mud, With scarlet mud which tells a tale Of hope that was, of guilt that was, Of love that shall not yet avail; Alas, my heart, if I could bare My heart, this selfsame stain is there: I seek the sea of glass and fire To wash the spot, to burn the snare; Lo, stairs are meant to lift us higher-- Mount with me, mount the kindled stair.
Your eyes look earthward, mine look up.
I see the far-off city grand, Beyond the hills a watered land, Beyond the gulf a gleaming strand Of mansions where the righteous sup; Who sleep at ease among their trees, Or wake to sing a cadenced hymn With Cherubim and Seraphim; They bore the Cross, they drained the cup, Racked, roasted, crushed, wrenched limb from limb, They the offscouring of the world.
The heaven of starry heavens unfurled, The sun before their face is dim.
You looking earthward, what see you? Milk-white, wine-flushed among the vines, Up and down leaping, to and fro, Most glad, most full, made strong with wines, Blooming as peaches pearled with dew, Their golden windy hair afloat, Love-music warbling in their throat, Young men and women come and go.
You linger, yet the time is short: Flee for your life, gird up your strength To flee; the shadows stretched at length Show that day wanes, that night draws nigh; Flee to the mountain, tarry not.
Is this a time for smile and sigh, For songs among the secret trees Where sudden blue birds nest and sport? The time is short and yet you stay: To-day, while it is called to-day, Kneel, wrestle, knock, do violence, pray; To-day is short, to-morrow nigh: Why will you die? why will you die? You sinned with me a pleasant sin: Repent with me, for I repent.
Woe's me the lore I must unlearn! Woe's me that easy way we went, So rugged when I would return! How long until my sleep begin How long shall stretch these nights and days? Surely, clean Angels cry, she prays; She laves her soul with tedious tears: How long must stretch these years and years? I turn from you my cheeks and eyes, My hair which you shall see no more-- Alas for joy that went before, For joy that dies, for love that dies.
Only my lips still turn to you, My livid lips that cry, Repent.
O weary life, O weary Lent, O weary time whose stars are few.
How shall I rest in Paradise, Or sit on steps of heaven alone If Saints and Angels spoke of love Should I not answer from my throne: Have pity upon me, ye my friends, For I have heard the sound thereof: Should I not turn with yearning eyes, Turn earthwards with a pitiful pang? Oh save me from a pang in heaven.
By all the gifts we took and gave, Repent, repent, and be forgiven: This life is long, but yet it ends; Repent and purge your soul and save: No gladder song the morning stars Upon their birthday morning sang Than Angels sing when one repents.
I tell you what I dreamed last night: A spirit with transfigured face Fire-footed clomb an infinite space.
I heard his hundred pinions clang, Heaven-bells rejoicing rang and rang, Heaven-air was thrilled with subtle scents, Worlds spun upon their rushing cars.
He mounted, shrieking, "Give me light!" Still light was poured on him, more light; Angels, Archangels he outstripped, Exulting in exceeding might, And trod the skirts of Cherubim.
Still "Give me light," he shrieked; and dipped His thirsty face, and drank a sea, Athirst with thirst it could not slake.
I saw him, drunk with knowledge, take From aching brows the aureole crown-- His locks writhe like a cloven snake-- He left his throne to grovel down And lick the dust of Seraphs' feet; For what is knowledge duly weighed? Knowledge is strong, but love is sweet; Yea, all the progress he had made Was but to learn that all is small Save love, for love is all in all.
I tell you what I dreamed last night: It was not dark, it was not light, Cold dews had drenched my plenteous hair Through clay; you came to seek me there.
And "Do you dream of me?" you said.
My heart was dust that used to leap To you; I answered half asleep: "My pillow is damp, my sheets are red, There's a leaden tester to my bed; Find you a warmer playfellow, A warmer pillow for your head, A kinder love to love than mine.
" You wrung your hands, while I, like lead, Crushed downwards through the sodden earth; You smote your hands but not in mirth, And reeled but were not drunk with wine.
For all night long I dreamed of you; I woke and prayed against my will, Then slept to dream of you again.
At length I rose and knelt and prayed.
I cannot write the words I said, My words were slow, my tears were few; But through the dark my silence spoke Like thunder.
When this morning broke, My face was pinched, my hair was grey, And frozen blood was on the sill Where stifling in my struggle I lay.
If now you saw me you would say: Where is the face I used to love? And I would answer: Gone before; It tarries veiled in paradise.
When once the morning star shall rise, When earth with shadow flees away And we stand safe within the door, Then you shall lift the veil thereof.
Look up, rise up: for far above Our palms are grown, our place is set; There we shall meet as once we met, And love with old familiar love.
Written by Phillis Wheatley | Create an image from this poem

