Written by
Robert Burns |
WHEN wild war’s deadly blast was blawn,
And gentle peace returning,
Wi’ mony a sweet babe fatherless,
And mony a widow mourning;
I left the lines and tented field,
Where lang I’d been a lodger,
My humble knapsack a’ my wealth,
A poor and honest sodger.
A leal, light heart was in my breast,
My hand unstain’d wi’ plunder;
And for fair Scotia hame again,
I cheery on did wander:
I thought upon the banks o’ Coil,
I thought upon my Nancy,
I thought upon the witching smile
That caught my youthful fancy.
At length I reach’d the bonie glen,
Where early life I sported;
I pass’d the mill and trysting thorn,
Where Nancy aft I courted:
Wha spied I but my ain dear maid,
Down by her mother’s dwelling!
And turn’d me round to hide the flood
That in my een was swelling.
Wi’ alter’d voice, quoth I, “Sweet lass,
Sweet as yon hawthorn’s blossom,
O! happy, happy may he be,
That’s dearest to thy bosom:
My purse is light, I’ve far to gang,
And fain would be thy lodger;
I’ve serv’d my king and country lang—
Take pity on a sodger.
”
Sae wistfully she gaz’d on me,
And lovelier was than ever;
Quo’ she, “A sodger ance I lo’ed,
Forget him shall I never:
Our humble cot, and hamely fare,
Ye freely shall partake it;
That gallant badge-the dear cockade,
Ye’re welcome for the sake o’t.
”
She gaz’d—she redden’d like a rose—
Syne pale like only lily;
She sank within my arms, and cried,
“Art thou my ain dear Willie?”
“By him who made yon sun and sky!
By whom true love’s regarded,
I am the man; and thus may still
True lovers be rewarded.
“The wars are o’er, and I’m come hame,
And find thee still true-hearted;
Tho’ poor in gear, we’re rich in love,
And mair we’se ne’er be parted.
”
Quo’ she, “My grandsire left me gowd,
A mailen plenish’d fairly;
And come, my faithfu’ sodger lad,
Thou’rt welcome to it dearly!”
For gold the merchant ploughs the main,
The farmer ploughs the manor;
But glory is the sodger’s prize,
The sodger’s wealth is honor:
The brave poor sodger ne’er despise,
Nor count him as a stranger;
Remember he’s his country’s stay,
In day and hour of danger.
|
Written by
Elizabeth Bishop |
Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little slope behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.
Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.
Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals .
.
.
One seal particularly
I have seen here evening after evening.
He was curious about me.
He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God.
"
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water .
.
.
Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas.
The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky breasts
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.
|
Written by
Walter de la Mare |
Interr'd beneath this marble stone,
Lie saunt'ring Jack and idle Joan.
While rolling threescore years and one
Did round this globe their courses run;
If human things went ill or well;
If changing empires rose or fell;
The morning passed, the evening came,
And found this couple still the same.
They walk'd and eat, good folks: what then?
Why then they walk'd and eat again:
They soundly slept the night away:
They did just nothing all the day:
And having buried children four,
Would not take pains to try for more.
Nor sister either had, nor brother:
They seemed just tallied for each other.
Their moral and economy
Most perfectly they made agree:
Each virtue kept its proper bound,
Nor tresspass'd on the other's ground.
Nor fame, nor censure they regarded:
They neither punish'd nor rewarded.
He cared not what the footmen did:
Her maids she neither prais'd nor chid:
So ev'ry servant took his course;
And bad at first, they all grew worse.
Slothful disorder fill'd his stable;
And sluttish plenty deck'd her table.
Their beer was strong; their wine was port;
Their meal was large; their grace was short.
They gave the poor the remnant-meat
Just when it grew not fit to eat.
They paid the church and parish rate;
And took, but read not the receipt;
For which they claim'd their Sunday's due,
Of slumb'ring in an upper pew.
No man's defects sought they to know;
So never made themselves a foe.
