Written by
Andrew Barton Paterson |
Awake, of Muse, the echoes of a day
Long past, the ghosts of mem'ries manifold --
Youth's memories that once were green and gold
But now, alas, are grim and ashen grey.
The drowsy schoolboy wakened up from sleep,
First stays his system with substantial food,
Then off for school with tasks half understood,
Alas, alas, that cribs should be so cheap!
The journey down to town -- 'twere long to tell
The storm and riot of the rabble rout;
The wild Walpurgis revel in and out
That made the ferry boat a floating hell.
What time the captive locusts fairly roared:
And bulldog ants, made stingless with a knife,
Climbed up the seats and scared the very life
From timid folk, who near jumped overboard.
The hours of lessons -- hours with feet of clay
Each hour a day, each day more like a week:
While hapless urchins heard with blanched cheek
The words of doom "Come in on Saturday".
The master gowned and spectacled, precise,
Trying to rule by methods firm and kind
But always just a little bit behind
The latest villainy, the last device,
Born of some smoothfaced urchin's fertile brain
To irritate the hapless pedagogue,
And first involve him in a mental fog
Then "have" him with the same old tale again.
The "bogus" fight that brought the sergeant down
To that dark corner by the old brick wall,
Where mimic combat and theatric brawl
Made noise enough to terrify the town.
But on wet days the fray was genuine,
When small boys pushed each other in the mud
And fought in silence till thin streams of blood
Their dirty faces would incarnadine.
The football match or practice in the park
With rampant hoodlums joining in the game
Till on one famous holiday there came
A gang that seized the football for a lark.
Then raged the combat without rest or pause,
Till one, a hero, Hawkins unafraid
Regained the ball, and later on displayed
His nose knocked sideways in his country's cause.
Before the mind quaint visions rise and fall,
Old jokes, old students dead and gone:
And some that lead us still, while some toil on
As rank and file, but "Grammar" children all.
And he, the pilot, who has laid the course
For all to steer by, honest, unafraid --
Truth is his beacon light, so he has made
The name of the old School a living force.
|
Written by
Ogden Nash |
What I was doing with my white teeth exposed
like that on the side of the road I don't know,
and I don't know why I lay beside the sewer
so that the lover of dead things could come back
with is pencil sharpened and his piece of white paper.
I was there for a good two hours whistling
dirges, shrieking a little, terrifying
hearts with my whimpering cries before I died
by pulling the one leg up and stiffening.
There is a look we have with the hair of the chin
curled in mid-air, there is a look with the belly
stopped in the midst of its greed.
The lover of dead things
stoops to feel me, his hand is shaking.
I know
his mouth is open and his glasses are slipping.
I think his pencil must be jerking and the terror
of smell—and sight—is overtaking him;
I know he has that terrified faraway look
that death brings—he is contemplating.
I want him
to touch my forehead once again and rub my muzzle
before he lifts me up and throws me into
that little valley.
I hope he doesn't use
his shoe for fear of touching me; I know,
or used to know, the grasses down there; I think
I knew a hundred smells.
I hope the dog's way
doesn't overtake him, one quick push,
barely that, and the mind freed, something else,
some other, thing to take its place.
Great heart,
great human heart, keep loving me as you lift me,
give me your tears, great loving stranger, remember,
the death of dogs, forgive the yapping, forgive
the shitting, let there be pity, give me your pity.
How could there be enough? I have given
my life for this, emotion has ruined me, oh lover,
I have exchanged my wildness—little tricks
with the mouth and feet, with the tail, my tongue is a parrots's,
I am a rampant horse, I am a lion,
I wait for the cookie, I snap my teeth—
as you have taught me, oh distant and brilliant and lonely.
|
Written by
Siegfried Sassoon |
I found him in the guard-room at the Base.
From the blind darkness I had heard his crying
And blundered in.
With puzzled, patient face
A sergeant watched him; it was no good trying
To stop it; for he howled and beat his chest.
And, all because his brother had gone west,
Raved at the bleeding war; his rampant grief
Moaned, shouted, sobbed, and choked, while he was kneeling
Half-naked on the floor.