On Recollection

 MNEME begin.
Inspire, ye sacred nine, Your vent'rous Afric in her great design.
Mneme, immortal pow'r, I trace thy spring: Assist my strains, while I thy glories sing: The acts of long departed years, by thee Recover'd, in due order rang'd we see: Thy pow'r the long-forgotten calls from night, That sweetly plays before the fancy's sight.
Mneme in our nocturnal visions pours The ample treasure of her secret stores; Swift from above the wings her silent flight Through Phoebe's realms, fair regent of the night; And, in her pomp of images display'd, To the high-raptur'd poet gives her aid, Through the unbounded regions of the mind, Diffusing light celestial and refin'd.
The heav'nly phantom paints the actions done By ev'ry tribe beneath the rolling sun.
Mneme, enthron'd within the human breast, Has vice condemn'd, and ev'ry virtue blest.
How sweet the sound when we her plaudit hear? Sweeter than music to the ravish'd ear, Sweeter than Maro's entertaining strains Resounding through the groves, and hills, and plains.
But how is Mneme dreaded by the race, Who scorn her warnings and despise her grace? By her unveil'd each horrid crime appears, Her awful hand a cup of wormwood bears.
Days, years mispent, O what a hell of woe! Hers the worst tortures that our souls can know.
Now eighteen years their destin'd course have run, In fast succession round the central sun.
How did the follies of that period pass Unnotic'd, but behold them writ in brass! In Recollection see them fresh return, And sure 'tis mine to be asham'd, and mourn.
O Virtue, smiling in immortal green, Do thou exert thy pow'r, and change the scene; Be thine employ to guide my future days, And mine to pay the tribute of my praise.
Of Recollection such the pow'r enthron'd In ev'ry breast, and thus her pow'r is own'd.
The wretch, who dar'd the vengeance of the skies, At last awakes in horror and surprise, By her alarm'd, he sees impending fate, He howls in anguish, and repents too late.
But O! what peace, what joys are hers t' impart To ev'ry holy, ev'ry upright heart! Thrice blest the man, who, in her sacred shrine, Feels himself shelter'd from the wrath divine!
Written by Robert Herrick | Create an image from this poem

A HYMN TO LOVE

 I will confess
With cheerfulness,
Love is a thing so likes me,
That, let her lay
On me all day,
I'll kiss the hand that strikes me.
I will not, I, Now blubb'ring cry, It, ah! too late repents me That I did fall To love at all-- Since love so much contents me.
No, no, I'll be In fetters free; While others they sit wringing Their hands for pain, I'll entertain The wounds of love with singing.
With flowers and wine, And cakes divine, To strike me I will tempt thee; Which done, no more I'll come before Thee and thine altars empty.


Written by Ben Jonson | Create an image from this poem

On Giles and Joan


XLII.
 ? ON GILES AND JOAN.
  
Who says that GILES and JOAN at discord be ?
Th' observing neighbors no such mood can see.

