Written by
Elizabeth Barrett Browning |
How he sleepeth! having drunken
Weary childhood's mandragore,
From his pretty eyes have sunken
Pleasures, to make room for more---
Sleeping near the withered nosegay, which he pulled the day before.
Nosegays! leave them for the waking:
Throw them earthward where they grew.
Dim are such, beside the breaking
Amaranths he looks unto---
Folded eyes see brighter colours than the open ever do.
Heaven-flowers, rayed by shadows golden
From the paths they sprang beneath,
Now perhaps divinely holden,
Swing against him in a wreath---
We may think so from the quickening of his bloom and of his breath.
Vision unto vision calleth,
While the young child dreameth on.
Fair, O dreamer, thee befalleth
With the glory thou hast won!
Darker wert thou in the garden, yestermorn, by summer sun.
We should see the spirits ringing
Round thee,---were the clouds away.
'Tis the child-heart draws them, singing
In the silent-seeming clay---
Singing!---Stars that seem the mutest, go in music all the way.
As the moths around a taper,
As the bees around a rose,
As the gnats around a vapour,---
So the Spirits group and close
Round about a holy childhood, as if drinking its repose.
Shapes of brightness overlean thee,---
Flash their diadems of youth
On the ringlets which half screen thee,---
While thou smilest, . . . not in sooth
Thy smile . . . but the overfair one, dropt from some aethereal mouth.
Haply it is angels' duty,
During slumber, shade by shade:
To fine down this childish beauty
To the thing it must be made,
Ere the world shall bring it praises, or the tomb shall see it fade.
Softly, softly! make no noises!
Now he lieth dead and dumb---
Now he hears the angels' voices
Folding silence in the room---
Now he muses deep the meaning of the Heaven-words as they come.
Speak not! he is consecrated---
Breathe no breath across his eyes.
Lifted up and separated,
On the hand of God he lies,
In a sweetness beyond touching---held in cloistral sanctities.
Could ye bless him---father---mother ?
Bless the dimple in his cheek?
Dare ye look at one another,
And the benediction speak?
Would ye not break out in weeping, and confess yourselves too weak?
He is harmless---ye are sinful,---
Ye are troubled---he, at ease:
From his slumber, virtue winful
Floweth outward with increase---
Dare not bless him! but be blessed by his peace---and go in peace.
|
Written by
Dylan Thomas |
The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,
Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.
Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,
For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.
Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves
But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,
She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.
Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;
He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face
But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.
Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons
And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball
Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!
Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,
The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves
Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,
Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,
Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.
Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death
Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl
Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed
And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,
The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked
Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side
But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.
Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,
Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.
Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.
Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.
The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!
See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.
Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!
Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil
One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,
Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:
Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.
He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains
Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.
The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals
With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps
And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;
Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;
Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,
With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,
Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns
And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame
Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.
Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,
There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,
Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
|
Written by
Thomas Hardy |
I
In days when men had joy of war,
A God of Battles sped each mortal jar;
The peoples pledged him heart and hand,
From Israel's land to isles afar.
II
His crimson form, with clang and chime,
Flashed on each murk and murderous meeting-time,
And kings invoked, for rape and raid,
His fearsome aid in rune and rhyme.
III
On bruise and blood-hole, scar and seam,
On blade and bolt, he flung his fulgid beam:
His haloes rayed the very gore,
And corpses wore his glory-gleam.
IV
Often an early King or Queen,
And storied hero onward, knew his sheen;
'Twas glimpsed by Wolfe, by Ney anon,
And Nelson on his blue demesne.
V
But new light spread. That god's gold nimb
And blazon have waned dimmer and more dim;
Even his flushed form begins to fade,
Till but a shade is left of him.
VI
That modern meditation broke
His spell, that penmen's pleadings dealt a stroke,
Say some; and some that crimes too dire
Did much to mire his crimson cloak.
VII
Yea, seeds of crescive sympathy
Were sown by those more excellent than he,
Long known, though long contemned till then -
The gods of men in amity.
VIII
Souls have grown seers, and thought out-brings
The mournful many-sidedness of things
With foes as friends, enfeebling ires
And fury-fires by gaingivings!
IX
He scarce impassions champions now;
They do and dare, but tensely--pale of brow;
And would they fain uplift the arm
Of that faint form they know not how.
