10 Best Famous Rapture Poems

Here is a collection of the top 10 all-time best famous Rapture poems. This is a select list of the best famous Rapture poetry. Reading, writing, and enjoying famous Rapture poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rapture poems.

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A Birthday

by Aleister Crowley
 "Aug." 10, 1911.

Full moon to-night; and six and twenty years
Since my full moon first broke from angel spheres!
A year of infinite love unwearying ---
No circling seasons, but perennial spring!
A year of triumph trampling through defeat,
The first made holy and the last made sweet
By this same love; a year of wealth and woe,
Joy, poverty, health, sickness --- all one glow
In the pure light that filled our firmament
Of supreme silence and unbarred extent,
Wherein one sacrament was ours, one Lord,
One resurrection, one recurrent chord,
One incarnation, one descending dove,
All these being one, and that one being Love!

You sent your spirit into tunes; my soul
Yearned in a thousand melodies to enscroll
Its happiness: I left no flower unplucked
That might have graced your garland. I induct
Tragedy, comedy, farce, fable, song,
Each longing a little, each a little long,
But each aspiring only to express
Your excellence and my unworthiness --- 
Nay! but my worthiness, since I was sense
And spirit too of that same excellence.

So thus we solved the earth's revolving riddle:
I could write verse, and you could play the fiddle,
While, as for love, the sun went through the signs,
And not a star but told him how love twines
A wreath for every decanate, degree,
Minute and second, linked eternally
In chains of flowers that never fading are,
Each one as sempiternal as a star.

Let me go back to your last birthday. Then
I was already your one man of men
Appointed to complete you, and fulfil
From everlasting the eternal will.
We lay within the flood of crimson light
In my own balcony that August night,
And conjuring the aright and the averse
Created yet another universe.

We worked together; dance and rite and spell
Arousing heaven and constraining hell.
We lived together; every hour of rest
Was honied from your tiger-lily breast.
We --- oh what lingering doubt or fear betrayed
My life to fate! --- we parted. Was I afraid?
I was afraid, afraid to live my love,
Afraid you played the serpent, I the dove,
Afraid of what I know not. I am glad 
Of all the shame and wretchedness I had,
Since those six weeks have taught me not to doubt you,
And also that I cannot live without you.

Then I came back to you; black treasons rear
Their heads, blind hates, deaf agonies of fear,
Cruelty, cowardice, falsehood, broken pledges,
The temple soiled with senseless sacrileges,
Sickness and poverty, a thousand evils,
Concerted malice of a million devils; ---
You never swerved; your high-pooped galleon
Went marvellously, majestically on
Full-sailed, while every other braver bark
Drove on the rocks, or foundered in the dark.

Then Easter, and the days of all delight!
God's sun lit noontide and his moon midnight,
While above all, true centre of our world,
True source of light, our great love passion-pearled
Gave all its life and splendour to the sea
Above whose tides stood our stability.

Then sudden and fierce, no monitory moan,
Smote the mad mischief of the great cyclone.
How far below us all its fury rolled!
How vainly sulphur tries to tarnish gold!
We lived together: all its malice meant
Nothing but freedom of a continent!

It was the forest and the river that knew
The fact that one and one do not make two. 
We worked, we walked, we slept, we were at ease,
We cried, we quarrelled; all the rocks and trees
For twenty miles could tell how lovers played,
And we could count a kiss for every glade.
Worry, starvation, illness and distress?
Each moment was a mine of happiness.

Then we grew tired of being country mice,
Came up to Paris, lived our sacrifice
There, giving holy berries to the moon,
July's thanksgiving for the joys of June.

And you are gone away --- and how shall I
Make August sing the raptures of July?
And you are gone away --- what evil star
Makes you so competent and popular?
How have I raised this harpy-hag of Hell's
Malice --- that you are wanted somewhere else?
I wish you were like me a man forbid,
Banned, outcast, nice society well rid
Of the pair of us --- then who would interfere
With us? --- my darling, you would now be here!

