Written by
Victor Hugo |
("Il semblait grelotter.")
{XXXVI., December, 1837.}
He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot—an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there—forgotten.
Trees were around him, whipped by icy blasts—
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.
Through the dark network of their undergrowth,
Pallid his aspect; and the earth was brown.
Starless and moonless, a rough winter's night
Was letting down her lappets o'er the mist.
This—nothing more: old Faun, dull sky, dark wood.
Poor, helpless marble, how I've pitied it!
Less often man—the harder of the two.
So, then, without a word that might offend
His ear deformed—for well the marble hears
The voice of thought—I said to him: "You hail
From the gay amorous age. O Faun, what saw you
When you were happy? Were you of the Court?
"Speak to me, comely Faun, as you would speak
To tree, or zephyr, or untrodden grass.
Have you, O Greek, O mocker of old days,
Have you not sometimes with that oblique eye
Winked at the Farnese Hercules?—Alone,
Have you, O Faun, considerately turned
From side to side when counsel-seekers came,
And now advised as shepherd, now as satyr?—
Have you sometimes, upon this very bench,
Seen, at mid-day, Vincent de Paul instilling
Grace into Gondi?—Have you ever thrown
That searching glance on Louis with Fontange,
On Anne with Buckingham; and did they not
Start, with flushed cheeks, to hear your laugh ring forth
From corner of the wood?—Was your advice
As to the thyrsis or the ivy asked,
When, in grand ballet of fantastic form,
God Phoebus, or God Pan, and all his court,
Turned the fair head of the proud Montespan,
Calling her Amaryllis?—La Fontaine,
Flying the courtiers' ears of stone, came he,
Tears on his eyelids, to reveal to you
The sorrows of his nymphs of Vaux?—What said
Boileau to you—to you—O lettered Faun,
Who once with Virgil, in the Eclogue, held
That charming dialogue?—Say, have you seen
Young beauties sporting on the sward?—Have you
Been honored with a sight of Molière
In dreamy mood?—Has he perchance, at eve,
When here the thinker homeward went, has he,
Who—seeing souls all naked—could not fear
Your nudity, in his inquiring mind,
Confronted you with Man?"
Under the thickly-tangled branches, thus
Did I speak to him; he no answer gave.
I shook my head, and moved myself away;
Then, from the copses, and from secret caves
Hid in the wood, methought a ghostly voice
Came forth and woke an echo in my souls
As in the hollow of an amphora.
"Imprudent poet," thus it seemed to say,
"What dost thou here? Leave the forsaken Fauns
In peace beneath their trees! Dost thou not know,
Poet, that ever it is impious deemed,
In desert spots where drowsy shades repose—
Though love itself might prompt thee—to shake down
The moss that hangs from ruined centuries,
And, with the vain noise of throe ill-timed words,
To mar the recollections of the dead?"
Then to the gardens all enwrapped in mist
I hurried, dreaming of the vanished days,
And still behind me—hieroglyph obscure
Of antique alphabet—the lonely Faun
Held to his laughter, through the falling night.
I went my way; but yet—in saddened spirit
Pondering on all that had my vision crossed,
Leaves of old summers, fair ones of old time—
Through all, at distance, would my fancy see,
In the woods, statues; shadows in the past!
WILLIAM YOUNG
A LOVE FOR WINGED THINGS.
{XXXVII., April 12, 1840.}
My love flowed e'er for things with wings.
When boy I sought for forest fowl,
And caged them in rude rushes' mesh,
And fed them with my breakfast roll;
So that, though fragile were the door,
They rarely fled, and even then
Would flutter back at faintest call!
Man-grown, I charm for men.
|
Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory.
"
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact.
In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam.
They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes.
And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn.
.
.
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.
"
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Thomas Moore |
Avenging and bright fall the swift sword of Erin
On him who the brave sons of Usna betray'd! --
For every fond eye he hath waken'd a tear in
A drop from his heart-wounds shall weep o'er her blade.
