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Best Famous Reaps Poems

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Written by Joseph Brodsky | Create an image from this poem

I Sit By The Window

 I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window.
Outside, an aspen.
When I loved, I loved deeply.
It wasn't often.
I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee? Sick of the dust raised by the modern era, the Russian eye would rest on an Estonian spire.
I sit by the window.
The dishes are done.
I was happy here.
But I won't be again.
I wrote: The bulb looks at the flower in fear, and love, as an act, lacks a verb; the zer- o Euclid thought the vanishing point became wasn't math--it was the nothingness of Time.
I sit by the window.
And while I sit my youth comes back.
Sometimes I'd smile.
Or spit.
I said that the leaf may destory the bud; what's fertile falls in fallow soil--a dud; that on the flat field, the unshadowed plain nature spills the seeds of trees in vain.
I sit by the window.
Hands lock my knees.
My heavy shadow's my squat company.
My song was out of tune, my voice was cracked, but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders no one--no one's legs rest on my sholders.
I sit by the window in the dark.
Like an express, the waves behind the wavelike curtain crash.
A loyal subject of these second-rate years, I proudly admit that my finest ideas are second-rate, and may the future take them as trophies of my struggle against suffocation.
I sit in the dark.
And it would be hard to figure out which is worse; the dark inside, or the darkness out.


Written by Walt Whitman | Create an image from this poem

Now List to my Morning's Romanza

 1
NOW list to my morning’s romanza—I tell the signs of the Answerer; 
To the cities and farms I sing, as they spread in the sunshine before me.
A young man comes to me bearing a message from his brother; How shall the young man know the whether and when of his brother? Tell him to send me the signs.
And I stand before the young man face to face, and take his right hand in my left hand, and his left hand in my right hand, And I answer for his brother, and for men, and I answer for him that answers for all, and send these signs.
2 Him all wait for—him all yield up to—his word is decisive and final, Him they accept, in him lave, in him perceive themselves, as amid light, Him they immerse, and he immerses them.
Beautiful women, the haughtiest nations, laws, the landscape, people, animals, The profound earth and its attributes, and the unquiet ocean, (so tell I my morning’s romanza;) All enjoyments and properties, and money, and whatever money will buy, The best farms—others toiling and planting, and he unavoidably reaps, The noblest and costliest cities—others grading and building, and he domiciles there; Nothing for any one, but what is for him—near and far are for him, the ships in the offing, The perpetual shows and marches on land, are for him, if they are for any body.
He puts things in their attitudes; He puts to-day out of himself, with plasticity and love; He places his own city, times, reminiscences, parents, brothers and sisters, associations, employment, politics, so that the rest never shame them afterward, nor assume to command them.
He is the answerer: What can be answer’d he answers—and what cannot be answer’d, he shows how it cannot be answer’d.
3 A man is a summons and challenge; (It is vain to skulk—Do you hear that mocking and laughter? Do you hear the ironical echoes?) Books, friendships, philosophers, priests, action, pleasure, pride, beat up and down, seeking to give satisfaction; He indicates the satisfaction, and indicates them that beat up and down also.
Whichever the sex, whatever the season or place, he may go freshly and gently and safely, by day or by night; He has the pass-key of hearts—to him the response of the prying of hands on the knobs.
His welcome is universal—the flow of beauty is not more welcome or universal than he is; The person he favors by day, or sleeps with at night, is blessed.
4 Every existence has its idiom—everything has an idiom and tongue; He resolves all tongues into his own, and bestows it upon men, and any man translates, and any man translates himself also; One part does not counteract another part—he is the joiner—he sees how they join.
He says indifferently and alike, How are you, friend? to the President at his levee, And he says, Good-day, my brother! to Cudge that hoes in the sugar-field, And both understand him, and know that his speech is right.
He walks with perfect ease in the Capitol, He walks among the Congress, and one Representative says to another, Here is our equal, appearing and new.
Then the mechanics take him for a mechanic, And the soldiers suppose him to be a soldier, and the sailors that he has follow’d the sea, And the authors take him for an author, and the artists for an artist, And the laborers perceive he could labor with them and love them; No matter what the work is, that he is the one to follow it, or has follow’d it, No matter what the nation, that he might find his brothers and sisters there.
The English believe he comes of their English stock, A Jew to the Jew he seems—a Russ to the Russ—usual and near, removed from none.
Whoever he looks at in the traveler’s coffee-house claims him, The Italian or Frenchman is sure, and the German is sure, and the Spaniard is sure, and the island Cuban is sure; The engineer, the deck-hand on the great lakes, or on the Mississippi, or St.
Lawrence, or Sacramento, or Hudson, or Paumanok Sound, claims him.
The gentleman of perfect blood acknowledges his perfect blood; The insulter, the prostitute, the angry person, the beggar, see themselves in the ways of him—he strangely transmutes them, They are not vile any more—they hardly know themselves, they are so grown.
Written by Matthew Arnold | Create an image from this poem

