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Best Famous Quietude Poems

Here is a collection of the all-time best famous Quietude poems. This is a select list of the best famous Quietude poetry. Reading, writing, and enjoying famous Quietude poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of quietude poems.

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Written by Wendell Berry | Create an image from this poem

Sabbaths 2001

 I

He wakes in darkness.
All around are sounds of stones shifting, locks unlocking.
As if some one had lifted away a great weight, light falls on him.
He has been asleep or simply gone.
He has known a long suffering of himself, himself sharpen by the pain of his wound of separation he now no longer minds, for the pain is only himself now, grown small, become a little growing longing joy.
Something teaches him to rise, to stand and move out through the opening the light has made.
He stands on the green hilltop amid the cedars, the skewed stones, the earth all opened doors.
Half blind with light, he traces with a forefinger the moss-grown furrows of his name, hearing among the others one woman's cry.
She is crying and laughing, her voice a stream of silver he seems to see: "Oh William, honey, is it you? Oh!" II Surely it will be for this: the redbud pink, the wild plum white, yellow trout lilies in the morning light, the trees, the pastures turning green.
On the river, quiet at daybreak, the reflections of the trees, as in another world, lie across from shore to shore.
Yes, here is where they will come, the dead, when they rise from the grave.
III White dogwood flowers afloat in leafing woods untrouble my mind.
IV Ask the world to reveal its quietude— not the silence of machines when they are still, but the true quiet by which birdsongs, trees, bellows, snails, clouds, storms become what they are, and are nothing else.
V A mind that has confronted ruin for years Is half or more a ruined mind.
Nightmares Inhabit it, and daily evidence Of the clean country smeared for want of sense, Of freedom slack and dull among the free, Of faith subsumed in idiot luxury, And beauty beggared in the marketplace And clear-eyed wisdom bleary with dispraise.
VI Sit and be still until in the time of no rain you hear beneath the dry wind's commotion in the trees the sound of flowing water among the rocks, a stream unheard before, and you are where breathing is prayer.
VII The wind of the fall is here.
It is everywhere.
It moves every leaf of every tree.
It is the only motion of the river.
Green leaves grow weary of their color.
Now evening too is in the air.
The bright hawks of the day subside.
The owls waken.
Small creatures die because larger creatures are hungry.
How superior to this human confusion of greed and creed, blood and fire.
VIII The question before me, now that I am old, is not how to be dead, which I know from enough practice, but how to be alive, as these worn hills still tell, and some paintings of Paul Cezanne, and this mere singing wren, who thinks he's alive forever, this instant, and may be.


Written by Edgar Allan Poe | Create an image from this poem

To Helen 2

 I saw thee once- once only- years ago: 
I must not say how many- but not many.
It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturned faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses, And on thine own, upturn'd- alas, in sorrow! Was it not Fate, that, on this July midnight- Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred: the hated world an slept, Save only thee and me.
(Oh, Heaven!- oh, God! How my heart beats in coupling those two words!) Save only thee and me.
I paused- I looked- And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs.
All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me! I saw but them- saw only them for hours, Saw only them until the moon went down.
What wild heart-histories seemed to he enwritten Upon those crystalline, celestial spheres! How dark a woe, yet how sublime a hope! How silently serene a sea of pride! How daring an ambition; yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away.
Only thine eyes remained; They would not go- they never yet have gone; Lighting my lonely pathway home that night, They have not left me (as my hopes have) since; They follow me- they lead me through the years.
They are my ministers- yet I their slave.
Their office is to illumine and enkindle- My duty, to be saved by their bright light, And purified in their electric fire, And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope), And are far up in Heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
Written by Duncan Campbell Scott | Create an image from this poem

