Written by
Les Murray |
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
|
Written by
Robert Frost |
Brown lived at such a lofty farm
That everyone for miles could see
His lantern when he did his chores
In winter after half-past three.
And many must have seen him make
His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
Describing rings of lantern light.
Between the house and barn the gale
Got him by something he had on
And blew him out on the icy crust
That cased the world, and he was gone!
Walls were all buried, trees were few:
He saw no stay unless he stove
A hole in somewhere with his heel.
But though repeatedly he strove
And stamped and said things to himself,
And sometimes something seemed to yield,
He gained no foothold, but pursued
His journey down from field to field.
Sometimes he came with arms outspread
Like wings, revolving in the scene
Upon his longer axis, and
With no small dignity of mien.
Faster or slower as he chanced,
Sitting or standing as he chose,
According as he feared to risk
His neck, or thought to spare his clothes,
He never let the lantern drop.
And some exclaimed who saw afar
The figures he described with it,
”I wonder what those signals are
Brown makes at such an hour of night!
He’s celebrating something strange.
I wonder if he’s sold his farm,
Or been made Master of the Grange.
”
He reeled, he lurched, he bobbed, he checked;
He fell and made the lantern rattle
(But saved the light from going out.
)
So half-way down he fought the battle
Incredulous of his own bad luck.
And then becoming reconciled
To everything, he gave it up
And came down like a coasting child.
“Well—I—be—” that was all he said,
As standing in the river road,
He looked back up the slippery slope
(Two miles it was) to his abode.
Sometimes as an authority
On motor-cars, I’m asked if I
Should say our stock was petered out,
And this is my sincere reply:
Yankees are what they always were.
Don’t think Brown ever gave up hope
Of getting home again because
He couldn’t climb that slippery slope;
Or even thought of standing there
Until the January thaw
Should take the polish off the crust.
He bowed with grace to natural law,
And then went round it on his feet,
After the manner of our stock;
Not much concerned for those to whom,
At that particular time o’clock,
It must have looked as if the course
He steered was really straight away
From that which he was headed for—
Not much concerned for them, I say:
No more so than became a man—
And politician at odd seasons.
I’ve kept Brown standing in the cold
While I invested him with reasons;
But now he snapped his eyes three times;
Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
By road, a matter of several miles.
|
Written by
Theodore Roethke |
I
I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.
II
At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.
I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, --
Cape May, Blackburnian, Cerulean, --
Moving, elusive as fish, fearless,
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.
-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.
I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.
II
The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, --
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, --
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.
I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air.
IV
The lost self changes,
Turning toward the sea,
A sea-shape turning around, --
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.
All finite things reveal infinitude:
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow,
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree :
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.
|
Written by
Anne Sexton |
"Too many things are occurring for even a big heart to hold.
" - From an essay by W.
B.
Yeats
Big heart,
wide as a watermelon,
but wise as birth,
there is so much abundance
in the people I have:
Max, Lois, Joe, Louise,
Joan, Marie, Dawn,
Arlene, Father Dunne,
and all in their short lives
give to me repeatedly,
in the way the sea
places its many fingers on the shore,
again and again
and they know me,
they help me unravel,
they listen with ears made of conch shells,
they speak back with the wine of the best region.
They are my staff.
They comfort me.
They hear how
the artery of my soul has been severed
and soul is spurting out upon them,
bleeding on them,
messing up their clothes,
dirtying their shoes.
And God is filling me,
though there are times of doubt
as hollow as the Grand Canyon,
still God is filling me.
He is giving me the thoughts of dogs,
the spider in its intricate web,
the sun
in all its amazement,
and a slain ram
that is the glory,
the mystery of great cost,
and my heart,
which is very big,
I promise it is very large,
a monster of sorts,
takes it all in--
all in comes the fury of love.
|
Written by
James A Emanuel |
Repeatedly, that sturdy stump in me
bears up like stone,
beneath some ritual I see:
the blinding axe
swings up, holds,
that moment of its weightlessness
inscrutable
till I confirm the arm is mine;
I will it, grip,
feel moist the swelling handle,
the shudder rude,
the difference fallen.
Toward that chopping block
I carry in me woodthings—
infectious undergrowth
pretending upwards
through each stem and branch of me—
all so certain of themselves
they practice, like pains,
the craft of being.
They try to wrench away
before we reach that stump,
my woodthings and I,
they weakening
in its brightness,
in my luminous saying
"I must go, must go
to the chopping block.