X
Yet wars arise, though zest grows cold;
Wherefore, at whiles, as 'twere in ancient mould
He looms, bepatched with paint and lath;
But never hath he seemed the old!
XI
Let men rejoice, let men deplore.
The lurid Deity of heretofore
Succumbs to one of saner nod;
The Battle-god is god no more.
|
Written by
George William Russell |
I WOULD I could weave in
The colour, the wonder,
The song I conceive in
My heart while I ponder,
And show how it came like
The magi of old
Whose chant was a flame like
The dawn’s voice of gold;
Whose dreams followed near them
A murmur of birds,
And ear still could hear them
Unchanted in words.
In words I can only
Reveal thee my heart,
Oh, Light of the Lonely,
The shining impart.
Between the twilight and the dark
The lights danced up before my eyes:
I found no sleep or peace or rest,
But dreams of stars and burning skies.
I knew the faces of the day—
Dream faces, pale, with cloudy hair,
I knew you not nor yet your home,
The Fount of Shadowy Beauty, where?
I passed a dream of gloomy ways
Where ne’er did human feet intrude:
It was the border of a wood,
A dreadful forest solitude.
With wondrous red and fairy gold
The clouds were woven o’er the ocean;
The stars in fiery æther swung
And danced with gay and glittering motion.
A fire leaped up within my heart
When first I saw the old sea shine;
As if a god were there revealed
I bowed my head in awe divine;
And long beside the dim sea marge
I mused until the gathering haze
Veiled from me where the silver tide
Ran in its thousand shadowy ways.
The black night dropped upon the sea:
The silent awe came down with it:
I saw fantastic vapours flee
As o’er the darkness of the pit.
When lo! from out the furthest night
A speck of rose and silver light
Above a boat shaped wondrously
Came floating swiftly o’er the sea.
It was no human will that bore
The boat so fleetly to the shore
Without a sail spread or an oar.
The Pilot stood erect thereon
And lifted up his ancient face,
Ancient with glad eternal youth
Like one who was of starry race.
His face was rich with dusky bloom;
His eyes a bronze and golden fire;
His hair in streams of silver light
Hung flamelike on his strange attire,
Which, starred with many a mystic sign,
Fell as o’er sunlit ruby glowing:
His light flew o’er the waves afar
In ruddy ripples on each bar
Along the spiral pathways flowing.
It was a crystal boat that chased
The light along the watery waste,
Till caught amid the surges hoary
The Pilot stayed its jewelled glory.
Oh, never such a glory was:
The pale moon shot it through and through
With light of lilac, white and blue:
And there mid many a fairy hue,
Of pearl and pink and amethyst,
Like lightning ran the rainbow gleams
And wove around a wonder-mist.
The Pilot lifted beckoning hands;
Silent I went with deep amaze
To know why came this Beam of Light
So far along the ocean ways
Out of the vast and shadowy night.
“Make haste, make haste!” he cried. “Away!
A thousand ages now are gone.
Yet thou and I ere night be sped
Will reck no more of eve or dawn.”
Swift as the swallow to its nest
I leaped: my body dropt right down:
A silver star I rose and flew.
A flame burned golden at his breast:
I entered at the heart and knew
My Brother-Self who roams the deep,
Bird of the wonder-world of sleep.
The ruby vesture wrapped us round
As twain in one; we left behind
The league-long murmur of the shore
And fleeted swifter than the wind.
The distance rushed upon the bark:
We neared unto the mystic isles:
The heavenly city we could mark,
Its mountain light, its jewel dark,
Its pinnacles and starry piles.
The glory brightened: “Do not fear;
For we are real, though what seems
So proudly built above the waves
Is but one mighty spirit’s dreams.
“Our Father’s house hath many fanes;
Yet enter not and worship not,
For thought but follows after thought
Till last consuming self it wanes.
“The Fount of Shadowy Beauty flings
Its glamour o’er the light of day:
A music in the sunlight sings
To call the dreamy hearts away
Their mighty hopes to ease awhile:
We will not go the way of them:
The chant makes drowsy those who seek
The sceptre and the diadem.
“The Fount of Shadowy Beauty throws
Its magic round us all the night;
What things the heart would be, it sees
And chases them in endless flight.
Or coiled in phantom visions there
It builds within the halls of fire;
Its dreams flash like the peacock’s wing
And glow with sun-hues of desire.
We will not follow in their ways
Nor heed the lure of fay or elf,
But in the ending of our days
Rest in the high Ancestral Self.”
