Written by
Algernon Charles Swinburne |
SHALL I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,
Or simplest growth of meadow-sweet or sorrel,
Such as the summer-sleepy Dryads weave,
Waked up by snow-soft sudden rains at eve?
Or wilt thou rather, as on earth before,
Half-faded fiery blossoms, pale with heat
And full of bitter summer, but more sweet
To thee than gleanings of a northern shore
Trod by no tropic feet?
For always thee the fervid languid glories
Allured of heavier suns in mightier skies;
Thine ears knew all the wandering watery sighs
Where the sea sobs round Lesbian promontories,
The barren kiss of piteous wave to wave
That knows not where is that Leucadian grave
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were,
The wild sea winds her and the green gulfs bear
Hither and thither, and vex and work her wrong,
Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother,
Secrets and sorrows unbeheld of us:
Fierce loves, and lovely leaf-buds poisonous,
Bare to thy subtler eye, but for none other
Blowing by night in some unbreathed-in clime;
The hidden harvest of luxurious time,
Sin without shape, and pleasure without speech;
And where strange dreams in a tumultuous sleep
Make the shut eyes of stricken spirits weep;
And with each face thou sawest the shadow on each,
Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping,
That were athirst for sleep and no more life
And no more love, for peace and no more strife!
Now the dim gods of death have in their keeping
Spirit and body and all the springs of song,
Is it well now where love can do no wrong,
Where stingless pleasure has no foam or fang
Behind the unopening closure of her lips?
Is it not well where soul from body slips
And flesh from bone divides without a pang
As dew from flower-bell drips?
It is enough; the end and the beginning
Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend,
For thee no fruits to pluck, no palms for winning,
No triumph and no labour and no lust,
Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught,
Whereto the day is dumb, nor any night
With obscure finger silences your sight,
Nor in your speech the sudden soul speaks thought,
Sleep, and have sleep for light.
Now all strange hours and all strange loves are over,
Dreams and desires and sombre songs and sweet,
Hast thou found place at the great knees and feet
Of some pale Titan-woman like a lover,
Such as thy vision here solicited,
Under the shadow of her fair vast head,
The deep division of prodigious breasts,
The solemn slope of mighty limbs asleep,
The weight of awful tresses that still keep
The savour and shade of old-world pine-forests
Where the wet hill-winds weep?
Hast thou found any likeness for thy vision?
O gardener of strange flowers, what bud, what bloom,
Hast thou found sown, what gather'd in the gloom?
What of despair, of rapture, of derision,
What of life is there, what of ill or good?
Are the fruits gray like dust or bright like blood?
Does the dim ground grow any seed of ours,
The faint fields quicken any terrene root,
In low lands where the sun and moon are mute
And all the stars keep silence? Are there flowers
At all, or any fruit?
Alas, but though my flying song flies after,
O sweet strange elder singer, thy more fleet
Singing, and footprints of thy fleeter feet,
Some dim derision of mysterious laughter
From the blind tongueless warders of the dead,
Some gainless glimpse of Proserpine's veil'd head,
Some little sound of unregarded tears
Wept by effaced unprofitable eyes,
And from pale mouths some cadence of dead sighs--
These only, these the hearkening spirit hears,
Sees only such things rise.
Thou art far too far for wings of words to follow,
Far too far off for thought or any prayer.
What ails us with thee, who art wind and air?
What ails us gazing where all seen is hollow?
Yet with some fancy, yet with some desire,
Dreams pursue death as winds a flying fire,
Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies,
The low light fails us in elusive skies,
Still the foil'd earnest ear is deaf, and blind
Are still the eluded eyes.
Not thee, O never thee, in all time's changes,
Not thee, but this the sound of thy sad soul,
The shadow of thy swift spirit, this shut scroll
I lay my hand on, and not death estranges
My spirit from communion of thy song--
These memories and these melodies that throng
Veil'd porches of a Muse funereal--
These I salute, these touch, these clasp and fold
As though a hand were in my hand to hold,
Or through mine ears a mourning musical
Of many mourners roll'd.
