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Written by Robert Frost | Create an image from this poem

Maple

 Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right."
"But teacher told the school
There's no such name."
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.' I said it too: 'Yes, for her name.'
She nodded. So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help."
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it. She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning. Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing. Rose could have a meaning,
But hadn't as it went. (She knew a Rose.)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there. She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.

So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"

 "Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel."

 "No doubt you've heard the office call me Mabel.
I have to let them call me what they like."

 They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself. So they were married,
And took the fancy home with them to live by.

 They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked. They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said."

 "You've never asked your father outright, have you?"

 "I have, and been Put off sometime, I think."
(This was her faded memory of the way
Once long ago her father had put himself off.)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all."
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother. And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing."

 "Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration. It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.

 "We would not see the secret if we could now:
We are not looking for it any more."

 Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.


Written by Ralph Waldo Emerson | Create an image from this poem

Blight

Give me truths;
For I am weary of the surfaces,
And die of inanition. If I knew
Only the herbs and simples of the wood,
Rue, cinquefoil, gill, vervain and agrimony,
Blue-vetch and trillium, hawkweed, sassafras,
Milkweeds and murky brakes, quaint pipes and sun-dew,
And rare and virtuous roots, which in these woods
Draw untold juices from the common earth,
Untold, unknown, and I could surely spell
Their fragrance, and their chemistry apply
By sweet affinities to human flesh,
Driving the foe and stablishing the friend,--
O, that were much, and I could be a part
Of the round day, related to the sun
And planted world, and full executor
Of their imperfect functions.
But these young scholars, who invade our hills,
Bold as the engineer who fells the wood,
And traveling often in the cut he makes,
Love not the flower they pluck, and know it not,
And all their botany is Latin names.
The old men studied magic in the flowers,
And human fortunes in astronomy,
And an omnipotence in chemistry,
Preferring things to names, for these were men,
Were unitarians of the united world,
And, wheresoever their clear eye-beams fell,
They caught the footsteps of the SAME. Our eyes
And strangers to the mystic beast and bird,
And strangers to the plant and to the mine.
The injured elements say, 'Not in us;'
And haughtily return us stare for stare.
For we invade them impiously for gain;
We devastate them unreligiously,
And coldly ask their pottage, not their love.
Therefore they shove us from them, yield to us
Only what to our griping toil is due;
But the sweet affluence of love and song,
The rich results of the divine consents
Of man and earth, of world beloved and lover,
The nectar and ambrosia, are withheld;
And in the midst of spoils and slaves, we thieves
And pirates of the universe, shut out
Daily to a more thin and outward rind,
Turn pale and starve. Therefore, to our sick eyes,
The stunted trees look sick, the summer short,
Clouds shade the sun, which will not tan our hay,
And nothing thrives to reach its natural term;
And life, shorn of its venerable length,
Even at its greatest space is a defeat,
And dies in anger that it was a dupe;
And, in its highest noon and wantonness,
Is early frugal, like a beggar's child;
Even in the hot pursuit of the best aims
And prizes of ambition, checks its hand,
Like Alpine cataracts frozen as they leaped,
Chilled with a miserly comparison
Of the toy's purchase with the length of life. 
Written by Joy Harjo | Create an image from this poem

Deer Dancer

 Nearly everyone had left that bar in the middle of winter except the
hardcore.It was the coldest night of the year, every place shut down, but
not us.Of course we noticed when she came in.We were Indian ruins.She
was the end of beauty.No one knew her, the stranger whose tribe we
recognized, her family related to deer, if that's who she was, a people
accustomed to hearing songs in pine trees, and making them hearts.

The woman inside the woman who was to dance naked in the bar of misfits
blew deer magic.Henry jack, who could not survive a sober day, thought she
was Buffalo Calf Woman come back, passed out, his head by the toilet.All
night he dreamed a dream he could not say.The next day he borrowed
money, went home, and sent back the money I lent.Now that's a miracle.
Some people see vision in a burned tortilla, some in the face of a woman.

This is the bar of broken survivors, the club of the shotgun, knife wound, of
poison by culture.We who were taught not to stare drank our beer.The
players gossiped down their cues.Someone put a quarter in the jukebox to
relive despair.Richard's wife dove to kill her.We had to keep her
still, while Richard secretly bought the beauty a drink.