The Strayed Reveller

 1 Faster, faster, 
2 O Circe, Goddess,
3 Let the wild, thronging train 
4 The bright procession 
5 Of eddying forms, 
6 Sweep through my soul! 

7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening 15 So soon? I see, the night-dews, 16 Cluster'd in thick beads, dim 17 The agate brooch-stones 18 On thy white shoulder; 19 The cool night-wind, too, 20 Blows through the portico, 21 Stirs thy hair, Goddess, 22 Waves thy white robe! Circe.
23 Whence art thou, sleeper? The Youth.
24 When the white dawn first 25 Through the rough fir-planks 26 Of my hut, by the chestnuts, 27 Up at the valley-head, 28 Came breaking, Goddess! 29 I sprang up, I threw round me 30 My dappled fawn-skin; 31 Passing out, from the wet turf, 32 Where they lay, by the hut door, 33 I snatch'd up my vine-crown, my fir-staff, 34 All drench'd in dew- 35 Came swift down to join 36 The rout early gather'd 37 In the town, round the temple, 38 Iacchus' white fane 39 On yonder hill.
40 Quick I pass'd, following 41 The wood-cutters' cart-track 42 Down the dark valley;-I saw 43 On my left, through the beeches, 44 Thy palace, Goddess, 45 Smokeless, empty! 46 Trembling, I enter'd; beheld 47 The court all silent, 48 The lions sleeping, 49 On the altar this bowl.
50 I drank, Goddess! 51 And sank down here, sleeping, 52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou? 54 Thou lovest it, then, my wine? 55 Wouldst more of it? See, how glows, 56 Through the delicate, flush'd marble, 57 The red, creaming liquor, 58 Strown with dark seeds! 59 Drink, thee! I chide thee not, 60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so! 62 Drink-drink again! The Youth.
63 Thanks, gracious one! 64 Ah, the sweet fumes again! 65 More soft, ah me, 66 More subtle-winding 67 Than Pan's flute-music! 68 Faint-faint! Ah me, 69 Again the sweet sleep! Circe.
70 Hist! Thou-within there! 71 Come forth, Ulysses! 72 Art tired with hunting? 73 While we range the woodland, 74 See what the day brings.
Ulysses.
75 Ever new magic! 76 Hast thou then lured hither, 77 Wonderful Goddess, by thy art, 78 The young, languid-eyed Ampelus, 79 Iacchus' darling- 80 Or some youth beloved of Pan, 81 Of Pan and the Nymphs? 82 That he sits, bending downward 83 His white, delicate neck 84 To the ivy-wreathed marge 85 Of thy cup; the bright, glancing vine-leaves 86 That crown his hair, 87 Falling forward, mingling 88 With the dark ivy-plants-- 89 His fawn-skin, half untied, 90 Smear'd with red wine-stains? Who is he, 91 That he sits, overweigh'd 92 By fumes of wine and sleep, 93 So late, in thy portico? 94 What youth, Goddess,-what guest 95 Of Gods or mortals? Circe.
96 Hist! he wakes! 97 I lured him not hither, Ulysses.
98 Nay, ask him! The Youth.
99 Who speaks' Ah, who comes forth 100 To thy side, Goddess, from within? 101 How shall I name him? 102 This spare, dark-featured, 103 Quick-eyed stranger? 104 Ah, and I see too 105 His sailor's bonnet, 106 His short coat, travel-tarnish'd, 107 With one arm bare!-- 108 Art thou not he, whom fame 109 This long time rumours 110 The favour'd guest of Circe, brought by the waves? 111 Art thou he, stranger? 112 The wise Ulysses, 113 Laertes' son? Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper? 116 Thy voice is sweet.
117 It may be thou hast follow'd 118 Through the islands some divine bard, 119 By age taught many things, 120 Age and the Muses; 121 And heard him delighting 122 The chiefs and people 123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes, 125 Of war and arts, 126 And peopled cities, 127 Inland, or built 128 By the gray sea.
-If so, then hail! 129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides 132 Their shining eyes, 133 And see below them 134 The earth and men.
135 They see Tiresias 136 Sitting, staff in hand, 137 On the warm, grassy 138 Asopus bank, 139 His robe drawn over 140 His old sightless head, 141 Revolving inly 142 The doom of Thebes.
143 They see the Centaurs 144 In the upper glens 145 Of Pelion, in the streams, 146 Where red-berried ashes fringe 147 The clear-brown shallow pools, 148 With streaming flanks, and heads 149 Rear'd proudly, snuffing 150 The mountain wind.
151 They see the Indian 152 Drifting, knife in hand, 153 His frail boat moor'd to 154 A floating isle thick-matted 155 With large-leaved, low-creeping melon-plants 156 And the dark cucumber.
157 He reaps, and stows them, 158 Drifting--drifting;--round him, 159 Round his green harvest-plot, 160 Flow the cool lake-waves, 161 The mountains ring them.
