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Best Famous Railings Poems

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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.

His senses are too gross; and he'll contrive
A sixth, to contradict the other five;
And before certain instinct will prefer
Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind,
Which leaving light of nature, sense, behind,
Pathless and dangerous wand'ring ways it takes,
Through Error's fenny bogs and thorny brakes;
Whilst the misguided follower climbs with pain
Mountains of whimsey's, heaped in his own brain;
Stumbling from thought to thought, falls headlong down,
Into Doubt's boundless sea where, like to drown,
Books bear him up awhile, and make him try
To swim with bladders of Philosophy;
In hopes still to o'ertake the escaping light;
The vapour dances, in his dancing sight,
Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand,
Lead him to death, make him to understand,
After a search so painful, and so long,
That all his life he has been in the wrong:

Huddled In dirt the reasoning engine lies,
Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch,
And made him venture; to be made a wretch.
His wisdom did has happiness destroy,
Aiming to know that world he should enjoy;
And Wit was his vain, frivolous pretence
Of pleasing others, at his own expense.
For wits are treated just like common whores,
First they're enjoyed, and then kicked out of doors;
The pleasure past, a threatening doubt remains,
That frights th' enjoyer with succeeding pains:
Women and men of wit are dangerous tools,
And ever fatal to admiring fools.
Pleasure allures, and when the fops escape,
'Tis not that they're beloved, but fortunate,
And therefore what they fear, at heart they hate:

But now, methinks some formal band and beard
Takes me to task; come on sir, I'm prepared:

"Then by your Favour, anything that's writ
Against this jibing, jingling knack called Wit
Likes me abundantly: but you take care
Upon this point not to be too severe.
Perhaps my Muse were fitter for this part,
For I profess I can be very smart
On Wit, which I abhor with all my heart;
I long to lash it in some sharp essay,
But your grand indiscretion bids me stay,
And turns my tide of ink another way.
What rage Torments in your degenerate mind,
To make you rail at reason, and mankind
Blessed glorious man! To whom alone kind heaven
An everlasting soul hath freely given;
Whom his great maker took such care to make,
That from himself he did the image take;
And this fair frame in shining reason dressed,
To dignify his nature above beast.
Reason, by whose aspiring influence
We take a flight beyond material sense,
Dive into mysteries, then soaring pierce
The flaming limits of the universe,
Search heaven and hell, Find out what's acted there,
And give the world true grounds of hope and fear."

Hold mighty man, I cry, all this we know,
From the pathetic pen of Ingelo;
From Patrlck's Pilgrim, Sibbes' Soliloquies,
And 'tis this very reason I despise,
This supernatural gift that makes a mite
Think he's an image of the infinite;
Comparing his short life, void of all rest,
To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt,
That frames deep mysteries, then finds them out;
Filling with frantic crowds of thinking fools
The reverend bedlam's, colleges and schools;
Borne on whose wings each heavy sot can pierce
The limits of the boundless universe;
So charming ointments make an old witch fly,
And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies
In nonsense and impossibilities.
This made a whimsical philosopher
Before the spacious world his tub prefer,
And we have modern cloistered coxcombs, who
Retire to think 'cause they have nought to do.
But thoughts are given for action's government;
Where action ceases, thought's impertinent:
Our sphere of action is life's happiness,
And he that thinks beyond thinks like an ass.

Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey:
That reason which distinguishes by sense,
And gives us rules of good and ill from thence;
That bounds desires. with a reforming will
To keep 'em more in vigour, not to kill. -
Your reason hinders, mine helps to enjoy,
Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat,
Hunger calls out, my reason bids me eat;
Perversely. yours your appetite does mock:
This asks for food, that answers, 'what's o'clock'
This plain distinction, sir, your doubt secures,
'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man,
I'll ne'er recant, defend him if you can:
For all his pride, and his philosophy,
'Tis evident: beasts are in their own degree
As wise at least, and better far than he.

Those creatures are the wisest who attain. -
By surest means. the ends at which they aim.
If therefore Jowler finds and kills the hares,
Better than Meres supplies committee chairs;
Though one's a statesman, th' other but a hound,
Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends;
Whose principles are most generous and just,
- And to whose morals you would sooner trust:

Be judge yourself, I'll bring it to the test,
Which is the basest creature, man or beast
Birds feed on birds, beasts on each other prey,
But savage man alone does man betray:
Pressed by necessity; they kill for food,
Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt
Nature's allowance, to supply their want.
But man, with smiles, embraces. friendships. Praise,
Inhumanely his fellow's life betrays;
With voluntary pains works his distress,
Not through necessity, but wantonness.
For hunger or for love they bite, or tear,
Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid:
From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave,
And for the which alone he dares be brave;
To which his various projects are designed,
Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise,
And screws his actions, in a forced disguise;
Leads a most tedious life in misery,
Under laborious, mean hypocrisy.
Look to the bottom of his vast design,
Wherein man's wisdom, power, and glory join:
The good he acts. the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst,
For all men would be cowards if they durst.
And honesty's against all common sense,
Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair
Among known cheats to play upon the square,
You'll be undone.
Nor can weak truth your reputation save,
The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed,
Who dares be less a villain than the rest.