I among these, I also, in such station
As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods,
The old mourners had, standing to make libation,
I stand, and to the Gods and to the dead
Do reverence without prayer or praise, and shed
Offering to these unknown, the gods of gloom,
And what of honey and spice my seed-lands bear,
And what I may of fruits in this chill'd air,
And lay, Orestes-like, across the tomb
A curl of sever'd hair.
But by no hand nor any treason stricken,
Not like the low-lying head of Him, the King,
The flame that made of Troy a ruinous thing,
Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear
Fall tear by sweet imperishable tear
Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns;
But bending us-ward with memorial urns
The most high Muses that fulfil all ages
Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often
Among us darkling here the lord of light
Makes manifest his music and his might
In hearts that open and in lips that soften
With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine,
And nourish'd them indeed with bitter bread;
Yet surely from his hand thy soul's food came,
The fire that scarr'd thy spirit at his flame
Was lighted, and thine hungering heart he fed
Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting,
God of all suns and songs, he too bends down
To mix his laurel with thy cypress crown,
And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art,
Compassionate, with sad and sacred heart,
Mourns thee of many his children the last dead,
And hollows with strange tears and alien sighs
Thine unmelodious mouth and sunless eyes,
And over thine irrevocable head
Sheds light from the under skies.
And one weeps with him in the ways Lethean,
And stains with tears her changing bosom chill;
That obscure Venus of the hollow hill,
That thing transform'd which was the Cytherean,
With lips that lost their Grecian laugh divine
Long since, and face no more call'd Erycine--
A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell
Did she, a sad and second prey, compel
Into the footless places once more trod,
And shadows hot from hell.
And now no sacred staff shall break in blossom,
No choral salutation lure to light
A spirit sick with perfume and sweet night
And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend,
And none to mar; not all our songs, O friend,
Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine
And with wild notes about this dust of thine
At least I fill the place where white dreams dwell
And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon,
If sweet, give thanks; thou hast no more to live;
And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden
Where all day through thine hands in barren braid
Wove the sick flowers of secrecy and shade,
Green buds of sorrow and sin, and remnants gray,
Sweet-smelling, pale with poison, sanguine-hearted,
Passions that sprang from sleep and thoughts that started,
Shall death not bring us all as thee one day
Among the days departed?
For thee, O now a silent soul, my brother,
Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell,
And chill the solemn earth, a fatal mother,
With sadder than the Niobean womb,
And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done;
There lies not any troublous thing before,
Nor sight nor sound to war against thee more,
For whom all winds are quiet as the sun,
All waters as the shore.
|
Written by
Allen Ginsberg |
The flower in the glass peanut bottle formerly in the
kitchen crooked to take a place in the light,
the closet door opened, because I used it before, it
kindly stayed open waiting for me, its owner.
I began to feel my misery in pallet on floor, listening
to music, my misery, that's why I want to sing.
The room closed down on me, I expected the presence
of the Creator, I saw my gray painted walls and
ceiling, they contained my room, they contained
me
as the sky contained my garden,
I opened my door
The rambler vine climbed up the cottage post,
the leaves in the night still where the day had placed
them, the animal heads of the flowers where they had
arisen
to think at the sun
Can I bring back the words? Will thought of
transcription haze my mental open eye?
The kindly search for growth, the gracious de-
sire to exist of the flowers, my near ecstasy at existing
among them
The privilege to witness my existence-you too
must seek the sun...
My books piled up before me for my use
waiting in space where I placed them, they
haven't disappeared, time's left its remnants and qual-
ities for me to use--my words piled up, my texts, my
manuscripts, my loves.
I had a moment of clarity, saw the feeling in
the heart of things, walked out to the garden crying.
Saw the red blossoms in the night light, sun's
gone, they had all grown, in a moment, and were wait-
ing stopped in time for the day sun to come and give
them...
Flowers which as in a dream at sunset I watered
faithfully not knowing how much I loved them.
I am so lonely in my glory--except they too out
there--I looked up--those red bush blossoms beckon-
ing and peering in the window waiting in the blind love,
their leaves too have hope and are upturned top flat
to the sky to receive--all creation open to receive--the
flat earth itself.
The music descends, as does the tall bending
stalk of the heavy blssom, because it has to, to stay
alive, to continue to the last drop of joy.