In my belief
Such men have lost all patriotic feeling.
|
Written by
Rudyard Kipling |
1917
(To Lyde of the Music Halls)
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
|
Written by
Richard Crashaw |
Whoe'er she be,
That not impossible she
That shall command my heart and me;
Where'er she lie,
Locked up from mortal eye
In shady leaves of destiny:
Till that ripe birth
Of studied fate stand forth,
And teach her fair steps to our earth;
Till that divine
Idea take a shrine
Of crystal flesh, through which to shine:
Meet you her, my wishes,
Bespeak her to my blisses,
And be ye called my absent kisses.
I wish her beauty,
That owes not all its duty
To gaudy tire, or glist'ring shoe-tie;
Something more than
Taffata or tissue can,
Or rampant feather, or rich fan;
More than the spoil
Of shop, or silkworm's toil,
Or a bought blush, or a set smile.
A face that's best
By its own beauty drest,
And can alone commend the rest:
A face made up
Out of no other shop
Than what nature's white hand sets ope.
A cheek where youth
And blood with pen of truth
Write what the reader sweetly ru'th.
A cheek where grows
More than a morning rose,
Which to no box his being owes.
Lips, where all day
A lovers kiss may play,
Yet carry nothing thence away.
Looks that oppress
Their richest tires, but dress
And clothe their simplest nakedness.
Eyes, that displaces
The neighbour diamond, and outfaces
That sunshine by their own sweet graces.
Tresses, that wear
Jewels, but to declare
How much themselves more precious are;
Whose native ray
Can tame the wanton day
Of gems that in their bright shades play.
Each ruby there,
Or pearl that dare appear,
Be its own blush, be its own tear.
A well-tamed heart,
For whose more noble smart
Love may be long choosing a dart.
Eyes, that bestow
Full quivers on Love's bow,
Yet pay less arrows than they owe.
Smiles, that can warm
The blood, yet teach a charm,
That chastity shall take no harm.
Blushes, that bin
The burnish of no sin,
Nor flames of aught too hot within.
Joyes, that confess
Virtue their mistress,
And have no other head to dress.
Fears, fond and flight
As the coy bride's when night
First does the longing lover right.
Tears, quickly fled
And vain as those are shed
For a dying maidenhead.
Days, that need borrow
No part of their good morrow
From a forspent night of sorrow.
Days, that, in spite
Of darkness, by the light
Of a clear mind are day all night.
Nights, sweet as they,
Made short by lovers' play,
Yet long by th' absence of the day.
Life, that dares send
A challenge to its end,
And when it comes say Welcome Friend.
Sydneian showers
Of sweet discourse, whose powers
Can crown old winter's head with flowers.
Soft silken hours,
Open suns, shady bowers
'Bove all; nothing within that lours.
Whate'er delight
Can make day's forehead bright,
Or give down to the wings of night.
In her whole frame
Have nature all the name,
Art and ornament the shame.
Her flattery
Picture and poesy,
Her counsel her own virtue be.
I wish her store
Of worth may leave her poor
Of wishes; and I wish—no more.
Now, if Time knows
That Her, whose radiant brows
Weave them a garland of my vows;
Her, whose just bays
My future hopes can raise,
A trophy to her present praise;
Her, that dares be
What these lines wish to see:
I seek no further, it is she.
'Tis she, and here
Lo! I unclothe and clear
My wishes' cloudy character.
May she enjoy it,
Whose merit dare apply it,
But modesty dares still deny it!
Such worth as this is
Shall fix my flying wishes,
And determine them to kisses.
Let her full glory,
My fancies, fly before ye;
Be ye my fictions, but her story.
|
Written by
Victor Hugo |
("La salle est magnifique.")
{IV. Aug. 23, 1839.}
The hall is gay with limpid lustre bright—
The feast to pampered palate gives delight—
The sated guests pick at the spicy food,
And drink profusely, for the cheer is good;
And at that table—where the wise are few—
Both sexes and all ages meet the view;
The sturdy warrior with a thoughtful face—
The am'rous youth, the maid replete with grace,
The prattling infant, and the hoary hair
Of second childhood's proselytes—are there;—
And the most gaudy in that spacious hall,
Are e'er the young, or oldest of them all
Helmet and banner, ornament and crest,
The lion rampant, and the jewelled vest,
The silver star that glitters fair and white,
The arms that tell of many a nation's might—
Heraldic blazonry, ancestral pride,
And all mankind invents for pomp beside,
The wingèd leopard, and the eagle wild—
All these encircle woman, chief and child;
Shine on the carpet burying their feet,
Adorn the dishes that contain their meat;
And hang upon the drapery, which around
Falls from the lofty ceiling to the ground,
Till on the floor its waving fringe is spread,
As the bird's wing may sweep the roses' bed.—
Thus is the banquet ruled by Noise and Light,
Since Light and Noise are foremost on the site.
