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Best Famous Reflect Poems

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Written by Hermogénes Irisarri | Create an image from this poem

Love

Fair maid! believe me, love is like a lake,
Whose crystal depths reflect thy brow of snow;
The roses on thy cheek that come and go,
When in thy azure eyes the smiles awake,

No passing winds the liquid mirror wake,
The cool refreshing airs so softly blow.
But hidden currents in the depths below
The angry surface in an instant shake.

Gaze then in safety from the emerald shore;
Nor launch thy shallop on the treacherous wave.
Even the gentle touch of thy light oar
May rouse the slumbering peril from its grave.
Thy fragile bark is on rough waters tossed;
The picture fades, thou sinkest, and art lost.


Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone 
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence 
Brewed God knows how long. Hatless I take off
My cylce-clips in awkward revrence 

Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly. Back at the door
I sign the book donate an Irish sixpence 
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do 
And always end much at a loss like this 
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show 
Their parchment plate and pyx in locked cases 
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die 
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.

A shape less recognisable each week 
A purpose more obscure. I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique 
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative 

Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth 
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth 
It pleases me to stand in silence here;

A serious house on serious earth it is 
In whose blent air all our compulsions meet 
Are recognisd and robed as destinies.
And that much never can be obsolete 
Since someone will forever be surprising
A hunger in himself to be more serious 
And gravitating with it to this ground 
Which he once heard was proper to grow wise in 
If only that so many dead lie round.

1955
Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.
Written by Sylvia Plath | Create an image from this poem

Morning Song

Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.

Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.

I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.

All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.

One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square

Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.

(1961)
Written by Robert William Service | Create an image from this poem

Birthdays

 Let us have birthdays every day,
(I had the thought while I was shaving)
Because a birthday should be gay,
And full of grace and good behaving.
We can't have cakes and candles bright,
And presents are beyond our giving,
But let lt us cherish with delight
The birthday way of lovely living.

For I have passed three-score and ten
And I can count upon my fingers
The years I hope to bide with men,
(Though by God's grace one often lingers.)
So in the summers left to me,
Because I'm blest beyond my merit,
I hope with gratitude and glee
To sparkle with the birthday spirit.

Let me inform myself each day
Who's proudmost on the natal roster;
If Washington or Henry Clay,
Or Eugene Field or Stephen Foster.
oh lots of famous folks I'll find
Who more than measure to my rating,
And so thanksgivingly inclined
Their birthdays I'll be celebrating.

For Oh I know the cheery glow|
Of Anniversary rejoicing;
Let me reflect its radiance so
My daily gladness I'll be voicing.
And though I'm stooped and silver-haired,
Let me with laughter make the hearth gay,
So by the gods I may be spared
Each year to hear: "Pop, Happy Birthday."


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Skimbleshanks: The Railway Cat

 There's a whisper down the line at 11.39
When the Night Mail's ready to depart,
Saying "Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can't start."
All the guards and all the porters and the stationmaster's daughters
They are searching high and low,
Saying "Skimble where is Skimble for unless he's very nimble
Then the Night Mail just can't go."
At 11.42 then the signal's nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he'll saunter to the rear:
He's been busy in the luggage van!

He gives one flash of his glass-green eyes
And the signal goes "All Clear!"
And we're off at last for the northern part
Of the Northern Hemisphere!

You may say that by and large it is Skimble who's in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he'd know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it's certain that he doesn't approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He's a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.

Oh, it's very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there's not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There's a handle that you turn to make a breeze.
There's a funny little basin you're supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
"Do you like your morning tea weak or strong?"
But Skimble's just behind him and was ready to remind him,
For Skimble won't let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it's very nice
To know that you won't be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!

In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he's keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there's anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: "I'll see you again!
You'll meet without fail on the Midnight Mail
The Cat of the Railway Train."
Written by Alan Seeger | Create an image from this poem

A Message to America

 You have the grit and the guts, I know; 
You are ready to answer blow for blow 
You are virile, combative, stubborn, hard, 
But your honor ends with your own back-yard; 
Each man intent on his private goal, 
You have no feeling for the whole; 
What singly none would tolerate 
You let unpunished hit the state, 
Unmindful that each man must share 
The stain he lets his country wear, 
And (what no traveller ignores) 
That her good name is often yours. 


