Written by
George (Lord) Byron |
I
Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power—
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep—for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.
II
I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing—the one on all that was beneath
Fair as herself—but the boy gazed on her;
And both were young, and one was beautiful:
And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects;—he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously—his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother—but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race.—It was a name
Which pleased him, and yet pleased him not—and why?
Time taught him a deep answer—when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.
III
A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake;—he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion—then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew—
For quickly comes such knowledge—that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.
IV
A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.
V
A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his,—her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty,—but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind—a spectre of the past.
VI
A change came o'er the spirit of my dream.
The Wanderer was returned.—I saw him stand
Before an altar—with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood;—as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then—
As in that hour—a moment o'er his face
The tablet of unutterable thoughts
Was traced—and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been—
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?
VII
A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!
VIII
A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret.—Be it so.
IX
My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality—the one
To end in madness—both in misery.
|
Written by
Rabindranath Tagore |
Anghiari is medieval, a sleeve sloping down
A steep hill, suddenly sweeping out
To the edge of a cliff, and dwindling.
But far up the mountain, behind the town,
We too were swept out, out by the wind,
Alone with the Tuscan grass.
Wind had been blowing across the hills
For days, and everything now was graying gold
With dust, everything we saw, even
Some small children scampering along a road,
Twittering Italian to a small caged bird.
We sat beside them to rest in some brushwood,
And I leaned down to rinse the dust from my face.
I found the spider web there, whose hinges
Reeled heavily and crazily with the dust,
Whole mounds and cemeteries of it, sagging
And scattering shadows among shells and wings.
And then she stepped into the center of air
Slender and fastidious, the golden hair
Of daylight along her shoulders, she poised there,
While ruins crumbled on every side of her.
Free of the dust, as though a moment before
She had stepped inside the earth, to bathe herself.
I gazed, close to her, till at last she stepped
Away in her own good time.
Many men
Have searched all over Tuscany and never found
What I found there, the heart of the light
Itself shelled and leaved, balancing
On filaments themselves falling. The secret
Of this journey is to let the wind
Blow its dust all over your body,
To let it go on blowing, to step lightly, lightly
All the way through your ruins, and not to lose
Any sleep over the dead, who surely
Will bury their own, don't worry.
|
Written by
Alfred Lord Tennyson |
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward, the Light Brigade!
Charge for the guns!" he said:
Into the valley of Death
Rode the six hundred.
"Forward, the Light Brigade!"
Was there a man dismayed?
Not though the soldier knew
Some one had blundered:
Their's not to make reply,
Their's not to reason why,
Their's but to do and die:
Into the valley of Death
Rode the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.
Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
All the world wondered:
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre-stroke
Shattered and sundered.
Then they rode back, but not,
Not the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell,
They that had fought so well
Came through the jaws of Death
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.
When can their glory fade?
O the wild charge they made!
All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!
|
Written by
Robert Frost |
Brown lived at such a lofty farm
That everyone for miles could see
His lantern when he did his chores
In winter after half-past three.
And many must have seen him make
His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
Describing rings of lantern light.
Between the house and barn the gale
Got him by something he had on
And blew him out on the icy crust
That cased the world, and he was gone!
Walls were all buried, trees were few:
He saw no stay unless he stove
A hole in somewhere with his heel.
But though repeatedly he strove
And stamped and said things to himself,
And sometimes something seemed to yield,
He gained no foothold, but pursued
His journey down from field to field.
Sometimes he came with arms outspread
Like wings, revolving in the scene
Upon his longer axis, and
With no small dignity of mien.
Faster or slower as he chanced,
Sitting or standing as he chose,
According as he feared to risk
His neck, or thought to spare his clothes,
He never let the lantern drop.
And some exclaimed who saw afar
The figures he described with it,
”I wonder what those signals are
Brown makes at such an hour of night!
He’s celebrating something strange.
I wonder if he’s sold his farm,
Or been made Master of the Grange.”
