Written by
Vachel Lindsay |
I.
THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate.
Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden.
Heavy accents very heavy.
Light accents very light.
Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you.
"
II.
THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas.
Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you.
" .
.
.
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.
)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM.
"
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III.
THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass.
With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM.
"
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section.
Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you,
Never again will he hoo-doo you.
"
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo .
.
.
Jumbo .
.
.
will .
.
.
hoo-doo .
.
.
you.
"
|
Written by
Vachel Lindsay |
Once I loved a fairy,
Queen Mab it was.
Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.
To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,
We vowed our love was boundless,
Eternal as the sea.
She banished from her kingdom
The mortal boy I grew —
So tall and crude and noisy,
I killed grasshoppers too.
I threw big rocks at pigeons,
I plucked and tore apart
The weeping, wailing daisies,
And broke my lady's heart.
At length I grew to manhood,
I scarcely could believe
I ever loved the lady,
Or caused her court to grieve,
Until a dream came to me,
One bleak first night of Spring,
Ere tides of apple blossoms
Rolled in o'er everything,
While rain and sleet and snowbanks
Were still a-vexing men,
Ere robin and his comrades
Were nesting once again.
I saw Mab's Book of Judgment —
Its clasps were iron and stone,
Its leaves were mammoth ivory,
Its boards were mammoth bone, —
Hid in her seaside mountains,
Forgotten or unkept,
Beneath its mighty covers
Her wrath against me slept.
And deeply I repented
Of brash and boyish crime,
Of murder of things lovely
Now and in olden time.
I cursed my vain ambition,
My would-be worldly days,
And craved the paths of wonder,
Of dewy dawns and fays.
I cried, "Our love was boundless,
Eternal as the sea,
O Queen, reverse the sentence,
Come back and master me!"
The book was by the cliff-side
Upon its edge upright.
I laid me by it softly,
And wept throughout the night.
And there at dawn I saw it,
No book now, but a door,
Upon its panels written,
"Judgment is no more.
"
The bolt flew back with thunder,
I saw within that place
A mermaid wrapped in seaweed
With Mab's immortal face,
Yet grown now to a woman,
A woman to the knee.
She cried, she clasped me fondly,
We soon were in the sea.
Ah, she was wise and subtle,
And gay and strong and sleek,
We chained the wicked sword-fish,
We played at hide and seek.
We floated on the water,
We heard the dawn-wind sing,
I made from ocean-wonders,
Her bridal wreath and ring.
All mortal girls were shadows,
All earth-life but a mist,
When deep beneath the maelstrom,
The mermaid's heart I kissed.
I woke beside the church-door
Of our small inland town,
Bowing to a maiden
In a pansy-velvet gown,
Who had not heard of fairies,
Yet seemed of love to dream.
We planned an earthly cottage
Beside an earthly stream.
Our wedding long is over,
With toil the years fill up,
Yet in the evening silence,
We drink a deep-sea cup.
Nothing the fay remembers,
Yet when she turns to me,
We meet beneath the whirlpool,
We swim the golden sea.
|
Written by
Ben Jonson |
A child of Queen Elizabeth's Chapel
Epitaphs: ii
WEEP with me all you that read
This little story;
And know for whom a tear you shed
Death's self is sorry.
'Twas a child that so did thrive 5
In grace and feature
As Heaven and Nature seem'd to strive
Which own'd the creature.
Years he number'd scarce thirteen
When Fates turn'd cruel 10
Yet three fill'd zodiacs had he been
The stage's jewel;
And did act (what now we moan)
Old men so duly
As sooth the Parcae thought him one 15
He play'd so truly.
So by error to his fate
They all consented;
But viewing him since alas too late!
They have repented; 20
And have sought to give new birth
In baths to steep him;
But being so much too good for earth
Heaven vows to keep him.
|
Written by
Eugene Field |
There once was a bird that lived up in a tree,
And all he could whistle was "Fiddle-dee-dee" -
A very provoking, unmusical song
For one to be whistling the summer day long!
Yet always contented and busy was he
With that vocal recurrence of "Fiddle-dee-dee.
"
Hard by lived a brave little soldier of four,
That weird iteration repented him sore;
"I prithee, Dear-Mother-Mine! fetch me my gun,
For, by our St.
Didy! the deed must be done
That shall presently rid all creation and me
Of that ominous bird and his 'Fiddle-dee-dee'!"
Then out came Dear-Mother-Mine, bringing her son
His awfully truculent little red gun;
The stock was of pine and the barrel of tin,
The "bang" it came out where the bullet went in -
The right kind of weapon I think you'll agree
For slaying all fowl that go "Fiddle-dee-dee"!
The brave little soldier quoth never a word,
But he up and he drew a straight bead on that bird;
And, while that vain creature provokingly sang,
The gun it went off with a terrible bang!
Then loud laughed the youth - "By my Bottle," cried he,
I've put a quietus on 'Fiddle-dee-dee'!"
Out came then Dear-Mother-Mine, saying: "My son,
Right well have you wrought with your little red gun!
Hereafter no evil at all need I fear,
With such a brave soldier as You-My-Love here!"