"
They know the brutal business
of my thinking;
I know they have no charity nor memory
to return the way they came—
came not from wilderness,
nor forest,
nor living trees.
Their craft and strength I test—
and mine—
at the chopping block.
|
Written by
Donald Justice |
1
Dear ghosts, dear presences, O my dear parents,
Why were you so sad on porches, whispering?
What great melancholies were loosed among our swings!
As before a storm one hears the leaves whispering
And marks each small change in the atmosphere,
So was it then to overhear and to fear.
2
But all things then were oracle and secret.
Remember the night when, lost, returning, we turned back
Confused, and our headlights singled out the fox?
Our thoughts went with it then, turning and turning back
With the same terror, into the deep thicket
Beside the highway, at home in the dark thicket.
3
I say the wood within is the dark wood,
Or wound no torn shirt can entirely bandage,
But the sad hand returns to it in secret
Repeatedly, encouraging the bandage
To speak of that other world we might have borne,
The lost world buried before it could be born.
4
Burchfield describes the pinched white souls of violets
Frothing the mouth of a derelict old mine
Just as an evil August night comes down,
All umber, but for one smudge of dusky carmine.
It is the sky of a peculiar sadness—
The other side perhaps of some rare gladness.
5
What is it to be happy, after all? Think
Of the first small joys.
Think of how our parents
Would whistle as they packed for the long summers,
Or, busy about the usual tasks of parents,
Smile down at us suddenly for some secret reason,
Or simply smile, not needing any reason.
6
But even in the summers we remember
The forest had its eyes, the sea its voices,
And there were roads no map would ever master,
Lost roads and moonless nights and ancient voices—
And night crept down with an awful slowness toward the water;
And there were lanterns once, doubled in the water.
7
Sadness has its own beauty, of course.
Toward dusk,
Let us say, the river darkens and look bruised,
And we stand looking out at it through rain.
It is as if life itself were somehow bruised
And tender at this hour; and a few tears commence.
Not that they are but that they feel immense.
|
Written by
Erin Moure |
There was a cold
In which
A line of water across the chest risen
(dream)
Impetuate, or
Impetuates
Orthograph you cherish, a hand her
Of doubt importance
Her imbroglio the winnowing of ever
Does establish
An imbroglio, ever
she does repeatedly declare
to no cold end
Admonish wit, at wit's end, where "wit" is
***
The cold of which
her azul gaze impart a stuttered pool
Memoria address me here (green)
Echolalic fear
Her arm or name in French says "smooth"
A wine-dark seam inside the head, this name
The "my" head I admit, or consonantal glimmer
Insoluble
Or wet fields the vines or eucalyptus wood
Lift from, here
***
Whose cartilage did grief still bear?
Whose silent wound?
Who submitted?
Who fortuitously was grave?
A trepidation honest
Whose declaration met silence?
Whose demurred?
Whose wall shored up became
houses?
Whose "will"?
Whose sympathetic concatenation? Whose picture
withstood "ordeal"?
Who caressed "that tiger"?
Whose laugh at an airport called forth? Whose ground
shifted?
|
Written by
Mary Darby Robinson |
'Twas in a little western town
An ancient Maiden dwelt:
Her name was MISS, or MISTRESS, Brown,
Or DEBORAH, or DEBBY: She
Was doom'd a Spinster pure to be,
For soft delights her breast ne'er felt:
Yet, she had watchful Ears and Eyes
For ev'ry youthful neighbour,
And never did she cease to labour
A tripping female to surprize.
And why was she so wond'rous pure,
So stiff, so solemn--so demure?
Why did she watch with so much care
The roving youth, the wand'ring fair?
The tattler, Fame, has said that she
A Spinster's life had long detested,
But 'twas her quiet destiny,
Never to be molested !--
And had Miss DEBBY'S form been grac'd,
Fame adds,--She had not been so chaste;--
But since for frailty she would roam,
She ne'er was taught--to look at home .
Miss DEBBY was of mien demure
And blush'd, like any maid !
She could not saucy man endure
Lest she should be betray'd!
She never fail'd at dance or fair
To watch the wily lurcher's snare;
At Church, she was a model Godly!
Though sometimes she had other eyes
Than those, uplifted to the skies,
Leering most oddly!
And Scandal, ever busy, thought
She rarely practic'd--what she taught.
Her dress was always stiff brocade,
With laces broad and dear;
Fine Cobwebs ! that would thinly shade
Her shrivell'd cheek of sallow hue,
While, like a Spider, her keen eye,
Which never shed soft pity's tear,
Small holes in others geer could spy,
And microscopic follies, prying view.