He reeled, he lurched, he bobbed, he checked;
He fell and made the lantern rattle
(But saved the light from going out.)
So half-way down he fought the battle
Incredulous of his own bad luck.
And then becoming reconciled
To everything, he gave it up
And came down like a coasting child.
“Well—I—be—” that was all he said,
As standing in the river road,
He looked back up the slippery slope
(Two miles it was) to his abode.
Sometimes as an authority
On motor-cars, I’m asked if I
Should say our stock was petered out,
And this is my sincere reply:
Yankees are what they always were.
Don’t think Brown ever gave up hope
Of getting home again because
He couldn’t climb that slippery slope;
Or even thought of standing there
Until the January thaw
Should take the polish off the crust.
He bowed with grace to natural law,
And then went round it on his feet,
After the manner of our stock;
Not much concerned for those to whom,
At that particular time o’clock,
It must have looked as if the course
He steered was really straight away
From that which he was headed for—
Not much concerned for them, I say:
No more so than became a man—
And politician at odd seasons.
I’ve kept Brown standing in the cold
While I invested him with reasons;
But now he snapped his eyes three times;
Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
By road, a matter of several miles.
|
Written by
James A Emanuel |
I fish for words
to say what I fish for,
half-catch sometimes.
I have caught little pan fish flashing sunlight
(yellow perch, crappies, blue-gills),
lighthearted reeled them in,
filed them on stringers on the shore.
A nice mess, we called them,
and ate with our fingers, laughing.
Once, dreaming of fish in far-off waters,
I hooked a two-foot carp in Michigan,
on nylon line so fine
a fellow-fisher shook his head:
"He'll break it, sure; he'll roll on it and get away."
A quarter-hour it took to bring him in;
back-and-forth toward my net,
syllable by syllable I let him have his way
till he lay flopping on the grass—
beside no other, himself enough in size:
he fed the three of us (each differently)
new strategies of hook, leader, line, and rod.
Working well, I am a deep-water man,
a "Daredevil" silver wobbler
my lure for lake trout in midsummer.
Oh, I have tried the moon, thermometers—
the bait and time and place all by the rule—
fishing for the masterpiece,
the imperial muskellunge in Minnesota,
the peerless pike in Canada.
I have propped a well-thumbed book
against the butt of my favorite rod
and fished from my heart.
Yet, for my labors,
all I have to show
are tactics, lore—
so little I know
of that pea-sized brain I am casting for,
to think it could swim
with the phantom-words
that lure me to this shore.
|
Written by
Robert Burns |
A Tale
"Of Brownyis and of Bogilis full is this Buke."
—Gawin Douglas.
When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An' folk begin to tak' the gate;
While we sit bousing at the nappy,
An' getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne'er a town surpasses,
For honest men and bonie lasses).
O Tam! hadst thou but been sae wise,
As ta'en thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi' the miller,
Thou sat as lang as thou had siller;
That ev'ry naig was ca'd a shoe on,
The smith and thee gat roarin fou on;
That at the Lord's house, ev'n on Sunday,
Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi' warlocks in the mirk,
By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!
But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi' reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo'ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi' favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord's laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.
Care, mad to see a man sae happy,
E'en drowned himself amang the nappy;
As bees flee hame wi' lades o' treasure,
The minutes winged their way wi' pleasure:
Kings may be blest, but Tam was glorious,
O'er a' the ills o' life victorious!
But pleasures are like poppies spread,
You seize the flow'r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow's lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o' night's black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak's the road in,
As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De'il had business on his hand.
Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro' dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o'er some auld Scots sonnet;
Whiles glow'rin round wi' prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.
By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak's neck-bane;
And thro' the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods;
The doubling storm roars thro' the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro' the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro' ilka bore the beams were glancing;
And loud resounded mirth and dancing.
Inspiring bold John Barleycorn!
What dangers thou canst mak' us scorn!
Wi' tippenny, we fear nae evil;
Wi' usquabae, we'll face the devil!