162 They see the Scythian 163 On the wide stepp, unharnessing 164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal-- 166 Mares' milk, and bread 167 Baked on the embers;--all around 168 The boundless, waving grass-plains stretch, thick-starr'd 169 With saffron and the yellow hollyhock 170 And flag-leaved iris-flowers.
171 Sitting in his cart 172 He makes his meal; before him, for long miles, 173 Alive with bright green lizards, 174 And the springing bustard-fowl, 175 The track, a straight black line, 176 Furrows the rich soil; here and there 177 Cluster of lonely mounds 178 Topp'd with rough-hewn, 179 Gray, rain-blear'd statues, overpeer 180 The sunny waste.
181 They see the ferry 182 On the broad, clay-laden 183 Lone Chorasmian stream;--thereon, 184 With snort and strain, 185 Two horses, strongly swimming, tow 186 The ferry-boat, with woven ropes 187 To either bow 188 Firm harness'd by the mane; a chief 189 With shout and shaken spear, 190 Stands at the prow, and guides them; but astern 191 The cowering merchants, in long robes, 192 Sit pale beside their wealth 193 Of silk-bales and of balsam-drops, 194 Of gold and ivory, 195 Of turquoise-earth and amethyst, 196 Jasper and chalcedony, 197 And milk-barred onyx-stones.
198 The loaded boat swings groaning 199 In the yellow eddies; 200 The Gods behold him.
201 They see the Heroes 202 Sitting in the dark ship 203 On the foamless, long-heaving 204 Violet sea.
205 At sunset nearing 206 The Happy Islands.
207 These things, Ulysses, 208 The wise bards, also 209 Behold and sing.
210 But oh, what labour! 211 O prince, what pain! 212 They too can see 213 Tiresias;--but the Gods, 214 Who give them vision, 215 Added this law: 216 That they should bear too 217 His groping blindness, 218 His dark foreboding, 219 His scorn'd white hairs; 220 Bear Hera's anger 221 Through a life lengthen'd 222 To seven ages.
223 They see the Centaurs 224 On Pelion:--then they feel, 225 They too, the maddening wine 226 Swell their large veins to bursting; in wild pain 227 They feel the biting spears 228 Of the grim Lapith?, and Theseus, drive, 229 Drive crashing through their bones; they feel 230 High on a jutting rock in the red stream 231 Alcmena's dreadful son 232 Ply his bow;--such a price 233 The Gods exact for song: 234 To become what we sing.
235 They see the Indian 236 On his mountain lake; but squalls 237 Make their skiff reel, and worms 238 In the unkind spring have gnawn 239 Their melon-harvest to the heart.
--They see 240 The Scythian: but long frosts 241 Parch them in winter-time on the bare stepp, 242 Till they too fade like grass; they crawl 243 Like shadows forth in spring.
244 They see the merchants 245 On the Oxus stream;--but care 246 Must visit first them too, and make them pale.
247 Whether, through whirling sand, 248 A cloud of desert robber-horse have burst 249 Upon their caravan; or greedy kings, 250 In the wall'd cities the way passes through, 251 Crush'd them with tolls; or fever-airs, 252 On some great river's marge, 253 Mown them down, far from home.
254 They see the Heroes 255 Near harbour;--but they share 256 Their lives, and former violent toil in Thebes, 257 Seven-gated Thebes, or Troy; 258 Or where the echoing oars 259 Of Argo first 260 Startled the unknown sea.
261 The old Silenus 262 Came, lolling in the sunshine, 263 From the dewy forest-coverts, 264 This way at noon.
265 Sitting by me, while his Fauns 266 Down at the water-side 267 Sprinkled and smoothed 268 His drooping garland, 269 He told me these things.
270 But I, Ulysses, 271 Sitting on the warm steps, 272 Looking over the valley, 273 All day long, have seen, 274 Without pain, without labour, 275 Sometimes a wild-hair'd M?nad-- 276 Sometimes a Faun with torches-- 277 And sometimes, for a moment, 278 Passing through the dark stems 279 Flowing-robed, the beloved, 280 The desired, the divine, 281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars! 283 Ah, glimmering water, 284 Fitful earth-murmur, 285 Dreaming woods! 286 Ah, golden-haired, strangely smiling Goddess, 287 And thou, proved, much enduring, 288 Wave-toss'd Wanderer! 289 Who can stand still? 290 Ye fade, ye swim, ye waver before me-- 291 The cup again! 292 Faster, faster, 293 O Circe, Goddess.
294 Let the wild, thronging train, 295 The bright procession 296 Of eddying forms, 297 Sweep through my soul!
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Reaper and the Flowers