And sorely vex'd was ev'ry simple thing
That wander'd near her never-tiring sting!
Miss DEBBY had a PARROT, who,
If Fame speaks true,
Could prate, and tell what neighbours did,
And yet the saucy rogue was never chid!
Sometimes, he talk'd of roving Spouses
Who wander'd from their quiet houses:
Sometimes, he call'd a Spinster pure
By names, that Virtue can't indure!
And sometimes told an ancient Dame
Such tales as made her blush with shame!
Then gabbled how a giddy Miss
Would give the boist'rous Squire a kiss!
But chiefly he was taught to cry,
Who with the Parson toy'd? O fie! "
This little joke, Miss DEBBY taught him,
To vex a young and pretty neighbour;
But by her scandal-zealous labour
To shame she brought him!
For, the Old PARROT, like his teacher
Was but a false and canting preacher,
And many a gamesome pair had sworn
Such lessons were not to be borne.
At last, Miss DEBBY sore was flouted
And by her angry neighbours scouted;
She never knew one hour of rest,
Of ev'ry Saucy Boor, the jest:
The young despis'd her, and the Sage
Look'd back on Time's impartial page;
They knew that youth was giv'n to prove
The season of extatic joy,
That none but Cynics would destroy,
The early buds of Love.
They also knew that DEBBY sigh'd
For charms that envious Time deny'd;
That she was vex'd with jealous Spleen
That Hymen pass'd her by, unseen.
For though the Spinster's wealth was known,
Gold will not purchase Love--alone .
She, and her PARROT, now were thought
The torments of their little Sphere;
He, because mischievously taught,
And She, because a maid austere !--
In short, she deem'd it wise to leave
A Place, where none remain'd, to grieve.
Soon, to a distant town remov'd,
Miss DEBBY'S gold an husband bought;
And all she had her PARROT taught,
(Her PARROT now no more belov'd,)
Was quite forgotten.
But, alas!
As Fate would have it come to pass,
Her Spouse was giv'n to jealous rage,
For, both in Person and in Age ,
He was the partner of his love,
Ordain'd her second Self to prove!
One day, Old JENKINS had been out
With merry friends to dine,
And, freely talking, had, no doubt
Been also free with wine.
One said, of all the wanton gay
In the whole parish search it round,
None like the PARSON could be found,
Where a frail Maid was in the way.
Another thought the Parson sure
To win the heart of maid or wife;
And would have freely pledg'd his life
That young, or old, or rich or poor
None could defy
The magic of his roving eye!
JENKINS went home, but all the night
He dream'd of this strange tale!
Yet, bless'd his stars ! with proud delight,
His partner was not young, nor frail.
Next morning, at the breakfast table.
The PARROT, loud as he was able,
Was heard repeatedly to cry,
Who with the Parson toy'd? O fie!"
Old JENKINS listen'd, and grew pale,
The PARROT then, more loudly scream'd,
And MISTRESS JENKINS heard the tale
And much alarm'd she seem'd!
Trembling she tried to stop his breath,
Her lips and cheek as pale as death!
The more she trembled, still the more
Old JENKINS view'd her o'er and o'er;
And now her yellow cheek was spread
With blushes of the deepest red.
And now again the PARROT'S Tale
Made his old Tutoress doubly pale;
For cowardice and guilt, they say
Are the twin brothers of the soul;
So MISTRESS JENKINS, her dismay
Could not controul!
While the accuser, now grown bold,
Thrice o'er, the tale of mischief told.
Now JENKINS from the table rose,
"Who with the Parson toy'd? " he cried.
"So MISTRESS FRAILTY, you must play,
"And sport, your wanton hours away.
"And with your gold, a pretty joke,
"You thought to buy a pleasant cloak;
"A screen to hide your shame--but know
"I will not blind to ruin go.
--
"I am no modern Spouse , dy'e see,
"Gold will not gild disgrace, with me!"
Some say he seiz'd his fearful bride,
And came to blows!
Day after day, the contest dire
Augmented, with resistless ire!
And many a drubbing DEBBY bought
For mischief, she her PARROT taught!
Thus, SLANDER turns against its maker;
And if this little Story reaches
A SPINSTER, who her PARROT teaches,
Let her a better task pursue,
And here, the certain VENGEANCE view
Which surely will, in TIME, O'ERTAKE HER.
|
Written by
John Berryman |
Life, friends, is boring.
We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatedly) 'Ever to confess you're bored
means you have no
Inner Resources.
' I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,
Who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.
|