How do I say it?In this language there are no words for how the real world
collapses.I could say it in my own and the sacred mounds would come into 
focus, but I couldn't take it in this dingy envelope.So I look at the stars in 
this strange city, frozen to the back of the sky, the only promises that ever
make sense.

My brother-in-law hung out with white people, went to law school with a
perfect record, quit.Says you can keep your laws, your words.And
practiced law on the street with his hands.He jimmied to the proverbial
dream girl, the face of the moon, while the players racked a new game.
He bragged to us, he told her magic words and that when she broke,
became human.
But we all heard his voice crack:

What's a girl like you doing in a place like this?

That's what I'd like to know, what are we all doing in a place like this?


You would know she could hear only what she wanted to; don't we all?Left
the drink of betrayal Richard bought her, at the bar.What was she on?We all
wanted some.Put a quarter in the juke.We all take risks stepping into thin
air.Our ceremonies didn't predict this.or we expected more.

I had to tell you this, for the baby inside the girl sealed up with a lick of
hope and swimming into the praise of nations.This is not a rooming house, but
a dream of winter falls and the deer who portrayed the relatives of 
strangers.The way back is deer breath on icy windows.

The next dance none of us predicted.She borrowed a chair for the stairway
to heaven and stood on a table of names.And danced in the room of children 
without shoes.

You picked a fine time to leave me, Lucille With four hungry children and a
crop in the field.

And then she took off her clothes.She shook loose memory, waltzed with the
empty lover we'd all become.

She was the myth slipped down through dreamtime.The promise of feast we
all knew was coming.The deer who crossed through knots of a curse to find
us.She was no slouch, and neither were we, watching.

The music ended.And so does the story.I wasn't there.But I imagined her
like this, not a stained red dress with tape on her heels but the deer who
entered our dream in white dawn, breathed mist into pine trees, her fawn a 
blessing of meat, the ancestors who never left.
Written by Robert Southey | Create an image from this poem

Mary - A Ballad

 Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have
adopted the metre of Mr. Lewis's Alonzo and Imogene--a poem deservedly
popular.


I.

Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.


II.

No aid, no compassion the Maniac will seek,
Cold and hunger awake not her care:
Thro' her rags do the winds of the winter blow bleak
On her poor withered bosom half bare, and her cheek
Has the deathy pale hue of despair.


III.

Yet chearful and happy, nor distant the day,
Poor Mary the Maniac has been;
The Traveller remembers who journeyed this way
No damsel so lovely, no damsel so gay
As Mary the Maid of the Inn.


IV.

Her chearful address fill'd the guests with delight
As she welcomed them in with a smile:
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.


V.

She loved, and young Richard had settled the day,
And she hoped to be happy for life;
But Richard was idle and worthless, and they
Who knew him would pity poor Mary and say
That she was too good for his wife.


VI.

'Twas in autumn, and stormy and dark was the night,
And fast were the windows and door;
Two guests sat enjoying the fire that burnt bright,
And smoking in silence with tranquil delight
They listen'd to hear the wind roar.


VII.

"Tis pleasant," cried one, "seated by the fire side
"To hear the wind whistle without."
"A fine night for the Abbey!" his comrade replied,
"Methinks a man's courage would now be well tried
"Who should wander the ruins about.


VIII.

"I myself, like a school-boy, should tremble to hear
"The hoarse ivy shake over my head;
"And could fancy I saw, half persuaded by fear,
"Some ugly old Abbot's white spirit appear,
"For this wind might awaken the dead!"


IX.

"I'll wager a dinner," the other one cried,
"That Mary would venture there now."
"Then wager and lose!" with a sneer he replied,
"I'll warrant she'd fancy a ghost by her side,
"And faint if she saw a white cow."


X.

"Will Mary this charge on her courage allow?"
His companion exclaim'd with a smile;
"I shall win, for I know she will venture there now,
"And earn a new bonnet by bringing a bough
"From the elder that grows in the aisle."


XI.

With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it was high
And as hollowly howling it swept thro' the sky
She shiver'd with cold as she went.


XII.