 There is a Reaper, whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.
"Shall I have naught that is fair?" saith he; "Have naught but the bearded grain? Though the breath of these flowers is sweet to me, I will give them all back again.
" He gazed at the flowers with tearful eyes, He kissed their drooping leaves; It was for the Lord of Paradise He bound them in his sheaves.
"My Lord has need of these flowerets gay," The Reaper said, and smiled; "Dear tokens of the earth are they, Where he was once a child.
"They shall all bloom in fields of light, Transplanted by my care, And saints, upon their garments white, These sacred blossoms wear.
" And the mother gave, in tears and pain, The flowers she most did love; She knew she should find them all again In the fields of light above.
O, not in cruelty, not in wrath, The Reaper came that day; 'T was an angel visited the green earth, And took the flowers away.
Written by Matthew Arnold | Create an image from this poem

Strayed Reveller The

 The Youth

Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening So soon? I see, the night-dews, Cluster'd in thick beads, dim The agate brooch-stones On thy white shoulder; The cool night-wind, too, Blows through the portico, Stirs thy hair, Goddess, Waves thy white robe! Circe.
Whence art thou, sleeper? The Youth.
When the white dawn first Through the rough fir-planks Of my hut, by the chestnuts, Up at the valley-head, Came breaking, Goddess! I sprang up, I threw round me My dappled fawn-skin; Passing out, from the wet turf, Where they lay, by the hut door, I snatch'd up my vine-crown, my fir-staff, All drench'd in dew- Came swift down to join The rout early gather'd In the town, round the temple, Iacchus' white fane On yonder hill.
Quick I pass'd, following The wood-cutters' cart-track Down the dark valley;-I saw On my left, through the beeches, Thy palace, Goddess, Smokeless, empty! Trembling, I enter'd; beheld The court all silent, The lions sleeping, On the altar this bowl.
I drank, Goddess! And sank down here, sleeping, On the steps of thy portico.
Circe.
Foolish boy! Why tremblest thou? Thou lovest it, then, my wine? Wouldst more of it? See, how glows, Through the delicate, flush'd marble, The red, creaming liquor, Strown with dark seeds! Drink, thee! I chide thee not, Deny thee not my bowl.
Come, stretch forth thy hand, thee-so! Drink-drink again! The Youth.
Thanks, gracious one! Ah, the sweet fumes again! More soft, ah me, More subtle-winding Than Pan's flute-music! Faint-faint! Ah me, Again the sweet sleep! Circe.
Hist! Thou-within there! Come forth, Ulysses! Art tired with hunting? While we range the woodland, See what the day brings.
Ulysses.
Ever new magic! Hast thou then lured hither, Wonderful Goddess, by thy art, The young, languid-eyed Ampelus, Iacchus' darling- Or some youth beloved of Pan, Of Pan and the Nymphs? That he sits, bending downward His white, delicate neck To the ivy-wreathed marge Of thy cup; the bright, glancing vine-leaves That crown his hair, Falling forward, mingling With the dark ivy-plants-- His fawn-skin, half untied, Smear'd with red wine-stains? Who is he, That he sits, overweigh'd By fumes of wine and sleep, So late, in thy portico? What youth, Goddess,-what guest Of Gods or mortals? Circe.
Hist! he wakes! I lured him not hither, Ulysses.
Nay, ask him! The Youth.
Who speaks' Ah, who comes forth To thy side, Goddess, from within? How shall I name him? This spare, dark-featured, Quick-eyed stranger? Ah, and I see too His sailor's bonnet, His short coat, travel-tarnish'd, With one arm bare!-- Art thou not he, whom fame This long time rumours The favour'd guest of Circe, brought by the waves? Art thou he, stranger? The wise Ulysses, Laertes' son? Ulysses.
I am Ulysses.
And thou, too, sleeper? Thy voice is sweet.
It may be thou hast follow'd Through the islands some divine bard, By age taught many things, Age and the Muses; And heard him delighting The chiefs and people In the banquet, and learn'd his songs.
Of Gods and Heroes, Of war and arts, And peopled cities, Inland, or built By the gray sea.
-If so, then hail! I honour and welcome thee.
The Youth.
The Gods are happy.
They turn on all sides Their shining eyes, And see below them The earth and men.
They see Tiresias Sitting, staff in hand, On the warm, grassy Asopus bank, His robe drawn over His old sightless head, Revolving inly The doom of Thebes.