The chamber echoes to the joy of them
Who throng around, each with his diadem—
Each seated on proud throne—but, lesson vain!
Each sceptre holds its master with a chain!
Thus hope of flight were futile from that hall,
Where chiefest guest was most enslaved of all!
The godlike-making draught that fires the soul
The Love—sweet poison-honey—past control,
(Formed of the sexual breath—an idle name,
Offspring of Fancy and a nervous frame)—
Pleasure, mad daughter of the darksome Night,
Whose languid eye flames when is fading light—
The gallant chases where a man is borne
By stalwart charger, to the sounding horn—
The sheeny silk, the bed of leaves of rose,
Made more to soothe the sight than court repose;
The mighty palaces that raise the sneer
Of jealous mendicants and wretches near—
The spacious parks, from which horizon blue
Arches o'er alabaster statues new;
Where Superstition still her walk will take,
Unto soft music stealing o'er the lake—
The innocent modesty by gems undone—
The qualms of judges by small brib'ry won—
The dread of children, trembling while they play—
The bliss of monarchs, potent in their sway—
The note of war struck by the culverin,
That snakes its brazen neck through battle din—
The military millipede
That tramples out the guilty seed—
The capital all pleasure and delight—
And all that like a town or army chokes
The gazer with foul dust or sulphur smokes.
The budget, prize for which ten thousand bait
A subtle hook, that ever, as they wait
Catches a weed, and drags them to their fate,
While gleamingly its golden scales still spread—
Such were the meats by which these guests were fed.
A hundred slaves for lazy master cared,
And served each one with what was e'er prepared
By him, who in a sombre vault below,
Peppered the royal pig with peoples' woe,
And grimly glad went laboring till late—
The morose alchemist we know as Fate!
That ev'ry guest might learn to suit his taste,
Behind had Conscience, real or mock'ry, placed;
Conscience a guide who every evil spies,
But royal nurses early pluck out both his eyes!
Oh! at the table there be all the great,
Whose lives are bubbles that best joys inflate!
Superb, magnificent of revels—doubt
That sagest lose their heads in such a rout!
In the long laughter, ceaseless roaming round,
Joy, mirth and glee give out a maelström's sound;
And the astonished gazer casts his care,
Where ev'ry eyeball glistens in the flare.
But oh! while yet the singing Hebes pour
Forgetfulness of those without the door—
At very hour when all are most in joy,
And the hid orchestra annuls annoy,
Woe—woe! with jollity a-top the heights,
With further tapers adding to the lights,
And gleaming 'tween the curtains on the street,
Where poor folks stare—hark to the heavy feet!
Some one smites roundly on the gilded grate,
Some one below will be admitted straight,
Some one, though not invited, who'll not wait!
Close not the door! Your orders are vain breath—
That stranger enters to be known as Death—
Or merely Exile—clothed in alien guise—
Death drags away—with his prey Exile flies!
Death is that sight. He promenades the hall,
And casts a gloomy shadow on them all,
'Neath which they bend like willows soft,
Ere seizing one—the dumbest monarch oft,
And bears him to eternal heat and drouth,
While still the toothsome morsel's in his mouth.
G.W.M. REYNOLDS.
|
Written by
Alec Derwent (A D) Hope |
Crossing the frontier they were stopped in time,
Told, quite politely, they would have to wait:
Passports in order, nothing to declare
And surely holding hands was not a crime
Until they saw how, ranged across the gate,
All their most formidable friends were there.
Wearing his conscience like a crucifix,
Her father, rampant, nursed the Family Shame;
And, armed wlth their old-fashioned dinner-gong,
His aunt, who even when they both were six,
Had just to glance towards a childish game
To make them feel that they were doing wrong.
