Written by
Gary Fincke |
When magpies die, each of the living swoops down
and pecks, one by one, in an accepted order.
He coaxed my car to start, the boy who’s killed himself.
He twisted a cable, performed CPR on
The carburetor while my three children shivered
Through the unanswerable questions about stalled.
He chose shotgun, full in the face, so no one stepped
Into the cold, blowing on his hands, to fix him.
Let him rest now, the minister says. Let this be,
Repeating himself to four brothers, five sisters,
All of them my neighbors until they grew and left.
Let us pray. Let us manage what we need to say.
Let this house with its three hand-made additions be
Large enough for the one day of necessity.
Let evening empty each room to ceremony
Chosen by the remaining nine. Let the awful,
Forecasted weather hold off in east Ohio
Until each of them, oldest to youngest, has passed.
Let their thirty-seven children scatter into
The squabbling of the everyday, and let them break
This creeping chain of cars into the fanning out
Toward anger and selfishness and the need to eat
At any of the thousand tables they will pass.
Let them wait. Let them correctly choose the right turn
Or the left, this entrance ramp, that exit, the last
Confusing fork before the familiar driveway
Three hundred miles and more from these bleak thunderheads.
Let them regather into the chairs exactly
Matched to their numbers, blessing the bountiful or
The meager with voices that soar toward renewal.
Let them have mercy on themselves. Let my children,
Grown now, be repairing my faults with forgiveness.
© Gary Fincke
|
Written by
Mark Doty |
Over the terminal,
the arms and chest
of the god
brightened by snow.
Formerly mercury,
formerly silver,
surface yellowed
by atmospheric sulphurs
acid exhalations,
and now the shining
thing's descendant.
Obscure passages,
dim apertures:
these clouded windows
show a few faces
or some empty car's
filmstrip of lit flames
--remember them
from school,
how they were supposed
to teach us something?--
waxy light hurrying
inches away from the phantom
smudge of us, vague
in spattered glass. Then
daylight's soft charcoal
lusters stone walls
and we ascend to what
passes for brightness,
this February,
scumbled sky
above graduated zones
of decline:
dead rowhouses,
charred windows'
wet frames
around empty space,
a few chipboard polemics
nailed over the gaps,
speeches too long
and obsessive for anyone
on this train to read,
sealing the hollowed interiors
--some of them grand once,
you can tell by
the fillips of decoration,
stone leaves, the frieze
of sunflowers.
Desolate fields--open spaces,
in a city where you
can hardly turn around!--
seem to center
on little flames,
something always burning
in a barrel or can
As if to represent
inextinguishable,
dogged persistence?
Though whether what burns
is will or rage or
harsh amalgam
I couldn't say.
But I can tell you this,
what I've seen that
won my allegiance most,
though it was also
the hallmark of our ruin,
and quick as anything
seen in transit:
where Manhattan ends
in the narrowing
geographical equivalent
of a sigh (asphalt,
arc of trestle, dull-witted
industrial tanks
and scaffoldings, ancient now,
visited by no one)
on the concrete
embankment just
above the river,
a sudden density
and concentration
of trash, so much
I couldn't pick out
any one thing
from our rising track
as it arced onto the bridge
over the fantastic
accumulation of jetsam
and contraband
strewn under
the uncompromising
vault of heaven.
An unbelievable mess,
so heaped and scattered
it seemed the core
of chaos itself--
but no, the junk was arranged
in rough aisles,
someone's intimate
clutter and collection,
no walls but still
a kind of apartment
and a fire ribboned out
of a ruined stove,
and white plates
were laid out
on the table beside it.
White china! Something
was moving, and
--you understand
it takes longer to tell this
than to see it, only
a train window's worth
of actuality--
I knew what moved
was an arm,
the arm of the (man
or woman?) in the center
of that hapless welter
in layer upon layer
of coats blankets scarves
until the form
constituted one more
gray unreadable;
whoever
was lifting a hammer,
and bringing it down
again, tapping at
what work
I couldn't say;
whoever, under
the great exhausted dome
of winter light,
which the steep
and steel surfaces of the city
made both more soft
and more severe,
was making something,
or repairing,
was in the act
(sheer stubborn nerve of it)
of putting together.
Who knows what.
(And there was more,
more I'd take all spring
to see. I'd pick my seat
and set my paper down
to study him again
--he, yes, some days not
at home though usually
in, huddled
by the smoldering,
and when my eye wandered
--five-second increments
of apprehension--I saw
he had a dog!