By the red cloud that hung over Conor's dark dwelling,
When Ulad's three champions lay sleeping in gore --
By the billows of war, which so often, high swelling,,
Have wafted these heroes to victory's shore --
We swear to avenge them! -- no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute, and our fields shall lie wasted,
Till vengeance is wreak'd on the murderer's head.
Yes, monarch! though sweet are our home recollections,
Though sweet are the tears that from tenderness fall;
Though sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
|
Written by
Algernon Charles Swinburne |
I.
Years upon years, as a course of clouds that thicken
Thronging the ways of the wind that shifts and veers,
Pass, and the flames of remembered fires requicken
Years upon years.
Surely the thought in a man's heart hopes or fears
Now that forgetfulness needs must here have stricken
Anguish, and sweetened the sealed-up springs of tears.
Ah, but the strength of regrets that strain and sicken,
Yearning for love that the veil of death endears,
Slackens not wing for the wings of years that quicken -
Years upon years.
II.
Years upon years, and the flame of love's high altar
Trembles and sinks, and the sense of listening ears
Heeds not the sound that it heard of love's blithe psalter
Years upon years.
Only the sense of a heart that hearkens hears,
Louder than dreams that assail and doubts that palter,
Sorrow that slept and that wakes ere sundawn peers.
Wakes, that the heart may behold, and yet not falter,
Faces of children as stars unknown of, spheres
Seen but of love, that endures though all things alter,
Years upon years.
III.
Years upon years, as a watch by night that passes,
Pass, and the light of their eyes is fire that sears
Slowly the hopes of the fruit that life amasses
Years upon years.
Pale as the glimmer of stars on moorland meres
Lighten the shadows reverberate from the glasses
Held in their hands as they pass among their peers.
Lights that are shadows, as ghosts on graveyard grasses,
Moving on paths that the moon of memory cheers,
Shew but as mists over cloudy mountain passes
Years upon years.
|
Written by
Eugene Field |
Away down East where I was reared amongst my Yankee kith,
There used to live a pretty girl whose name was Mary Smith;
And though it's many years since last I saw that pretty girl,
And though I feel I'm sadly worn by Western strife and whirl;
Still, oftentimes, I think about the old familiar place,
Which, someway, seemed the brighter for Miss Mary's pretty face,
And in my heart I feel once more revivified the glow
I used to feel in those old times when I was Mary's beau.
I saw her home from singing school--she warbled like a bird.
A sweeter voice than hers for song or speech I never heard.
She was soprano in the choir, and I a solemn bass,
And when we unisoned our voices filled that holy place;
The tenor and the alto never had the slightest chance,
For Mary's upper register made every heart-string dance;
And, as for me, I shall not brag, and yet I'd have you know
I sung a very likely bass when I was Mary's beau.
On Friday nights I'd drop around to make my weekly call,
And though I came to visit her, I'd have to see 'em all.
With Mary's mother sitting here and Mary's father there,
The conversation never flagged so far as I'm aware;
Sometimes I'd hold her worsted, sometimes we'd play at games,
Sometimes dissect the apples which we'd named each other's names.
Oh how I loathed the shrill-toned clock that told me when to go--
'Twas ten o'clock at half-past eight when I was Mary's beau.
Now there was Luther Baker--because he'd come of age
And thought himself some pumpkins because he drove the stage--
He fancied he could cut me out; but Mary was my friend--
Elsewise I'm sure the issue had had a tragic end.
For Luther Baker was a man I never could abide,
And, when it came to Mary, either he or I had died.
I merely cite this instance incidentally to show
That I was quite in earnest when I was Mary's beau.
How often now those sights, those pleasant sights, recur again:
The little township that was all the world I knew of then--
The meeting-house upon the hill, the tavern just beyond,
Old deacon Packard's general store, the sawmill by the pond,
The village elms I vainly sought to conquer in my quest
Of that surpassing trophy, the golden oriole's nest.