O'er the path so well known still proceeded the Maid
Where the Abbey rose dim on the sight,
Thro' the gate-way she entered, she felt not afraid
Yet the ruins were lonely and wild, and their shade
Seem'd to deepen the gloom of the night.


XIII.

All around her was silent, save when the rude blast
Howl'd dismally round the old pile;
Over weed-cover'd fragments still fearless she past,
And arrived in the innermost ruin at last
Where the elder tree grew in the aisle.


XIV.

Well-pleas'd did she reach it, and quickly drew near
And hastily gather'd the bough:
When the sound of a voice seem'd to rise on her ear,
She paus'd, and she listen'd, all eager to hear,
Aud her heart panted fearfully now.


XV.

The wind blew, the hoarse ivy shook over her head,
She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.


XVI.

Behind a wide column half breathless with fear
She crept to conceal herself there:
That instant the moon o'er a dark cloud shone clear,
And she saw in the moon-light two ruffians appear
And between them a corpse did they bear.


XVII.

Then Mary could feel her heart-blood curdle cold!
Again the rough wind hurried by,--
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll'd,--
She felt, and expected to die.


XVIII.

"Curse the hat!" he exclaims. "Nay come on and first hide
"The dead body," his comrade replies.
She beheld them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast thro' the Abbey she flies.


XIX.

She ran with wild speed, she rush'd in at the door,
She gazed horribly eager around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sunk on the floor
Unable to utter a sound.


XX.

Ere yet her pale lips could the story impart,
For a moment the hat met her view;--
Her eyes from that object convulsively start,
For--oh God what cold horror then thrill'd thro' her heart,
When the name of her Richard she knew!


XXI.

Where the old Abbey stands, on the common hard by
His gibbet is now to be seen.
Not far from the road it engages the eye,
The Traveller beholds it, and thinks with a sigh
Of poor Mary the Maid of the Inn.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Leather Medal

 Only a Leather Medal, hanging there on the wall,
Dingy and frayed and faded, dusty and worn and old;
Yet of my humble treasures I value it most of all,
And I wouldn't part with that medal if you gave me its weight in gold.

Read the inscription: For Valour - presented to Millie MacGee.
Ah! how in mem'ry it takes me back to the "auld lang syne,"
When Millie and I were sweethearts, and fair as a flower was she -
Yet little I dreamt that her bosom held the heart of heroine.

Listen! I'll tell you about it... An orphan was Millie MacGee,
Living with Billie her brother, under the Yukon sky,
Sam, her pa, was cremated in the winter of nineteen-three,
As duly and truly related by the pen of an author guy.

A cute little kid was Billie, solemn and silken of hair,
The image of Jackie Coogan in the days before movies could speak.
Devoted to him was Millie, with more than a mother's care,
And happy were they together in their cabin on Bunker Creek.

'Twas only a mining village, where hearts are simple and true,
And Millie MacGee was schoolma'am, loved and admired by all;
Yet no one dreamed for a moment she'd do what she dared to do -
But wait and I'll try to tell you, as clear as I can recall...

 . . . . . . . . . . . . . .

Christmas Eve in the school-house! A scene of glitter and glee;
The children eager and joyful; parents and neighbours too;
Right in the forefront, Millie, close to the Christmas Tree.
While Billie, her brother, recited "The Shooting of Dan McGrew."

I reckon you've heard the opus, a ballad of guts and gore;
Of a Yukon frail and a frozen trail and a fight in a dringing dive,
It's on a par, I figger, with "The Face on the Bar-Room Floor,"
And the boys who wrote them pieces ought to be skinned alive.

Picture that scene of gladness; the honest faces aglow;
The kiddies gaping and spellbound, as Billie strutted his stuff.
The stage with its starry candles, and there in the foremost row,
Millie, bright as a fairy, in radient flounce and fluff.

More like an angel I thought her; all she needed was wings,
And I sought for a smile seraphic, but her eyes were only for Bill;
So there was I longing and loving, and dreaming the craziest things,
And Billie shouting and spouting, and everyone rapt and still.

Proud as a prince was Billie, bang in the footlights' glare,
And quaking for him was Millie, as she followed every word;
Then just as he reached the climax, ranting and sawing the air -
Ugh! How it makes me shudder! The horrible thing occurred...