They see the Centaurs In the upper glens Of Pelion, in the streams, Where red-berried ashes fringe The clear-brown shallow pools, With streaming flanks, and heads Rear'd proudly, snuffing The mountain wind.
They see the Indian Drifting, knife in hand, His frail boat moor'd to A floating isle thick-matted With large-leaved, low-creeping melon-plants And the dark cucumber.
He reaps, and stows them, Drifting--drifting;--round him, Round his green harvest-plot, Flow the cool lake-waves, The mountains ring them.
They see the Scythian On the wide stepp, unharnessing His wheel'd house at noon.
He tethers his beast down, and makes his meal-- Mares' milk, and bread Baked on the embers;--all around The boundless, waving grass-plains stretch, thick-starr'd With saffron and the yellow hollyhock And flag-leaved iris-flowers.
Sitting in his cart He makes his meal; before him, for long miles, Alive with bright green lizards, And the springing bustard-fowl, The track, a straight black line, Furrows the rich soil; here and there Cluster of lonely mounds Topp'd with rough-hewn, Gray, rain-blear'd statues, overpeer The sunny waste.
They see the ferry On the broad, clay-laden Lone Chorasmian stream;--thereon, With snort and strain, Two horses, strongly swimming, tow The ferry-boat, with woven ropes To either bow Firm harness'd by the mane; a chief With shout and shaken spear, Stands at the prow, and guides them; but astern The cowering merchants, in long robes, Sit pale beside their wealth Of silk-bales and of balsam-drops, Of gold and ivory, Of turquoise-earth and amethyst, Jasper and chalcedony, And milk-barred onyx-stones.
The loaded boat swings groaning In the yellow eddies; The Gods behold him.
They see the Heroes Sitting in the dark ship On the foamless, long-heaving Violet sea.
At sunset nearing The Happy Islands.
These things, Ulysses, The wise bards, also Behold and sing.
But oh, what labour! O prince, what pain! They too can see Tiresias;--but the Gods, Who give them vision, Added this law: That they should bear too His groping blindness, His dark foreboding, His scorn'd white hairs; Bear Hera's anger Through a life lengthen'd To seven ages.
They see the Centaurs On Pelion:--then they feel, They too, the maddening wine Swell their large veins to bursting; in wild pain They feel the biting spears Of the grim Lapith?, and Theseus, drive, Drive crashing through their bones; they feel High on a jutting rock in the red stream Alcmena's dreadful son Ply his bow;--such a price The Gods exact for song: To become what we sing.
They see the Indian On his mountain lake; but squalls Make their skiff reel, and worms In the unkind spring have gnawn Their melon-harvest to the heart.
--They see The Scythian: but long frosts Parch them in winter-time on the bare stepp, Till they too fade like grass; they crawl Like shadows forth in spring.
They see the merchants On the Oxus stream;--but care Must visit first them too, and make them pale.
Whether, through whirling sand, A cloud of desert robber-horse have burst Upon their caravan; or greedy kings, In the wall'd cities the way passes through, Crush'd them with tolls; or fever-airs, On some great river's marge, Mown them down, far from home.
They see the Heroes Near harbour;--but they share Their lives, and former violent toil in Thebes, Seven-gated Thebes, or Troy; Or where the echoing oars Of Argo first Startled the unknown sea.
The old Silenus Came, lolling in the sunshine, From the dewy forest-coverts, This way at noon.
Sitting by me, while his Fauns Down at the water-side Sprinkled and smoothed His drooping garland, He told me these things.
But I, Ulysses, Sitting on the warm steps, Looking over the valley, All day long, have seen, Without pain, without labour, Sometimes a wild-hair'd M?nad-- Sometimes a Faun with torches-- And sometimes, for a moment, Passing through the dark stems Flowing-robed, the beloved, The desired, the divine, Beloved Iacchus.
Ah, cool night-wind, tremulous stars! Ah, glimmering water, Fitful earth-murmur, Dreaming woods! Ah, golden-haired, strangely smiling Goddess, And thou, proved, much enduring, Wave-toss'd Wanderer! Who can stand still? Ye fade, ye swim, ye waver before me-- The cup again! Faster, faster, O Circe, Goddess.
Let the wild, thronging train, The bright procession Of eddying forms, Sweep through my soul!