You are proud in the pride that feels its might; 
From your imaginary height 
Men of another race or hue 
Are men of a lesser breed to you: 
The neighbor at your southern gate 
You treat with the scorn that has bred his hate. 
To lend a spice to your disrespect 
You call him the "greaser". But reflect! 
The greaser has spat on you more than once; 
He has handed you multiple affronts; 
He has robbed you, banished you, burned and killed; 
He has gone untrounced for the blood he spilled; 
He has jeering used for his bootblack's rag 
The stars and stripes of the gringo's flag; 
And you, in the depths of your easy-chair -- 
What did you do, what did you care? 
Did you find the season too cold and damp 
To change the counter for the camp? 
Were you frightened by fevers in Mexico? 
I can't imagine, but this I know -- 
You are impassioned vastly more 
By the news of the daily baseball score 
Than to hear that a dozen countrymen 
Have perished somewhere in Darien, 
That greasers have taken their innocent lives 
And robbed their holdings and raped their wives. 


Not by rough tongues and ready fists 
Can you hope to jilt in the modern lists. 
The armies of a littler folk 
Shall pass you under the victor's yoke, 
Sobeit a nation that trains her sons 
To ride their horses and point their guns -- 
Sobeit a people that comprehends 
The limit where private pleasure ends 
And where their public dues begin, 
A people made strong by discipline 
Who are willing to give -- what you've no mind to -- 
And understand -- what you are blind to -- 
The things that the individual 
Must sacrifice for the good of all. 


You have a leader who knows -- the man 
Most fit to be called American, 
A prophet that once in generations 
Is given to point to erring nations 
Brighter ideals toward which to press 
And lead them out of the wilderness. 
Will you turn your back on him once again? 
Will you give the tiller once more to men 
Who have made your country the laughing-stock 
For the older peoples to scorn and mock, 
Who would make you servile, despised, and weak, 
A country that turns the other cheek, 
Who care not how bravely your flag may float, 
Who answer an insult with a note, 
Whose way is the easy way in all, 
And, seeing that polished arms appal 
Their marrow of milk-fed pacifist, 
Would tell you menace does not exist? 
Are these, in the world's great parliament, 
The men you would choose to represent 
Your honor, your manhood, and your pride, 
And the virtues your fathers dignified? 
Oh, bury them deeper than the sea 
In universal obloquy; 
Forget the ground where they lie, or write 
For epitaph: "Too proud to fight." 


I have been too long from my country's shores 
To reckon what state of mind is yours, 
But as for myself I know right well 
I would go through fire and shot and shell 
And face new perils and make my bed 
In new privations, if ROOSEVELT led; 
But I have given my heart and hand 
To serve, in serving another land, 
Ideals kept bright that with you are dim; 
Here men can thrill to their country's hymn, 
For the passion that wells in the Marseillaise 
Is the same that fires the French these days, 
And, when the flag that they love goes by, 
With swelling bosom and moistened eye 
They can look, for they know that it floats there still 
By the might of their hands and the strength of their will, 
And through perils countless and trials unknown 
Its honor each man has made his own. 
They wanted the war no more than you, 
But they saw how the certain menace grew, 
And they gave two years of their youth or three 
The more to insure their liberty 
When the wrath of rifles and pennoned spears 
Should roll like a flood on their wrecked frontiers. 
They wanted the war no more than you, 
But when the dreadful summons blew 
And the time to settle the quarrel came 
They sprang to their guns, each man was game; 
And mark if they fight not to the last 
For their hearths, their altars, and their past: 
Yea, fight till their veins have been bled dry 
For love of the country that WILL not die. 


O friends, in your fortunate present ease 
(Yet faced by the self-same facts as these), 
If you would see how a race can soar 
That has no love, but no fear, of war, 
How each can turn from his private role 
That all may act as a perfect whole, 
How men can live up to the place they claim 
And a nation, jealous of its good name, 
Be true to its proud inheritance, 
Oh, look over here and learn from FRANCE!
Written by Anne Kingsmill Finch | Create an image from this poem

The Change

 POOR River, now thou'rt almost dry, 
What Nymph, or Swain, will near thee lie? 
Since brought, alas! to sad Decay, 
What Flocks, or Herds, will near thee stay? 
The Swans, that sought thee in thy Pride, 
Now on new Streams forgetful ride: 
And Fish, that in thy Bosom lay, 
Chuse in more prosp'rous Floods to play. 
All leave thee, now thy Ebb appears, 
To waste thy sad Remains in Tears; 
Nor will thy mournful Murmurs heed. 
Fly, wretched Stream, with all thy speed, 
Amongst those solid Rocks thy Griefs bestow; 
For Friends, like those alas! thou ne'er did'st know. 