'Twas the day when frocks were frilly, and skirts were scraping the ground,
And the snowy flounces of Millie like sea foam round her swept;
Humbly adoring I watched her - when oh, my heart gave a bound!
Hoary and scarred and hideous, out from the tree...it...crept.

A whiskered, beady-eyes monster, grisly and grim of hue;
Savage and slinking and silent, born of the dark and dirt;
Dazed by the glare and the glitter, it wavered a moment or two -
Then like a sinister shadow, it vanished... 'neath Millie's skirt.

I stared. had my eyes deceived me? I shivered. I held my breath.
Surly I must have dreamed it. I quivered. I made to rise...
Then - my God! it was real. Millie grew pale as death;
And oh, such a look of terror woke in her lovely eyes.

Did her scream ring out? Ah no, sir. It froze at her very lips.
Clenching her teeth she checked it, and I saw her slim hands lock,
Grasping and gripping tensely, with desperate finger tips,
Something that writhed and wriggled under her dainty frock.

Quick I'd have dashed to her rescue, but fiercely she signalled: "No!"
Her eyes were dark with anguish, but her lips were set and grim;
Then I knew she was thinking of Billie - the kiddy must have his show,
Reap to the full his glory, nothing mattered but him.

So spiked to my chair with horror, there I shuddered and saw
Her fingrs frenziedly clutching and squeezing with all their might
Something that squirmed and struggled, a deamon of tooth and claw,
Fighting with fear and fury, under her garment white.

Oh could I only aid her! But the wide room lay between,
And again her eyes besought me: "Steady!" they seamed to say.
"Stay where you are, Bob Simmons; don't let us have a scene,
Billie will soon be finished. Only a moment...stay!"

A moment! Ah yes, I got her. I knew how night after night
She'd learned him each line of that ballad with patience and pride and glee;
With gesture and tone dramatic, she'd taught him how to recite...
And now at the last to fail him - no, it must never be.

A moment! It seemed like ages. Why was Billie so slow?
He stammered. Twice he repeated: "The Lady that's known as Lou -"
The kiddy was stuck and she knew it. Her face was frantic with woe.
Could she but come to his rescue? Could she remember the cue?

I saw her whispering wildly as she leaned to the frightened boy;
But Billie stared like a dummy, and I stifled an anxious curse.
Louder, louder she prompted; then his face illumined with joy,
And panting, flushed and exultant, he finished the final verse.

So the youngster would up like a whirlwind, while cheer resounded on cheer;
His piece was the hit of the evening. "Bravo!" I heard them say.
But there in the heart of the racket was one who could not hear -
The loving sister who'd coached him; for Millie had fainted away.

I rushed to her side and grabbed her; then others saw her distress,
And all were eager to aid me, as I pillowed that golden head,
But her arms were tense and rigid, and clutched in the folds of her dress,
Unlocking her hands they found it . . . A RAT . . . and the brute was dead.

In silence she'd crushed its life out, rather than scare the crowd,
And ***** little Billie's triumph . . . Hey! Mother, what about tea?
I've just been telling a story that makes me so mighty proud...
Stranger, let me present you - my wife, that was Millie MacGee.


Written by Emanuel Xavier | Create an image from this poem

WARS and RUMORS OF WARS

 “Ye shall hear of wars and rumors of wars;
see that ye not be troubles;
all these things must come to pass, but the end is not yet”
-Matthew 24:6

1.
I escape the horrors of war 
with a towel and a room
Offering myself 
to Palestinian and Jewish boys
as a ‘piece’ to the Middle East
when I should be concerned with the untimely deaths
of dark-skinned babies
and the brutal murders 
of light-skinned fathers

2.
I’ve been more consumed with how to make
the cover of local *** rags
than how to open the minds 
of angry little boys
trotting loaded guns
Helpless in finding words 
that will stop the blood
from spilling like secrets into soil
where great prophets are buried

3.
I return to the same spaces 
where I once dealt drugs
a celebrated author gliding past velvet ropes
while my club kid friends are mostly dead
from an overdose or HIV-related symptoms
Marilyn wears the crown of thorns
while 4 out of the 5 weapons used to kill Columbine students
had been sold by the same police force 
that came to their rescue
Not all terrorists have features too foreign
to be recognized in the mirror
Our mistakes are our responsibility