And, last of all those visions that come back from long ago,
The pretty face that thrilled my soul when I was Mary's beau.
Hush, gentle wife, there is no need a pang should vex your heart--
'T is many years since fate ordained that she and I should part;
To each a true, maturer love came in good time, and yet
It brought not with its nobler grace the power to forget.
And would you fain begrudge me now the sentimental joy
That comes of recollections of my sparkings when a boy?
I warrant me that, were your heart put to the rack,'t would show
That it had predilections when I was Mary's beau.
And, Mary, should these lines of mine seek out your biding place,
God grant they bring the old sweet smile back to your pretty face--
God grant they bring you thoughts of me, not as I am to-day,
With faltering step and brimming eyes and aspect grimly gray;
But thoughts that picture me as fair and full of life and glee
As we were in the olden times--as you shall always be.
Think of me ever, Mary, as the boy you used to know
When time was fleet, and life was sweet, and I was Mary's beau.
Dear hills of old New England, look down with tender eyes
Upon one little lonely grave that in your bosom lies;
For in that cradle sleeps a child who was so fair to see
God yearned to have unto Himself the joy she brought to me;
And bid your winds sing soft and low the song of other days,
When, hand in hand and heart to heart, we went our pleasant ways--
Ah me! but could I sing again that song of long ago,
Instead of this poor idle song of being Mary's beau.
|
Written by
Henry Lawson |
"Was I at Eureka?" His figure was drawn to a youthful height,
And a flood of proud recollections made the fire in his grey eyes bright;
With pleasure they lighted and glisten'd, tho' the digger was grizzled and old,
And we gathered about him and listen'd while the tale of Eureka he told.
"Ah, those were the days," said the digger, "twas a glorious life that we led,
When fortunes were dug up and lost in a day in the whirl of the years that are dead.
But there's many a veteran now in the land - old knights of the pick and the spade,
Who could tell you in language far stronger than mine 'bout the fight at Eureka Stockade.
"We were all of us young on the diggings in days when the nation had birth -
Light-hearted, and careless, and happy, and the flower of all nations on earth;
But we would have been peaceful an' quiet if the law had but let us alone;
And the fight - let them call it a riot - was due to no fault of our own.
"The creed of our rulers was narrow - they ruled with a merciless hand,
For the mark of the cursed broad arrow was deep in the heart of the land.
They treated us worse than the ******* were treated in slavery's day -
And justice was not for the diggers, as shown by the Bently affray.
"P'r'aps Bently was wrong.
If he wasn't the bloodthirsty villain they said,
He was one of the jackals that gather where the carcass of labour is laid.
'Twas b'lieved that he murdered a digger, and they let him off scot-free as well,
And the beacon o' battle was lighted on the night that we burnt his hotel.
"You may talk as you like, but the facts are the same (as you've often been told),
And how could we pay when the license cost more than the worth of the gold?
We heard in the sunlight the clanking o' chains in the hillocks of clay,
And our mates, they were rounded like cattle an' handcuffed an' driven away.
"The troopers were most of them new-chums, with many a gentleman's son;
And ridin' on horseback was easy, and hunting the diggers was fun.
Why, many poor devils who came from the vessel in rags and down-heeled,
Were copped, if they hadn't their license, before they set foot on the field.
"But they roused the hot blood that was in us, and the cry came to roll up at last;
And I tell you that something had got to be done when the diggers rolled up in the past.
Yet they say that in spite o' the talkin' it all might have ended in smoke,
But just at the point o' the crisis, the voice of a quiet man spoke.
" `We have said all our say and it's useless, you must fight or be slaves!' said the voice;
" `If it's fight, and you're wanting a leader, I will lead to the end - take your choice!'
I looked, it was Pete! Peter Lalor! who stood with his face to the skies,
But his figure seemed nobler and taller, and brighter the light of his eyes.
"The blood to his forehead was rushin' as hot as the words from his mouth;
He had come from the wrongs of the old land to see those same wrongs in the South;
The wrongs that had followed our flight from the land where the life of the worker was spoiled.