The swats sae reamed in Tammie's noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o' beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He screwed the pipes and gart them skirl,
Till roof and rafters a' did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer's banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a rape,
Wi' his last gasp his gab did gape;
Five tomahawks, wi' blude red-rusted;
Five scimitars, wi' murder crusted;
A garter, which a babe had strangled;
A knife, a father's throat had mangled,
Whom his ain son o' life bereft,
The grey hairs yet stack to the heft;
Wi' mair of horrible and awfu',
Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!
Now Tam, O Tam! had they been queans,
A' plump and strapping in their teens;
Their sarks, instead o' creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o' mine, my only pair,
That ance were plush, o' gude blue hair,
I wad hae gi'en them off my hurdies,
For ae blink o' the bonie burdies!
But withered beldams, auld and droll,
Rigwoodie hags wad spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie:
`There was ae winsome wench and waulie',
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o' Paisley harn,
That while a lassie she had worn,
In longitude tho' sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi' twa pund Scots ('twas a' her riches),
Wad ever graced a dance of witches!
But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu' fain,
And hotched and blew wi' might and main:
Till first ae caper, syne anither,
Tam tint his reason a' thegither,
And roars out, "Weel done, Cutty-sark!"
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.
As bees bizz out wi' angry fyke,
When plundering herds assail their byke;
As open pussie's mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When "Catch the thief!" resounds aloud;
So Maggie runs, the witches follow,
Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin!
In hell they'll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu' woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi' furious ettle;
But little wist she Maggie's mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read,
Ilk man and mother's son, take heed:
Whene'er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o'er dear,
Remember Tam o'Shanter's mare.
|
Written by
Henry Wadsworth Longfellow |
I saw, as in a dream sublime,
The balance in the hand of Time.
O'er East and West its beam impended;
And day, with all its hours of light,
Was slowly sinking out of sight,
While, opposite, the scale of night
Silently with the stars ascended.
Like the astrologers of eld,
In that bright vision I beheld
Greater and deeper mysteries.
I saw, with its celestial keys,
Its chords of air, its frets of fire,
The Samian's great Aeolian lyre,
Rising through all its sevenfold bars,
From earth unto the fixed stars.
And through the dewy atmosphere,
Not only could I see, but hear,
Its wondrous and harmonious strings,
In sweet vibration, sphere by sphere,
From Dian's circle light and near,
Onward to vaster and wider rings.
Where, chanting through his beard of snows,
Majestic, mournful, Saturn goes,
And down the sunless realms of space
Reverberates the thunder of his bass.
Beneath the sky's triumphal arch
This music sounded like a march,
And with its chorus seemed to be
Preluding some great tragedy.
Sirius was rising in the east;
And, slow ascending one by one,
The kindling constellations shone.
Begirt with many a blazing star,
Stood the great giant Algebar,
Orion, hunter of the beast!
His sword hung gleaming by his side,
And, on his arm, the lion's hide
Scattered across the midnight air
The golden radiance of its hair.
The moon was pallid, but not faint;
And beautiful as some fair saint,
Serenely moving on her way
In hours of trial and dismay.
As if she heard the voice of God,
Unharmed with naked feet she trod
Upon the hot and burning stars,
As on the glowing coals and bars,
That were to prove her strength, and try
Her holiness and her purity.
Thus moving on, with silent pace,
And triumph in her sweet, pale face,
She reached the station of Orion.
Aghast he stood in strange alarm!
And suddenly from his outstretched arm
Down fell the red skin of the lion
Into the river at his feet.
His mighty club no longer beat
The forehead of the bull; but he
Reeled as of yore beside the sea,
When, blinded by Oenopion,
He sought the blacksmith at his forge,
And, climbing up the mountain gorge,
Fixed his blank eyes upon the sun.
Then, through the silence overhead,
An angel with a trumpet said,
"Forevermore, forevermore,
The reign of violence is o'er!"