4.
The skyline outside my window
is the only thing that has changed
Men still rape women 
and blame them for their weaknesses
Children are still molested
by the perversion of Catholic guilt
My ex-boyfriend still takes comfort 
in the other white powder-
the one used solely to destroy himself 
and those around him
Not the one used to ignite and create carnage
or mailbox fear

5.
It is said when skin is cut,
and then pressed together, it seals
but what about acid-burned skulls
engraved with the word ‘******’,
a foot bone with flesh 
and other crushed body parts

6.
It was a gay priest that read last rites
to firefighters as towers collapsed
It was a gay pilot that crashed a plane
into Pennsylvania fields
It was a gay couple that was responsible
for the tribute of light 
in memory of the fallen
Taliban leaders would bury them 
to their necks
and tumble walls to crush their heads
Catholic leaders simply condemn them 
as perverts
having offered nothing but sin
***** blood is just rosaries scattered on tile

7.
Heroes do not always get heaven

8.
We all have wings … 
some of us just don’t know why
Written by Robert Burns | Create an image from this poem

113. A Dedication to Gavin Hamilton Esq

 EXPECT na, sir, in this narration,
A fleechin, fleth’rin Dedication,
To roose you up, an’ ca’ you guid,
An’ sprung o’ great an’ noble bluid,
Because ye’re surnam’d like His Grace—
Perhaps related to the race:
Then, when I’m tir’d-and sae are ye,
Wi’ mony a fulsome, sinfu’ lie,
Set up a face how I stop short,
For fear your modesty be hurt.


 This may do—maun do, sir, wi’ them wha
Maun please the great folk for a wamefou;
For me! sae laigh I need na bow,
For, Lord be thankit, I can plough;
And when I downa yoke a naig,
Then, Lord be thankit, I can beg;
Sae I shall say—an’ that’s nae flatt’rin—
It’s just sic Poet an’ sic Patron.


 The Poet, some guid angel help him,
Or else, I fear, some ill ane skelp him!
He may do weel for a’ he’s done yet,
But only—he’s no just begun yet.


 The Patron (sir, ye maun forgie me;
I winna lie, come what will o’ me),
On ev’ry hand it will allow’d be,
He’s just—nae better than he should be.


 I readily and freely grant,
He downa see a poor man want;
What’s no his ain, he winna tak it;
What ance he says, he winna break it;
Ought he can lend he’ll no refus’t,
Till aft his guidness is abus’d;
And rascals whiles that do him wrang,
Ev’n that, he does na mind it lang;
As master, landlord, husband, father,
He does na fail his part in either.


 But then, nae thanks to him for a’that;
Nae godly symptom ye can ca’ that;
It’s naething but a milder feature
Of our poor, sinfu’ corrupt nature:
Ye’ll get the best o’ moral works,
’Mang black Gentoos, and pagan Turks,
Or hunters wild on Ponotaxi,
Wha never heard of orthodoxy.
That he’s the poor man’s friend in need,
The gentleman in word and deed,
It’s no thro’ terror of damnation;
It’s just a carnal inclination.


 Morality, thou deadly bane,
Thy tens o’ thousands thou hast slain!
Vain is his hope, whase stay an’ trust is
In moral mercy, truth, and justice!


 No—stretch a point to catch a plack:
Abuse a brother to his back;
Steal through the winnock frae a whore,
But point the rake that taks the door;
Be to the poor like ony whunstane,
And haud their noses to the grunstane;
Ply ev’ry art o’ legal thieving;
No matter—stick to sound believing.


 Learn three-mile pray’rs, an’ half-mile graces,
Wi’ weel-spread looves, an’ lang, wry faces;
Grunt up a solemn, lengthen’d groan,
And damn a’ parties but your own;
I’ll warrant they ye’re nae deceiver,
A steady, sturdy, staunch believer.


 O ye wha leave the springs o’ Calvin,
For gumlie dubs of your ain delvin!
Ye sons of Heresy and Error,
Ye’ll some day squeel in quaking terror,
When Vengeance draws the sword in wrath.
And in the fire throws the sheath;
When Ruin, with his sweeping besom,
Just frets till Heav’n commission gies him;
While o’er the harp pale Misery moans,
And strikes the ever-deep’ning tones,
Still louder shrieks, and heavier groans!


