Written by
Dylan Thomas |
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
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Written by
Weldon Kees |
To Ernest Brace
"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.
That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,
Dropping, crying alone; thin ragged lengths of cloud
Drifted in bars across the sun. There on the shore
The crowd's response was instantaneous. He
Handled it well, I thought--the gait, the tilt of the head, just right.
Long streaks of light were blinding on the waves.
And then we knew our work well worth the time:
The days of sawing, fitting, all those nails,
The tiresome rehearsals, considerations of execution.
But if you want a miracle, you have to work for it,
Lay your plans carefully and keep one jump
Ahead of the crowd. To report a miracle
Is a pleasure unalloyed; but staging one requires
Tact, imagination, a special knack for the job
Not everyone possesses. A miracle, in fact, means work.
--And now there are those who have come saying
That miracles were not what we were after. But what else
Is there? What other hope does life hold out
But the miraculous, the skilled and patient
Execution, the teamwork, all the pain and worry every miracle involves?
Visionaries tossing in their beds, haunted and racked
By questions of Messiahship and eschatology,
Are like the mist rising at nightfall, and come,
Perhaps to even less. Grave supernaturalists, devoted worshippers
Experience the ecstasy (such as it is), but not
Our ecstasy. It was our making. Yet sometimes
When the torrent of that time
Comes pouring back, I wonder at our courage
And our enterprise. It was as though the world
Had been one darkening, abandoned hall
Where rows of unlit candles stood; and we
Not out of love, so much, or hope, or even worship, but
Out of the fear of death, came with our lights
And watched the candles, one by one, take fire, flames
Against the long night of our fear. We thought
That we could never die. Now I am less convinced.
--The traveller on the plain makes out the mountains
At a distance; then he loses sight. His way
Winds through the valleys; then, at a sudden turning of a path,
The peaks stand nakedly before him: they are something else
Than what he saw below. I think now of the raft
(For me, somehow, the summit of the whole experience)
And all the expectations of that day, but also of the cave
We stocked with bread, the secret meetings
In the hills, the fake assassins hired for the last pursuit,
The careful staging of the cures, the bribed officials,
The angels' garments, tailored faultlessly,
The medicines administered behind the stone,
That ultimate cloud, so perfect, and so opportune.
Who managed all that blood I never knew.
The days get longer. It was a long time ago.
And I have come to that point in the turning of the path
Where peaks are infinite--horn-shaped and scaly, choked with
thorns.
But even here, I know our work was worth the cost.
What we have brought to pass, no one can take away.
Life offers up no miracles, unfortunately, and needs assistance.
Nothing will be the same as once it was,
I tell myself.--It's dark here on the peak, and keeps on getting
darker.
It seems I am experiencing a kind of ecstasy.
Was it sunlight on the waves that day? The night comes down.
And now the water seems remote, unreal, and perhaps it is.
|
Written by
Rudyard Kipling |
Once red ripple came to land
In the golden sunset burning--
Lapped against a maiden's hand,
By the ford returning.
Dainty foot and gentle breast--
Here, across, be glad and rest.
"Maiden, wait," the ripplee saith;
"Wait awhile, for I am Death!"
"Where my lover calls I go--
Shame it were to treat him coldly--
'Twas a fish that circled so,
Turning over boldly."
Dainty foot and tender heart,
Wait the loaded ferry-raft.
"Wait, ah, wait!" the ripple saith;
"Maiden, wait, for I am Death!"
"When my lover calls I haste--
Dame Disdain was never wedded!"
Ripple-ripple round her waist,
Clear the current eddied.
Foolish heart and faithfut hand,
Little feet that touched no land.
Far away the ripple sped,
Ripple-ripple runnin red!
|
Written by
David Lehman |
The woman said yes she would go to Australia with him
Unless he heard wrong and she said Argentina
Where they could learn the tango and pursue the widows
Of Nazi war criminals unrepentant to the end.
But no, she said Australia. She'd been born in New Zealand.
The difference between the two places was the difference
Between a hamburger and a chocolate malted, she said.
In the candy store across from the elementary school,
They planned their tryst. She said Australia, which meant
She was willing to go to bed with him, and this
Was before her husband's coronary
At a time when a woman didn't take off her underpants
If she didn't like you. She said Australia,
And he saw last summer's seashell collection
In a plastic bag on a shelf in the mud room
With last summer's sand. The cycle of sexual captivity
Beginning in romance and ending in adultery
Was now in the late middle phases, the way America
Had gone from barbarism to amnesia without
A period of high decadence, which meant something,
But what? A raft on the rapids? The violinist
At the gate? Oh, absolute is the law of biology.