But no! we must fight on, win through, succeed,
Earn the grudged praise that never comes to meed,
Lash dogs to kennel, trample snakes, put bit
In the mule-mouths that have such need of it,
Until the world there's so much to forgive in
Becomes a little possible to live in.

God alone knows if battle or surrender
Be the true courage; either has its splendour. 
But since we chose the first, God aid the right,
And damn me if I fail you in the fight!
God join again the ways that lie apart,
And bless the love of loyal heart to heart!
God keep us every hour in every thought,
And bring the vessel of our love to port!

These are my birthday wishes. Dawn's at hand,
And you're an exile in a lonely land.
But what were magic if it could not give
My thought enough vitality to live?
Do not then dream this night has been a loss!
All night I have hung, a god, upon the cross;
All night I have offered incense at the shrine;
All night you have been unutterably mine,
Miner in the memory of the first wild hour
When my rough grasp tore the unwilling flower
From your closed garden, mine in every mood,
In every tense, in every attitude,
In every possibility, still mine
While the sun's pomp and pageant, sign to sign,
Stately proceeded, mine not only so
In the glamour of memory and austral glow
Of ardour, but by image of my brow
Stronger than sense, you are even here and now
Miner, utterly mine, my sister and my wife,
Mother of my children, mistress of my life!

O wild swan winging through the morning mist!
The thousand thousand kisses that we kissed, 
The infinite device our love devised
If by some chance its truth might be surprised,
Are these all past? Are these to come? Believe me,
There is no parting; they can never leave me.
I have built you up into my heart and brain
So fast that we can never part again.
Why should I sing you these fantastic psalms
When all the time I have you in my arms?
Why? 'tis the murmur of our love that swells
Earth's dithyrambs and ocean's oracles.

But this is dawn; my soul shall make its nest
Where your sighs swing from rapture into rest
Love's thurible, your tiger-lily breast.

The Bells

by Edgar Allan Poe
 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!

IV

Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.

Why Do Birds Sing?

by Robert William Service
 Let poets piece prismatic words,
Give me the jewelled joy of birds!

What ecstasy moves them to sing?
Is it the lyric glee of Spring,
The dewy rapture of the rose?
Is it the worship born in those
Who are of Nature's self a part,
The adoration of the heart?

Is it the mating mood in them
That makes each crystal note a gem?
Oh mocking bird and nightingale,
Oh mavis, lark and robin - hail!
Tell me what perfect passion glows
In your inspired arpeggios?

A thrush is thrilling as I write
Its obligato of delight;
And in its fervour, as in mine,
I fathom tenderness divine,
And pity those of earthy ear
Who cannot hear . . . who cannot hear.

Let poets pattern pretty words:
For lovely largesse - bless you, Birds!

Ode to Envy

by Mary Darby Robinson
 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire. 
The FATES conspir'd their ills to twine,
About thy heart's infected shrine;
They gave thee each disastrous spell,
Each desolating pow'r,
To blast the fairest hopes of man. 

Soon as thy fatal birth was known, 
From her unhallow'd throne
With ghastly smile pale Hecate sprung; 
Thy hideous form the Sorc'ress press'd
With kindred fondness to her breast; 
Her haggard eye
Short forth a ray of transient joy, 
Whilst thro' th' infernal shades exulting clamours rung. 

Above thy fellow fiends thy tyrant hand
Grasp'd with resistless force supreme command: 
The dread terrific crowd
Before thy iron sceptre bow'd. 
Now, seated in thy ebon cave, 
Around thy throne relentless furies rave: 
A wreath of ever-wounding thorn
Thy scowling brows encompass round, 
Thy heart by knawing Vultures torn, 
Thy meagre limbs with deathless scorpions bound. 
Thy black associates, torpid IGNORANCE, 
And pining JEALOUSY­with eye askance,
With savage rapture execute thy will, 
And strew the paths of life with every torturing ill 

Nor can the sainted dead escape thy rage; 
Thy vengeance haunts the silent grave, 
Thy taunts insult the ashes of the brave; 
While proud AMBITION weeps thy rancour to assuage. 
The laurels round the POET's bust, 
Twin'd by the liberal hand of Taste, 
By thy malignant grasp defac'd, 
Fade to their native dust: 
Thy ever-watchful eye no labour tires, 
Beneath thy venom'd touch the angel TRUTH expires. 