Written by Francis Thompson | Create an image from this poem

The Poppy

 To Monica

Summer set lip to earth's bosom bare,
And left the flushed print in a poppy there:
Like a yawn of fire from the grass it came,
And the fanning wind puffed it to flapping flame.
With burnt mouth, red like a lion's, it drank The blood of the sun as he slaughtered sank, And dipped its cup in the purpurate shine When the Eastern conduits ran with wine.
Till it grew lethargied with fierce bliss, And hot as a swinked gipsy is, And drowsed in sleepy savageries, With mouth wide a-pout for a sultry kiss.
A child and man paced side by side, Treading the skirts of eventide; But between the clasp of his hand and hers Lay, felt not, twenty withered years.
She turned, with the rout of her dusk South hair, And saw the sleeping gipsy there: And snatched and snapped it in swift child's whim, With-- "Keep it, long as you live!" -- to him.
And his smile, as nymphs from their laving meres, Trembled up from a bath of tears; And joy, like a mew sea-rocked apart, Tossed on the wave of his troubled heart.
For he saw what she did not see, That -- as kindled by its own fervency -- The verge shrivelled inward smoulderingly: And suddenly 'twixt his hand and hers He knew the twenty withered years -- No flower, but twenty shrivelled years.
"Was never such thing until this hour," Low to his heart he said; "the flower Of sleep brings wakening to me, And of oblivion, memory.
" "Was never this thing to me," he said, "Though with bruisèd poppies my feet are red!" And again to his own heart very low: "O child! I love, for I love and know; "But you, who love nor know at all The diverse chambers in Love's guest-hall, Where some rise early, few sit long: In how differing accents hear the throng His great Pentecostal tongue; "Who know not love from amity, Nor my reported self from me; A fair fit gift is this, meseems, You give -- this withering flower of dreams.
"O frankly fickle, and fickly true, Do you know what the days will do to you? To your love and you what the days will do, O frankly fickle, and fickly true? "You have loved me, Fair, three lives -- or days: 'Twill pass with the passing of my face.
But where I go, your face goes too, To watch lest I play false to you.
"I am but, my sweet, your foster-lover, Knowing well when certain years are over You vanish from me to another; Yet I know, and love, like the foster-mother.
"So, frankly fickle, and fickly true! For my brief life while I take from you This token, fair and fit, meseems, For me -- this withering flower of dreams.
" The sleep-flower sways in the wheat its head, Heavy with dreams, as that with bread: The goodly grain and the sun-flushed sleeper The reaper reaps, and Time the reaper.
I hang 'mid men my needless head, And my fruit is dreams, as theirs is bread: The goodly men and the sun-hazed sleeper Time shall reap, but after the reaper The world shall glean of me, me the sleeper.
Love, love! your flower of withered dream In leavèd rhyme lies safe, I deem, Sheltered and shut in a nook of rhyme, From the reaper man, and his reaper Time.
Love! I fall into the claws of Time: But lasts within a leavèd rhyme All that the world of me esteems -- My withered dreams, my withered dreams.
Written by Kahlil Gibran | Create an image from this poem