Who lay half in
half out his doghouse
in the rain, golden head
resting on splayed paws.
He had a ruined car,
and heaps of clothes,
and things to read--
was no emblem,
in other words,
but a citizen,
who'd built a citizen's
household, even
on the literal edge,
while I watched
from my quick,
high place, hurtling
over his encampment
by the waters of Babylon.)
Then we were gone,
in the heat and draft
of our silver, rattling
over the river
into the South Bronx,
against whose greasy
skyline rose that neoned
billboard for cigarettes
which hostages
my attention, always,
as it is meant to do,
its motto ruby
in the dark morning:
ALIVE WITH PLEASURE.
|
Written by
Rudyard Kipling |
Primitive
I ate my fill of a whale that died
And stranded after a month at sea. . . .
There is a pain in my inside.
Why have the Gods afflicted me?
Ow! I am purged till I am a wraith!
Wow! I am sick till I cannot see!
What is the sense of Religion and Faith :
Look how the Gods have afflicted me!
Pagan
How can the skin of rat or mouse hold
Anything more than a harmless flea?. . .
The burning plague has taken my household.
Why have my Gods afflicted me?
All my kith and kin are deceased,
Though they were as good as good could be,
I will out and batter the family priest,
Because my Gods have afflicted me!
Medi/Eval
My privy and well drain into each other
After the custom of Christendie. . . .
Fevers and fluxes are wasting my mother.
Why has the Lord afflicted me?
The Saints are helpless for all I offer--
So are the clergy I used to fee.
Henceforward I keep my cash in my coffer,
Because the Lord has afflicted me.
Material
I run eight hundred hens to the acre
They die by dozens mysteriously. . . .
I am more than doubtful concerning my Maker,
Why has the Lord afflicted me?
What a return for all my endeavour--
Not to mention the L. S. D!
I am an atheist now and for ever,
Because this God has afflicted me!
Progressive
Money spent on an Army or Fleet
Is homicidal lunacy. . . .
My son has been killed in the Mons retreat,
Why is the Lord afflicting me?
Why are murder, pillage and arson
And rape allowed by the Deity?
I will write to the Times, deriding our parson
Because my God has afflicted me.
Chorus
We had a kettle: we let it leak:
Our not repairing it made it worse.
We haven't had any tea for a week. . .
The bottom is out of the Universe!
Conclusion
This was none of the good Lord's pleasure,
For the Spirit He breathed in Man is free;
But what comes after is measure for measure,
And not a God that afflicteth thee.
As was the sowing so the reaping
Is now and evermore shall be.
Thou art delivered to thine own keeping.
Only Thyself hath afflicted thee!
|
Written by
William Topaz McGonagall |
'Twas at the Seige of Matagarda, during the Peninsular War,
That a Mrs Reston for courage outshone any man there by far;
She was the wife of a Scottish soldier in Matagarda Port,
And to attend to her husband she there did resort.
'Twas in the Spring of the year 1810,
That General Sir Thomas Graham occupied Matagarda with 150 men;
These consisted of a detachment from the Scots Brigade,
And on that occasion they weren't in the least afraid.
And Captain Maclaine of the 94th did the whole of them command,
And the courage the men displayed was really grand;
Because they held Matagarda for fifty-four days,
Against o'erwhelming numbers of the French - therefore they are worthy of praise.
The British were fighting on behalf of Spain,
But if they fought on their behalf they didn't fight in vain;
For they beat them manfully by land and sea,
And from the shores of Spain they were forced to flee.
Because Captain Maclaine set about repairing the old fort,
So as to make it comfortable for his men to resort;
And there he kept his men at work day by day,
Filling sand-bags and stuffing them in the walls without delay.
There was one woman in the fort during those trying dags,
A Mrs Reston, who is worthy of great praise;
She acted like a ministering angel to the soldiers while there,
By helping them to fill sand-bags, it was her constant care.
Mrs Reston behaved as fearlessly as any soldier in the garrison,
And amongst the soldiers golden opinions she won,
For her presence was everywhere amongst the men,
And the service invaluable she rendered to them.
Methinks I see that brave heroine carrying her child,
Whilst the bullets were falling around her, enough to drive her wild;
And bending over it to protect it from danger,
Because to war's alarms it was a stranger.
And while the shells shrieked around, and their fragments did scatter,
She was serving the men at the guns with wine and water;
And while the shot whistled around, her courage wasn't slack,
Because to the soldiers she carried sand-bags on her back.