Still tyranny followed! no wonder the blood of the Irishman boiled.
"And true to his promise, they found him - the mates who are vanished or dead,
Who gathered for justice around him with the flag of the diggers o'erhead.
When the people are cold and unb'lieving, when the hands of the tyrants are strong,
You must sacrifice life for the people before they'll come down on the wrong.
"I'd a mate on the diggings, a lad, curly-headed, an' blue-eyed, an' white,
And the diggers said I was his father, an', well, p'r'aps the diggers were right.
I forbade him to stir from the tent, made him swear on the book he'd obey,
But he followed me in, in the darkness, and - was - shot - on Eureka that day.
" `Down, down with the tyrant an' bully,' these were the last words from his mouth
As he caught up a broken pick-handle and struck for the Flag of the South
An' let it in sorrow be written - the worst of this terrible strife,
'Twas under the `Banner of Britain' came the bullet that ended his life.
"I struck then! I struck then for vengeance! When I saw him lie dead in the dirt,
And the blood that came oozing like water had darkened the red of his shirt,
I caught up the weapon he dropped an' I struck with the strength of my hate,
Until I fell wounded an' senseless, half-dead by the side of `my mate'.
"Surprised in the grey o' the morning half-armed, and the Barricade bad,
A battle o' twenty-five minutes was long 'gainst the odds that they had,
But the light o' the morning was deadened an' the smoke drifted far o'er the town
An' the clay o' Eureka was reddened ere the flag o' the diggers came down.
"But it rose in the hands of the people an' high in the breezes it tost,
And our mates only died for a cause that was won by the battle they lost.
When the people are selfish and narrow, when the hands of the tyrants are strong,
You must sacrifice life for the public before they come down on a wrong.
"It is thirty-six years this December - (December the first*) since we made
The first stand 'gainst the wrongs of old countries that day in Eureka Stockade,
But the lies and the follies and shams of the North have all landed since then
An' it's pretty near time that you lifted the flag of Eureka again.
"You boast of your progress an' thump empty thunder from out of your drums,
While two of your `marvellous cities' are reeking with alleys an' slums.
An' the landsharks, an' robbers, an' idlers an' -! Yes, I had best draw it mild
But whenever I think o' Eureka my talking is apt to run wild.
"Even now in my tent when I'm dreaming I'll spring from my bunk, strike a light,
And feel for my boots an' revolver, for the diggers' march past in the night.
An' the faces an' forms of old mates an' old comrades go driftin' along,
With a band in the front of 'em playing the tune of an old battle song.
"
|
Written by
Victor Hugo |
("Oui, le bonheur bien vite a passé.")
{Bk. V. ii., February, 1821.}
Yes, Happiness hath left me soon behind!
Alas! we all pursue its steps! and when
We've sunk to rest within its arms entwined,
Like the Phoenician virgin, wake, and find
Ourselves alone again.
Then, through the distant future's boundless space,
We seek the lost companion of our days:
"Return, return!" we cry, and lo, apace
Pleasure appears! but not to fill the place
Of that we mourn always.
I, should unhallowed Pleasure woo me now,
Will to the wanton sorc'ress say, "Begone!
Respect the cypress on my mournful brow,
Lost Happiness hath left regret—but thou
Leavest remorse, alone."
Yet, haply lest I check the mounting fire,
O friends, that in your revelry appears!
With you I'll breathe the air which ye respire,
And, smiling, hide my melancholy lyre
When it is wet with tears.
Each in his secret heart perchance doth own
Some fond regret 'neath passing smiles concealed;—
Sufferers alike together and alone
Are we; with many a grief to others known,
How many unrevealed!
Alas! for natural tears and simple pains,
For tender recollections, cherished long,
For guileless griefs, which no compunction stains,
We blush; as if we wore these earthly chains
Only for sport and song!