When in thy petrifying car
Thy scaly dragons waft thy form, 
Then, swifter, deadlier far 
Than the keen lightning's lance, 
That wings its way across the yelling storm, 
Thy barbed shafts fly whizzing round, 
While every with'ring glance
Inflicts a cureless wound. 

Thy giant arm with pond'rous blow
Hurls genius from her glorious height, 
Bends the fair front of Virtue low, 
And meanly pilfers every pure delight. 
Thy hollow voice the sense appalls, 
Thy vigilance the mind enthralls; 
Rest hast thou none,­by night, by day, 
Thy jealous ardour seeks for prey­
Nought can restrain thy swift career; 
Thy smile derides the suff'rer's wrongs; 
Thy tongue the sland'rers tale prolongs; 
Thy thirst imbibes the victim's tear; 
Thy breast recoils from friendship's flame; 
Sick'ning thou hear'st the trump of Fame; 
Worth gives to thee, the direst pang; 
The Lover's rapture wounds thy heart, 
The proudest efforts of prolific art 
Shrink from thy poisonous fang. 

In vain the Sculptor's lab'ring hand 
Calls fine proportion from the Parian stone; 
In vain the Minstrel's chords command
The soft vibrations of seraphic tone; 
For swift thy violating arm 
Tears from perfection ev'ry charm; 
Nor rosy YOUTH, nor BEAUTY's smiles
Thy unrelenting rage beguiles, 
Thy breath contaminates the fairest name, 
And binds the guiltless brow with ever-blist'ring shame.

The Twins

by Aleister Crowley
 [Dedicated to Austin Osman Spare]


Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"HOOR and SET be TWINS."
A fico for repentance !

Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.

Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?

Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?

See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !

Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.

This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.

A Bee his burnished Carriage

by Emily Dickinson
 A Bee his burnished Carriage
Drove boldly to a Rose --
Combinedly alighting --
Himself -- his Carriage was --
The Rose received his visit
With frank tranquillity
Withholding not a Crescent
To his Cupidity --
Their Moment consummated --
Remained for him -- to flee --
Remained for her -- of rapture
But the humility.

Train Ride

by Federico García Lorca
 After rain, through afterglow, the unfolding fan
of railway landscape sidled onthe pivot
of a larger arc into the green of evening;
I remembered that noon I saw a gradual bud
still white; though dead in its warm bloom;
always the enemy is the foe at home.
And I wondered what surgery could recover
our lost, long stride of indolence and leisure
which is labor in reverse; what physic recall the smile
not of lips, but of eyes as of the sea bemused.
We, when we disperse from common sleep to several
tasks, we gather to despair; we, who assembled
once for hopes from common toil to dreams
or sickish and hurting or triumphal rapture;
always our enemy is our foe at home.
We, deafened with far scattered city rattles
to the hubbub of forest birds (never having
"had time" to grieve or to hear through vivid sleep
the sea knock on its cracked and hollow stones)
so that the stars, almost, and birds comply,
and the garden-wet; the trees retire; We are
a scared patrol, fearing the guns behind;
always the enemy is the foe at home.
What wonder that we fear our own eyes' look
and fidget to be at home alone, and pitifully
put of age by some change in brushing the hair
and stumble to our ends like smothered runners at their tape;
We follow our shreds of fame into an ambush.
Then (as while the stars herd to the great trough
the blind, in the always-only-outward of their dismantled
archways, awake at the smell of warmed stone
or the sound of reeds, lifting from the dim
into the segment of green dawn) always
our enemy is our foe at home, more
certainly than through spoken words or from grief-
twisted writing on paper, unblotted by tears
the thought came:
There is no physic
for the world's ill, nor surgery; it must
(hot smell of tar on wet salt air)
burn in fever forever, an incense pierced
with arrows, whose name is Love and another name
Rebellion (the twinge, the gulf, split seconds,
the very raindrops, render, and instancy
of Love).
All Poetry to this not-to-be-looked-upon sun
of Passion is the moon's cupped light; all
Politics to this moon, a moon's reflected
cupped light, like the moon of Rome, after
the deep well of Grecian light sank low;
always the enemy is the foe at home.
But these three are friends whose arms twine
without words; as, in still air,
the great grove leans to wind, past and to come.

