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Best Famous Randy Poems

Here is a collection of the all-time best famous Randy poems. This is a select list of the best famous Randy poetry. Reading, writing, and enjoying famous Randy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of randy poems.

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Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone 
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence 
Brewed God knows how long. Hatless I take off
My cylce-clips in awkward revrence 

Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly. Back at the door
I sign the book donate an Irish sixpence 
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do 
And always end much at a loss like this 
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show 
Their parchment plate and pyx in locked cases 
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die 
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.

A shape less recognisable each week 
A purpose more obscure. I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique 
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative 

Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth 
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth 
It pleases me to stand in silence here;

A serious house on serious earth it is 
In whose blent air all our compulsions meet 
Are recognisd and robed as destinies.
And that much never can be obsolete 
Since someone will forever be surprising
A hunger in himself to be more serious 
And gravitating with it to this ground 
Which he once heard was proper to grow wise in 
If only that so many dead lie round.

1955


Written by William Butler Yeats | Create an image from this poem

Under Ben Bulben

 I

Swear by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.

Here's the gist of what they mean.

 II

Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but thrust their buried men
Back in the human mind again.

 III

You that Mitchel's prayer have heard,
'Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.

 IV

Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.

Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler phidias wrought.
Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.

Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.
Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.

 V

Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.

 VI

Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.

No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:

 Cast a cold eye
 On life, on death.
 Horseman, pass by!
Written by Les Murray | Create an image from this poem

Pigs

 Us all on sore cement was we.
Not warmed then with glares. Not glutting mush
under that pole the lightning's tied to.
No farrow-**** in milk to make us randy.
Us back in cool god-****. We ate crisp.
We nosed up good rank in the tunnelled bush.
Us all fuckers then. And Big, huh? Tusked
the balls-biting dog and gutsed him wet.
Us shoved down the soft cement of rivers.
Us snored the earth hollow, filled farrow, grunted.
Never stopped growing. We sloughed, we soughed
and balked no weird till the high ridgebacks was us
with weight-buried hooves. Or bristly, with milk.
Us never knowed like slitting nor hose-biff then.
Nor the terrible sheet-cutting screams up ahead.
The burnt water kicking. This gone-already feeling
here in no place with our heads on upside down.
Written by Robert Burns | Create an image from this poem

525. Song—Had I the wyte she bade me

 HAD I the wyte, had I the wyte,
 Had I the wyte? she bade me;
She watch’d me by the hie-gate side,
 And up the loan she shaw’d me.
And when I wadna venture in,
 A coward loon she ca’d me:
Had Kirk an’ State been in the gate,
 I’d lighted when she bade me.


Sae craftilie she took me ben,
 And bade me mak nae clatter;
“For our ramgunshoch, glum gudeman
 Is o’er ayont the water.”
Whae’er shall say I wanted grace,
 When I did kiss and dawte her,
Let him be planted in my place,
 Syne say, I was the fautor.


Could I for shame, could I for shame,
 Could I for shame refus’d her;
And wadna manhood been to blame,
 Had I unkindly used her!
He claw’d her wi’ the ripplin-kame,
 And blae and bluidy bruis’d her;
When sic a husband was frae hame,
 What wife but wad excus’d her!


I dighted aye her e’en sae blue,
 An’ bann’d the cruel randy,
And weel I wat, her willin’ mou
 Was sweet as sugar-candie.
At gloamin-shot, it was I wot,
 I lighted on the Monday;
But I cam thro’ the Tyseday’s dew,
 To wanton Willie’s brandy.

Book: Radiant Verses: A Journey Through Inspiring Poetry