 Your pardon, sir, for this digression:
I maist forgat my Dedication;
But when divinity comes ’cross me,
My readers still are sure to lose me.


 So, sir, you see ’twas nae daft vapour;
But I maturely thought it proper,
When a’ my works I did review,
To dedicate them, sir, to you:
Because (ye need na tak it ill),
I thought them something like yoursel’.


 Then patronize them wi’ your favor,
And your petitioner shall ever——
I had amaist said, ever pray,
But that’s a word I need na say;
For prayin, I hae little skill o’t,
I’m baith dead-sweer, an’ wretched ill o’t;
But I’se repeat each poor man’s pray’r,
That kens or hears about you, sir.——


 “May ne’er Misfortune’s gowling bark,
Howl thro’ the dwelling o’ the clerk!
May ne’er his genrous, honest heart,
For that same gen’rous spirit smart!
May Kennedy’s far-honour’d name
Lang beet his hymeneal flame,
Till Hamiltons, at least a dizzen,
Are frae their nuptial labours risen:
Five bonie lasses round their table,
And sev’n braw fellows, stout an’ able,
To serve their king an’ country weel,
By word, or pen, or pointed steel!
May health and peace, with mutual rays,
Shine on the ev’ning o’ his days;
Till his wee, curlie John’s ier-oe,
When ebbing life nae mair shall flow,
The last, sad, mournful rites bestow!”


 I will not wind a lang conclusion,
With complimentary effusion;
But, whilst your wishes and endeavours
Are blest with Fortune’s smiles and favours,
I am, dear sir, with zeal most fervent,
Your much indebted, humble servant.


 But if (which Pow’rs above prevent)
That iron-hearted carl, Want,
Attended, in his grim advances,
By sad mistakes, and black mischances,
While hopes, and joys, and pleasures fly him,
Make you as poor a dog as I am,
Your humble servant then no more;
For who would humbly serve the poor?
But, by a poor man’s hopes in Heav’n!
While recollection’s pow’r is giv’n—
If, in the vale of humble life,
The victim sad of fortune’s strife,
I, thro’ the tender-gushing tear,
Should recognise my master dear;
If friendless, low, we meet together,
Then, sir, your hand—my Friend and Brother!
Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies: The First Elegy

 Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the 
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.

Yes, the springtime were in need of you. Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust. But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts 
coming and going and often staying for the night.)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified. Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth. But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:

that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.

Voices, voices. Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground. Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening. Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence. They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.

Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space. And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity. -Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.

In the end the early departed have no longer
need of us. One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast. But we who have need 
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
Written by Pythagoras | Create an image from this poem