The boat of crystal touched the shore,
Then melted flamelike from our eyes,
As in the twilight drops the sun
Withdrawing rays of paradise.
We hurried under archéd aisles
That far above in heaven withdrawn
With cloudy pillars stormed the night,
Rich as the opal shafts of dawn.
I would have lingered then—but he:
“Oh, let us haste: the dream grows dim,
Another night, another day,
A thousand years will part from him,
Who is that Ancient One divine
From whom our phantom being born
Rolled with the wonder-light around
Had started in the fairy morn.
“A thousand of our years to him
Are but the night, are but the day,
Wherein he rests from cyclic toil
Or chants the song of starry sway.
He falls asleep: the Shadowy Fount
Fills all our heart with dreams of light:
He wakes to ancient spheres, and we
Through iron ages mourn the night.
We will not wander in the night
But in a darkness more divine
Shall join the Father Light of Lights
And rule the long-descended line.”
Even then a vasty twilight fell:
Wavered in air the shadowy towers:
The city like a gleaming shell,
Its azures, opals, silvers, blues,
Were melting in more dreamy hues.
We feared the falling of the night
And hurried more our headlong flight.
In one long line the towers went by;
The trembling radiance dropt behind,
As when some swift and radiant one
Flits by and flings upon the wind
The rainbow tresses of the sun.
And then they vanished from our gaze
Faded the magic lights, and all
Into a starry radiance fell
As waters in their fountain fall.
We knew our time-long journey o’er
And knew the end of all desire,
And saw within the emerald glow
Our Father like the white sun-fire.
We could not say if age or youth
Were on his face: we only burned
To pass the gateways of the day,
The exiles to the heart returned.
He rose to greet us and his breath,
The tempest music of the spheres,
Dissolved the memory of earth,
The cyclic labour and our tears.
In him our dream of sorrow passed,
The spirit once again was free
And heard the song the morning stars
Chant in eternal revelry.
This was the close of human story;
We saw the deep unmeasured shine,
And sank within the mystic glory
They called of old the Dark Divine.
Well it is gone now,
The dream that I chanted:
On this side the dawn now
I sit fate-implanted.
But though of my dreaming
The dawn has bereft me,
It all was not seeming
For something has left me.
I feel in some other
World far from this cold light
The Dream Bird, my brother,
Is rayed with the gold light.
I too in the Father
Would hide me, and so,
Bright Bird, to foregather
With thee now I go.
|
Written by
Sylvia Plath |
A dream tree, Polly's tree:
a thicket of sticks,
each speckled twig
ending in a thin-paned
leaf unlike any
other on it
or in a ghost flower
flat as paper and
of a color
vaporish as frost-breath,
more finical than
any silk fan
the Chinese ladies use
to stir robin's egg
air. The silver-
haired seed of the milkweed
comes to roost there, frail
as the halo
rayed round a candle flame,
a will-o'-the-wisp
nimbus, or puff
of cloud-stuff, tipping her
***** candelabrum.
Palely lit by
snuff-ruffed dandelions,
white daisy wheels and
a tiger faced
pansy, it glows. O it's
no family tree,
Polly's tree, nor
a tree of heaven, though
it marry quartz-flake,
feather and rose.
It sprang from her pillow
whole as a cobweb
ribbed like a hand,
a dream tree. Polly's tree
wears a valentine
arc of tear-pearled
bleeding hearts on its sleeve
and, crowning it, one
blue larkspur star.
|
Written by
Thomas Hardy |
I
I have lived with shades so long,
And talked to them so oft,
Since forth from cot and croft
I went mankind among,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," spake they to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee." -
--"Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace.
IV
"He moves me not at all;
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine -
Thy mould and his define
A likeness each to each -
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
"O memory, where is now my youth,
Who used to say that life was truth?"
"I saw him in a crumbled cot
Beneath a tottering tree;
That he as phantom lingers there
Is only known to me."
"O Memory, where is now my joy,
Who lived with me in sweet employ?"
"I saw him in gaunt gardens lone,
Where laughter used to be;
That he as phantom wanders there
Is known to none but me."
"O Memory, where is now my hope,
Who charged with deeds my skill and scope?"
"I saw her in a tomb of tomes,
Where dreams are wont to be;
That she as spectre haunteth there
Is only known to me."