The Poet VIII

 He is a link between this and the coming world.
He is A pure spring from which all thirsty souls may drink.
He is a tree watered by the River of Beauty, bearing Fruit which the hungry heart craves; He is a nightingale, soothing the depressed Spirit with his beautiful melodies; He is a white cloud appearing over the horizon, Ascending and growing until it fills the face of the sky.
Then it falls on the flows in the field of Life, Opening their petals to admit the light.
He is an angel, send by the goddess to Preach the Deity's gospel; He is a brilliant lamp, unconquered by darkness And inextinguishable by the wind.
It is filled with Oil by Istar of Love, and lighted by Apollon of Music.
He is a solitary figure, robed in simplicity and Kindness; He sits upon the lap of Nature to draw his Inspiration, and stays up in the silence of the night, Awaiting the descending of the spirit.
He is a sower who sows the seeds of his heart in the Prairies of affection, and humanity reaps the Harvest for her nourishment.
This is the poet -- whom the people ignore in this life, And who is recognized only when he bids the earthly World farewell and returns to his arbor in heaven.
This is the poet -- who asks naught of Humanity but a smile.
This is the poet -- whose spirit ascends and Fills the firmament with beautiful sayings; Yet the people deny themselves his radiance.
Until when shall the people remain asleep? Until when shall they continue to glorify those Who attain greatness by moments of advantage? How long shall they ignore those who enable Them to see the beauty of their spirit, Symbol of peace and love? Until when shall human beings honor the dead And forget the living, who spend their lives Encircled in misery, and who consume themselves Like burning candles to illuminate the way For the ignorant and lead them into the path of light? Poet, you are the life of this life, and you have Triumphed over the ages of despite their severity.
Poet, you will one day rule the hearts, and Therefore, your kingdom has no ending.
Poet, examine your crown of thorns; you will Find concealed in it a budding wreath of laurel.
Written by Rg Gregory | Create an image from this poem

crematorium-return

 (to where the ashes of both
 my parents are strewn)

i)
ok the pair of you lie still
what's disturbing me need pass
no fretful hand over your peace
this world's vicissitudes are stale
fodder for you who feed the grass

some particles of your two dusts
by moon's wish accident or wind
may have leapt that late-life wound
refound in you the rhapsodists
first-married days had twinned

i've come today in heavy rain
a storm barging through the trees
to be a part of this fresh truce
to dream myself to that serene
death's eye-view no living sees

a roaring motorway derides
machine's exclusion from this place
cozens what the gale implies
while overhead a plane corrodes
all feel of sanctuary and solace

i cut the edges off the sound
and let the storm absorb my skin
my drift unravelling as a skein
through paths no brain's designed
i want the consciousness you're in

too much a strain - my mind can't click
to earthen voices (whispers signs)
my eyes alert to this life's scenes
my ears are ticked to autumn's clock
my shoes crunch upon chestnut spines


(ii)
not a bird singing or flying
i seize upon such absence (here
the death-sense dares to split its hair)
why with such a strong wind flowing
inside the noises do calms appear

today the weather is supreme 
it does away with frontiers - sweeps
breath into piles as it swaps
ashes for thoughts conjuring prime
life-death from the bones it reaps

abruptly flocks of leaves-made-birds
quit shaken branches (glide in grace)
first soar then hover - sucked to grass
flatten about me as soft-soaked boards 
matting me to this parent place

and then i'm easeful - a hand scoops
dissent away (leaves me as tree)
settles the self down to its true
abasement where nothing escapes
its wanting (earth flesh being free)

i'm taken by your touching
there's no skin between us now
as tree i am death's avenue
you are its fruits attaching
distilled ripeness to the bough

i possess the step i came for
my senses burst into still speech
your potent ashes give dispatch
to life's tensions - i travel far
rooted at this two-worlds' breach

 october 6th 1990
 (seventh anniversary of my mother's cremation)
Written by Edwin Arlington Robinson | Create an image from this poem