The world knows the love that's in its breast as
in the flower, the suffering lonely world.
The Father is merciful.
The light socket is crudely attached to the ceil-
ing, after the house was built, to receive a plug which
sticks in it alright, and serves my phonograph now...
The closet door is open for me, where I left it,
since I left it open, it has graciously stayed open.
The kitchen has no door, the hole there will
admit me should I wish to enter the kitchen.
I remember when I first got laid, H.P. gra-
ciously took my cherry, I sat on the docks of Prov-
incetown, age 23, joyful, elevated in hope with the
Father, the door to the womb wasopen to admit me
if I wished to enter.
There are unused electricity plugs all over my
house if I ever needed them.
The kitchen window is open, to admit air...
The telephone--sad to relate--sits on the
floor--I haven't had the money to get it connected--
I want people to bow when they see me and say
he is gifted with poetry, he has seen the presence of
the Creator
And the Creator gave me a shot of his presence
to gratify my wish, so as not to cheat me of my yearning
for him.
Berkeley, September 8, 1955
|
Written by
William Allingham |
In early morning twilight, raw and chill,
Damp vapours brooding on the barren hill,
Through miles of mire in steady grave array
Threescore well-arm'd police pursue their way;
Each tall and bearded man a rifle swings,
And under each greatcoat a bayonet clings:
The Sheriff on his sturdy cob astride
Talks with the chief, who marches by their side,
And, creeping on behind them, Paudeen Dhu
Pretends his needful duty much to rue.
Six big-boned labourers, clad in common frieze,
Walk in the midst, the Sheriff's staunch allies;
Six crowbar men, from distant county brought, -
Orange, and glorying in their work, 'tis thought,
But wrongly,- churls of Catholics are they,
And merely hired at half a crown a day.
The hamlet clustering on its hill is seen,
A score of petty homesteads, dark and mean;
Poor always, not despairing until now;
Long used, as well as poverty knows how,
With life's oppressive trifles to contend.
This day will bring its history to an end.
Moveless and grim against the cottage walls
Lean a few silent men: but someone calls
Far off; and then a child 'without a stitch'
Runs out of doors, flies back with piercing screech,
And soon from house to house is heard the cry
Of female sorrow, swelling loud and high,
Which makes the men blaspheme between their teeth.
Meanwhile, o'er fence and watery field beneath,
The little army moves through drizzling rain;
A 'Crowbar' leads the Sheriff's nag; the lane
Is enter'd, and their plashing tramp draws near,
One instant, outcry holds its breath to hear
"Halt!" - at the doors they form in double line,
And ranks of polish'd rifles wetly shine.
The Sheriff's painful duty must be done;
He begs for quiet-and the work's begun.
The strong stand ready; now appear the rest,
Girl, matron, grandsire, baby on the breast,
And Rosy's thin face on a pallet borne;
A motley concourse, feeble and forlorn.
One old man, tears upon his wrinkled cheek,
Stands trembling on a threshold, tries to speak,
But, in defect of any word for this,
Mutely upon the doorpost prints a kiss,
Then passes out for ever. Through the crowd
The children run bewilder'd, wailing loud;
Where needed most, the men combine their aid;
And, last of all, is Oona forth convey'd,
Reclined in her accustom'd strawen chair,
Her aged eyelids closed, her thick white hair
Escaping from her cap; she feels the chill,
Looks round and murmurs, then again is still.
Now bring the remnants of each household fire;
On the wet ground the hissing coals expire;
And Paudeen Dhu, with meekly dismal face,
Receives the full possession of the place.
|
Written by
Alexander Pope |
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen,
Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose pie talks;
Men prove with child, as pow'rful fancy works,
And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen!
Who rule the sex to fifty from fifteen:
Parent of vapours and of female wit,
Who give th' hysteric, or poetic fit,
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains,
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron waters matrons' cheeks inflame,
Or change complexions at a losing game;
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caus'd suspicion when no soul was rude,
Or discompos'd the head-dress of a prude,
Or e'er to costive lap-dog gave disease,
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin;
That single act gives half the world the spleen."
The goddess with a discontented air
Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent,
And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried,
(While Hampton's echoes, "Wretched maid!" replied,
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound,
For this with tort'ring irons wreath'd around?