No man's good deeds did they commend;
So never rais'd themselves a friend.
Nor cherish'd they relations poor:
That might decrease their present store:
Nor barn nor house did they repair:
That might oblige their future heir.
They neither added, nor confounded:
They neither wanted, nor abounded.
Each Christmas they accompts did clear;
And wound their bottom through the year.
Nor tear, nor smile did they employ
At news of public grief, or joy.
When bells were rung, and bonfires made,
If asked they ne'er denied their aid:
Their jug was to the ringers carried,
Whoever either died, or married.
Their billet at the fire was found,
Whoever was depos'd or crown'd.
Nor good, nor bad, nor fools, nor wise;
They would not learn, nor could advise;
Without love, hatred, joy, or fear,
They led--a kind of--as it were:
Nor wish'd nor car'd, nor laugh'd nor cry'd:
And so they liv'd; and so they died.
|
Written by
T S (Thomas Stearns) Eliot |
GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of "The Terror of the Thames.
"
His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.
The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE!
Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!
But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear--
Because it was a Siamese had mauled his missing ear.
Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide--
And Growltiger was disposed to show his sentimental side.
His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol'n away-
In the yard behind the Lion he was prowling for his prey.
In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks--
As the Siamese came creeping in their sampans and their junks.
Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise--
But the moonlight shone reflected from a thousand bright blue eyes.
And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives--
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.
Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned--
But a serried ring of flashing steel Growltiger did surround.
The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.
Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.
|
Written by
Dylan Thomas |
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry
To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.
,
No elemental form and sound
In T.
S.
E.
and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.
First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers, minus hips).
Perhaps it would be best if you
Created something very new,
A dirty novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers' chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.
Do not forget that 'limpet' rhymes
With 'strumpet' in these troubled times,
And commas are the worst of crimes;
Few understand the works of Cummings,
And few James Joyce's mental slummings,
And few young Auden's coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals and -----,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman's germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?
A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.
Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.
|
Written by
Matthew Prior |
Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,
From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)
From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone,
Joanna or Janneton, Jinny or Joan,
'Twas all one to her by what name she was known.
For the idiom of words very little she heeded,
Provided the matter she drove at succeeded,
She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale,
She paid English or Dutch or French down on the nail,
But in telling a story she sometimes did fail;
Then begging excuse as she happen'd to stammer,
With respect to her betters but none to her grammar,
Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame
To the different gout of the place where she came;
Her outside still chang'd, but her inside the same:
At the Hague in her slippers and hair as the mode is,
At Paris all falbalow'd fine as a goddess,
And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell
In what part about her that mixture did dwell
Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer;
Her own proper worth was enough to advance her,
And he who liked her, little value her grandsire.
But from what house so ever her lineage may come
I wish my own Jinny but out of her tomb,
Tho' all her relations were there in her room.
Of such terrible beauty she never could boast
As with absolute sway o'er all hearts rules the roast
When J___ bawls out to the chair for a toast;
But of good household features her person was made,
Nor by faction cried up nor of censure afraid,
And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted
That, tho' her youth faded, her comeliness lasted;
The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast
Was this polished stone beneath which she lies pressed:
Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued,
Not affectedly pious nor secretly lewd
She cut even between the coquette and the prude.
Her will with her duty so equally stood
That, seldom oppos'd, she was commonly good,
And did pretty well, doing just what she would.
Declining all power she found means to persuade,
Was then most regarded when most she obey'd,
The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took
That on other folk's lives she had not time to look,
So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere,
She minded not who did excel or did err
But just as the matter related to her.
