Written by
Eliza Cook |
THE worm, the rich worm, has a noble domain
In the field that is stored with its millions of slain ;
The charnel-grounds widen, to me they belong,
With the vaults of the sepulchre, sculptured and strong.
The tower of ages in fragments is laid,
Moss grows on the stones, and I lurk in its shade ;
And the hand of the giant and heart of the brave
Must turn weak and submit to the worm and the grave.
Daughters of earth, if I happen to meet
Your bloom-plucking fingers and sod-treading feet--
Oh ! turn not away with the shriek of disgust
From the thing you must mate with in darkness and dust.
Your eyes may be flashing in pleasure and pride,
'Neath the crown of a Queen or the wreath of a bride ;
Your lips may be fresh and your cheeks may be fair--
Let a few years pass over, and I shall be there.
Cities of splendour, where palace and gate,
Where the marble of strength and the purple of state ;
Where the mart and arena, the olive and vine,
Once flourished in glory ; oh ! are ye not mine ?
Go look for famed Carthage, and I shall be found
In the desolate ruin and weed-covered mound ;
And the slime of my trailing discovers my home,
'Mid the pillars of Tyre and the temples of Rome.
I am sacredly sheltered and daintily fed
Where the velvet bedecks, and the white lawn is spread ;
I may feast undisturbed, I may dwell and carouse
On the sweetest of lips and the smoothest of brows.
The voice of the sexton, the chink of the spade,
Sound merrily under the willow's dank shade.
They are carnival notes, and I travel with glee
To learn what the churchyard has given to me.
Oh ! the worm, the rich worm, has a noble domain,
For where monarchs are voiceless I revel and reign ;
I delve at my ease and regale where I may ;
None dispute with the worm in his will or his way.
The high and the bright for my feasting must fall--
Youth, Beauty, and Manhood, I prey on ye all :
The Prince and the peasant, the despot and slave ;
All, all must bow down to the worm and the grave.
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Written by
T S (Thomas Stearns) Eliot |
Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That's such a fuss
To pronounce, that we usually call him just Gus.
His coat's very shabby, he's thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats--
But no longer a terror to mice and to rats.
For he isn't the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree--
He has acted with Irving, he's acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.
"I have played," so he says, "every possible part,
And I used to know seventy speeches by heart.
I'd extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail;
With an hour of rehearsal, I never could fail.
I'd a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied Dick Whittington's Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell."
Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger--could do it again--
Which an Indian Colonel purused down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says: "Now then kittens, they do not get trained
As we did in the days when Victoria reigned.
They never get drilled in a regular troupe,
And they think they are smart, just to jump through a hoop."
And he'll say, as he scratches himself with his claws,
"Well, the Theatre's certainly not what it was.
These modern productions are all very well,
But there's nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell."
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Written by
Eugene Field |
Full many a sinful notion
Conceived of foreign powers
Has come across the ocean
To harm this land of ours;
And heresies called fashions
Have modesty effaced,
And baleful, morbid passions
Corrupt our native taste.
O tempora! O mores!
What profanations these
That seek to dim the glories
Of apple-pie and cheese!
I'm glad my education
Enables me to stand
Against the vile temptation
Held out on every hand;
Eschewing all the tittles
With vanity replete,
I'm loyal to the victuals
Our grandsires used to eat!
I'm glad I've got three willing boys
To hang around and tease
Their mother for the filling joys
Of apple-pie and cheese!
Your flavored creams and ices
And your dainty angel-food
Are mighty fine devices
To regale the dainty dude;
Your terrapin and oysters,
With wine to wash 'em down,
Are just the thing for roisters
When painting of the town;
No flippant, sugared notion
Shall my appetite appease,
Or bate my soul's devotion
To apple-pie and cheese!
The pie my Julia makes me
(God bless her Yankee ways!)
On memory's pinions takes me
To dear Green Mountain days;
And seems like I see Mother
Lean on the window-sill,
A-handin' me and brother
What she knows 'll keep us still;
And these feelings are so grateful,
Says I, "Julia, if you please,
I'll take another plateful
Of that apple-pie and cheese!"
And cheese! No alien it, sir,
That's brought across the sea,--
No Dutch antique, nor Switzer,
Nor glutinous de Brie;
There's nothing I abhor so
As mawmets of this ilk--
Give me the harmless morceau
That's made of true-blue milk!
No matter what conditions
Dyspeptic come to feaze,
The best of all physicians
Is apple-pie and cheese!
Though ribalds may decry 'em,
For these twin boons we stand,
Partaking thrice per diem
Of their fulness out of hand;
No enervating fashion
Shall cheat us of our right
To gratify our passion
With a mouthful at a bite!
We'll cut it square or bias,
Or any way we please,
And faith shall justify us
When we carve our pie and cheese!
De gustibus, 't is stated,
Non disputandum est.
Which meaneth, when translated,
That all is for the best.
