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Best Famous Recumbent Poems

Here is a collection of the all-time best famous Recumbent poems. This is a select list of the best famous Recumbent poetry. Reading, writing, and enjoying famous Recumbent poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of recumbent poems.

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Written by William Cowper | Create an image from this poem

The Retired Cat

 A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould [lang f]philosophique[lang e],
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-pot;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.

But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.

A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies' use--
A drawer impending o'er the rest,
Half-open in the topmost chest,
Of depth enough, and none to spare,
Invited her to slumber there;
Puss with delight beyond expression
Survey'd the scene, and took possession.
Recumbent at her ease ere long,
And lull'd by her own humdrum song,
She left the cares of life behind,
And slept as she would sleep her last,
When in came, housewifely inclin'd
The chambermaid, and shut it fast;
By no malignity impell'd,
But all unconscious whom it held.

Awaken'd by the shock, cried Puss,
"Was ever cat attended thus!
The open drawer was left, I see,
Merely to prove a nest for me.
For soon as I was well compos'd,
Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet!
Oh, what a delicate retreat!
I will resign myself to rest
Till Sol, declining in the west,
Shall call to supper, when, no doubt,
Susan will come and let me out."

The evening came, the sun descended,
And puss remain'd still unattended.
The night roll'd tardily away
(With her indeed 'twas never day),
The sprightly morn her course renew'd,
The evening gray again ensued,
And puss came into mind no more
Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room,
She now presag'd approaching doom,
Nor slept a single wink, or purr'd,
Conscious of jeopardy incurr'd.

That night, by chance, the poet watching
Heard an inexplicable scratching;
His noble heart went pit-a-pat
And to himself he said, "What's that?"
He drew the curtain at his side,
And forth he peep'd, but nothing spied;
Yet, by his ear directed, guess'd
Something imprison'd in the chest,
And, doubtful what, with prudent care
Resolv'd it should continue there.
At length a voice which well he knew,
A long and melancholy mew,
Saluting his poetic ears,
Consol'd him, and dispell'd his fears:
He left his bed, he trod the floor,
He 'gan in haste the drawers explore,
The lowest first, and without stop
The rest in order to the top;
For 'tis a truth well known to most,
That whatsoever thing is lost,
We seek it, ere it come to light,
In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete
As erst with airy self-conceit,
Nor in her own fond apprehension
A theme for all the world's attention,
But modest, sober, cured of all
Her notions hyperbolical,
And wishing for a place of rest
Anything rather than a chest.
Then stepp'd the poet into bed,
With this reflection in his head:MORAL


Beware of too sublime a sense
Of your own worth and consequence.
The man who dreams himself so great,
And his importance of such weight,
That all around in all that's done
Must move and act for him alone,
Will learn in school of tribulation
The folly of his expectation.


Written by Oliver Wendell Holmes | Create an image from this poem

Contentment

 "Man wants but little here below."



LITTLE I ask; my wants are few;
I only wish a hut of stone,
(A very plain brown stone will do,)
That I may call my own;
And close at hand is such a one,
In yonder street that fronts the sun.

Plain food is quite enough for me;
Three courses are as good as ten;--
If Nature can subsist on three,
Thank Heaven for three. Amen!
I always thought cold victual nice;--
My choice would be vanilla-ice.

I care not much for gold or land;--
Give me a mortgage here and there,--
Some good bank-stock, some note of hand, 
Or trifling railroad share,--
I only ask that Fortune send
A little more than I shall spend.

Honors are silly toys, I know,
And titles are but empty names;
I would, perhaps, be Plenipo,--
But only near St. James;
I'm very sure I should not care
To fill our Gubernator's chair.

Jewels are baubles; 't is a sin
To care for such unfruitful things;--
One good-sized diamond in a pin,--
Some, not so large, in rings,--
A ruby, and a pearl, or so,
Will do for me;--I laugh at show.

My dame should dress in cheap attire;
(Good, heavy silks are never dear;) -
I own perhaps I might desire
Some shawls of true Cashmere,--
Some marrowy crapes of China silk,
Like wrinkled skins on scalded milk.

I would not have the horse I drive
So fast that folks must stop and stare;
An easy gait--two forty-five--
Suits me; I do not care;--
Perhaps, for just a single spurt,
Some seconds less would do no hurt.

Of pictures, I should like to own
Titians aud Raphaels three or four,--
I love so much their style and tone,
One Turner, and no more,
(A landscape,--foreground golden dirt,--
The sunshine painted with a squirt.)

Of books but few,--some fifty score
For daily use, and bound for wear;
The rest upon an upper floor;--
Some little luxury there
Of red morocco's gilded gleam
And vellum rich as country cream.