For this with fillets strain'd your tender head,
And bravely bore the double loads of lead?
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivall'd shrine
Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost!
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Expos'd through crystal to the gazing eyes,
And heighten'd by the diamond's circling rays,
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde Park Circus grow,
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!"
She said; then raging to Sir Plume repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)
With earnest eyes, and round unthinking face,
He first the snuffbox open'd, then the case,
And thus broke out--"My Lord, why, what the devil?
Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
Plague on't! 'tis past a jest--nay prithee, pox!
Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear,
(Which never more shall join its parted hair;
Which never more its honours shall renew,
Clipp'd from the lovely head where late it grew)
That while my nostrils draw the vital air,
This hand, which won it, shall for ever wear."
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so;
He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears,
Her eyes half-languishing, half-drown'd in tears;
On her heav'd bosom hung her drooping head,
Which, with a sigh, she rais'd; and thus she said:
"For ever curs'd be this detested day,
Which snatch'd my best, my fav'rite curl away!
Happy! ah ten times happy, had I been,
If Hampton Court these eyes had never seen!
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way,
Where none learn ombre, none e'er taste bohea!
There kept my charms conceal'd from mortal eye,
Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam?
Oh had I stay'd, and said my pray'rs at home!
'Twas this, the morning omens seem'd to tell,
Thrice from my trembling hand the patch-box fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A Sylph too warn'd me of the threats of fate,
In mystic visions, now believ'd too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These, in two sable ringlets taught to break,
Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;
Uncurl'd it hangs, the fatal shears demands
And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize
Hairs less in sight, or any hairs but these!"
|
Written by
Kahlil Gibran |
The dark wings of night enfolded the city upon which Nature had spread a pure white garment of snow; and men deserted the streets for their houses in search of warmth, while the north wind probed in contemplation of laying waste the gardens. There in the suburb stood an old hut heavily laden with snow and on the verge of falling. In a dark recess of that hovel was a poor bed in which a dying youth was lying, staring at the dim light of his oil lamp, made to flicker by the entering winds. He a man in the spring of life who foresaw fully that the peaceful hour of freeing himself from the clutches of life was fast nearing. He was awaiting Death's visit gratefully, and upon his pale face appeared the dawn of hope; and on his lops a sorrowful smile; and in his eyes forgiveness.
He was poet perishing from hunger in the city of living rich. He was placed in the earthly world to enliven the heart of man with his beautiful and profound sayings. He as noble soul, sent by the Goddess of Understanding to soothe and make gentle the human spirit. But alas! He gladly bade the cold earth farewell without receiving a smile from its strange occupants.
He was breathing his last and had no one at his bedside save the oil lamp, his only companion, and some parchments upon which he had inscribed his heart's feeling. As he salvaged the remnants of his withering strength he lifted his hands heavenward; he moved his eyes hopelessly, as if wanting to penetrate the ceiling in order to see the stars from behind the veil clouds.
And he said, "Come, oh beautiful Death; my soul is longing for you. Come close to me and unfasten the irons life, for I am weary of dragging them. Come, oh sweet Death, and deliver me from my neighbors who looked upon me as a stranger because I interpret to them the language of the angels. Hurry, oh peaceful Death, and carry me from these multitudes who left me in the dark corner of oblivion because I do not bleed the weak as they do. Come, oh gentle Death, and enfold me under your white wings, for my fellowmen are not in want of me. Embrace me, oh Death, full of love and mercy; let your lips touch my lips which never tasted a mother's kiss, not touched a sister's cheeks, not caresses a sweetheart's fingertips. Come and take me, by beloved Death."
Then, at the bedside of the dying poet appeared an angel who possessed a supernatural and divine beauty, holding in her hand a wreath of lilies. She embraced him and closed his eyes so he could see no more, except with the eye of his spirit. She impressed a deep and long and gently withdrawn kiss that left and eternal smile of fulfillment upon his lips. Then the hovel became empty and nothing was lest save parchments and papers which the poet had strewn with bitter futility.