The Golden Verses of Pythagoras

1. First worship the Immortal Gods, as they are established and ordained by the Law.
2. Reverence the Oath, and next the Heroes, full of goodness and light.
3. Honour likewise the Terrestrial Daemons by rendering them the worship lawfully due to them.
4. Honour likewise your parents, and those most nearly related to you.
5. Of all the rest of mankind, make him your friend who distinguishes himself by his virtue.
6. Always give ear to his mild exhortations, and take example from his virtuous and useful actions.
7. Avoid as much as possible hating your friend for a slight fault.
8. Power is a near neighbour to necessity.
9. Know that all these things are just as what I have told you; and accustom yourself to overcome and vanquish these passions:--
10. First gluttony, sloth, sensuality, and anger.
11. Do nothing evil, neither in the presence of others, nor privately;
12. But above all things respect yourself.
13. In the next place, observe justice in your actions and in your words.
14. And do not accustom yourself to behave yourself in any thing without rule, and without reason.
15. But always make this reflection, that it is ordained by destiny that all men shall die.
16. And that the goods of fortune are uncertain; and that just as they may be acquired, they may likewise be lost.
17. Concerning all the calamities that men suffer by divine fortune,
18. Support your lot with patience, it is what it may be, and never complain at it.
19. But endeavour what you can to remedy it.
20. And consider that fate does not send the greatest portion of these misfortunes to good men.
21. There are many sorts of reasonings among men, good and bad;
22. Do not admire them too easily, nor reject them.
23. But if falsehoods are advanced, hear them with mildness, and arm yourself with patience.
24. Observe well, on every occasion, what I am going to tell you:--
25. Do not let any man either by his words, or by his deeds, ever seduce you.
26. Nor lure you to say or to do what is not profitable for yourself.
27. Consult and deliberate before you act, that you may not commit foolish actions.
28. For it is the part of a miserable man to speak and to act without reflection.
29. But do the thing which will not afflict you afterwards, nor oblige you to repentance.
30. Never do anything which you do not understand.
31. But learn all you ought to know, and by that means you will lead a very pleasant life.
32. in no way neglect the health of your body;
33. But give it drink and meat in due measure, and also the exercise of which it needs.
34. Now by measure I mean what will not discomfort you.
35. Accustom yourself to a way of living that is neat and decent without luxury.
36. Avoid all things that will occasion envy.
37. And do not be prodigal out of season, like someone who does not know what is decent and honourable.
38. Neither be covetous nor stingy; a due measure is excellent in these things.
39. Only do the things that cannot hurt you, and deliberate before you do them.
40. Never allow sleep to close your eyelids, after you went to bed,
41. Until you have examined all your actions of the day by your reason.
42. In what have I done wrong? What have I done? What have I omitted that I ought to have done?
43. If in this examination you find that you have done wrong, reprove yourself severely for it;
44. And if you have done any good, rejoice.
45. Practise thoroughly all these things; meditate on them well; you ought to love them with all your heart.
46. It is those that will put you in the way of divine virtue.
47. I swear it by he who has transmitted into our souls the Sacred Quaternion, the source of nature, whose cause is eternal.
48. But never begin to set your hand to any work, until you have first prayed the gods to accomplish what you are going to begin.
49. When you have made this habit familiar to you,
50. You will know the constitution of the Immortal Gods and of men.
51. Even how far the different beings extend, and what contains and binds them together.
52. You shall likewise know that according to Law, the nature of this universe is in all things alike,
53. So that you shall not hope what you ought not to hope; and nothing in this world shall be hidden from you.
54. You will likewise know, that men draw upon themselves their own misfortunes voluntarily, and of their own free choice.
55. Unhappy they are! They neither see nor understand that their good is near them.
56. Few know how to deliver themselves out of their misfortunes.
57. Such is the fate that blinds humankind, and takes away his senses.
58. Like huge cylinders they roll back and forth, and always oppressed with innumerable ills.
59. For fatal strife, natural, pursues them everywhere, tossing them up and down; nor do they perceive it.
60. Instead of provoking and stirring it up, they ought to avoid it by yielding.
61. Oh! Jupiter, our Father! If you would deliver men from all the evils that oppress them,
62. Show them of what daemon they make use.
63. But take courage; the race of humans is divine.
64. Sacred nature reveals to them the most hidden mysteries.
65. If she impart to you her secrets, you will easily perform all the things which I have ordained thee.
66. And by the healing of your soul, you wilt deliver it from all evils, from all afflictions.
67. But you should abstain from the meats, which we have forbidden in the purifications and in the deliverance of the soul;
68. Make a just distinction of them, and examine all things well.
69. Leave yourself always to be guided and directed by the understanding that comes from above, and that ought to hold the reins.
70. And when, after having deprived yourself of your mortal body, you arrived at the most pure Aither,
71. You shall be a God, immortal, incorruptible, and Death shall have no more dominion over you.
Written by Matthew Prior | Create an image from this poem

Jinny the Just

 Releas'd from the noise of the butcher and baker 
Who, my old friends be thanked, did seldom forsake her, 
And from the soft duns of my landlord the Quaker, 

From chiding the footmen and watching the lasses, 
From Nell that burn'd milk, and Tom that broke glasses 
(Sad mischiefs thro' which a good housekeeper passes!) 

From some real care but more fancied vexation, 
From a life parti-colour'd half reason half passion, 
Here lies after all the best wench in the nation. 

From the Rhine to the Po, from the Thames to the Rhone, 
Joanna or Janneton, Jinny or Joan, 
'Twas all one to her by what name she was known. 

