Written by
Mary Darby Robinson |
WHERE o'er my head, the deaf'ning Tempest blew,
And Night's cold lamp cast forth a feeble ray;
Where o'er the woodlands, vivid light'nings flew,
Cleft the strong oak, and scorch'd the blossom'd spray;
At morn's approach, I mark the sun's warm glow
O'er the grey hill a crimson radiance throw;
I mark the silv'ry fragrant dew,
Give lustre to the vi'let's hue;
The shallow rivers o'er their pebbly way,
In slow meanders murmuring play;
Day spreads her beams, the lofty forest tree,
Shakes from its moisten'd head the pearly show'r,
All nature, feels the renovating hour,
All, but the sorrowing child of cold ADVERSITY;
For her, the linnet's downy throat
Breathes harmony in vain;
Unmov'd, she hears the warbling note
In all the melody of song complain;
By her unmark'd the flowret's bloom,
In vain the landscape sheds perfume;
Her languid form, on earth's damp bed,
In coarse and tatter'd garb reclines;
In silent agony she pines;
Or, if she hears some stranger's tread,
To a dark nook, ashamed she flies,
And with her scanty robe, o'er-shades her weeping eyes.
Her hair, dishevel'd, wildly plays
With every freezing gale;
While down her cold cheek, deadly pale,
The tear of pensive sorrow strays;
She shuns, the PITY of the proud,
Her mind, still triumphs, unsubdu'd
Nor stoops, its misery to obtrude,
Upon the vulgar croud.
Unheeded, and unknown,
To some bleak wilderness she flies;
And seated on a moss-clad stone,
Unwholesome vapours round her rise,
And hang their mischiefs on her brow;
The ruffian winds, her limbs expose;
Still, still, her heart disdains to bow,
She cherishes her woes.
NOW FAMINE spreads her sable wings;
INGRATITUDE insults her pangs;
While from a thousand eager fangs,
Madd'ning she flies;The recreant crew
With taunting smiles her steps pursue;
While on her burning, bleeding heart,
Fresh wounded by Affliction's dart,
NEGLECT, her icy poison flings;
From HOPE's celestial bosom hurl'd,
She seeks oblivion's gloom,
Now, now, she mocks the barb'rous world,
AND TRIUMPHS IN THE TOMB.
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Written by
Matthew Prior |
Dear Chloe, how blubbered is that pretty face;
Thy cheek all on fire, and thy hair all uncurled!
Prithee quit this caprice, and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume thou hast leave to destroy
The beauties which Venus but lent to thy keeping?
Those looks were designed to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion, you wrong:
You take that for fact which will scarce be found wit—
Od's life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse, but I love thee in prose;
And they have my whimsies, but thou hast my heart.
The god of us verse-men (you know, child) the sun,
How after his journeys he sets up his rest;
If at morning o'er earth 'tis his fancy to run,
At night he reclines on his Thetis's breast.
So when I am wearied with wand'ring all day,
To thee, my delight, in the evening I come:
No matter what beauties I saw in my way,
They were but my visits, but thou art my home.
Then finish, dear Chloe, this pastoral war,
And let us like Horace and Lydia agree;
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.
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Written by
Andrew Barton Paterson |
Weary and listless, sad and slow,
Without any conversation,
Was a man that worked on The Overflow,
The butt of the shed and the station.
The shearers christened him Noisy Ned,
With an alias "Silent Waters",
But never a needless word he said
In the hut or the shearers' quarters.
Which caused annoyance to Big Barcoo,
The shed's unquestioned ringer,
Whose name was famous Australia through
As a dancer, fighter and singer.
He was fit for the ring, if he'd had his rights
As an agent of devastation;
And the number of men he had killed in fights
Was his principal conversation.
"I have known blokes go to their doom," said he,
"Through actin' with haste and rashness:
But the style that this Noisy Ned assumes,
It's nothing but silent flashness.
"We may just be dirt, from his point of view,
Unworthy a word in season;
But I'll make him talk like a cockatoo
Or I'll get him to show the reason."
Was it chance or fate, that King Condamine,
A king who had turned a black tracker,
Had captured a baby purcupine,
Which he swapped for a "fig tobacker"?
With the porcupine in the Silent's bed
The shearers were quite elated,
And the things to be done, and the words to be said,
Were anxiously awaited.
With a screech and a howl and an eldritch cry
That nearly deafened his hearers
He sprang from his bunk, and his fishy eye
Looked over the laughing shearers.
He looked them over and he looked them through
As a cook might look through a larder;
"Now, Big Barcoo, I must pick on you,
You're big, but you'll fall the harder."