And, like an instrument that flings
Its music on another's strings,
The trumpet of the angel cast
Upon the heavenly lyre its blast,
And on from sphere to sphere the words
Re-echoed down the burning chords,--
"Forevermore, forevermore,
The reign of violence is o'er!"
|
Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Mark Doty |
Under Grand Central's tattered vault
--maybe half a dozen electric stars still lit--
one saxophone blew, and a sheer black scrim
billowed over some minor constellation
under repair. Then, on Broadway, red wings
in a storefront tableau, lustrous, the live macaws
preening, beaks opening and closing
like those animated knives that unfold all night
in jewelers' windows. For sale,
glass eyes turned outward toward the rain,
the birds lined up like the endless flowers
and cheap gems, the makeshift tables
of secondhand magazines
and shoes the hawkers eye
while they shelter in the doorways of banks.
So many pockets and paper cups
and hands reeled over the weight
of that glittered pavement, and at 103rd
a woman reached to me across the wet roof
of a stranger's car and said, I'm Carlotta,
I'm hungry. She was only asking for change,
so I don't know why I took her hand.
The rooftops were glowing above us,
enormous, crystalline, a second city
lit from within. That night
a man on the downtown local stood up
and said, My name is Ezekiel,
I am a poet, and my poem this evening is called
fall. He stood up straight
to recite, a child reminded of his posture
by the gravity of his text, his hands
hidden in the pockets of his coat.
Love is protected, he said,
the way leaves are packed in snow,
the rubies of fall. God is protecting
the jewel of love for us.
He didn't ask for anything, but I gave him
all the change left in my pocket,
and the man beside me, impulsive, moved,
gave Ezekiel his watch.
It wasn't an expensive watch,
I don't even know if it worked,
but the poet started, then walked away
as if so much good fortune
must be hurried away from,
before anyone realizes it's a mistake.
Carlotta, her stocking cap glazed
like feathers in the rain,
under the radiant towers, the floodlit ramparts,
must have wondered at my impulse to touch her,
which was like touching myself,
the way your own hand feels when you hold it
because you want to feel contained.
She said, You get home safe now, you hear?
In the same way Ezekiel turned back
to the benevolent stranger.
I will write a poem for you tomorrow,
he said. The poem I will write will go like this:
Our ancestors are replenishing
the jewel of love for us.
|
Written by
W. E. B. Du Bois |
I am dead;
Yet somehow, somewhere,
In Time's weird contradiction, I
May tell of that dread deed, wherewith
I brought to Children of the Moon
Freedom and vast salvation.
I was a woman born,
And trod the streaming street,
That ebbs and flows from Harlem's hills,
Through caves and cañons limned in light,
Down to the twisting sea.
That night of nights,
I stood alone and at the End,
Until the sudden highway to the moon,
Golden in splendor,
Became too real to doubt.
Dimly I set foot upon the air,
I fled, I flew, through the thrills of light,
With all about, above, below, the whirring
Of almighty wings.
I found a twilight land,
Where, hardly hid, the sun
Sent softly-saddened rays of
Red and brown to burn the iron soil
And bathe the snow-white peaks
In mighty splendor.
Black were the men,
Hard-haired and silent-slow,
Moving as shadows,
Bending with face of fear to earthward;
And women there were none.
"Woman, woman, woman!"
I cried in mounting terror.
"Woman and Child!"
And the cry sang back
Through heaven, with the
Whirring of almighty wings.
Wings, wings, endless wings,—
Heaven and earth are wings;
Wings that flutter, furl, and fold,
Always folding and unfolding,
Ever folding yet again;
Wings, veiling some vast
And veiléd face,
In blazing blackness,
Behind the folding and unfolding,
The rolling and unrolling of
Almighty wings!
I saw the black men huddle,
Fumed in fear, falling face downward;
Vainly I clutched and clawed,
Dumbly they cringed and cowered,
Moaning in mournful monotone:
O Freedom, O Freedom,
O Freedom over me;
Before I'll be a slave,
I'll be buried in my grave,
And go home to my God,
And be free.