To a Skylark

by Percy Bysshe Shelley
HAIL to thee, blithe spirit! 
Bird thou never wert, 
That from heaven, or near it, 
Pourest thy full heart 
In profuse strains of unpremeditated art.

Higher still and higher 
From the earth thou springest, 
Like a cloud of fire 
The blue deep thou wingest, 
And singing still dost soar, and soaring ever singest.

In the golden lightning 
Of the sunken sun, 
O'er which clouds are bright'ning, 
Thou dost float and run, 
Like an unbodied joy whose race is just begun.

The pale purple even 
Melts around thy flight; 
Like a star of heaven 
In the broad daylight, 
Thou art unseen, but yet I hear thy shrill delight

Keen as are the arrows 
Of that silver sphere, 
Whose intense lamp narrows 
In the white dawn clear 
Until we hardly see, we feel that it is there.

All the earth and air 
With thy voice is loud¡ª 
As, when night is bare, 
From one lonely cloud 
The moon rains out her beams, and heaven is overflow'd. 

What thou art we know not; 
What is most like thee?¡ª 
From rainbow clouds there flow not 
Drops so bright to see 
As from thy presence showers a rain of melody: 

Like a poet hidden 
In the light of thought, 
Singing hymns unbidden, 
Till the world is wrought 
To sympathy with hopes and fears it heeded not: 

Like a high-born maiden 
In a palace tower, 
Soothing her love-laden 
Soul in secret hour 
With music sweet as love, which overflows her bower: 

Like a glow-worm golden 
In a dell of dew, 
Scattering unbeholden 
Its aerial hue 
Among the flowers and grass, which screen it from the view: 

Like a rose embower'd 
In its own green leaves, 
By warm winds deflower'd, 
Till the scent it gives 
Makes faint with too much sweet these heavy-wing¨¨d thieves.

Sound of vernal showers 
On the twinkling grass, 
Rain-awaken'd flowers¡ª 
All that ever was 
Joyous, and clear, and fresh, thy music doth surpass. 

Teach us, sprite or bird, 
What sweet thoughts are thine: 
I have never heard 
Praise of love or wine 
That panted forth a flood of rapture so divine.

Chorus hymeneal, 
Or triumphal chaunt, 
Match'd with thine, would be all 
But an empty vaunt¡ª 
A thing wherein we feel there is some hidden want.

What objects are the fountains 
Of thy happy strain? 
What fields, or waves, or mountains? 
What shapes of sky or plain? 
What love of thine own kind? what ignorance of pain? 

With thy clear keen joyance 
Languor cannot be; 
Shadow of annoyance 
Never came near thee: 
Thou lovest; but ne'er knew love's sad satiety.

Waking or asleep, 
Thou of death must deem 
Things more true and deep 
Than we mortals dream, 
Or how could thy notes flow in such a crystal stream? 

We look before and after, 
And pine for what is not: 
Our sincerest laughter 
With some pain is fraught; 
Our sweetest songs are those that tell of saddest thought. 

Yet if we could scorn 
Hate, and pride, and fear; 
If we were things born 
Not to shed a tear, 
I know not how thy joy we ever should come near.

Better than all measures 
Of delightful sound, 
Better than all treasures 
That in books are found, 
Thy skill to poet were, thou scorner of the ground! 

Teach me half the gladness 
That thy brain must know
Such harmonious madness 
From my lips would flow, 
The world should listen then, as I am listening now! 