Ode for the Keats Centenary

 The Muse is stern unto her favoured sons,
Giving to some the keys of all the joy
Of the green earth, but holding even that joy
Back from their life;
Bidding them feed on hope,
A plant of bitter growth,
Deep-rooted in the past;
Truth, 'tis a doubtful art
To make Hope sweeten
Time as it flows;
For no man knows
Until the very last,
Whether it be a sovereign herb that he has eaten,
Or his own heart.
O stern, implacable Muse, Giving to Keats so richly dowered, Only the thought that he should be Among the English poets after death; Letting him fade with that expectancy, All powerless to unfold the future! What boots it that our age has snatched him free From thy too harsh embrace, Has given his fame the certainty Of comradeship with Shakespeare's? He lies alone Beneath the frown of the old Roman stone And the cold Roman violets; And not our wildest incantation Of his most sacred lines, Nor all the praise that sets Towards his pale grave, Like oceans towards the moon, Will move the Shadow with the pensive brow To break his dream, And give unto him now One word! -- When the young master reasoned That our puissant England Reared her great poets by neglect, Trampling them down in the by-paths of Life And fostering them with glory after death, Did any flame of triumph from his own fame Fall swift upon his mind; the glow Cast back upon the bleak and aching air Blown around his days -- ? Happily so! But he, whose soul was mighty as the soul Of Milton, who held the vision of the world As an irradiant orb self-filled with light, Who schooled his heart with passionate control To compass knowledge, to unravel the dense Web of this tangled life, he would weigh slight As thistledown blown from his most fairy fancy That pale self-glory, against the mystery, The wonder of the various world, the power Of "seeing great things in loneliness.
" Where bloodroot in the clearing dwells Along the edge of snow; Where, trembling all their trailing bells, The sensitive twinflowers blow; Where, searching through the ferny breaks, The moose-fawns find the springs; Where the loon laughs and diving takes Her young beneath her wings; Where flash the fields of arctic moss With myriad golden light; Where no dream-shadows ever cross The lidless eyes of night; Where, cleaving a mountain storm, the proud Eagles, the clear sky won, Mount the thin air between the loud Slow thunder and the sun; Where, to the high tarn tranced and still No eye has ever seen, Comes the first star its flame to chill In the cool deeps of green; -- Spirit of Keats, unfurl thy wings, Far from the toil and press, Teach us by these pure-hearted things, Beauty in loneliness.
Where, in the realm of thought, dwell those Who oft in pain and penury Work in the void, Searching the infinite dark between the stars, The infinite little of the atom, Gathering the tears and terrors of this life, Distilling them to a medicine for the soul; (And hated for their thought Die for it calmly; For not their fears, Nor the cold scorn of men, Fright them who hold to truth:) They brood alone in the intense serene Air of their passion, Until on some chill dawn Breaks the immortal form foreshadowed in their dream, And the distracted world and men Are no more what they were.
Spirit of Keats, unfurl thy deathless wings, Far from the wayward toil, the vain excess, Teach us by such soul-haunting things Beauty in loneliness.
The minds of men grow numb, their vision narrows, The clogs of Empire and the dust of ages, The lust of power that fogs the fairest pages, Of the romance that eager life would write, These war on Beauty with their spears and arrows.
But still is Beauty and of constant power; Even in the whirl of Time's most sordid hour, Banished from the great highways, Afflighted by the tramp of insolent feet, She hangs her garlands in the by-ways; Lissome and sweet Bending her head to hearken and learn Melody shadowed with melody, Softer than shadow of sea-fern, In the green-shadowed sea: Then, nourished by quietude, And if the world's mood Change, she may return Even lovelier than before.
-- The white reflection in the mountain lake Falls from the white stream Silent in the high distance; The mirrored mountains guard The profile of the goddess of the height, Floating in water with a curve of crystal light; When the air, envious of the loveliness, Rushes downward to surprise, Confusion plays in the contact, The picture is overdrawn With ardent ripples, But when the breeze, warned of intrusion, Draws breathless upward in flight, The vision reassembles in tranquillity, Reforming with a gesture of delight, Reborn with the rebirth of calm.
Spirit of Keats, lend us thy voice, Breaking like surge in some enchanted cave On a dream-sea-coast, To summon Beauty to her desolate world.
For Beauty has taken refuge from our life That grew too loud and wounding; Beauty withdraws beyond the bitter strife, Beauty is gone, (Oh where?) To dwell within a precinct of pure air Where moments turn to months of solitude; To live on roots of fern and tips of fern, On tender berries flushed with the earth's blood.
Beauty shall stain her feet with moss And dye her cheek with deep nut-juices, Laving her hands in the pure sluices Where rainbows are dissolved.
Beauty shall view herself in pools of amber sheen Dappled with peacock-tints from the green screen That mingles liquid light with liquid shadow.
Beauty shall breathe the fairy hush With the chill orchids in their cells of shade, And hear the invocation of the thrush That calls the stars into their heaven, And after even Beauty shall take the night into her soul.
When the thrill voice goes crying through the wood, (Oh, Beauty, Beauty!) Troubling the solitude With echoes from the lonely world, Beauty will tremble like a cloistered thing That hears temptation in the outlands singing, Will steel her dedicated heart and breathe Into her inner ear to firm her vow: -- "Let me restore the soul that ye have marred.
O mortals, cry no more on Beauty, Leave me alone, lone mortals, Until my shaken soul comes to its own, Lone mortals, leave me alone!" (Oh Beauty, Beauty, Beauty!) All the dim wood is silent as a dream That dreams of silence.
Written by George William Russell | Create an image from this poem