Thus sir, you see what human nature craves,
Most men are cowards, all men should be knaves;
The difference lies, as far as I can see.
Not in the thing itself, but the degree;
And all the subject matter of debate
Is only, who's a knave of the first rate

All this with indignation have I hurled
At the pretending part of the proud world,
Who, swollen with selfish vanity, devise,
False freedoms, holy cheats, and formal lies,
Over their fellow slaves to tyrannise.

But if in Court so just a man there be,
(In Court, a just man - yet unknown to me)
Who does his needful flattery direct
Not to oppress and ruin, but protect:
Since flattery, which way soever laid,
Is still a tax: on that unhappy trade.
If so upright a statesman you can find,
Whose passions bend to his unbiased mind,
Who does his arts and policies apply
To raise his country, not his family;
Nor while his pride owned avarice withstands,
Receives close bribes, from friends corrupted hands.

Is there a churchman who on God relies
Whose life, his faith and doctrine justifies
Not one blown up, with vain prelatic pride,
Who for reproofs of sins does man deride;
Whose envious heart makes preaching a pretence
With his obstreperous, saucy eloquence,
To chide at kings, and rail at men of sense;
Who from his pulpit vents more peevlsh lies,
More bitter railings, scandals, calumnies,
Than at a gossiping are thrown about
When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie
In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives,
Whose lust exalted, to that height arrives,
They act adultery with their own wives.
And ere a score of years completed be,
Can from the loftiest pulpit proudly see,
Half a large parish their own progeny.
Nor doting bishop, who would be adored
For domineering at the Council board;

A greater fop, in business at fourscore,
Fonder of serious toys, affected more,
Than the gay, glittering fool at twenty proves,
With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense,
Who preaching peace does practise continence;
Whose pious life's a proof he does believe
Mysterious truths which no man can conceive.

If upon Earth there dwell such god-like men,
I'll here recant my paradox to them,
Adores those shrines of virtue, homage pay,
And with the rabble world their laws obey.

If such there are, yet grant me this at least,
Man differs more from man than man from beast.


Written by Roger McGough | Create an image from this poem

First Day at School

 A millionbillionwillion miles from home
Waiting for the bell to go. (To go where?)
Why are they all so big, other children?
So noisy? So much at home they
Must have been born in uniform
Lived all their lives in playgrounds
Spent the years inventing games
That don't let me in. Games
That are rough, that swallow you up.

And the railings.
All around, the railings.
Are they to keep out wolves and monsters?
Things that carry off and eat children?
Things you don't take sweets from?
Perhaps they're to stop us getting out
Running away from the lessins. Lessin.
What does a lessin look like?
Sounds small and slimy.
They keep them in the glassrooms.
Whole rooms made out of glass. Imagine.

I wish I could remember my name
Mummy said it would come in useful.
Like wellies. When there's puddles.
Yellowwellies. I wish she was here.
I think my name is sewn on somewhere
Perhaps the teacher will read it for me.
Tea-cher. The one who makes the tea.
Written by Adrienne Rich | Create an image from this poem

Victory

 Something spreading underground won't speak to us
under skin won't declare itself
not all life-forms want dialogue with the
machine-gods in their drama hogging down
the deep bush clear-cutting refugees
from ancient or transient villages into
our opportunistic fervor to search
 crazily for a host a lifeboat

Suddenly instead of art we're eyeing
organisms traced and stained on cathedral transparencies
cruel blues embroidered purples succinct yellows
a beautiful tumor

•

I guess you're not alone I fear you're alone
There's, of course, poetry:
awful bridge rising over naked air: I first
took it as just a continuation of the road: 
"a masterpiece of engineering
praised, etc." then on the radio: 
"incline too steep for ease of, etc."
Drove it nonetheless because I had to
this being how— So this is how
I find you: alive and more

•

As if (how many conditionals must we suffer?) 
I'm driving to your side
—an intimate collusion—
packed in the trunk my bag of foils for fencing with pain
glasses of varying spectrum for sun or fog or sun-struck
 rain or bitterest night my sack of hidden
poetries, old glue shredding from their spines

my time exposure of the Leonids
 over Joshua Tree

As if we're going to win this O because

•

If you have a sister I am not she
nor your mother nor you my daughter
nor are we lovers or any kind of couple
 except in the intensive care
 of poetry and
death's master plan architecture-in-progress
draft elevations of a black-and-white mosaic dome
the master left on your doorstep
with a white card in black calligraphy:
 Make what you will of this
 As if leaving purple roses