Indeed, poor Giles repents he married ever ;
But that his Joan doth too.
  And Giles would never,
By his free-will, be in Joan's company :
No more would Joan he should.
  Giles riseth early,
And having got him out of doors is glad ;
The like is Joan : but turning home is sad ;
And so is Joan.
  Oftimes when Giles doth find
Harsh sights at home, Giles wisheth he were blind ;
All this doth Joan : or that his long-yearn'd life
Were quite out-spun ; the like wish hath his wife.

The children that he keeps, Giles swears are none
Of his getting ;  and so swears his Joan.

In all affections she concurreth still.

If now, with man and wife, to will and nill
The self-same things, a note of concord be :
I know no couple better can agree !

Written by Omar Khayyam | Create an image from this poem

When I recall my grievous sins to mind,

When I recall my grievous sins to mind,
Fire burns my breast, and tears my vision blind;
Yet, when a slave repents, is it not meet
His lord should pardon, and again be kind?
Written by Francesco Petrarch | Create an image from this poem

SONNET LXXIV

SONNET LXXIV.

Spinse amor e dolor ove ir non debbe.

REFLECTING THAT LAURA IS IN HEAVEN, HE REPENTS HIS EXCESSIVE GRIEF, AND IS CONSOLED.

Sorrow and Love encouraged my poor tongue,
Discreet in sadness, where it should not go,
To speak of her for whom I burn'd and sung,
What, even were it true, 'twere wrong to show.
That blessèd saint my miserable state
Might surely soothe, and ease my spirit's strife,
Since she in heaven is now domesticate
With Him who ever ruled her heart in life.
Wherefore I am contented and consoled,
Nor would again in life her form behold;
Nay, I prefer to die, and live alone.
Fairer than ever to my mental eye,
I see her soaring with the angels high,
Before our Lord, her maker and my own.
Macgregor.
My love and grief compell'd me to proclaim
My heart's lament, and urged me to convey
That, were it true, of her I should not say
Who woke alike my song and bosom's flame.
For I should comfort find, 'mid this world's shame,
To mark her soul's beatified array,
To think that He who here had own'd its sway,
Doth now within his home its presence claim.
And true I comfort find—myself resign'd,
I would not woo her back to earthly gloom;
[Pg 301]Oh! rather let me die, or live still lone!
My mental eye, that holds her there enshrined,
Now paints her wing'd, bright with celestial bloom,
Prostrate beneath our mutual Heaven's throne.
Wollaston.
Written by Francesco Petrarch | Create an image from this poem

SONNET XXVII

SONNET XXVII.

Soleano i miei pensier soavemente.

HE COMFORTS HIMSELF WITH THE HOPE THAT SHE HEARS HIM.

My thoughts in fair alliance and array
Hold converse on the theme which most endears:
Pity approaches and repents delay:
E'en now she speaks of us, or hopes, or fears.
Since the last day, the terrible hour when Fate
This present life of her fair being reft,
From heaven she sees, and hears, and feels our state:
No other hope than this to me is left.
O fairest miracle! most fortunate mind!
O unexampled beauty, stately, rare!
Whence lent too late, too soon, alas! rejoin'd.
Hers is the crown and palm of good deeds there,
Who to the world so eminent and clear
Made her great virtue and my passion here.
Macgregor.
My thoughts were wont with sentiment so sweet
To meditate their object in my breast—
Perhaps her sympathies my wishes meet
With gentlest pity, seeing me distress'd:
Nor when removed to that her sacred rest
The present life changed for that blest retreat,
Vanish'd in air my former visions fleet,
My hopes, my tears, in vain to her address'd.
O lovely miracle! O favour'd mind!
Beauty beyond example high and rare,
So soon return'd from us to whence it came!
There the immortal wreaths her temples bind;
The sacred palm is hers: on earth so fair
Who shone by her own virtues and my flame.
Capel Lofft.
Written by Omar Khayyam | Create an image from this poem

When my sins come back to mind, the fire which then

When my sins come back to mind, the fire which then
burned in my heart makes my boldness stream forth;
for everywhere is it established that when a slave repents,
a generous master pardons him.

Book: Reflection on the Important Things