Then too when her private tribunal was rear'd
Her mercy so mix'd with her judgment appear'd
That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit
That in practice sincere, and in controverse mute,
She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited,
And much in historical chapters delighted,
But in points about Faith she was something short sighted;
So notions and modes she refer'd to the schools,
And in matters of conscience adher'd to two rules,
To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd,
By charity ample small sins she retriev'd,
And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away
In ord'ring the linen and making the tea
That scarce could have time for the psalms of the day;
And while after dinner the night came so soon
That half she propos'd very seldom was done;
With twenty God bless me's, how this day is gone! --
While she read and accounted and paid and abated,
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated,
As answer'd the end of her being created:
In the midst of her age came a cruel disease
Which neither her juleps nor receipts could appease;
So down dropp'd her clay -- may her Soul be at peace!
Retire from this sepulchre all the profane,
You that love for debauch, or that marry for gain,
Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust,
Strew the myrle and rose on this once belov'd dust,
And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor,
Let neither rude hand nor ill tongue light upon her,
Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay,
For so I'm persuaded she must do one day
-- Whatever fantastic John Asgill may say --
When as I have done now, thou shalt set up a stone
For something however distinguished or known,
May some pious friend the misfortune bemoan,
And make thy concern by reflexion his own.
|
Written by
Emily Dickinson |
Fate slew Him, but He did not drop --
She felled -- He did not fall --
Impaled Him on Her fiercest stakes --
He neutralized them all --
She stung Him -- sapped His firm Advance --
But when Her Worst was done
And He -- unmoved regarded Her --
Acknowledged Him a Man.
|
Written by
Robert William Service |
I opened wide the bath-room door,
And all at once switched on the light,
When moving swift across the floor
I saw a streak of ebon bright:
Then quick, with slipper in my hand,
Before it could escape,--I slammed.
I missed it once, I missed it twice,
But got it ere it gained its lair.
I fear my words were far from nice,
Though d----s with me are rather rare:
Then lo! I thought that dying roach
Regarded me with some reproach.
Said I: "Don't think I grudge you breath;
I hate to spill your greenish gore,
But why did you invite your death
By straying on my bath-room floor?"
"It is because," said he (or she),
"Adventure is my destiny.
"By evolution I was planned,
And marvellously made as you;
And I am led to understand
The selfsame God conceived us two:
Sire, though the coup de grâce you give,
Even a roach has right to live.
"
Said I: "Of course you have a right,--
But not to blot my bath-room floor.
Yet though with slipper I may smite,
Your doom I morally deplore .
.
.
From cellar gloom to stellar space
Let bards and beetles have their place.
|
Written by
Henry Lawson |
It was somewhere in September, and the sun was going down,
When I came, in search of `copy', to a Darling-River town;
`Come-and-have-a-drink' we'll call it -- 'tis a fitting name, I think --
And 'twas raining, for a wonder, up at Come-and-have-a-drink.
'Neath the public-house verandah I was resting on a bunk
When a stranger rose before me, and he said that he was drunk;
He apologised for speaking; there was no offence, he swore;
But he somehow seemed to fancy that he'd seen my face before.
`No erfence,' he said.
I told him that he needn't mention it,
For I might have met him somewhere; I had travelled round a bit,
And I knew a lot of fellows in the bush and in the streets --
But a fellow can't remember all the fellows that he meets.
Very old and thin and dirty were the garments that he wore,
Just a shirt and pair of trousers, and a boot, and nothing more;
He was wringing-wet, and really in a sad and sinful plight,
And his hat was in his left hand, and a bottle in his right.
His brow was broad and roomy, but its lines were somewhat harsh,
And a sensual mouth was hidden by a drooping, fair moustache;
(His hairy chest was open to what poets call the `wined',
And I would have bet a thousand that his pants were gone behind).
He agreed: `Yer can't remember all the chaps yer chance to meet,'
And he said his name was Sweeney -- people lived in Sussex-street.
He was campin' in a stable, but he swore that he was right,
`Only for the blanky horses walkin' over him all night.
'
He'd apparently been fighting, for his face was black-and-blue,
And he looked as though the horses had been treading on him, too;
But an honest, genial twinkle in the eye that wasn't hurt
Seemed to hint of something better, spite of drink and rags and dirt.