Two Gardens in Linndale

 Two brothers, Oakes and Oliver, 
Two gentle men as ever were, 
Would roam no longer, but abide 
In Linndale, where their fathers died, 
And each would be a gardener.
“Now first we fence the garden through, With this for me and that for you,” Said Oliver.
—“Divine!” said Oakes, “And I, while I raise artichokes, Will do what I was born to do.
” “But this is not the soil, you know,” Said Oliver, “to make them grow: The parent of us, who is dead, Compassionately shook his head Once on a time and told me so.
” “I hear you, gentle Oliver,” Said Oakes, “and in your character I find as fair a thing indeed As ever bloomed and ran to seed Since Adam was a gardener.
“Still, whatsoever I find there, Forgive me if I do not share The knowing gloom that you take on Of one who doubted and is done: For chemistry meets every prayer.
” “Sometimes a rock will meet a plough,” Said Oliver; “but anyhow ’Tis here we are, ’tis here we live, With each to take and each to give: There’s no room for a quarrel now.
“I leave you in all gentleness To science and a ripe success.
Now God be with you, brother Oakes, With you and with your artichokes: You have the vision, more or less.
” “By fate, that gives to me no choice, I have the vision and the voice: Dear Oliver, believe in me, And we shall see what we shall see; Henceforward let us both rejoice.
” “But first, while we have joy to spare We’ll plant a little here and there; And if you be not in the wrong, We’ll sing together such a song As no man yet sings anywhere.
” They planted and with fruitful eyes Attended each his enterprise.
“Now days will come and days will go, And many a way be found, we know,” Said Oakes, “and we shall sing, likewise.
” “The days will go, the years will go, And many a song be sung, we know,” Said Oliver; “and if there be Good harvesting for you and me, Who cares if we sing loud or low?” They planted once, and twice, and thrice, Like amateurs in paradise; And every spring, fond, foiled, elate, Said Oakes, “We are in tune with Fate: One season longer will suffice.
” Year after year ’twas all the same: With none to envy, none to blame, They lived along in innocence, Nor ever once forgot the fence, Till on a day the Stranger came.
He came to greet them where they were, And he too was a Gardener: He stood between these gentle men, He stayed a little while, and then The land was all for Oliver.
’Tis Oliver who tills alone Two gardens that are now his own; ’Tis Oliver who sows and reaps And listens, while the other sleeps, For songs undreamed of and unknown.
’Tis he, the gentle anchorite, Who listens for them day and night; But most he hears them in the dawn, When from his trees across the lawn Birds ring the chorus of the light.
He cannot sing without the voice, But he may worship and rejoice For patience in him to remain, The chosen heir of age and pain, Instead of Oakes—who had no choice.
’Tis Oliver who sits beside The other’s grave at eventide, And smokes, and wonders what new race Will have two gardens, by God’s grace, In Linndale, where their fathers died.
And often, while he sits and smokes, He sees the ghost of gentle Oakes Uprooting, with a restless hand, Soft, shadowy flowers in a land Of asphodels and artichokes.
Written by John Milton | Create an image from this poem

To a Virtuous Young Lady

 Lady! that in the prime of earliest youth 
Wisely hast shunned the broad way and the green, 
And with those few art eminently seen, 
That labour up the Hill of Heavenly Truth, 
The better part with Mary and with Ruth 
Chosen thou hast, and they that overween, 
And at thy growing virtues fret their spleen, 
No anger find in thee, but pity and ruth.
Thy care is fixed, and zealously attends To fill thy odorous Lamp with deeds of light.
And Hope that reaps not shame; therefore be sure, Thou, when the Bridegroom with his feastful friends Passes to bliss at the mid hour of night, Hast gained thy entrance, Virgin wise and pure.

Book: Shattered Sighs