It was angel-music
From the dead,
And ever, as they sang,
Some wingéd thing of wings, filling all heaven,
Folding and unfolding, and folding yet again,
Tore out their blood and entrails,
'Til I screamed in utter terror;
And a silence came—
A silence and the wailing of a babe.
Then, at last, I saw and shamed;
I knew how these dumb, dark, and dusky things
Had given blood and life,
To fend the caves of underground,
The great black caves of utter night,
Where earth lay full of mothers
And their babes.
Little children sobbing in darkness,
Little children crying in silent pain,
Little mothers rocking and groping and struggling,
Digging and delving and groveling,
Amid the dying-dead and dead-in-life
And drip and dripping of warm, wet blood,
Far, far beneath the wings,—
The folding and unfolding of almighty wings.
I bent with tears and pitying hands,
Above these dusky star-eyed children,—
Crinkly-haired, with sweet-sad baby voices,
Pleading low for light and love and living—
And I crooned:
"Little children weeping there,
God shall find your faces fair;
Guerdon for your deep distress,
He shall send His tenderness;
For the tripping of your feet
Make a mystic music sweet
In the darkness of your hair;
Light and laughter in the air—
Little children weeping there,
God shall find your faces fair!"
I strode above the stricken, bleeding men,
The rampart 'ranged against the skies,
And shouted:
"Up, I say, build and slay;
Fight face foremost, force a way,
Unloose, unfetter, and unbind;
Be men and free!"
Dumbly they shrank,
Muttering they pointed toward that peak,
Than vastness vaster,
Whereon a darkness brooded,
"Who shall look and live," they sighed;
And I sensed
The folding and unfolding of almighty wings.
Yet did we build of iron, bricks, and blood;
We built a day, a year, a thousand years,
Blood was the mortar,—blood and tears,
And, ah, the Thing, the Thing of wings,
The wingéd, folding Wing of Things
Did furnish much mad mortar
For that tower.
Slow and ever slower rose the towering task,
And with it rose the sun,
Until at last on one wild day,
Wind-whirled, cloud-swept and terrible
I stood beneath the burning shadow
Of the peak,
Beneath the whirring of almighty wings,
While downward from my feet
Streamed the long line of dusky faces
And the wail of little children sobbing under earth.
Alone, aloft,
I saw through firmaments on high
The drama of Almighty God,
With all its flaming suns and stars.
"Freedom!" I cried.
"Freedom!" cried heaven, earth, and stars;
And a Voice near-far,
Amid the folding and unfolding of almighty wings,
Answered, "I am Freedom—
Who sees my face is free—
He and his."
I dared not look;
Downward I glanced on deep-bowed heads and closed eyes,
Outward I gazed on flecked and flaming blue—
But ever onward, upward flew
The sobbing of small voices,—
Down, down, far down into the night.
Slowly I lifted livid limbs aloft;
Upward I strove: the face! the face!
Onward I reeled: the face! the face!
To beauty wonderful as sudden death,
Or horror horrible as endless life—
Up! Up! the blood-built way;
(Shadow grow vaster!
Terror come faster!)
Up! Up! to the blazing blackness
Of one veiléd face.
And endless folding and unfolding,
Rolling and unrolling of almighty wings.
The last step stood!
The last dim cry of pain
Fluttered across the stars,
And then—
Wings, wings, triumphant wings,
Lifting and lowering, waxing and waning,
Swinging and swaying, twirling and whirling,
Whispering and screaming, streaming and gleaming,
Spreading and sweeping and shading and flaming—
Wings, wings, eternal wings,
'Til the hot, red blood,
Flood fleeing flood,
Thundered through heaven and mine ears,
While all across a purple sky,
The last vast pinion.
Trembled to unfold.
I rose upon the Mountain of the Moon,—
I felt the blazing glory of the Sun;
I heard the Song of Children crying, "Free!"
I saw the face of Freedom—
And I died.
|