"O Memory, where is now my faith,
One time a champion, now a wraith?"
"I saw her in a ravaged aisle,
Bowed down on bended knee;
That her poor ghost outflickers there
Is known to none but me."
"O Memory, where is now my love,
That rayed me as a god above?"
"I saw him by an ageing shape
Where beauty used to be;
That his fond phantom lingers there
Is only known to me."
|
Written by
Conrad Aiken |
As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .
Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organist's head, in silhouette,
Leans to the lamplit music's orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next to the skies. . . .
The music comes upon us. . . .it shakes the darkness,
It shakes the darkness in our minds. . . .
And brilliant figures suddenly fill the darkness,
Down the white shaft of light they run through darkness,
And in our hearts a dazzling dream unwinds . . .
Take my hand, then, walk with me
By the slow soundless crashings of a sea
Down miles on miles of glistening mirrorlike sand,—
Take my hand
And walk with me once more by crumbling walls;
Up mouldering stairs where grey-stemmed ivy clings,
To hear forgotten bells, as evening falls,
Rippling above us invisibly their slowly widening rings. . . .
Did you once love me? Did you bear a name?
Did you once stand before me without shame? . . .
Take my hand: your face is one I know,
I loved you, long ago:
You are like music, long forgotten, suddenly come to mind;
You are like spring returned through snow.
Once, I know, I walked with you in starlight,
And many nights I slept and dreamed of you;
Come, let us climb once more these stairs of starlight,
This midnight stream of cloud-flung blue! . . .
Music murmurs beneath us like a sea,
And faints to a ghostly whisper . . . Come with me.
Are you still doubtful of me—hesitant still,
Fearful, perhaps, that I may yet remember
What you would gladly, if you could, forget?
You were unfaithful once, you met your lover;
Still in your heart you bear that red-eyed ember;
And I was silent,—you remember my silence yet . . .
You knew, as well as I, I could not kill him,
Nor touch him with hot hands, nor yet with hate.
No, and it was not you I saw with anger.
Instead, I rose and beat at steel-walled fate,
Cried till I lay exhausted, sick, unfriended,
That life, so seeming sure, and love, so certain,
Should loose such tricks, be so abruptly ended,
Ring down so suddenly an unlooked-for curtain.
How could I find it in my heart to hurt you,
You, whom this love could hurt much more than I?
No, you were pitiful, and I gave you pity;
And only hated you when I saw you cry.
We were two dupes; if I could give forgiveness,—
Had I the right,—I should forgive you now . . .
We were two dupes . . . Come, let us walk in starlight,
And feed our griefs: we do not break, but bow.
Take my hand, then, come with me
By the white shadowy crashings of a sea . . .
Look how the long volutes of foam unfold
To spread their mottled shimmer along the sand! . . .
Take my hand,
Do not remember how these depths are cold,
Nor how, when you are dead,
Green leagues of sea will glimmer above your head.
You lean your face upon your hands and cry,
The blown sand whispers about your feet,
Terrible seems it now to die,—
Terrible now, with life so incomplete,
To turn away from the balconies and the music,
The sunlit afternoons,
To hear behind you there a far-off laughter
Lost in a stirring of sand among dry dunes . . .
Die not sadly, you whom life has beaten!
Lift your face up, laughing, die like a queen!
Take cold flowers of foam in your warm white fingers!
Death's but a change of sky from blue to green . . .
As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow . . . the music breathes upon us,
The rayed white shaft plays over our heads like magic,
And to and fro we move and lean and change . . .
You, in a world grown strange,
Laugh at a darkness, clench your hands despairing,
Smash your glass on a floor, no longer caring,
Sink suddenly down and cry . . .
You hear the applause that greets your latest rival,
You are forgotten: your rival—who knows?—is I . . .
I laugh in the warm bright light of answering laughter,
I am inspired and young . . . and though I see
You sitting alone there, dark, with shut eyes crying,
I bask in the light, and in your hate of me . . .
Failure . . . well, the time comes soon or later . . .
The night must come . . . and I'll be one who clings,
Desperately, to hold the applause, one instant,—
To keep some youngster waiting in the wings.
The music changes tone . . . a room is darkened,
Someone is moving . . . the crack of white light widens,
And all is dark again; till suddenly falls
A wandering disk of light on floor and walls,
Winks out, returns again, climbs and descends,
Gleams on a clock, a glass, shrinks back to darkness;
And then at last, in the chaos of that place,
Dazzles like frozen fire on your clear face.