And thou, poor Sun! that sat'st on high; 
But late, the Splendour of the Sky; 
What Flow'r, tho' by thy Influence born, 
Now Clouds prevail, will tow'rds thee turn? 
Now Darkness sits upon thy Brow, 
What Persian Votary will bow? 
What River will her Smiles reflect, 
Now that no Beams thou can'st direct? 
By watry Vapours overcast, 
Who thinks upon thy Glories past? 
If present Light, nor Heat we get, 
Unheeded thou may'st rise, and set. 
Not all the past can one Adorer keep, 
Fall, wretched Sun, to the more faithful Deep. 


Nor do thou, lofty Structure! boast, 
Since undermin'd by Time and Frost: 
Since thou canst no Reception give, 
In untrod Meadows thou may'st live. 
None from his ready Road will turn, 
With thee thy wretched Change to mourn. 
Not the soft Nights, or chearful Days 
Thou hast bestow'd, can give thee Praise. 

No lusty Tree that near thee grows, 
(Tho' it beneath thy Shelter rose) 
Will to thy Age a Staff become. 
Fall, wretched Building! to thy Tomb. 
Thou, and thy painted Roofs, in Ruin mixt, 
Fall to the Earth, for That alone is fixt. 

The same, poor Man, the same must be 
Thy Fate, now Fortune frowns on thee. 
Her Favour ev'ry one pursues, 
And losing Her, thou all must lose. 
No Love, sown in thy prosp'rous Days, 
Can Fruit in this cold Season raise: 
No Benefit, by thee conferr'd, 
Can in this time of Storms be heard. 
All from thy troubl'd Waters run; 
Thy stooping Fabrick all Men shun. 
All do thy clouded Looks decline, 
As if thou ne'er did'st on them shine. 

O wretched Man! to other World's repair; 
For Faith and Gratitude are only there.
Written by Ben Jonson | Create an image from this poem

Epistle to Katherine, Lady Aubigny

  

XIII. — EPISTLE TO KATHARINE LADY AUBIGNY.           

As what they have lost t' expect, they dare deride. So both the prais'd and praisers suffer ; yet, For others ill ought none their good forget. I therefore, who profess myself in love With every virtue, wheresoe'er it move, And howsoever ;  as I am at feudBy arts, and practice of the vicious, Such as suspect themselves, and think it fit, For their own capital crimes, to indict my wit ; I that have suffer'd this ;  and though forsook Of fortune, have not alter'd yet my look, Or so myself abandon'd, as because Men are not just, or keep no holy laws Of nature and society, I should faint ;If it may stand with your soft blush, to hear Yourself but told unto yourself, and see In my character what your features be, You will not from the paper slightly pass : No lady, but at some time loves her glass. And this shall be no false one, but as much Remov'd, as you from need to have it such. Look then, and see your self — I will not sayIt perfect, proper, pure, and natural, Not taken up o' the doctors, but as well As I, can say and see it doth excel ; That asks but to be censured by the eyes : And in those outward forms, all fools are wise. Nor that your beauty wanted not a dower, Do I reflect.   Some alderman has power, Or cozening farmer of the customs, soAnd raise not virtue ;  they may vice enhance. My mirror is more subtle, clear, refined, And.takes and gives the beauties of the mind ; Though it reject not those of fortune :  such As blood, and match.  Wherein, how more than much Are you engaged to your happy fate, For such a lot !  that mixt you with a state Of so great title, birth, but virtue most,For he that once is good, is ever great. Wherewith then, madam, can you better pay This blessing of your stars, than by that way Of virtue, which you tread ?   What if alone, Without companions ?  'tis safe to have none. In single paths dangers with ease are watch'd ; Contagion in the press is soonest catch'd. This makes, that wisely you decline your lifeNot looking by, or back, like those that wait Times and occasions, to start forth, and seem. Which though the turning world may disesteem, Because that studies spectacles and shows, And after varied, as fresh objects, goes, Giddy with change, and therefore cannot see Right, the right way ;  yet must your comfort be Your conscience, and not wonder if none asksMaintain their liegers forth for foreign wires, Melt down their husbands land, to pour away On the close groom and page, on new-year's day, And almost all days after, while they live ; They find it both so witty, and safe to give. Let them on powders, oils, and paintings spend, Till that no usurer, nor his bawds dare lend Them or their officers ;  and no man know,When their own parasites laugh at their fall, May they have nothing left, whereof they can Boast, but how oft they have gone wrong to man, And call it their brave sin : for such there be That do sin only for the infamy ; And never think, how vice doth every hour Eat on her clients, and some one devour. You, madam, young have learn'd to shun these shelves,Into your harbor, and all passage shut 'Gainst storms or pirates, that might charge your peace ;  For which you worthy are the glad increase Of your blest womb, made fruitful from above, To pay your lord the pledges of chaste love ; And raise a noble stem, to give the fame To Clifton's blood, that is denied their name. Grow, grow, fair tree !  and as thy branches shoot,Before the moons have fill'd their triple trine, To crown the burden which you go withal, It shall a ripe and timely issue fall, T' expect the honors of great AUBIGNY ; And greater rites, yet writ in mystery, But which the fates forbid me to reveal. Only thus much out of a ravish'd zeal Unto your name, and goodness of your life,What your tried manners are, what theirs should be ; How you love one, and him you should, how still You are depending on his word and will ; Not fashion'd for the court, or strangers' eyes ; But to please him, who is the dearer prize Unto himself, by being so dear to you. This makes, that your affections still be new, And that your souls conspire, as they were goneMadam, be bold to use this truest glass ; Wherein your form you still the same shall find ; Because nor it can change, nor such a mind. Of any good mind, now ; there are so few. The bad, by number, are so fortified, As what they have lost t' expect, they dare deride. So both the prais'd and praisers suffer ; yet, For others ill ought none their good forget. I therefore, who profess myself in love With every virtue, wheresoe'er it move, And howsoever ;  as I am at feud
Written by Marilyn Hacker | Create an image from this poem