For the *********** seminar, what should she wear?
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Written by
John Clare |
Remember the days of our first happiness,
how strong we were, how dazed by passion,
lying all day, then all night in the narrow bed,
sleeping there, eating there too: it was summer,
it seemed everything had ripened
at once. And so hot we lay completely uncovered.
Sometimes the wind rose; a willow brushed the window.
But we were lost in a way, didn't you feel that?
The bed was like a raft; I felt us drifting
far from our natures, toward a place where we'd discover nothing.
First the sun, then the moon, in fragments,
stone through the willow.
Things anyone could see.
Then the circles closed. Slowly the nights grew cool;
the pendant leaves of the willow
yellowed and fell. And in each of us began
a deep isolation, though we never spoke of this,
of the absence of regret.
We were artists again, my husband.
We could resume the journey.
|
Written by
Lascelles Abercrombie |
WHAT thing shall be held up to woman's beauty?
Where are the bounds of it? Yea, what is all
The world, but an awning scaffolded amid
The waste perilous Eternity, to lodge
This Heaven-wander'd princess, woman's beauty?
The East and West kneel down to thee, the North
And South; and all for thee their shoulders bear
The load of fourfold space. As yellow morn
Runs on the slippery waves of the spread sea,
Thy feet are on the griefs and joys of men
That sheen to be thy causey. Out of tears
Indeed, and blitheness, murder and lust and love,
Whatever has been passionate in clay,
Thy flesh was tempered. Behold in thy body
The yearnings of all men measured and told,
Insatiate endless agonies of desire
Given thy flesh, the meaning of thy shape!
What beauty is there, but thou makest it?
How is earth good to look on, woods and fields,
The season's garden, and the courageous hills,
All this green raft of earth moored in the seas?
The manner of the sun to ride the air,
The stars God has imagined for the night?
What's this behind them, that we cannot near,
Secret still on the point of being blabbed,
The ghost in the world that flies from being named?
Where do they get their beauty from, all these?
They do but glaze a lantern lit for man,
And woman's beauty is the flame therein.
|
Written by
Vachel Lindsay |
The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?
The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.
A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.
And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?
But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust...
This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with ****** Jim,
Then plotting for their fall, with jestings grim.
Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today."
But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!
He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.
All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.
Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.
|
Written by
Anne Sexton |
Take away your knowledge, Doktor.
It doesn't butter me up.
You say my heart is sick unto.
You ought to have more respect!
you with the goo on the suction cup.
You with your wires and electrodes
fastened at my ankle and wrist,
sucking up the biological breast.
You with your zigzag machine
playing like the stock market up and down.
Give me the Phi Beta key you always twirl
and I will make a gold crown for my molar.
I will take a slug if you please
and make myself a perfectly good appendix.
Give me a fingernail for an eyeglass.
The world was milky all along.
I will take an iron and press out
my slipped disk until it is flat.
But take away my mother's carcinoma
for I have only one cup of fetus tears.
Take away my father's cerebral hemorrhage
for I have only a jigger of blood in my hand.
Take away my sister's broken neck
for I have only my schoolroom ruler for a cure.
Is there such a device for my heart?
I have only a gimmick called magic fingers.
Let me dilate like a bad debt.
Here is a sponge. I can squeeze it myself.
O heart, tobacco red heart,
beat like a rock guitar.
I am at the ship's prow.
I am no longer the suicide
with her raft and paddle.
Herr Doktor! I'll no longer die
to spite you, you wallowing
seasick grounded man.
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Written by
John Clare |
Remember the days of our first happiness,
how strong we were, how dazed by passion,
lying all day, then all night in the narrow bed,
sleeping there, eating there too: it was summer,
it seemed everything had ripened
at once. And so hot we lay completely uncovered.
Sometimes the wind rose; a willow brushed the window.
But we were lost in a way, didn't you feel that?
The bed was like a raft; I felt us drifting
far from our natures, toward a place where we'd discover nothing.
First the sun, then the moon, in fragments,
stone through the willow.
Things anyone could see.
Then the circles closed. Slowly the nights grew cool;
the pendant leaves of the willow
yellowed and fell. And in each of us began
a deep isolation, though we never spoke of this,
of the absence of regret.
We were artists again, my husband.
We could resume the journey.
|
Written by
Robert William Service |
At dawn of day the white land lay all gruesome-like and grim,
When Bill Mc'Gee he says to me: "We've got to do it, Jim.
