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Best Famous Recovering Poems

Here is a collection of the all-time best famous Recovering poems. This is a select list of the best famous Recovering poetry. Reading, writing, and enjoying famous Recovering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of recovering poems.

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Written by Barry Tebb | Create an image from this poem

SORRY I MISSED YOU

 (or ‘Huddersfield the Second Poetry Capital of England Re-visited’)



What was it Janice Simmons said to me as James lay dying in Ireland?

“Phone Peter Pegnall in Leeds, an ex-pupil of Jimmy’s.
He’s organising A benefit reading, he’d love to hear from you and have your help.
” ‘Like hell he would’ I thought but I phoned him all the same At his converted farmhouse at Barswill, a Lecturer in Creative Writing At the uni.
But what’s he written, I wondered, apart from his CV? “Well I am organising a reading but only for the big people, you understand, Hardman, Harrison, Doughty, Duhig, Basher O’Brien, you know the kind, The ones that count, the ones I owe my job to.
” We nattered on and on until by way of adieu I read the final couplet Of my Goodbye poem, the lines about ‘One Leeds Jimmy who could fix the world’s.
Duhigs once and for all/Write them into the ground and still have a hundred Lyrics in his quiver.
’ Pete Stifled a cough which dipped into a gurgle and sank into a mire Of strangulated affect which almost became a convulsion until finally He shrieked, “I have to go, the cat’s under the Christmas tree, ripping Open all the presents, the central heating boiler’s on the blink, The house is on fucking fire!” So I was left with the offer of being raffle-ticket tout as a special favour, Some recompense for giving over two entire newsletters to Jimmy’s work: The words of the letter before his stroke still burned.
“I don’t know why They omitted me, Armitage and Harrison were my best mates once.
You and I Must meet.
” A whole year’s silence until the card with its cryptic message ‘Jimmy’s recovering slowly but better than expected’.
I never heard from Pegnall about the reading, the pamphlets he asked for Went unacknowledged.
Whalebone, the fellow-tutor he commended, also stayed silent.
Had the event been cancelled? Happening to be in Huddersfield on Good Friday I staggered up three flights of stone steps in the Byram Arcade to the Poetry Business Where, next to the ‘closed’ sign an out-of-date poster announced the reading in Leeds At a date long gone.
I peered through the slats at empty desks, at brimming racks of books, At overflowing bin-bags and the yellowing poster.
Desperately I tried to remember What Janice had said.
“We were sat up in bed, planning to take the children For a walk when Jimmy stopped looking at me, the pupils of his eyes rolled sideways, His head lolled and he keeled over.
” The title of the reading was from Jimmy’s best collection ‘With Energy To Burn’ with energy to burn.


Written by William Butler Yeats | Create an image from this poem

The Municipal Gallery Revisited

 I

Around me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;

 II

An Abbot or Archbishop with an upraised hand
Blessing the Tricolour.
'This is not,' I say, 'The dead Ireland of my youth, but an Ireland The poets have imagined, terrible and gay.
' Before a woman's portrait suddenly I stand, Beautiful and gentle in her Venetian way.
I met her all but fifty years ago For twenty minutes in some studio.
III Heart-smitten with emotion I Sink down, My heart recovering with covered eyes; Wherever I had looked I had looked upon My permanent or impermanent images: Augusta Gregory's son; her sister's son, Hugh Lane, 'onlie begetter' of all these; Hazel Lavery living and dying, that tale As though some ballad-singer had sung it all; IV Mancini's portrait of Augusta Gregory, 'Greatest since Rembrandt,' according to John Synge; A great ebullient portrait certainly; But where is the brush that could show anything Of all that pride and that humility? And I am in despair that time may bring Approved patterns of women or of men But not that selfsame excellence again.
V My mediaeval knees lack health until they bend, But in that woman, in that household where Honour had lived so long, all lacking found.
Childless I thought, 'My children may find here Deep-rooted things,' but never foresaw its end, And now that end has come I have not wept; No fox can foul the lair the badger swept - VI (An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought All that we did, all that we said or sang Must come from contact with the soil, from that Contact everything Antaeus-like grew strong.
We three alone in modern times had brought Everything down to that sole test again, Dream of the noble and the beggar-man.
VII And here's John Synge himself, that rooted man, 'Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone This book or that, come to this hallowed place Where my friends' portraits hang and look thereon; Ireland's history in their lineaments trace; Think where man's glory most begins and ends, And say my glory was I had such friends.
Written by Anne Kingsmill Finch | Create an image from this poem