Busts, cameos, gems,--such things as these,
Which others often show for pride,
I value for their power to please,
And selfish churls deride;--
One Stradivarius, I confess,
Two Meerschaums, I would fain possess.

Wealth's wasteful tricks I will not learn,
Nor ape the glittering upstart fool;--
Shall not carved tables serve my turn,
But all must be of buhl?
Give grasping pomp its double share,--
I ask but one recumbent chair.

Thus humble let me live and die,
Nor long for Midas' golden touch;
If Heaven more generous gifts deny,
I shall not miss them much,--
Too grateful for the blessing lent
Of simple tastes and mind content!
Written by Marriott Edgar | Create an image from this poem

The Recumbent Posture

 The day after Christmas, young Albert
Were what's called, confined to his bed,
With a tight kind of pain in his stummick
And a light feeling up in his head.

His parents were all in a fluster
When they saw little lad were so sick,
They said, 'Put out your tongue!', When they'd seen it
They said, 'Put it back again - quick!'

Ma made him a basin of gruel,
But that were a move for the worse;
Though the little lad tried hard to eat it,
At the finish he did the reverse.

The pain showed no signs of abating,
So at last they got Doctor to call.
He said it were in the ab-domain
And not in the stummick at all.

He sent up a bottle of physick,
With instructions on t' label to say,
'To be taken in a recumbent posture,
One teaspoon, three times a day.'

As Ma stood there reading the label
Pa started to fidget about.
He said 'Get a teaspoon and dose him,
Before he gets better without.'

'I can manage the teaspoon' said Mother
A look of distress on her face.
'It's this 'ere recumbent posture...
I haven't got one in the place.'

Said Pa, 'What about Mrs Lupton?..
Next door 'ere - you'd better ask her;
A woman who's buried three husbands
Is sure to have one of them there.'

So they went round and asked Mrs Lupton,
'Aye, I know what you mean,' she replied,
'I 'ad one on order for 'Orace,
But poor dear got impatient and died.'

She said, 'You'd best try the Co-Op shop,
They'll have one in stock I dare say;
' Fact I think I saw one in the winder
Last time I was passing that way.'

So round they went to the Co-Op shop,
And at the counter for household supplies;
Pa asked for a recumbent posture
And the shopman said 'Yes sir... what size?'

Said Ma, 'It's for our little Albert,
I don't know what size he would use,
I know he takes thirteen in collars,
And sixes, four fittings, in shoes.'

'If it's little lads size as you're wanting,'
Said the shopman, 'I'm sorry to say,
We nobbut had one in the building,
And that one were sold yesterday.'

He sent them across to a tin-smith,
Who said, 'I know what you've in mind;
If you'll draw me a pattern, I'll make one.'
But Pa'd left his pencil behind.

They tried every shop they could think of,
They walked for two hours by the clock,
And though most places reckoned to keep them,
They'd none of them got one in stock.

The last place they tried was the chemist,
He looked at them both with a frown.
And told them a recumbent posture
Were Latin, and meant lying down.

It means 'Lying down' - put in Latin
Said Father, 'That's just what I thowt.'
Then he picked up a side-glance from Mother,
And pretended he hadn't said nowt.

'They're not dosing my lad with Latin.'
Said Mother, her face looking grim,
'Just plain Castor Oil's all he's getting
And I'm leaving the posture to him.'
Written by Delmore Schwartz | Create an image from this poem

Parlez-Vous Francais?

 Caesar, the amplifier voice, announces
Crime and reparation. In the barber shop
Recumbent men attend, while absently
The barber doffs the naked face with cream.
Caesar proposes, Caesar promises
Pride, justice, and the sun
Brilliant and strong on everyone,
Speeding one hundred miles an hour across the land:
Caesar declares the will. The barber firmly
Planes the stubble with a steady hand,
While all in barber chairs reclining,
In wet white faces, fully understand
Good and evil, who is Gentile, weakness and command.

And now who enters quietly? Who is this one
Shy, pale, and quite abstracted? Who is he?
It is the writer merely, with a three-day beard,
His tiredness not evident. He wears no tie.
And now he hears his enemy and trembles,
Resolving, speaks: "Ecoutez! La plupart des hommes
Vivent des vies de desespoir silenciuex,
Victimes des intentions innombrables. Et ca
Cet homme sait bien. Les mots de cette voix sont
Des songes et des mensonges. Il prend choix,
Il prend la volonte, il porte la fin d'ete.
La guerre. Ecoutez-moi! Il porte la mort."
He stands there speaking and they laugh to hear
Rage and excitement from the foreigner.

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