We've got to make Fort Liard quick. I know the river's bad,
But, oh! the little woman's sick . . . why! don't you savvy, lad?"
And me! Well, yes, I must confess it wasn't hard to see
Their little family group of two would soon be one of three.
And so I answered, careless-like: "Why, Bill! you don't suppose
I'm scared of that there `babbling brook'? Whatever you say -- goes."
A real live man was Barb-wire Bill, with insides copper-lined;
For "barb-wire" was the brand of "hooch" to which he most inclined.
They knew him far; his igloos are on Kittiegazuit strand.
They knew him well, the tribes who dwell within the Barren Land.
From Koyokuk to Kuskoquim his fame was everywhere;
And he did love, all life above, that little Julie Claire,
The lithe, white slave-girl he had bought for seven hundred skins,
And taken to his wickiup to make his moccasins.
We crawled down to the river bank and feeble folk were we,
That Julie Claire from God-knows-where, and Barb-wire Bill and me.
From shore to shore we heard the roar the heaving ice-floes make,
And loud we laughed, and launched our raft, and followed in their wake.
The river swept and seethed and leapt, and caught us in its stride;
And on we hurled amid a world that crashed on every side.
With sullen din the banks caved in; the shore-ice lanced the stream;
The naked floes like spooks arose, all jiggling and agleam.
Black anchor-ice of strange device shot upward from its bed,
As night and day we cleft our way, and arrow-like we sped.
But "Faster still!" cried Barb-wire Bill, and looked the live-long day
In dull despair at Julie Claire, as white like death she lay.
And sometimes he would seem to pray and sometimes seem to curse,
And bent above, with eyes of love, yet ever she grew worse.
And as we plunged and leapt and lunged, her face was plucked with pain,
And I could feel his nerves of steel a-quiver at the strain.
And in the night he gripped me tight as I lay fast asleep:
"The river's kicking like a steer . . . run out the forward sweep!
That's Hell-gate Canyon right ahead; I know of old its roar,
And . . . I'll be damned! the ice is jammed! We've GOT to make the shore."
With one wild leap I gripped the sweep. The night was black as sin.
The float-ice crashed and ripped and smashed, and stunned us with its din.
And near and near, and clear and clear I heard the canyon boom;
And swift and strong we swept along to meet our awful doom.
And as with dread I glimpsed ahead the death that waited there,
My only thought was of the girl, the little Julie Claire;
And so, like demon mad with fear, I panted at the oar,
And foot by foot, and inch by inch, we worked the raft ashore.
The bank was staked with grinding ice, and as we scraped and crashed,
I only knew one thing to do, and through my mind it flashed:
Yet while I groped to find the rope, I heard Bill's savage cry:
"That's my job, lad! It's me that jumps. I'll snub this raft or die!"
I saw him leap, I saw him creep, I saw him gain the land;
I saw him crawl, I saw him fall, then run with rope in hand.
And then the darkness gulped him up, and down we dashed once more,
And nearer, nearer drew the jam, and thunder-like its roar.
Oh God! all's lost . . . from Julie Claire there came a wail of pain,
And then -- the rope grew sudden taut, and quivered at the strain;
It slacked and slipped, it whined and gripped, and oh, I held my breath!
And there we hung and there we swung right in the jaws of death.
A little strand of hempen rope, and how I watched it there,
With all around a hell of sound, and darkness and despair;
A little strand of hempen rope, I watched it all alone,
And somewhere in the dark behind I heard a woman moan;
And somewhere in the dark ahead I heard a man cry out,
Then silence, silence, silence fell, and mocked my hollow shout.
And yet once more from out the shore I heard that cry of pain,
A moan of mortal agony, then all was still again.
That night was hell with all the frills, and when the dawn broke dim,
I saw a lean and level land, but never sign of him.
I saw a flat and frozen shore of hideous device,
I saw a long-drawn strand of rope that vanished through the ice.
And on that treeless, rockless shore I found my partner -- dead.
No place was there to snub the raft, so -- he had served instead;
And with the rope lashed round his waist, in last defiant fight,
He'd thrown himself beneath the ice, that closed and gripped him tight;
And there he'd held us back from death, as fast in death he lay. . . .
Say, boys! I'm not the pious brand, but -- I just tried to pray.
And then I looked to Julie Claire, and sore abashed was I,
For from the robes that covered her, I - heard - a - baby - cry....
Thus was Love conqueror of death, and life for life was given;
And though no saint on earth, d'ye think -- Bill's squared hisself with Heaven?
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