•

If (how many conditionals must we suffer?)
I tell you a letter from the master
is lying on my own doorstep
glued there with leaves and rain
and I haven't bent to it yet
 if I tell you I surmise
 he writes differently to me:

 Do as you will, you have had your life
 many have not

signing it in his olden script:

 Meister aus Deutschland

•

In coldest Europe end of that war
frozen domes iron railings frozen stoves lit in the
 streets
memory banks of cold

the Nike of Samothrace
on a staircase wings in blazing
backdraft said to me
: : to everyone she met
 Displaced, amputated never discount me

Victory
 indented in disaster striding
 at the head of stairs

 for Tory Dent
Written by Anne Sexton | Create an image from this poem

The Touch

 For months my hand was sealed off
in a tin box. Nothing was there but the subway railings.
Perhaps it is bruised, I thought,
and that is why they have locked it up.
You could tell time by this, I thought,
like a clock, by its five knuckles
and the thin underground veins.
It lay there like an unconscious woman
fed by tubes she knew not of.

The hand had collapse,
a small wood pigeon
that had gone into seclusion.
I turned it over and the palm was old,
its lines traced like fine needlepoint
and stitched up into fingers.
It was fat and soft and blind in places.
Nothing but vulnerable.

And all this is metaphor.
An ordinary hand -- just lonely
for something to touch
that touches back.
The dog won't do it.
Her tail wags in the swamp for a frog.
I'm no better than a case of dog food.
She owns her own hunger.
My sisters won't do it.
They live in school except for buttons
and tears running down like lemonade.
My father won't do it.
He comes in the house and even at night
he lives in a machine made by my mother
and well oiled by his job, his job.

The trouble is
that I'd let my gestures freeze.
The trouble was not
in the kitchen or the tulips
but only in my head, my head.

Then all this became history.
Your hand found mine.
Life rushed to my fingers like a blood clot.
Oh, my carpenter,
the fingers are rebuilt.
They dance with yours.
They dance in the attic and in Vienna.
My hand is alive all over America.
Not even death will stop it,
death shedding her blood.
Nothing will stop it, for this is the kingdom
and the kingdom come.
Written by Derek Walcott | Create an image from this poem

Pentecost

 Better a jungle in the head
than rootless concrete.
Better to stand bewildered
by the fireflies' crooked street;

winter lamps do not show
where the sidewalk is lost,
nor can these tongues of snow
speak for the Holy Ghost;

the self-increasing silence 
of words dropped from a roof
points along iron railings,
direction, in not proof.

But best is this night surf
with slow scriptures of sand,
that sends, not quite a seraph,
but a late cormorant,

whose fading cry propels
through phosphorescent shoal
what, in my childhood gospels,
used to be called the Soul.


Written by Jenny Joseph | Create an image from this poem

Warning

 When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandles, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people's gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.

But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.
Written by John Betjeman | Create an image from this poem

Middlesex

 Gaily into Ruislip Gardens
Runs the red electric train,
With a thousand Ta's and Pardon's
Daintily alights Elaine;
Hurries down the concrete station
With a frown of concentration,
Out into the outskirt's edges
Where a few surviving hedges
Keep alive our lost Elysium - rural Middlesex again.

Well cut Windsmoor flapping lightly,
Jacqmar scarf of mauve and green
Hiding hair which, Friday nightly,
Delicately drowns in Dreen;
Fair Elaine the bobby-soxer,
Fresh-complexioned with Innoxa,
Gains the garden - father's hobby -
Hangs her Windsmoor in the lobby,
Settles down to sandwich supper and the television screen.

Gentle Brent, I used to know you
Wandering Wembley-wards at will,
Now what change your waters show you
In the meadowlands you fill!
Recollect the elm-trees misty
And the footpaths climbing twisty
Under cedar-shaded palings,
Low laburnum-leaned-on railings
Out of Northolt on and upward to the heights of Harrow hill.

Parish of enormous hayfields
Perivale stood all alone,
And from Greenford scent of mayfields
Most enticingly was blown
Over market gardens tidy,
Taverns for the bona fide,
Cockney singers, cockney shooters,
Murray Poshes, Lupin Pooters,
Long in Kelsal Green and Highgate silent under soot and stone.
Written by Dylan Thomas | Create an image from this poem

Hold Hard These Ancient Minutes In The Cuckoos Month

 Hold hard, these ancient minutes in the cuckoo's month,
Under the lank, fourth folly on Glamorgan's hill,
As the green blooms ride upward, to the drive of time;
Time, in a folly's rider, like a county man
Over the vault of ridings with his hound at heel,
Drives forth my men, my children, from the hanging south.