She kissed the dear boy.
(The bird in the tree
Continued to whistle his "Fiddle-dee-dee")
|
Written by
Ann Taylor |
One ugly trick has often spoil'd
The sweetest and the best;
Matilda, though a pleasant child,
One ugly trick possess'd,
Which, like a cloud before the skies,
Hid all her better qualities.
Sometimes she'd lift the tea-pot lid,
To peep at what was in it,
Or tilt the kettle, if you did
But turn your back a minute.
In vain you told her not to touch,
Her trick of meddling grew so much.
Her grandmamma went out one day,
And by mistake she laid
Her spectacles and snuff-box gay
Too near the little maid;
"Ah! well," thought she, "I'll try them on,
As soon as grandmamma is gone.
"
Forthwith she placed upon her nose
The glasses large and wide;
And looking round, as I suppose,
The snuff-box too she spied:
"Oh! what a pretty box is that;
I'll open it," said little Matt.
"I know that grandmamma would say,
'Don't meddle with it, dear;'
But then, she's far enough away,
And no one else is near:
Besides, what can there be amiss
In opening such a box as this? "
So thumb and finger went to work
To move the stubborn lid,
And presently a mighty jerk
The mighty mischief did;
For all at once, ah! woful case,
The snuff came puffing in her face.
Poor eyes, and nose, and mouth, beside
A dismal sight presented;
In vain, as bitterly she cried,
Her folly she repented.
In vain she ran about for ease;
She could do nothing now but sneeze.
She dash'd the spectacles away,
To wipe her tingling eyes,
And as in twenty bits they lay,
Her grandmamma she spies.
"Heyday! and what's the matter now?"
Says grandmamma, with lifted brow.
Matilda, smarting with the pain,
And tingling still, and sore,
Made many a promise to refrain
From meddling evermore.
And 'tis a fact, as I have heard,
She ever since has kept her word.
|
Written by
Sidney Lanier |
Young palmer sun, that to these shining sands
Pourest thy pilgrim's tale, discoursing still
Thy silver passages of sacred lands,
With news of Sepulchre and Dolorous Hill,
Canst thou be he that, yester-sunset warm,
Purple with Paynim rage and wrack desire,
Dashed ravening out of a dusty lair of Storm,
Harried the west, and set the world on fire?
Hast thou perchance repented, Saracen Sun?
Wilt warm the world with peace and dove-desire?
Or wilt thou, ere this very day be done,
Blaze Saladin still, with unforgiving fire?
|
Written by
Robert Frost |
I had for my winter evening walk--
No one at all with whom to talk,
But I had the cottages in a row
Up to their shining eyes in snow.
And I thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.
I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.
Over the snow my creaking feet
Disturbed the slumbering village street
Like profanation, by your leave,
At ten o'clock of a winter eve.
|
Written by
Ella Wheeler Wilcox |
Well, Mabel, 'tis over and ended---
The ball I wrote was to be;
And oh! it was perfectly splendid---
If you could have been here to see.
I've a thousand things to write you
That I know you are wanting to hear,
And one, that is sure to delight you---
I am wearing Joe's diamond, my dear!
Yes, mamma is quite ecstatic
That I am engaged to Joe;
She thinks I am rather erratic,
And feared that I might say "no.
"
But, Mabel, I'm twenty-seven
(Though nobody dreams it, dear),
And a fortune like Joe's isn't given
To lay at one's feet each year.
You know my old fancy for Harry---
Or, at least, I am certain you guessed
That it took all my sense not to marry
And go with that fellow out west.
But that was my very first season---
And Harry was poor as could be,
And mamma's good practical reason
Took all the romance out of me.
She whisked me off over the ocean,
And had me presented at court,
And got me all out of the notion
That ranch life out west was my forte.
Of course I have never repented---
I'm not such a goose of a thing;
But after I had consented
To Joe---and he gave me the ring---
I felt such a ***** sensation.
I seemed to go into a trance,
Away from the music's pulsation,
Away from the lights and the dance.
And the wind o'er the wild prairie
Seemed blowing strong and free,
And it seemed not Joe, but Harry
Who was standing there close to me.
And the funniest feverish feeling
Went up from my feet to my head,
With little chills after it stealing---
And my hands got as numb as the dead.
A moment, and then it was over:
The diamond blazed up in my eyes,
And I saw in the face of my lover
A questioning, strange surprise.
Maybe 'twas the scent of the flowers,
That heavy with fragrance bloomed near,
But I didn't feel natural for hours;
It was odd now, wasn't it, dear?
Write soon to your fortunate Clara
Who has carried the prize away,
And say you'll come on when I marry;
I think it will happen in May.
|
Written by
Mary Darby Robinson |
DAME DOWSON, was a granny grey,
Who, three score years and ten,
Had pass'd her busy hours away,
In talking of the Men !
They were her theme, at home, abroad,
At wake, and by the winter fire,
Whether it froze, or blew, or thaw'd,
In sunshine or in shade, her ire
Was never calm'd; for still she made
Scandal her pleasure--and her trade!