The Bride Of Corinth

by Johann Wolfgang von Goethe
 [First published in Schiller's Horen, in connection 
with a
friendly contest in the art of ballad-writing between the two
great poets, to which many of their finest works are owing.]

ONCE a stranger youth to Corinth came,

Who in Athens lived, but hoped that he
From a certain townsman there might claim,

As his father's friend, kind courtesy.

Son and daughter, they

Had been wont to say

Should thereafter bride and bridegroom be.

But can he that boon so highly prized,

Save tis dearly bought, now hope to get?
They are Christians and have been baptized,

He and all of his are heathens yet.

For a newborn creed,

Like some loathsome weed,

Love and truth to root out oft will threat.

Father, daughter, all had gone to rest,

And the mother only watches late;
She receives with courtesy the guest,

And conducts him to the room of state.

Wine and food are brought,

Ere by him besought;

Bidding him good night. she leaves him straight.

But he feels no relish now, in truth,

For the dainties so profusely spread;
Meat and drink forgets the wearied youth,

And, still dress'd, he lays him on the bed.

Scarce are closed his eyes,

When a form in-hies

Through the open door with silent tread.

By his glimmering lamp discerns he now

How, in veil and garment white array'd,
With a black and gold band round her brow,

Glides into the room a bashful maid.

But she, at his sight,

Lifts her hand so white,

And appears as though full sore afraid.

"Am I," cries she, "such a stranger here,

That the guest's approach they could not name?
Ah, they keep me in my cloister drear,

Well nigh feel I vanquish'd by my shame.

On thy soft couch now

Slumber calmly thou!

I'll return as swiftly as I came."

"Stay, thou fairest maiden!" cries the boy,

Starting from his couch with eager haste:
"Here are Ceres', Bacchus' gifts of joy;

Amor bringest thou, with beauty grac'd!

Thou art pale with fear!

Loved one let us here

Prove the raptures the Immortals taste."

"Draw not nigh, O Youth! afar remain!

Rapture now can never smile on me;
For the fatal step, alas! is ta'en,

Through my mother's sick-bed phantasy.

Cured, she made this oath:

'Youth and nature both

Shall henceforth to Heav'n devoted be.'


"From the house, so silent now, are driven

All the gods who reign'd supreme of yore;
One Invisible now rules in heaven,

On the cross a Saviour they adore.

Victims slay they here,

Neither lamb nor steer,
But the altars reek with human gore."

And he lists, and ev'ry word he weighs,

While his eager soul drinks in each sound:
"Can it be that now before my gaze

Stands my loved one on this silent ground?

Pledge to me thy troth!

Through our father's oath:

With Heav'ns blessing will our love be crown'd."

"Kindly youth, I never can be thine!

'Tis my sister they intend for thee.
When I in the silent cloister pine,

Ah, within her arms remember me!

Thee alone I love,

While love's pangs I prove;

Soon the earth will veil my misery."

"No! for by this glowing flame I swear,

Hymen hath himself propitious shown:
Let us to my fathers house repair,

And thoult find that joy is not yet flown,

Sweetest, here then stay,

And without delay

Hold we now our wedding feast alone!"

Then exchange they tokens of their truth;

She gives him a golden chain to wear,
And a silver chalice would the youth

Give her in return of beauty rare.

"That is not for me;

Yet I beg of thee,
One lock only give me of thy hair."

Now the ghostly hour of midnight knell'd,

And she seem'd right joyous at the sign;
To her pallid lips the cup she held,

But she drank of nought but blood-red wine.

For to taste the bread

There before them spread,

Nought he spoke could make the maid incline.

To the youth the goblet then she brought,--

He too quaff'd with eager joy the bowl.
Love to crown the silent feast he sought,

Ah! full love-sick was the stripling's soul.

From his prayer she shrinks,

Till at length he sinks

On the bed and weeps without control.

And she comes, and lays her near the boy:

"How I grieve to see thee sorrowing so!
If thou think'st to clasp my form with joy,

Thou must learn this secret sad to know;

Yes! the maid, whom thou

Call'st thy loved one now,

Is as cold as ice, though white as snow."