Country, your sport is summer, and December's pools
By crane and water-tower by the seedy trees
Lie this fifth month unskated, and the birds have flown;
Holy hard, my country children in the world if tales,
The greenwood dying as the deer fall in their tracks,
The first and steepled season, to the summer's game.

And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly's hunter and the hard-held hope.

Down fall four padding weathers on the scarlet lands,
Stalking my children's faces with a tail of blood,
Time, in a rider rising, from the harnessed valley;
Hold hard, my country darlings, for a hawk descends,
Golden Glamorgan straightens, to the falling birds.
Your sport is summer as the spring runs angrily.
Written by Federico García Lorca | Create an image from this poem

Landscape of a Vomiting Multitude

 The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,
the dead, pheasants and apples of another era,
pushing it into our throat.

There were murmuring from the jungle of vomit
with the empty women, with hot wax children,
with fermented trees and tireless waiters
who serve platters of salt beneath harps of saliva.
There's no other way, my son, vomit! There's no other way.
It's not the vomit of hussars on the breasts of their whores,
nor the vomit of cats that inadvertently swallowed frogs,
but the dead who scratch with clay hands
on flint gates where clouds and desserts decay.

The fat lady came first
with the crowds from the ships, taverns, and parks.
Vomit was delicately shaking its drums
among a few little girls of blood
who were begging the moon for protection.
Who could imagine my sadness?
The look on my face was mine, but now isn't me,
the naked look on my face, trembling for alcohol
and launching incredible ships
through the anemones of the piers.
I protect myself with this look
that flows from waves where no dawn would go,
I, poet without arms, lost
in the vomiting multitude,
with no effusive horse to shear
the thick moss from my temples.

The fat lady went first
and the crowds kept looking for pharmacies
where the bitter tropics could be found.
Only when a flag went up and the first dogs arrived
did the entire city rush to the railings of the boardwalk.
Written by Carl Sandburg | Create an image from this poem

North Atlantic

 WHEN the sea is everywhere
from horizon to horizon ..
 when the salt and blue
 fill a circle of horizons ..
I swear again how I know
the sea is older than anything else
and the sea younger than anything else.

My first father was a landsman.
My tenth father was a sea-lover,
 a gipsy sea-boy, a singer of chanties.
 (Oh Blow the Man Down!)

The sea is always the same:
and yet the sea always changes.

 The sea gives all,
 and yet the sea keeps something back.

The sea takes without asking.
The sea is a worker, a thief and a loafer.
 Why does the sea let go so slow?
 Or never let go at all?

 The sea always the same
 day after day,
 the sea always the same
 night after night,
 fog on fog and never a star,
 wind on wind and running white sheets,
 bird on bird always a sea-bird—
 so the days get lost:
 it is neither Saturday nor Monday,
 it is any day or no day,
 it is a year, ten years.

 Fog on fog and never a star,
 what is a man, a child, a woman,
 to the green and grinding sea?
The ropes and boards squeak and groan.

On the land they know a child they have named Today.
On the sea they know three children they have named:
 Yesterday, Today, To-morrow.

I made a song to a woman:—it ran:
 I have wanted you.
 I have called to you
 on a day I counted a thousand years.

In the deep of a sea-blue noon
many women run in a man’s head,
phantom women leaping from a man’s forehead
 .. to the railings … into the sea … to the
 sea rim …
 .. a man’s mother … a man’s wife … other
 women …

I asked a sure-footed sailor how and he said:
 I have known many women but there is only one sea.
I saw the North Star once
and our old friend, The Big Dipper,
 only the sea between us:
 “Take away the sea
 and I lift The Dipper,
 swing the handle of it,
 drink from the brim of it.”

I saw the North Star one night
and five new stars for me in the rigging ropes,
and seven old stars in the cross of the wireless
 plunging by night,
 plowing by night—
Five new cool stars, seven old warm stars.

I have been let down in a thousand graves by my kinfolk.
I have been left alone with the sea and the sea’s wife, the wind, for my last friends
And my kinfolk never knew anything about it at all.

Salt from an old work of eating our graveclothes is here.
 The sea-kin of my thousand graves,
 The sea and the sea’s wife, the wind,
They are all here to-night
 between the circle of horizons,
 between the cross of the wireless
 and the seven old warm stars.

Out of a thousand sea-holes I came yesterday.
Out of a thousand sea-holes I come to-morrow.

I am kin of the changer.
 I am a son of the sea
 and the sea’s wife, the wind.

Book: Reflection on the Important Things