Yes, my blest hours have fled without a trace:
In vain I strove their parting to delay;
Brightly they beamed, then left a cheerless space,
Like an o'erclouded smile, that in the face
Lightens, and fades away.
Fraser's Magazine
|
Written by
Francesco Petrarch |
SONNET LXXIX.
Quella fenestra, ove l' un sol si vede.
RECOLLECTIONS OF LOVE.
That window where my sun is often seen
Refulgent, and the world's at morning's hours;
And that, where Boreas blows, when winter lowers,
And the short days reveal a clouded scene;
That bench of stone where, with a pensive mien,
My Laura sits, forgetting beauty's powers;
Haunts where her shadow strikes the walls or flowers,
And her feet press the paths or herbage green:
The place where Love assail'd me with success;
And spring, the fatal time that, first observed,
[Pg 96]Revives the keen remembrance every year;
With looks and words, that o'er me have preserved
A power no length of time can render less,
Call to my eyes the sadly-soothing tear.
Penn.
That window where my sun is ever seen,
Dazzling and bright, and Nature's at the none;
And that where still, when Boreas rude has blown
In the short days, the air thrills cold and keen:
The stone where, at high noon, her seat has been,
Pensive and parleying with herself alone:
Haunts where her bright form has its shadow thrown,
Or trod her fairy foot the carpet green:
The cruel spot where first Love spoil'd my rest,
And the new season which, from year to year,
Opes, on this day, the old wound in my breast:
The seraph face, the sweet words, chaste and dear,
Which in my suffering heart are deep impress'd,
All melt my fond eyes to the frequent tear.
Macgregor.
|
Written by
Francesco Petrarch |
SONNET CXLII.
Quando mi vene innanzi il tempo e 'l loco.
RECOLLECTIONS OF EARLY LOVE.
The time and scene where I a slave became
When I remember, and the knot so dear
Which Love's own hand so firmly fasten'd here,
Which made my bitter sweet, my grief a game;
My heart, with fuel stored, is, as a flame
Of those soft sighs familiar to mine ear,
So lit within, its very sufferings cheer;
On these I live, and other aid disclaim.
That sun, alone which beameth for my sight,
With his strong rays my ruin'd bosom burns
Now in the eve of life as in its prime,
And from afar so gives me warmth and light,
Fresh and entire, at every hour, returns
On memory the knot, the scene, the time.
Macgregor.
|
Written by
Francesco Petrarch |
SONNET CCXI.
Qual paura ho, quando mi torna a mente.
MELANCHOLY RECOLLECTIONS AND PRESAGES.
O Laura! when my tortured mind
The sad remembrance bears
Of that ill-omen'd day,
When, victim to a thousand doubts and fears,
I left my soul behind,
That soul that could not from its partner stray;
In nightly visions to my longing eyes
Thy form oft seems to rise,
As ever thou wert seen,
Fair like the rose, 'midst paling flowers the queen,
[Pg 218]But loosely in the wind,
Unbraided wave the ringlets of thy hair,
That late with studious care,
I saw with pearls and flowery garlands twined:
On thy wan lip, no cheerful smile appears;
Thy beauteous face a tender sadness wears;
Placid in pain thou seem'st, serene in grief,
As conscious of thy fate, and hopeless of relief!
Cease, cease, presaging heart! O angels, deign
To hear my fervent prayer, that all my fears be vain!
Woodhouselee.
What dread I feel when I revolve the day
I left my mistress, sad, without repose,
My heart too with her: and my fond thought knows
Nought on which gladlier, oft'ner it can stay.
Again my fancy doth her form portray
Meek among beauty's train, like to some rose
Midst meaner flowers; nor joy nor grief she shows;
Not with misfortune prest but with dismay.
Then were thrown by her custom'd cheerfulness,
Her pearls, her chaplets, and her gay attire,
Her song, her laughter, and her mild address;
Thus doubtingly I quitted her I love:
Now dark ideas, dreams, and bodings dire
Raise terrors, which Heaven grant may groundless prove!
Nott.
|