The Bird and the Arras

 By neer resemblance see that Bird betray'd
Who takes the well wrought Arras for a shade
There hopes to pearch and with a chearfull Tune
O're-passe the scortchings of the sultry Noon.
But soon repuls'd by the obdurate scean How swift she turns but turns alas in vain That piece a Grove, this shews an ambient sky Where immitated Fowl their pinnions ply Seeming to mount in flight and aiming still more high.
All she outstrip's and with a moments pride Their understation silent does deride Till the dash'd Cealing strikes her to the ground No intercepting shrub to break the fall is found Recovering breath the window next she gaines Nor fears a stop from the transparent Panes.
But we degresse and leaue th' imprison'd wretch Now sinking low now on a loftyer stretch Flutt'ring in endless cercles of dismay Till some kind hand directs the certain way Which through the casement an escape affoards And leads to ample space the only Heav'n of Birds.
Written by Philip Larkin | Create an image from this poem

I Have Started To Say

 I have started to say
"A quarter of a century"
Or "thirty years back"
About my own life.
It makes me breathless It's like falling and recovering In huge gesturing loops Through an empty sky.
All that's left to happen Is some deaths (my own included).
Their order, and their manner, Remain to be learnt.
Written by Jack Gilbert | Create an image from this poem

Recovering Amid The Farms

 Every morning the sad girl brings her three sheep 
and two lambs laggardly to the top of the valley, 
past my stone hut and onto the mountain to graze.
She turned twelve last year and it was legal for the father to take her out of school.
She knows her life is over.
The sadness makes her fine, makes me happy.
Her old red sweater makes the whole valley ring, makes my solitude gleam.
I watch from hiding for her sake.
Knowing I am there is hard on her, but it is the focus of her days.
She always looks down or looks away as she passes in the evening.
Except sometimes when, just before going out of sight behind the distant canebrake, she looks quickly back.
It is too far for me to see, but there is a moment of white if she turns her face.


Written by Constantine P Cavafy | Create an image from this poem

Pictured

 My work, I'm very careful about it, and I love it.
But today I'm discouraged by how slowly it's going.
The day has affected my mood.
It gets darker and darker.
Endless wind and rain.
I'm more in the mood for looking than for writing.
In this picture, I'm now gazing at a handsome boy who is lying down close to a spring, exhausted from running.
What a handsome boy; what a heavenly noon has caught him up in sleep.
I sit and gaze like this for a long time, recovering through art from the effort of creating it.
trans.
by Edmund Keeley and Philip Sherrard
Written by Isaac Watts | Create an image from this poem

Psalm 77 part 1

 Melancholy assaulting, and hope prevailing.
To God I cried with mournful voice, I sought his gracious ear, In the sad day when troubles rose, And filled the night with fear.
Sad were my days, and dark my nights, My soul refused relief; I thought on God the just and wise, But thoughts increased my grief.
Still I complained, and still oppressed, My heart began to break; My God, thy wrath forbade my rest, And kept my eyes awake.
My overwhelming sorrows grew, Till I could speak no more; Then I within myself withdrew, And called thy judgments o'er.
I called back years and ancient times When I beheld thy face; My spirit searched for secret crimes That might withhold thy grace.
I called thy mercies to my mind Which I enjoyed before; And will the Lord no more be kind? His face appear no more? Will he for ever cast me off? His promise ever fail? Has he forgot his tender love? Shall anger still prevail? But I forbid this hopeless thought; This dark, despairing frame, Rememb'ring what thy hand hath wrought; Thy hand is still the same.
I'll think again of all thy ways, And talk thy wonders o'er; Thy wonders of recovering grace, When flesh could hope no more.
Grace dwells with justice on the throne; And men that love thy word Have in thy sanctuary known The counsels of the Lord.

Book: Reflection on the Important Things