Well, I have found you. We have met at last.
Now you shall not escape me: in your eyes
I see the horrible huddlings of your past,—
All you remember blackens, utters cries,
Reaches far hands and faint. I hold the light
Close to your cheek, watch the pained pupils shrink,—
Watch the vile ghosts of all you vilely think . . .
Now all the hatreds of my life have met
To hold high carnival . . . we do not speak,
My fingers find the well-loved throat they seek,
And press, and fling you down . . . and then forget.
Who plays for me? What sudden drums keep time
To the ecstatic rhythm of my crime?
What flute shrills out as moonlight strikes the floor? . .
What violin so faintly cries
Seeing how strangely in the moon he lies? . . .
The room grows dark once more,
The crack of white light narrows around the door,
And all is silent, except a slow complaining
Of flutes and violins, like music waning.
Take my hand, then, walk with me
By the slow soundless crashings of a sea . . .
Look, how white these shells are, on this sand!
Take my hand,
And watch the waves run inward from the sky
Line upon foaming line to plunge and die.
The music that bound our lives is lost behind us,
Paltry it seems . . . here in this wind-swung place
Motionless under the sky's vast vault of azure
We stand in a terror of beauty, face to face.
The dry grass creaks in the wind, the blown sand whispers,
The soft sand seethes on the dunes, the clear grains glisten,
Once they were rock . . . a chaos of golden boulders . . .
Now they are blown by the wind . . . we stand and listen
To the sliding of grain upon timeless grain
And feel our lives go past like a whisper of pain.
Have I not seen you, have we not met before
Here on this sun-and-sea-wrecked shore?
You shade your sea-gray eyes with a sunlit hand
And peer at me . . . far sea-gulls, in your eyes,
Flash in the sun, go down . . . I hear slow sand,
And shrink to nothing beneath blue brilliant skies . . .
* * * * *
The music ends. The screen grows dark. We hurry
To go our devious secret ways, forgetting
Those many lives . . . We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.
Whose body have I found beside dark waters,
The cold white body, garlanded with sea-weed?
Staring with wide eyes at the sky?
I bent my head above it, and cried in silence.
Only the things I dreamed of heard my cry.
Once I loved, and she I loved was darkened.
Again I loved, and love itself was darkened.
Vainly we follow the circle of shadowy days.
The screen at last grows dark, the flutes are silent.
The doors of night are closed. We go our ways.
|
Written by
Aleister Crowley |
To-night I tread the unsubstantial way
That looms before me, as the thundering night
Falls on the ocean: I must stop, and pray
One little prayer, and then - what bitter fight
Flames at the end beyond the darkling goal?
These are my passions that my feet must read;
This is my sword, the fervour of my soul;
This is my Will, the crown upon my head.
For see! the darkness beckons: I have gone,
Before this terrible hour, towards the gloom,
Braved the wild dragon, called the tiger on
With whirling cries of pride, sought out the tomb
Where lurking vampires battened, and my steel
Has wrought its splendour through the gates of death
My courage did not falter: now I feel
My heart beat wave-wise, and my throat catch breath
As if I choked; some horror creeps between
The spirit of my will and its desire,
Some just reluctance to the Great Unseen
That coils its nameless terrors, and its dire
Fear round my heart; a devil cold as ice
Breathes somewhere, for I feel his shudder take
My veins: some deadlier asp or cockatrice
Slimes in my senses: I am half awake,
Half automatic, as I move along
Wrapped in a cloud of blackness deep as hell,
Hearing afar some half-forgotten song
As of disruption; yet strange glories dwell
Above my head, as if a sword of light,
Rayed of the very Dawn, would strike within
The limitations of this deadly night
That folds me for the sign of death and sin -
O Light! descend! My feet move vaguely on
In this amazing darkness, in the gloom
That I can touch with trembling sense. There shone
Once, in my misty memory, in the womb
Of some unformulated thought, the flame
And smoke of mighty pillars; yet my mind
Is clouded with the horror of this same
Path of the wise men: for my soul is blind
Yet: and the foemen I have never feared
I could not see (if such should cross the way),
And therefore I am strange: my soul is seared
With desolation of the blinding day
I have come out from: yes, that fearful light
Was not the Sun: my life has been the death,
This death may be the life: my spirit sight
Knows that at last, at least. My doubtful breath
Is breathing in a nobler air; I know,
I know it in my soul, despite of this,
The clinging darkness of the Long Ago,
Cruel as death, and closer than a kiss,
This horror of great darkness. I am come
Into this darkness to attain the light:
To gain my voice I make myself as dumb:
That I may see I close my outer sight:
So, I am here. My brows are bent in prayer:
I kneel already in the Gates of Dawn;
And I am come, albeit unaware,
To the deep sanctuary: my hope is drawn
From wells profounder than the very sea.