A Grand-daughter DAME DOWSON had--
As fair, as fair could be!
Lovely enough to make Men mad;
For, on her cheek's soft downy rose
LOVE seem'd in dimples to repose;
Her clear blue eyes look'd mildly bright
Like ether drops of liquid light,
Or sapphire gems,--which VENUS bore,
When, for the silver-sanded shore,
She left her native Sea!
ANNETTA, was the damsel's name;
A pretty, soft, romantic sound;
Such as a lover's heart may wound;
And set his fancy in a flame:
For had the maid been christen'd JOAN,
Or DEBORAH, or HESTER,--
The little God had coldly prest her,
Or, let her quite alone!
For magic is the silver sound--
Which, often, in a NAME is found!
ANNETTA was belov'd; and She
To WILLIAM gave her vows;
For WILLIAM was as brave a Youth,
As ever claim'd the meed of truth,
And, to reward such constancy,
Nature that meed allows.
But Old DAME DOWSON could not bear
A Youth so brave--a Maid so fair.
The GRANNY GREY, with maxims grave
Oft to ANNETTA lessons gave:
And still the burthen of the Tale
Was, "Keep the wicked Men away,
"For should their wily arts prevail
"You'll surely rue the day!"
And credit was to GRANNY due,
The truth, she, by EXPERIENCE, knew!
ANNETTA blush'd, and promis'd She
Obedient to her will would be.
But Love, with cunning all his own,
Would never let the Maid alone:
And though she dar'd not see her Lover,
Lest GRANNY should the deed discover,
She, for a woman's weapon, still,
From CUPID'S pinion pluck'd a quill:
And, with it, prov'd that human art
Cannot confine the Female Heart.
At length, an assignation She
With WILLIAM slily made,
It was beneath an old Oak Tree,
Whose widely spreading shade
The Moon's soft beams contriv'd to break
For many a Village Lover's sake.
But Envy has a Lynx's eye
And GRANNY DOWSON cautious went
Before, to spoil their merriment,
Thinking no creature nigh.
Young WILLIAM came; but at the tree
The watchful GRANDAM found!
Straight to the Village hasten'd he
And summoning his neighbours round,
The Hedgerow's tangled boughs among,
Conceal'd the list'ning wond'ring throng.
He told them that, for many a night,
An OLD GREY OWL was heard;
A fierce, ill-omen'd, crabbed Bird--
Who fill'd the village with affright.
He swore this Bird was large and keen,
With claws of fire, and eye-balls green;
That nothing rested, where she came;
That many pranks the monster play'd,
And many a timid trembling Maid
She brought to shame
For negligence, that was her own;
Turning the milk to water, clear,
And spilling from the cask, small-beer;
Pinching, like fairies, harmless lasses,
And shewing Imps, in looking-glasses;
Or, with heart-piercing groan,
Along the church-yard path, swift gliding,
Or, on a broomstick, witchlike, riding.
All listen'd trembling; For the Tale
Made cheeks of Oker, chalky pale;
The young a valiant doubt pretended;
The old believ'd, and all attended.
Now to DAME DOWSON he repairs
And in his arms, enfolds the Granny:
Kneels at her feet, and fondly swears
He will be true as any !
Caresses her with well feign'd bliss
And, fearfully , implores a Kiss--
On the green turf distracted lying ,
He wastes his ardent breath, in sighing.
The DAME was silent; for the Lover
Would, when she spoke,
She fear'd, discover
Her envious joke:
And she was too much charm'd to be
In haste,--to end the Comedy!
Now WILLIAM, weary of such wooing,
Began, with all his might, hollooing:--
When suddenly from ev'ry bush
The eager throngs impatient rush;
With shouting, and with boist'rous glee
DAME DOWSON they pursue,
And from the broad Oak's canopy,
O'er moonlight fields of sparkling dew,
They bear in triumph the Old DAME,
Bawling, with loud Huzza's, her name;
"A witch, a witch !" the people cry,
"A witch !" the echoing hills reply:
'Till to her home the GRANNY came,
Where, to confirm the tale of shame,
Each rising day they went, in throngs,
With ribbald jests, and sportive songs,
'Till GRANNY of her spleen, repented;
And to young WILLIAM'S ardent pray'r,
To take, for life, ANNETTA fair,--
At last ,--CONSENTED.
And should this TALE, fall in the way
Of LOVERS CROSS'D, or GRANNIES GREY,--
Let them confess, 'tis made to prove--
The wisest heads ,--TOO WEAK FOR LOVE!
|
Written by
Siegfried Sassoon |
You've heard me, scornful, harsh, and discontented,
Mocking and loathing War: you've asked me why
Of my old, silly sweetness I've repented--
My ecstasies changed to an ugly cry.
You are aware that once I sought the Grail,
Riding in armour bright, serene and strong;
And it was told that through my infant wail
There rose immortal semblances of song.
But now I've said good-bye to Galahad,
And am no more the knight of dreams and show:
For lust and senseless hatred make me glad,
And my killed friends are with me where I go.
Wound for red wound I burn to smite their wrongs;
And there is absolution in my songs.
|