Desesperanto

 After Joseph Roth

Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië

The dream's forfeit was a night in jail
and now the slant light is crepuscular.
Papers or not, you are a foreigner
whose name is always difficult to spell.
You pack your one valise. You ring the bell.
Might it not be prudent to disappear
beneath that mauve-blue sky above the square
fronting your cosmopolitan hotel?
You know two short-cuts to the train station
which could get you there, on foot, in time.
The person who's apprised of your intention
and seems to be your traveling companion
is merely the detritus of a dream.
You cross the lobby and go out alone.

You crossed the lobby and went out alone
through the square, where two red-headed girls played
hopscotch on a chalk grid, now in the shade,
of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon
disarmed, uncoupled, shuffled and disarrayed
itself; despite itself, dismayed
you with your certainties, your visa, gone
from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired
if you'd be returning. Now you wonder why.
When the stout conductor comes down the aisle
mustached, red-faced, at first jovial,
and asks for your passport, what will you say?

When they ask for your passport, will you say
that town's name they'd find unpronounceable
which resonates, when uttered, like a bell
in your mind's tower, as it did the day
you carried your green schoolbag down the gray
fog-cobbled street, past church, bakery, shul
past farm women setting up market stalls
it was so early. "I am on my way
to school in ." You were part of the town
now, not the furnished rooms you shared
with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool
socks had inched down, so you stooped to pull
them up, a student and a citizen.

You are a student and a citizen
of whatever state is transient.
You are no more or less the resident
of a hotel than you were of that town
whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant
to merchants on that street a child walked down
whom you remember, in the corridors
of cities you inhabit, polyglot
as the distinguished scholar you were not
to be. A slight accent sets you apart,
but it would mark you on that peddlers'-cart
street now. Which language, after all, is yours?

Which language, after all these streets, is yours,
and why are you here, waiting for a train?
You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's
bolt have disturbed the nondescript interior's
familiarity, shadowed the plain
blue draperies? You reflect, you know no one
who would, of you, echo your author's
"Because it was he; because it was I,"
as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur
around the shoulders of a dowager
with no time for sentimentality.

With no time for sentimentality,
mulling a twice-postponed book-review,
you take an empty seat. Opposite you
a voluble immigrant family
is already unwrapping garlicky
sausages—an unshaven man and his two
red-eared sons.
You once wrote: it is true,
awful, and unimportant, finally
that if the opportunity occurs
some of the exiles become storm-troopers;
and you try, culpably, to project these three
into some torch-lit future, filtering out
their wrangling (one of your languages) about
the next canto in their short odyssey.

The next canto in your short odyssey
will open, you know this, in yet another
hotel room. They have become your mother
country: benevolent anonymity
of rough starched sheets, dim lamp, rickety
escritoire, one window. Your neighbors gather
up their crusts and rinds. Out of a leather
satchel, the man takes their frayed identity
cards, examines them. The sons watch, pale
and less talkative. A border, passport control,
draw near: rubber stamp or interrogation?
You hope the customs officer lunched well;
reflect on the recurrent implication
of the dream's forfeit. One night in jail?

Book: Radiant Verses: A Journey Through Inspiring Poetry