Then he clasps her madly in his arm,

While love's youthful might pervades his frame:
"Thou might'st hope, when with me, to grow warm,

E'en if from the grave thy spirit came!

Breath for breath, and kiss!

Overflow of bliss!

Dost not thou, like me, feel passion's flame?"

Love still closer rivets now their lips,

Tears they mingle with their rapture blest,
From his mouth the flame she wildly sips,

Each is with the other's thought possess'd.

His hot ardour's flood

Warms her chilly blood,

But no heart is beating in her breast.

In her care to see that nought went wrong,

Now the mother happen'd to draw near;
At the door long hearkens she, full long,

Wond'ring at the sounds that greet her ear.

Tones of joy and sadness,

And love's blissful madness,

As of bride and bridegroom they appear,

From the door she will not now remove

'Till she gains full certainty of this;
And with anger hears she vows of love,

Soft caressing words of mutual bliss.

"Hush! the cock's loud strain!

But thoult come again,

When the night returns!"--then kiss on kiss.

Then her wrath the mother cannot hold,

But unfastens straight the lock with ease
"In this house are girls become so bold,

As to seek e'en strangers' lusts to please?"

By her lamp's clear glow

Looks she in,--and oh!

Sight of horror!--'tis her child she sees.

Fain the youth would, in his first alarm,

With the veil that o'er her had been spread,
With the carpet, shield his love from harm;

But she casts them from her, void of dread,

And with spirit's strength,

In its spectre length,

Lifts her figure slowly from the bed.

"Mother! mother!"--Thus her wan lips say:

"May not I one night of rapture share?
From the warm couch am I chased away?

Do I waken only to despair?

It contents not thee

To have driven me

An untimely shroud of death to wear?

"But from out my coffin's prison-bounds

By a wond'rous fate I'm forced to rove,
While the blessings and the chaunting sounds

That your priests delight in, useless prove.

Water, salt, are vain

Fervent youth to chain,

Ah, e'en Earth can never cool down love!

"When that infant vow of love was spoken,

Venus' radiant temple smiled on both.
Mother! thou that promise since hast broken,

Fetter'd by a strange, deceitful oath.

Gods, though, hearken ne'er,

Should a mother swear

To deny her daughter's plighted troth.

From my grave to wander I am forc'd,

Still to seek The Good's long-sever'd link,
Still to love the bridegroom I have lost,

And the life-blood of his heart to drink;

When his race is run,

I must hasten on,

And the young must 'neath my vengeance sink,

"Beauteous youth! no longer mayst thou live;

Here must shrivel up thy form so fair;
Did not I to thee a token give,

Taking in return this lock of hair?

View it to thy sorrow!

Grey thoult be to-morrow,

Only to grow brown again when there.

"Mother, to this final prayer give ear!

Let a funeral pile be straightway dress'd;
Open then my cell so sad and drear,

That the flames may give the lovers rest!

When ascends the fire

From the glowing pyre,

To the gods of old we'll hasten, blest."

1797.

The Ballad Of Caseys Billy-Goat

by Robert William Service
 You've heard of "Casey at The Bat,"
 And "Casey's Tabble Dote";
 But now it's time
 To write a rhyme
 Of "Casey's Billy-goat."

Pat Casey had a billy-goat he gave the name of Shamus,
Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous
For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing;
The question of digestion seemed to matter not at all;
But you'll agree, I think with me, its limit of misdoing
Was reached the day it swallowed Missis Rooney's ould red shawl.

Now Missis Annie Rooney was a winsome widow women,
And many a bouncing boy had sought to make her change her name;
And living just across the way 'twas surely only human
A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion
To call upon the lady, and she'd take his and coat;
And supping tea it seemed that she might yield to his persuasion,
But alas! he hadn't counted on that devastating goat.

For Shamus loved his master with a deep and dumb devotion,
And everywhere that Casey went that goat would want to go;
And though I cannot analyze a quadruped's emotion,
They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney,
Beside the gate the goat would wait with woefulness intense;
Until one day it chanced that they were fast becoming spooney,
When Shamus spied that ould red shawl a-flutter on the fence.