Hundreds of years later, when the people of the city arose from the diseases slumber of ignorance and saw the dawn of knowledge, they erected a monument in the most beautiful garden of the city and celebrated a feast every year in honor of that poet, whose writings had freed them. Oh, how cruel is man's ignorance!
|
Written by
Kahlil Gibran |
The tempest calmed after bending the branches of the trees and leaning heavily upon the grain in the field. The stars appeared as broken remnants of lightning, but now silence prevailed over all, as if Nature's war had never been fought.
At that hour a young woman entered her chamber and knelt by her bed sobbing bitterly. Her heart flamed with agony but she could finally open her lips and say, "Oh Lord, bring him home safely to me. I have exhausted my tears and can offer no more, oh Lord, full of love and mercy. My patience is drained and calamity is seeking possession of my heart. Save him, oh Lord, from the iron paws of War; deliver him from such unmerciful Death, for he is weak, governed by the strong. Oh Lord, save my beloved, who is Thine own son, from the foe, who is Thy foe. Keep him from the forced pathway to Death's door; let him see me, or come and take me to him."
Quietly a young man entered. His head was wrapped in bandage soaked with escaping life.
He approached he with a greeting of tears and laughter, then took her hand and placed against it his flaming lips. And with a voice with bespoke past sorrow, and joy of union, and uncertainty of her reaction, he said, "Fear me not, for I am the object of your plea. Be glad, for Peace has carried me back safely to you, and humanity has restored what greed essayed to take from us. Be not sad, but smile, my beloved. Do not express bewilderment, for Love has power that dispels Death; charm that conquers the enemy. I am your one. Think me not a specter emerging from the House of Death to visit your Home of Beauty.
"Do not be frightened, for I am now Truth, spared from swords and fire to reveal to the people the triumph of Love over War. I am Word uttering introduction to the play of happiness and peace."
Then the young man became speechless and his tears spoke the language of the heart; and the angels of Joy hovered about that dwelling, and the two hearts restored the singleness which had been taken from them.
At dawn the two stood in the middle of the field contemplating the beauty of Nature injured by the tempest. After a deep and comforting silence, the soldier said to his sweetheart, "Look at the Darkness, giving birth to the Sun."
|
Written by
Robert Creeley |
1)
Sleeping birds, lead me,
soft birds, be me
inside this black room,
back of the white moon.
In the dark night
sight frightens me.
2)
Who is it nuzzles there
with furred, round headed stare?
Who, perched on the skin,
body's float, is holding on?
What other one stares still,
plays still, on and on?
3)
Stand upright, prehensile,
squat, determined,
small guardians of the painful
outside coming in --
in stuck in vials with needles,
bleeding life in, particular, heedless.
4)
Matrix of world
upon a turtle's broad back,
carried on like that,
eggs as pearls,
flesh and blood and bone
all borne along.
5)
I'll tell you what you want,
to say a word,
to know the letters in yourself,
a skin falls off,
a big eared head appears,
an eye and mouth.
6)
Under watery here,
under breath, under duress,
understand a pain
has threaded a needle with a little man --
gone fishing.
And fish appear.
7)
If small were big,
if then were now,
if here were there,
if find were found,
if mind were all there was,
would the animals still save us?
8)
A head was put
upon the shelf got took
by animal's hand and stuck
upon a vacant corpse
who, blurred, could nonetheless
not ever be the quietly standing bird it watched.
9)
Not lost,
not better or worse,
much must of necessity depend on resources,
the pipes and bags brought with us
inside, all the sacks
and how and to what they are or were attached.
10)
Everybody's child
walks the same winding road,
laughs and cries, dies.
That's "everybody's child,"
the one who's in between
the others who have come and gone.
11)
Turn as one will, the sky will always be
far up above the place he thinks to dream as earth.
There float the heavenly
archaic persons of primordial birth,
held in the scan of ancient serpent's tooth,
locked in the mind as when it first began.
12)
Inside I am the other of a self,
who feels a presence always close at hand,
one side or the other, knows another one
unlocks the door and quickly enters in.
Either as or, we live a common person.
Two is still one. It cannot live apart.
13)
Oh, weep for me --
all from whom life has stolen
hopes of a happiness stored
in gold's ubiquitous pattern,
in tinkle of commodious, enduring money,
else the bee's industry in hives of golden honey.