For the idiom of words very little she heeded, 
Provided the matter she drove at succeeded, 
She took and gave languages just as she needed. 

So for kitchen and market, for bargain and sale, 
She paid English or Dutch or French down on the nail, 
But in telling a story she sometimes did fail; 

Then begging excuse as she happen'd to stammer, 
With respect to her betters but none to her grammar, 
Her blush helped her out and her jargon became her. 

Her habit and mien she endeavor'd to frame 
To the different gout of the place where she came; 
Her outside still chang'd, but her inside the same: 

At the Hague in her slippers and hair as the mode is, 
At Paris all falbalow'd fine as a goddess, 
And at censuring London in smock sleeves and bodice. 

She order'd affairs that few people could tell 
In what part about her that mixture did dwell 
Of Frow, or Mistress, or Mademoiselle. 

For her surname and race let the herald's e'en answer; 
Her own proper worth was enough to advance her, 
And he who liked her, little value her grandsire. 

But from what house so ever her lineage may come 
I wish my own Jinny but out of her tomb, 
Tho' all her relations were there in her room. 

Of such terrible beauty she never could boast 
As with absolute sway o'er all hearts rules the roast 
When J___ bawls out to the chair for a toast; 

But of good household features her person was made, 
Nor by faction cried up nor of censure afraid, 
And her beauty was rather for use than parade. 

Her blood so well mix't and flesh so well pasted 
That, tho' her youth faded, her comeliness lasted; 
The blue was wore off, but the plum was well tasted. 

Less smooth than her skin and less white than her breast 
Was this polished stone beneath which she lies pressed: 
Stop, reader, and sigh while thou thinkst on the rest. 

With a just trim of virtue her soul was endued, 
Not affectedly pious nor secretly lewd 
She cut even between the coquette and the prude. 

Her will with her duty so equally stood 
That, seldom oppos'd, she was commonly good, 
And did pretty well, doing just what she would. 

Declining all power she found means to persuade, 
Was then most regarded when most she obey'd, 
The mistress in truth when she seem'd but the maid. 

Such care of her own proper actions she took 
That on other folk's lives she had not time to look, 
So censure and praise were struck out of her book. 

Her thought still confin'd to its own little sphere, 
She minded not who did excel or did err 
But just as the matter related to her. 

Then too when her private tribunal was rear'd 
Her mercy so mix'd with her judgment appear'd 
That her foes were condemn'd and her friends always clear'd. 

Her religion so well with her learning did suit 
That in practice sincere, and in controverse mute, 
She showed she knew better to live than dispute. 

Some parts of the Bible by heart she recited, 
And much in historical chapters delighted, 
But in points about Faith she was something short sighted; 

So notions and modes she refer'd to the schools, 
And in matters of conscience adher'd to two rules, 
To advise with no bigots, and jest with no fools. 

And scrupling but little, enough she believ'd, 
By charity ample small sins she retriev'd, 
And when she had new clothes she always receiv'd. 

Thus still whilst her morning unseen fled away 
In ord'ring the linen and making the tea 
That scarce could have time for the psalms of the day; 

And while after dinner the night came so soon 
That half she propos'd very seldom was done; 
With twenty God bless me's, how this day is gone! -- 

While she read and accounted and paid and abated, 
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated, 
As answer'd the end of her being created: 

In the midst of her age came a cruel disease 
Which neither her juleps nor receipts could appease; 
So down dropp'd her clay -- may her Soul be at peace! 

Retire from this sepulchre all the profane, 
You that love for debauch, or that marry for gain, 
Retire lest ye trouble the Manes of J___. 

But thou that know'st love above int'rest or lust, 
Strew the myrle and rose on this once belov'd dust, 
And shed one pious tear upon Jinny the Just. 

Tread soft on her grave, and do right to her honor, 
Let neither rude hand nor ill tongue light upon her, 
Do all the small favors that now can be done her. 

And when what thou lik'd shall return to her clay, 
For so I'm persuaded she must do one day 
-- Whatever fantastic John Asgill may say -- 

When as I have done now, thou shalt set up a stone 
For something however distinguished or known, 
May some pious friend the misfortune bemoan, 
And make thy concern by reflexion his own.

Book: Reflection on the Important Things