Now Missis Rooney loved that shawl beyond all rhyme or reason,
And maybe 'twas an heirloom or a cherished souvenir;
For judging by the way she wore it season after season,
I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him,
For he biffed it and he sniffed it, as most any goat might do;
Then his melancholy vanished as a sense of hunger seized him,
And he wagged his tail with rapture as he started in to chew.

"Begorrah! you're a daisy," said the doting Mister Casey
to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin',
And I dread the day I'll nivver see me Anniw anny more."
"Go on now wid yer blarney," said the widow softly sighing;
And she went to pull his whiskers, when dismay her bosom smote. . . .
Her ould red shawl! 'Twas missin' where she'd left it bravely drying -
Then she saw it disappearing - down the neck of Casey's goat.

Fiercely flamed her Irish temper, "Look!" says she, "The thavin' divvle!
Sure he's made me shawl his supper. Well, I hope it's to his taste;
But excuse me, Mister Casey, if I seem to be oncivil,
For I'll nivver wed a man wid such a misbegotten baste."
So she slammed the door and left him in a state of consternation,
And he couldn't understand it, till he saw that grinning goat:
Then with eloquence he cussed it, and his final fulmination
Was a poem of profanity impossible to quote.

So blasting goats and petticoats and feeling downright sinful,
Despairfully he wandered in to Shinnigan's shebeen;
And straightway he proceeded to absorb a might skinful
Of the deadliest variety of Shinnigan's potheen.
And when he started homeward it was in the early morning,
But Shamus followed faithfully, a yard behind his back;
Then Casey slipped and stumbled, and without the slightest warning
like a lump of lead he tumbled - right across the railroad track.

And there he lay, serenely, and defied the powers to budge him,
Reposing like a baby, with his head upon the rail;
But Shamus seemed unhappy, and from time to time would nudge him,
Though his prods to protestation were without the least avail.
Then to that goatish mind, maybe, a sense of fell disaster
Came stealing like a spectre in the dim and dreary dawn;
For his bleat of warning blended with the snoring of his master
In a chorus of calamity - but Casey slumbered on.

Yet oh, that goat was troubled, for his efforts were redoubled;
Now he tugged at Casey's whisker, now he nibbled at his ear;
Now he shook him by the shoulder, and with fear become bolder,
He bellowed like a fog-horn, but the sleeper did not hear.
Then up and down the railway line he scampered for assistance;
But anxiously he hurried back and sought with tug and strain
To pull his master off the track . . . when sudden! in the distance
He heard the roar and rumble of the fast approaching train.

Did Shamus faint and falter? No, he stood there stark and splendid.
True, his tummy was distended, but he gave his horns a toss.
By them his goathood's honour would be gallantly defended,
And if their valour failed him - he would perish with his boss
So dauntlessly he lowered his head, and ever clearer, clearer,
He heard the throb and thunder of the Continental Mail.
He would face the mighty monster. It was coming nearer, nearer;
He would fight it, he would smite it, but he'd never show his tail.

Can you see that hirsute hero, standing there in tragic glory?
Can you hear the Pullman porters shrieking horror to the sky?
No, you can't; because my story has no end so grim and gory,
For Shamus did not perish and his master did not die.
At this very present moment Casey swaggers hale and hearty,
And Shamus strolls beside him with a bright bell at his throat;
While recent Missis Rooney is the gayest of the party,
For now she's Missis Casey and she's crazy for that goat.

You're wondering what happened? Well, you know that truth is stranger
Than the wildest brand of fiction, so Ill tell you without shame. . . .
There was Shamus and his master in the face of awful danger,
And the giant locomotive dashing down in smoke and flame. . . .
What power on earth could save them? Yet a golden inspiration
To gods and goats alike may come, so in that brutish brain
A thought was born - the ould red shawl. . . . Then rearing with elation,
Like lightning Shamus threw it up - AND FLAGGED AND STOPPED THE TRAIN.
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