It appeared that he mistook me for a long-lost mate of his --
One of whom I was the image, both in figure and in phiz --
(He'd have had a letter from him if the chap were living still,
For they'd carried swags together from the Gulf to Broken Hill.
)
Sweeney yarned awhile and hinted that his folks were doing well,
And he told me that his father kept the Southern Cross Hotel;
And I wondered if his absence was regarded as a loss
When he left the elder Sweeney -- landlord of the Southern Cross.
He was born in Parramatta, and he said, with humour grim,
That he'd like to see the city ere the liquor finished him,
But he couldn't raise the money.
He was damned if he could think
What the Government was doing.
Here he offered me a drink.
I declined -- 'TWAS self-denial -- and I lectured him on booze,
Using all the hackneyed arguments that preachers mostly use;
Things I'd heard in temperance lectures (I was young and rather green),
And I ended by referring to the man he might have been.
Then a wise expression struggled with the bruises on his face,
Though his argument had scarcely any bearing on the case:
`What's the good o' keepin' sober? Fellers rise and fellers fall;
What I might have been and wasn't doesn't trouble me at all.
'
But he couldn't stay to argue, for his beer was nearly gone.
He was glad, he said, to meet me, and he'd see me later on;
He guessed he'd have to go and get his bottle filled again,
And he gave a lurch and vanished in the darkness and the rain.
.
.
.
.
.
And of afternoons in cities, when the rain is on the land,
Visions come to me of Sweeney with his bottle in his hand,
With the stormy night behind him, and the pub verandah-post --
And I wonder why he haunts me more than any other ghost.
Still I see the shearers drinking at the township in the scrub,
And the army praying nightly at the door of every pub,
And the girls who flirt and giggle with the bushmen from the west --
But the memory of Sweeney overshadows all the rest.
Well, perhaps, it isn't funny; there were links between us two --
He had memories of cities, he had been a jackeroo;
And, perhaps, his face forewarned me of a face that I might see
From a bitter cup reflected in the wretched days to be.
.
.
.
.
.
I suppose he's tramping somewhere where the bushmen carry swags,
Cadging round the wretched stations with his empty tucker-bags;
And I fancy that of evenings, when the track is growing dim,
What he `might have been and wasn't' comes along and troubles him.
|
Written by
George (Lord) Byron |
Ye scenes of my childhood, whose lov'd recollection
Embitters the present, compar'd with the past;
Where science first dawn'd on the powers of reflection,
And friendships were form'd, too romantic to last;
Where fancy, yet, joys to retrace the resemblance
Of comrades, in friendship and mischief allied;
How welcome to me your ne'er fading remembrance,
Which rests in the bosom, though hope is deny'd!
Again I revisit the hills where we sported,
The streams where we swam, and the fields where we fought;
The school where, loud warn'd by the bell, we resorted,
To pore o'er the precepts by Pedagogues taught.
Again I behold where for hours I have ponder'd,
As reclining, at eve, on yon tombstone I lay;
Or round the steep brow of the churchyard I wander'd,
To catch the last gleam of the sun's setting ray.
I once more view the room, with spectators surrounded,
Where, as Zanga, I trod on Alonzo o'erthrown;
While, to swell my young pride, such applauses resounded,
I fancied that Mossop himself was outshone.
Or, as Lear, I pour'd forth the deep imprecation,
By my daughters, of kingdom and reason depriv'd;
Till, fir'd by loud plaudits and self-adulation,
I regarded myself as a Garrick reviv'd.
Ye dreams of my boyhood, how much I regret you!
Unfaded your memory dwells in my breast;
Though sad and deserted, I ne'er can forget you:
Your pleasures may still be in fancy possest.
To Ida full oft may remembrance restore me,
While Fate shall the shades of the future unroll!
Since Darkness o'ershadows the prospect before me,
More dear is the beam of the past to my soul!
But if, through the course of the years which await me,
Some new scene of pleasure should open to view,
I will say, while with rapture the thought shall elate me,
Oh! such were the days which my infancy knew.
|