A little drummer boy was told to fetch water from the well,
But he was afraid because the bullets from the enemy around it fell;
And the Doctor cried to the boy, Why are you standing there?
But Mrs Reston said, Doctor, the bairn is feared, I do declare.
And she said, Give me the pail, laddie, I'll fetch the water,
Not fearing that the shot would her brains scatter;
And without a moment's hesitation she took the pail,
Whilst the shot whirred thick around her, yet her courage didn't fail.
And to see that heroic woman the scene was most grand,
Because as she drew the water a shot cut the rope in her hand;
But she caught the pail with her hand dexterously,
Oh! the scene was imposing end most beautiful to see.
The British fought bravely, as they are always willing to do,
Although their numbers were but few;
So they kept up the cannonading with their artillery,
And stood manfully at their guns against the enemy.
And five times the flagstaff was shot away,
And as often was it replaced without dismay;
And the flag was fastened to an angle of the wall,
And the British resolved to defend it whatever did befall.
So the French were beaten and were glad to run,
And the British for defeating them golden opinions have won
Ah through brave Captain Maclaine and his heroes bold,
Likewise Mrs Reston, whose name should be written in letters of gold.
|
Written by
Friedrich von Schiller |
Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.
Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.
Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:
"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."
"Though a torch I see all-glowing,
Yet 'tis not in Hymen's hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"
"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"
"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"
"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"
"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"
"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."
"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"
"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."
"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."
"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."
"And I see the death-steel glancing,
And the eye of murder glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."
While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!
|
Written by
Emily Dickinson |
From Cocoon forth a Butterfly
As Lady from her Door
Emerged -- a Summer Afternoon --
Repairing Everywhere --
Without Design -- that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers -- understood --
Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay --
Then struggling hard
With an opposing Cloud --
Where Parties -- Phantom as Herself --
To Nowhere -- seemed to go
In purposeless Circumference --
As 'twere a Tropic Show --
And notwithstanding Bee -- that worked --
And Flower -- that zealous blew --
This Audience of Idleness
Disdained them, from the Sky --
Till Sundown crept -- a steady Tide --
And Men that made the Hay --
And Afternoon -- and Butterfly --
Extinguished -- in the Sea --
|
Written by
Johann Wolfgang von Goethe |
WITH a bridegroom's joyous bearing,
Mounts Sir Curt his noble beast,
To his mistress' home repairing,
There to hold his wedding feast;
When a threatening foe advances
From a desert, rocky spot;
For the fray they couch their lances,
Not delaying, speaking not.
Long the doubtful fight continues,
Victory then for Curt declares;
Conqueror, though with wearied sinews,
Forward on his road he fares.
When he sees, though strange it may be,
Something 'midst the foliage move;
'Tis a mother, with her baby,
Stealing softly through the grove!
And upon the spot she beckons--
"Wherefore, love, this speed so wild?
Of the wealth thy storehouse reckons,
Hast thou nought to give thy child!"
Flames of rapture now dart through him,
And he longs for nothing more,
While the mother seemeth to him
Lovely as the maid of yore.
But he hears his servants blowing,
And bethinks him of his bride;
And ere long, while onward going,
Chances past a fair to ride;
In the booths he forthwith buys him
For his mistress many a pledge;
But, alas! some Jews surprise him,
And long-standing debts allege.
And the courts of justice duly
Send the knight to prison straight.
Oh accursed story, truly!
For a hero, what a fate!
Can my patience such things weather?
Great is my perplexity.
Women, debts, and foes together,--
Ah, no knight escapes scot free!
1803.*
|
Written by
Edgar Lee Masters |
I was a gun-smith in Odessa.
One night the police broke in the room
Where a group of us were reading Spencer.
And seized our books and arrested us.
But I escaped and came to New York
And thence to Chicago, and then to Spoon River,
Where I could study my Kant in peace
And eke out a living repairing guns!
Look at my moulds! My architectonics!
One for a barrel, one for a hammer,
And others for other parts of a gun!
Well, now suppose no gun-smith living
Had anything else but duplicate moulds
Of these I show you -- well, all guns
Would be just alike, with a hammer to hit
The cap and a barrel to carry the shot,
All acting alike for themselves, and all
Acting against each other alike.
And there would be your world of guns!
Which nothing could ever free from itself
Except a Moulder with different moulds
To mould the metal over.
|