14)
He is safely put
in a container, head to foot,
and there, on his upper part, wears still
remnants of a life he lived at will --
but, lower down, he probes at that doubled sack
holds all his random virtues in a mindless fact.
15)
The forms wait, swan,
elephant, crab, rabbit, horse, monkey, cow,
squirrel and crocodile. From the one
sits in empty consciousness, all seemingly has come
and now it goes, to regather,
to tell another story to its patient mother.
16)
Reflection reforms, each man's a life,
makes its stumbling way from mother to wife --
cast as a gesture from ignorant flesh,
here writes in fumbling words to touch,
say, how can I be,
when she is all that was ever me?
17)
Around and in --
And up and down again,
and far and near --
and here and there,
in the middle is
a great round nothingness.
18)
Not metaphoric,
flesh is literal earth.
turns to dust
as all the body must,
becomes the ground
wherein the seed's passed on.
19)
Entries, each foot feels its own way,
echoes passage in persons,
holds the body upright,
the secret of thresholds, lintels,
opening body above it,
looks up, looks down, moves forward.
20)
Necessity, the mother of invention,
father of intention,
sister to brother to sister, to innumerable others,
all one as the time comes,
death's appointment,
in the echoing head, in the breaking heart.
21)
In self one's place defined,
in heart the other find.
In mind discover I,
in body find the sky.
Sleep in the dream as one,
wake to the others there found.
22)
Emptying out
each complicating part,
each little twist of mind inside,
each clenched fist,
each locked, particularizing thought,
forgotten, emptying out.
23)
What did it feel like
to be one at a time --
to be caught in a mind
in the body you'd found
in yourself alone --
in each other one?
24)
Broken hearts, a curious round of echoes --
and there behind them the old garden
with its faded, familiar flowers,
where all was seemingly laced together --
a trueness of true,
a blueness of blue.
25)
The truth is in a container
of no size or situation.
It has nothing
inside.
Worship --
Warship. Sail away.
|
Written by
Elizabeth Jennings |
We nailed the hands long ago,
Wove the thorns, took up the scourge and shouted
For excitement's sake, we stood at the dusty edge
Of the pebbled path and watched the extreme of pain.
But one or two prayed, one or two
Were silent, shocked, stood back
And remembered remnants of words, a new vision,
The cross is up with its crying victim, the clouds
Cover the sun, we learn a new way to lose
What we did not know we had
Until this bleak and sacrificial day,
Until we turned from our bad
Past and knelt and cried out our dismay,
The dice still clicking, the voices dying away.
|
Written by
Billy Jno Hope |
a lion at the door
swallowed the day
broken with spite
at the inevitable chorus of pop songs
sutured for soft light
i burdened siesta
with a thousand little earthquakes
i listened where you suffered vertigo
flowers have faded
bellies betray
caught the wistful eye
that curved beneath my eyelids
something slime
and panic strewn
we gather the remnants of democracy
silence herds mad laughter
cumulus scorn
haunted horizons running
running to weep
|
Written by
Thomas Hardy |
"OLD Norbert with the flat blue cap--
A German said to be--
Why let your pipe die on your lap,
Your eyes blink absently?"--
--"Ah!... Well, I had thought till my cheek was wet
Of my mother--her voice and mien
When she used to sing and pirouette,
And touse the tambourine
"To the march that yon street-fiddler plies;
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.
"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.
"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there!...
"--'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.
"Carl Schwartzenburg was of the plot,
And Bl?cher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.
"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.
"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.
"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept--
The Bridge of Lindenau.
"Hard by, in the City, the One, care-crossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.
"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire,
While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.
"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.
"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee....
"--Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.
"Around the town three battle beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.
"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard;
--The French held all at bay.
"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
--Thus raged it throughout the day.
"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.
"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?'...
"--The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.
"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.
"''Tis well to cover a feeble skill
By numbers!' scoff?d He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'
"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark death-bed
A miles-wide pant of pain.
"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;
"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,
"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.
"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run--
The Bridge of Lindenau.
"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;
"When there surged on the sky on earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.
"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.
"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.
"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.
"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;
"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs.... Ay, as simple maid,
My mother saw these things!
"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!"
|