Now, the silent man was but slight and thin
And of middleweight conformation,
But he hung one punch on the Barcoo's chin
And it ended the altercation.
"You've heard of the One-round Kid," said he,
"That hunted 'em all to shelter?
The One-round Finisher -- that was me,
When I fought as the Champion Welter.
"And this Barcoo bloke on his back reclines
For being a bit too clever,
For snakes and wombats and porcupines
Are nothing to me whatever.
"But the golden rule that I've had to learn
In the ring, and for years I've tried it,
Is only to talk when it comes your turn,
And never to talk outside it."
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Written by
Emma Lazarus |
I
As the blind Milton's memory of light,
The deaf Beethoven's phantasy of tone,
Wroght joys for them surpassing all things known
In our restricted sphere of sound and sight,--
So while the glaring streets of brick and stone
Vix with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses. All day long,
Think ye 't is I, who sit 'twixt darkened walls,
While ye chase beauty over land and sea?
Uplift on wings of some rare poet's song
Where the wide billow laughs and leaps and falls,
I soar cloud-high, free as the winds are free.
II
Who grasps the substance? who 'mid shadows strays?
He who within some dark-bright wood reclines,
'Twixt sleep and waking, where the needled pines
Have cushioned al his couch with soft brown sprays?
He notes not how the living water shines,
Trembling along the cliff, a flickering haze,
Brimming a wine-bright pool, nor lifts his gaze
To read the ancient wonders and the signs.
Does he possess the actual, or do I,
Who paint on air more than his sense receives,
The glittering pine-tufts with closed eyes behold,
Breathe the strong resinous perfume, see the sky
Quiver like azure flame between the leaves,
And open unseen gates with key of gold?
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Written by
Li Po |
I love Master Meng.
Free as a flowing breeze,
He is famous
Throughout the world.
In rosy youth, he cast away
Official cap and carriage.
Now, a white-haired elder, he reclines
Amid pines and cloud.
Drunk beneath the moon,
He often attains sagehood.
Lost among the flowers,
He serves no lord.
How can I aspire
to such a high mountain?
Here below, to his clear fragrance,
I bow.
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Written by
Henry Wadsworth Longfellow |
Lo! in the painted oriel of the West,
Whose panes the sunken sun incarnadines,
Like a fair lady at her casement, shines
The evening star, the star of love and rest!
And then anon she doth herself divest
Of all her radiant garments, and reclines
Behind the sombre screen of yonder pines,
With slumber and soft dreams of love oppressed.
O my beloved, my sweet Hesperus!
My morning and my evening star of love!
My best and gentlest lady! even thus,
As that fair planet in the sky above,
Dost thou retire unto thy rest at night,
And from thy darkened window fades the light.
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Written by
Aleksandr Blok |
I prefer the gorgeous freedom,
And I fly to lands of grace,
Where in wide and clear meadows
All is good, as dreams, and blest.
Here they rice: the clover clear,
And corn-flower's gentle lace,
And the rustle is always here:
"Ears are leaning... Take your ways!"
In this immense sea of fair,
Only one of blades reclines.
You don't see in misty air,
I'd seen it!It will be mine!
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Written by
William Butler Yeats |
That civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.
Like a long-legged fly upon the stream
His mind moves upon silence.
That the topless towers be burnt
And men recall that face,
Move most gently if move you must
In this lonely place.
She thinks, part woman, three parts a child,
That nobody looks; her feet
Practise a tinker shuffle
Picked up on a street.
Like a long-legged fly upon the stream
Her mind moves upon silence.
That girls at puberty may find
The first Adam in their thought,
Shut the door of the Pope's chapel,
Keep those children out.
There on that scaffolding reclines
Michael Angelo.
With no more sound than the mice make
His hand moves to and fro.
Like a long-leggedfly upon the stream
His mind moves upon silence.
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Written by
Mary Darby Robinson |
So bends beneath the storm yon balmy flow'r,
Whose spicy blossoms once perfum'd the gale;
So press'd with tears reclines yon lily pale,
Obedient to the rude and beating show'r.
Still is the LARK, that hov'ring o'er yon spray,
With jocund carol usher'd in the morn;
And mute the NIGHTINGALE, whose tender lay
Melted the feeling mind with sounds forlorn:
More sweet, MARIA, was thy plaintive strain!
That strain is o'er; but mem'ry ne'er shall fade,
When erst it cheer'd grey twilight's dreary shade,
And charm'd the sorrow-stricken soul from pain;
STILL, STILL, melodious maid, thy dulcet song
Shall breathe, immortal, on an ANGEL'S TONGUE!
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