Brotherhood

 TWILIGHT, a blossom grey in shadowy valleys dwells:
Under the radiant dark the deep blue-tinted bells
In quietness reïmage heaven within their blooms,
Sapphire and gold and mystery.
What strange perfumes, Out of what deeps arising, all the flower-bells fling, Unknowing the enchanted odorous song they sing! Oh, never was an eve so living yet: the wood Stirs not but breathes enraptured quietude.
Here in these shades the ancient knows itself, the soul, And out of slumber waking starts unto the goal.
What bright companions nod and go along with it! Out of the teeming dark what dusky creatures flit, That through the long leagues of the island night above Come by me, wandering, whispering, beseeching love; As in the twilight children gather close and press Nigh and more nigh with shadowy tenderness, Feeling they know not what, with noiseless footsteps glide Seeking familiar lips or hearts to dream beside.
O voices, I would go with you, with you, away, Facing once more the radiant gateways of the day; With you, with you, what memories arise, and nigh Trampling the crowded figures of the dawn go by Dread deities, the giant powers that warred on men Grow tender brothers and gay children once again; Fades every hate away before the Mother’s breast Where all the exiles of the heart return to rest.
Written by Bernadette Geyer | Create an image from this poem

Pearls

 And so I look back
still thinking of her
with painful heart,
this clench of inner flesh.
—Kakinomoto Hitomaro from Manyoshu * Praise the irritant, that genesis, implanted within the soft and malleable animal that bore you.
* Your brethren strung around my neck, dangling from my earlobes.
The imperfections the jeweler slights, I praise.
* Artifact of a biological process, why do we expect symmetry from a grain of sand? * Praise the oblong beauty of you, solidified raindrops, your stony quietude.
* Let me praise the waters that bestow your milky luster, worshipped to ensure a bountiful hunt.
* Manyoshu poems praised the ama, female divers, who collected you, as gently as quail eggs.
* Let me rub you against my teeth to test the veracity of you, roll you around my tongue to weigh your heft.
* The heart clenches, hides its moon among clouds.
Would that I, too, could build a radiant world around a bitter nucleus.


Written by Lucy Maud Montgomery | Create an image from this poem

A Summer Day

 I 

The dawn laughs out on orient hills 
And dances with the diamond rills; 
The ambrosial wind but faintly stirs 
The silken, beaded gossamers; 
In the wide valleys, lone and fair, 
Lyrics are piped from limpid air, 
And, far above, the pine trees free 
Voice ancient lore of sky and sea.
Come, let us fill our hearts straightway With hope and courage of the day.
II Noon, hiving sweets of sun and flower, Has fallen on dreams in wayside bower, Where bees hold honeyed fellowship With the ripe blossom of her lip; All silent are her poppied vales And all her long Arcadian dales, Where idleness is gathered up A magic draught in summer's cup.
Come, let us give ourselves to dreams By lisping margins of her streams.
III Adown the golden sunset way The evening comes in wimple gray; By burnished shore and silver lake Cool winds of ministration wake; O'er occidental meadows far There shines the light of moon and star, And sweet, low-tinkling music rings About the lips of haunted springs.
In quietude of earth and air 'Tis meet we yield our souls to prayer.
Written by George William Russell | Create an image from this poem

By the Margin of the Great Deep

 WHEN the breath of twilight blows to flame the misty skies,
All its vaporous sapphire, violet glow and silver gleam
With their magic flood me through the gateway of the eyes;
 I am one with the twilight’s dream.
When the trees and skies and fields are one in dusky mood, Every heart of man is rapt within the mother’s breast: Full of peace and sleep and dreams in the vasty quietude, I am one with their hearts at rest.
From our immemorial joys of hearth and home and love Strayed away along the margin of the unknown tide, All its reach of soundless calm can thrill me far above Word or touch from the lips beside.
Aye, and deep and deep and deeper let me drink and draw From the olden fountain more than light or peace or dream, Such primeval being as o’erfills the heart with awe, Growing one with its silent stream.
Written by Robert Graves | Create an image from this poem