Yea, I am come, where least I guessed it so,
Into the very Presence of the Three
That Are beyond all Gods. And now I know
What spiritual Light is drawing me
Up to its stooping splendour. In my soul
I feel the Spring, the all-devouring Dawn,
Rush with my Rising. There, beyond the goal,
The Veil is rent!
Yes: let the veil be drawn.
|
Written by
Thomas Hardy |
To Jenny came a gentle youth
From inland leazes lone;
His love was fresh as apple-blooth
By Parrett, Yeo, or Tone.
And duly he entreated her
To be his tender minister,
And call him aye her own.
Fair Jenny's life had hardly been
A life of modesty;
At Casterbridge experience keen
Of many loves had she
From scarcely sixteen years above:
Among them sundry troopers of
The King's-Own Cavalry.
But each with charger, sword, and gun,
Had bluffed the Biscay wave;
And Jenny prized her gentle one
For all the love he gave.
She vowed to be, if they were wed,
His honest wife in heart and head
From bride-ale hour to grave.
Wedded they were. Her husband's trust
In Jenny knew no bound,
And Jenny kept her pure and just,
Till even malice found
No sin or sign of ill to be
In one who walked so decently
The duteous helpmate's round.
Two sons were born, and bloomed to men,
And roamed, and were as not:
Alone was Jenny left again
As ere her mind had sought
A solace in domestic joys,
And ere the vanished pair of boys
Were sent to sun her cot.
She numbered near on sixty years,
And passed as elderly,
When, in the street, with flush of fears,
On day discovered she,
From shine of swords and thump of drum,
Her early loves from war had come,
The King's Own Cavalry.
She turned aside, and bowed her head
Anigh Saint Peter's door;
"Alas for chastened thoughts!" she said;
"I'm faded now, and hoar,
And yet those notes--they thrill me through,
And those gay forms move me anew
As in the years of yore!"...
--'Twas Christmas, and the Phoenix Inn
Was lit with tapers tall,
For thirty of the trooper men
Had vowed to give a ball
As "Theirs" had done (fame handed down)
When lying in the self-same town
Ere Buonaparté's fall.
That night the throbbing "Soldier's Joy,"
The measured tread and sway
Of "Fancy-Lad" and "Maiden Coy,"
Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
That whisked the years away.
She rose, and rayed, and decked her head
To hide her ringlets thin;
Upon her cap two bows of red
She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
And stood before the Inn.
Save for the dancers', not a sound
Disturbed the icy air;
No watchman on his midnight round
Or traveller was there;
But over All-Saints', high and bright,
Pulsed to the music Sirius white,
The Wain by Bullstake Square.
She knocked, but found her further stride
Checked by a sergeant tall:
"Gay Granny, whence come you?" he cried;
"This is a private ball."
--"No one has more right here than me!
Ere you were born, man," answered she,
"I knew the regiment all!"
"Take not the lady's visit ill!"
Upspoke the steward free;
"We lack sufficient partners still,
So, prithee let her be!"
They seized and whirled her 'mid the maze,
And Jenny felt as in the days
Of her immodesty.
Hour chased each hour, and night advanced;
She sped as shod with wings;
Each time and every time she danced--
Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped
(She'd learnt ere art in dancing drooped
From hops to slothful swings).
The favorite Quick-step "Speed the Plough"--
(Cross hands, cast off, and wheel)--
"The Triumph," "Sylph," "The Row-dow dow,"
Famed "Major Malley's Reel,"
"The Duke of York's," "The Fairy Dance,"
"The Bridge of Lodi" (brought from France),
She beat out, toe and heel.
The "Fall of Paris" clanged its close,
And Peter's chime told four,
When Jenny, bosom-beating, rose
To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or chink of spur
Should break her goodman's snore.