So let the foolish choose 'em
The vapid sweets of sin,
I will not disabuse 'em
Of the heresy they're in;
But I, when I undress me
Each night, upon my knees
Will ask the Lord to bless me
With apple-pie and cheese!
|
Written by
Eugene Field |
The women-folk are like to books,--
Most pleasing to the eye,
Whereon if anybody looks
He feels disposed to buy.
I hear that many are for sale,--
Those that record no dates,
And such editions as regale
The view with colored plates.
Of every quality and grade
And size they may be found,--
Quite often beautifully made,
As often poorly bound.
Now, as for me, had I my choice,
I'd choose no folio tall,
But some octavo to rejoice
My sight and heart withal,--
As plump and pudgy as a snipe;
Well worth her weight in gold;
Of honest, clean, conspicuous type,
And just the size to hold!
With such a volume for my wife
How should I keep and con!
How like a dream should run my life
Unto its colophon!
Her frontispiece should be more fair
Than any colored plate;
Blooming with health, she would not care
To extra-illustrate.
And in her pages there should be
A wealth of prose and verse,
With now and then a jeu d'esprit,--
But nothing ever worse!
Prose for me when I wished for prose,
Verse when to verse inclined,--
Forever bringing sweet repose
To body, heart, and mind.
Oh, I should bind this priceless prize
In bindings full and fine,
And keep her where no human eyes
Should see her charms, but mine!
With such a fair unique as this
What happiness abounds!
Who--who could paint my rapturous bliss,
My joy unknown to Lowndes!
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Written by
William Blake |
Dear Mother, dear Mother, the Church is cold,
But the Ale-house is healthy & pleasant & warm:
Besides I can tell where I am use'd well,
Such usage in heaven will never do well.
But if at the Church they would give us some Ale.
And a pleasant fire, our souls to regale:
We'd sing and we'd pray all the live-long day:
Nor ever once wish from the Church to stray.
Then the Parson might preach & drink & sing.
And we'd be as happy as birds in the spring:
And modest dame Lurch, who is always at Church
Would not have bandy children nor fasting nor birch
And God like a father rejoicing to see.
His children as pleasant and happy as he:
Would have no more quarrel with the Devil or the Barrel
But kiss him & give him both drink and apparel.
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Written by
Herman Melville |
The grass shall never forget this grave.
When homeward footing it in the sun
After the weary ride by rail,
The stripling soldiers passed her door,
Wounded perchance, or wan and pale,
She left her household work undone -
Duly the wayside table spread,
With evergreens shaded, to regale
Each travel-spent and grateful one.
So warm her heart, childless, unwed,
Who like a mother comforted.
|
Written by
Robert William Service |
Of all the meals that glad my day
My morning one's the best;
Purveyed me on a silver tray,
Immaculately dressed.
I rouse me when the dawn is bright;
I leap into the sea,
Returning with a rare delight
To honey, toast and tea.
My appetite was razor edged
When I was in my prime;
To eggs and bacon I was pledged . . .
Ala! the March of Time;
For now a genial old gent
With journal on my knee,
I sip and take with vast content
My honey, toast and tea.
So set me up for my delight
The harvest of the bee;
Brown, crispy toast with butter bright,
Ceylon - two cups or three.
Let others lunch or dinner praise,
But I regale with glee,
As I regard with grateful gaze
Just honey, toast and tea.
|
Written by
Emily Dickinson |
He is alive, this morning --
He is alive -- and awake --
Birds are resuming for Him --
Blossoms -- dress for His Sake.
Bees -- to their Loaves of Honey
Add an Amber Crumb
Him -- to regale -- Me -- Only --
Motion, and am dumb.
|
Written by
Robert William Service |
O Tavern of the Golden Snail!
Ten sous have I, so I'll regale;
Ten sous your amber brew to sip
(Eight for the bock and two the tip),
And so I'll sit the evening long,
And smoke my pipe and watch the throng,
The giddy crowd that drains and drinks,
I'll watch it quiet as a sphinx;
And who among them all shall buy
For ten poor sous such joy as I?
As I who, snugly tucked away,
Look on it all as on a play,
A frolic scene of love and fun,
To please an audience of One.
O Tavern of the Golden Snail!
You've stuff indeed for many a tale.
All eyes, all ears, I nothing miss:
Two lovers lean to clasp and kiss;
The merry students sing and shout,
The nimble garcons dart about;
Lo! here come Mimi and Musette
With: "S'il vous plait, une cigarette?"
Marcel and Rudolf, Shaunard too,
Behold the old rapscallion crew,
With flowing tie and shaggy head . . .
Who says Bohemia is dead?
Oh shades of Murger! prank and clown,
And I will watch and write it down.
O Tavern of the Golden Snail!
What crackling throats have gulped your ale!
What sons of Fame from far and near
Have glowed and mellowed in your cheer!
Within this corner where I sit
Banville and Coppée clashed their wit;
And hither too, to dream and drain,
And drown despair, came poor Verlaine.
Here Wilde would talk and Synge would muse,
Maybe like me with just ten sous.
Ah! one is lucky, is one not?
With ghosts so rare to drain a pot!
So may your custom never fail,
O Tavern of the Golden Snail!
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