And both their mothers, simply weeping floods,
Her head-mistress, his boss, the parish priest,
And the bank manager who cashed their cheques;
The man who sold him his first rubber-goods;
Dog Fido, from whose love-life, shameless beast,
She first observed the basic facts of sex.
They looked as though they had stood there for hours;
For years - perhaps for ever.
In the trees
Two furtive birds stopped courting and flew off;
While in the grass beside the road the flowers
Kept up their guilty traffic with the bees.
Nobody stirred.
Nobody risked a cough.
Nobody spoke.
The minutes ticked away;
The dog scratched idly.
Then, as parson bent
And whispered to a guard who hurried in,
The customs-house loudspeakers with a bray
Of raucous and triumphant argument
Broke out the wedding march from Lohengrin.
He switched the engine off: "We must turn back.
"
She heard his voice break, though he had to shout
Against a din that made their senses reel,
And felt his hand, so tense in hers, go slack.
But suddenly she laughed and said: "Get out!
Change seatsl Be quickl" and slid behind the wheel.
And drove the car straight at them with a harsh,
Dry crunch that showered both with scraps and chips,
Drove through them; barriers rising let them pass
Drove through and on and on, with Dad's moustache
Beside her twitching still round waxen lips
And Mother's tears still streaming down the glass.
|
Written by
Phillis Wheatley |
The poet asks, and Phillis can't refuse
To show th' obedience of the Infant muse.
She knows the Quail of most inviting taste
Fed Israel's army in the dreary waste;
And what's on Britain's royal standard borne,
But the tall, graceful, rampant Unicorn?
The Emerald with a vivid verdure glows
Among the gems which regal crowns compose;
Boston's a town, polite and debonair,
To which the beaux and beauteous nymphs repair,
Each Helen strikes the mind with sweet surprise,
While living lightning flashes from her eyes,
See young Euphorbus of the Dardan line
By Manelaus' hand to death resign:
The well known peer of popular applause
Is C——m zealous to support our laws.
Quebec now vanquish'd must obey,
She too much annual tribute pay
To Britain of immortal fame.
And add new glory to her name.
|
Written by
David Wagoner |
He would leave early and walk slowly
As if balancing books
On the way to school, already expecting
To be tardy once again and heavy
With numbers, the unfashionably rounded
Toes of his shoes invisible beyond
The slope of his corporation.
He would pause
At his favorite fundamentally sound
Park bench, which had been the birthplace
Of paeans and ruminations on other mornings,
And would turn his back to it, having gauged the distance
Between his knees and the edge of the hardwood
Almost invariably unoccupied
At this enlightened hour by the bums of nighttime
(For whom the owlish eye of the moon
Had been closed by daylight), and would give himself wholly over
Backwards and trustingly downwards
And be well seated there.
He would remove
From his sinister jacket pocket a postcard
And touch it and retouch it with the point
Of the fountain he produced at his fingertips
And fill it with his never-before-uttered
Runes and obbligatos and pellucidly cryptic
Duets from private pageants, from broken ends
Of fandangos with the amoeba chaos chaos
Couchant and rampant.
Then he would rise
With an effort as heartfelt as a decision
To get out of bed on Sunday and carefully
Relocate his center of gravity
Above and beyond an imaginary axis
Between his feet and carry the good news
Along the path and the sidewalk, well on his way
To readjusting the business of the earth.
|
Written by
Emily Dickinson |
Nature -- the Gentlest Mother is,
Impatient of no Child --
The feeblest -- or the waywardest --
Her Admonition mild --
In Forest -- and the Hill --
By Traveller -- be heard --
Restraining Rampant Squirrel --
Or too impetuous Bird --
How fair Her Conversation --
A Summer Afternoon --
Her Household -- Her Assembly --
And when the Sun go down --
Her Voice among the Aisles
Incite the timid prayer
Of the minutest Cricket --
The most unworthy Flower --
When all the Children sleep --
She turns as long away
As will suffice to light Her lamps --
Then bending from the Sky --
With infinite Affection --
And infiniter Care --
Her Golden finger on Her lip --
Wills Silence -- Everywhere --
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