The fire that late had burnt fell slack
When lone at last stood she;
Her nine-and-fifty years came back;
She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
In shoots of agony.
Their footsteps died as she leant there,
Lit by the morning star
Hanging above the moorland, where
The aged elm-rows are;
And, as o'ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
No life stirred, near or far.
Though inner mischief worked amain,
She reached her husband's side;
Where, toil-weary, as he had lain
Beneath the patchwork pied
When yestereve she'd forthward crept,
And as unwitting, still he slept
Who did in her confide.
A tear sprang as she turned and viewed
His features free from guile;
She kissed him long, as when, just wooed.
She chose his domicile.
Death menaced now; yet less for life
She wished than that she were the wife
That she had been erstwhile.
Time wore to six. Her husband rose
And struck the steel and stone;
He glanced at Jenny, whose repose
Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
Or morn, her soul had flown.
When told that some too mighty strain
For one so many-yeared
Had burst her bosom's master-vein,
His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
--The King's said not a word.
Well! times are not as times were then,
Nor fair ones half so free;
And truly they were martial men,
The King's-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
'Twas saddest morn to see.
|
Written by
John Gould Fletcher |
I
Like a gaunt, scraggly pine
Which lifts its head above the mournful sandhills;
And patiently, through dull years of bitter silence,
Untended and uncared for, starts to grow.
Ungainly, labouring, huge,
The wind of the north has twisted and gnarled its branches;
Yet in the heat of midsummer days, when thunderclouds ring the horizon,
A nation of men shall rest beneath its shade.
And it shall protect them all,
Hold everyone safe there, watching aloof in silence;
Until at last one mad stray bolt from the zenith
Shall strike it in an instant down to earth.
II
There was a darkness in this man; an immense and hollow darkness,
Of which we may not speak, nor share with him, nor enter;
A darkness through which strong roots stretched downwards into the earth
Towards old things:
Towards the herdman-kings who walked the earth and spoke with God,
Towards the wanderers who sought for they knew not what, and found their goal
at last;
Towards the men who waited, only waited patiently when all seemed lost,
Many bitter winters of defeat;
Down to the granite of patience
These roots swept, knotted fibrous roots, prying, piercing, seeking,
And drew from the living rock and the living waters about it
The red sap to carry upwards to the sun.
Not proud, but humble,
Only to serve and pass on, to endure to the end through service;
For the ax is laid at the roots of the trees, and all that bring not forth
good fruit
Shall be cut down on the day to come and cast into the fire.
III
There is a silence abroad in the land to-day,
And in the hearts of men, a deep and anxious silence;
And, because we are still at last, those bronze lips slowly open,
Those hollow and weary eyes take on a gleam of light.
Slowly a patient, firm-syllabled voice cuts through the endless silence
Like labouring oxen that drag a plow through the chaos of rude clay-fields:
"I went forward as the light goes forward in early spring,
But there were also many things which I left behind.
"Tombs that were quiet;
One, of a mother, whose brief light went out in the darkness,
One, of a loved one, the snow on whose grave is long falling,
One, only of a child, but it was mine.
"Have you forgot your graves? Go, question them in anguish,
Listen long to their unstirred lips. From your hostages to silence,
Learn there is no life without death, no dawn without sun-setting,
No victory but to him who has given all."
IV
The clamour of cannon dies down, the furnace-mouth of the battle is silent.
The midwinter sun dips and descends, the earth takes on afresh
its bright colours.
But he whom we mocked and obeyed not, he whom we scorned and mistrusted,
He has descended, like a god, to his rest.
Over the uproar of cities,
Over the million intricate threads of life wavering and crossing,
In the midst of problems we know not, tangling, perplexing, ensnaring,
Rises one white tomb alone.
Beam over it, stars,
Wrap it round, stripes -- stripes red for the pain that he bore for you --
Enfold it forever, O flag, rent, soiled, but repaired through your anguish;
Long as you keep him there safe, the nations shall bow to your law.
Strew over him flowers:
Blue forget-me-nots from the north, and the bright pink arbutus
From the east, and from the west rich orange blossom,
And from the heart of the land take the passion-flower;
Rayed, violet, dim,
With the nails that pierced, the cross that he bore and the circlet,
And beside it there lay also one lonely snow-white magnolia,
Bitter for remembrance of the healing which has passed.
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