An English Wood

 This valley wood is pledged
To the set shape of things,
And reasonably hedged:
Here are no harpies fledged,
No rocs may clap their wings,
Nor gryphons wave their stings.
Here, poised in quietude, Calm elementals brood On the set shape of things: They fend away alarms From this green wood.
Here nothing is that harms - No bulls with lungs of brass, No toothed or spiny grass, No tree whose clutching arms Drink blood when travellers pass, No mount of glass; No bardic tongues unfold Satires or charms.
Only, the lawns are soft, The tree-stems, grave and old; Slow branches sway aloft, The evening air comes cold, The sunset scatters gold.
Small grasses toss and bend, Small pathways idly tend Towards no fearful end.
Written by Robert William Service | Create an image from this poem

Imagination

 A gaunt and hoary slab of stone
 I found in desert place,
And wondered why it lay alone
 In that abandoned place.
Said I: 'Maybe a Palace stood Where now the lizards crawl, With courts of musky quietude And turrets tall.
Maybe where low the vultures wing 'Mid mosque and minaret, The proud pavilion of a King Was luminously set.
'Mid fairy fountains, alcoves dim, Upon a garnet throne He ruled,--and now all trace of him Is just this stone.
Ah well, I've done with wandering, But from a blousy bar I see with drunk imagining A Palace like a star.
I build it up from one grey stone With gardens hanging high, And dream .
.
.
Long, long ere Babylon It's King was I.
Written by Robert William Service | Create an image from this poem

Little Puddleton

 I

Let others sing of Empire and of pomp beyond the sea,
A song of Little Puddleton is good enough for me,
A song of kindly living, and of coming home to tea.
I seldom read the papers, so I don't know what goes on.
I go to bed at sunset, and I leap alert at dawn, To gossip with my garden, which I'll have you understand, Is the neatest and the sweetest little garden in the land; A span of sunny quietude, with walls so high and stout, They shut me in from all the world, and shut the whole world out, So that its sad bewilderment seems less than true to me: As placid as a pool I live, as tranquil as a tree; And all its glory I would give for glint of linnet's wings; My cabbages are more to me than continents and kings.
Dominion have I of my own, where feud and faction cease, A heaven of tranquillity, a paradise of peace.
II Let continents be bathed in blood and cities leap in flame; The life of Little Puddleton goes on and on the same; Its ritual we follow, as we play a pleasant game.
The village wortkies sit and smoke their long-stemmed pipes of clay.
And cheerily they nod to me, and pass the time of day.
We talk of pigs and clover, and the prospect of the crops, And the price of eggs and butter - there the conversation drops.
For in a doubt-distracted world I keep the rustic touch; I think it better not to think too deeply nor too much; But just to dream and take delight in all I hear and see, The tinker in the tavern, with his trollop on his knee; The ivied church, the anvil clang, the geese upon the green, The drowsy noon, the hush of eve so holy and screne.
This is my world, then back again with heart of joy I go To cottage walls of mellow stain, and garden all aglow.
III For all I've been and all I've seen I have no vain regret One comes to Little Puddleton, contented to forget; Accepting village values, immemorially set.
I did not make this world and so it's not my job to mend; But I have fought for fifty years and now I hear the end; And I am heart-faint from the fight, and claim the right to rest, And dare to hope the last of life will prove to be the best.
For there have I four sturdy walls with low and humble thatch, A smiling little orchard and a big potato patch.
And so with hoe in hand I stand and mock the dubious sky; let revolution rock the land, serene, secure am I.
I grow my simple food, I groom my lettuce and my beans; I feast in colour, form and song, and ask not what it means.
Beauty suffiices in itself; then when my strength is spent, like simple hind with empty mind, I cultivate content.
Behold then Little Puddleton, the end of all my dreams.
Not much to show for life, I know; yet O how sweet it seems! For when defeated day goes down in carnage in the West, How blesses sanctuary is, and peace and love and rest!

Book: Shattered Sighs