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Best Famous Quicken Poems

Here is a collection of the all-time best famous Quicken poems. This is a select list of the best famous Quicken poetry. Reading, writing, and enjoying famous Quicken poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of quicken poems.

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Written by Edna St Vincent Millay | Create an image from this poem

Ode To Silence

 Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar, I come from temples where her altars are, From groves that bear her name, Noisy with stricken victims now and sacrificial flame, And cymbals struck on high and strident faces Obstreperous in her praise They neither love nor know, A goddess of gone days, Departed long ago, Abandoning the invaded shrines and fanes Of her old sanctuary, A deity obscure and legendary, Of whom there now remains, For sages to decipher and priests to garble, Only and for a little while her letters wedged in marble, Which even now, behold, the friendly mumbling rain erases, And the inarticulate snow, Leaving at last of her least signs and traces None whatsoever, nor whither she is vanished from these places.
"She will love well," I said, "If love be of that heart inhabiter, The flowers of the dead; The red anemone that with no sound Moves in the wind, and from another wound That sprang, the heavily-sweet blue hyacinth, That blossoms underground, And sallow poppies, will be dear to her.
And will not Silence know In the black shade of what obsidian steep Stiffens the white narcissus numb with sleep? (Seed which Demeter's daughter bore from home, Uptorn by desperate fingers long ago, Reluctant even as she, Undone Persephone, And even as she set out again to grow In twilight, in perdition's lean and inauspicious loam).
She will love well," I said, "The flowers of the dead; Where dark Persephone the winter round, Uncomforted for home, uncomforted, Lacking a sunny southern slope in northern Sicily, With sullen pupils focussed on a dream, Stares on the stagnant stream That moats the unequivocable battlements of Hell, There, there will she be found, She that is Beauty veiled from men and Music in a swound.
" "I long for Silence as they long for breath Whose helpless nostrils drink the bitter sea; What thing can be So stout, what so redoubtable, in Death What fury, what considerable rage, if only she, Upon whose icy breast, Unquestioned, uncaressed, One time I lay, And whom always I lack, Even to this day, Being by no means from that frigid bosom weaned away, If only she therewith be given me back?" I sought her down that dolorous labyrinth, Wherein no shaft of sunlight ever fell, And in among the bloodless everywhere I sought her, but the air, Breathed many times and spent, Was fretful with a whispering discontent, And questioning me, importuning me to tell Some slightest tidings of the light of day they know no more, Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door, And harked a moment, holding up my hand,—and for a space A hush was on them, while they watched my face; And then they fell a-whispering as before; So that I smiled at them and left them, seeing she was not there.
I sought her, too, Among the upper gods, although I knew She was not like to be where feasting is, Nor near to Heaven's lord, Being a thing abhorred And shunned of him, although a child of his, (Not yours, not yours; to you she owes not breath, Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place And later learn, too late, how all the while, With her still face, She had been standing there and seen me pass, without a smile, I sought her even to the sagging board whereat The stout immortals sat; But such a laughter shook the mighty hall No one could hear me say: Had she been seen upon the Hill that day? And no one knew at all How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull Between the mountains and the mountainous sea, I know not where, but which a dream diurnal Paints on my lids a moment till the hull Be lifted from the kernel And Slumber fed to me.
Your foot-print is not there, Mnemosene, Though it would seem a ruined place and after Your lichenous heart, being full Of broken columns, caryatides Thrown to the earth and fallen forward on their jointless knees, And urns funereal altered into dust Minuter than the ashes of the dead, And Psyche's lamp out of the earth up-thrust, Dripping itself in marble wax on what was once the bed Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall, And the wide crannies quicken with bright weeds; There dumbly like a worm all day the still white orchid feeds; But never an echo of your daughters' laughter Is there, nor any sign of you at all Swells fungous from the rotten bough, grey mother of Pieria! Only her shadow once upon a stone I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill, You chatterers, you noisy crew! She is not anywhere! I sought her in deep Hell; And through the world as well; I thought of Heaven and I sought her there; Above nor under ground Is Silence to be found, That was the very warp and woof of you, Lovely before your songs began and after they were through! Oh, say if on this hill Somewhere your sister's body lies in death, So I may follow there, and make a wreath Of my locked hands, that on her quiet breast Shall lie till age has withered them! (Ah, sweetly from the rest I see Turn and consider me Compassionate Euterpe!) "There is a gate beyond the gate of Death, Beyond the gate of everlasting Life, Beyond the gates of Heaven and Hell," she saith, "Whereon but to believe is horror! Whereon to meditate engendereth Even in deathless spirits such as I A tumult in the breath, A chilling of the inexhaustible blood Even in my veins that never will be dry, And in the austere, divine monotony That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek; And seek her not elsewhere.
Hell is a thoroughfare For pilgrims,—Herakles, And he that loved Euridice too well, Have walked therein; and many more than these; And witnessed the desire and the despair Of souls that passed reluctantly and sicken for the air; You, too, have entered Hell, And issued thence; but thence whereof I speak None has returned;—for thither fury brings Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.
" Oh, radiant Song! Oh, gracious Memory! Be long upon this height I shall not climb again! I know the way you mean,—the little night, And the long empty day,—never to see Again the angry light, Or hear the hungry noises cry my brain! Ah, but she, Your other sister and my other soul, She shall again be mine; And I shall drink her from a silver bowl, A chilly thin green wine, Not bitter to the taste, Not sweet, Not of your press, oh, restless, clamorous nine,— To foam beneath the frantic hoofs of mirth— But savoring faintly of the acid earth, And trod by pensive feet From perfect clusters ripened without haste Out of the urgent heat In some clear glimmering vaulted twilight under the odorous vine .
Lift up your lyres! Sing on! But as for me, I seek your sister whither she is gone.


Written by Lewis Carroll | Create an image from this poem

Four Riddles

 I 

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.
I asked the cause: the aged man grew sad: They pointed to a building gray and tall, And hoarsely answered "Step inside, my lad, And then you'll see it all.
" Yet what are all such gaieties to me Whose thoughts are full of indices and surds? x*x + 7x + 53 = 11/3 But something whispered "It will soon be done: Bands cannot always play, nor ladies smile: Endure with patience the distasteful fun For just a little while!" A change came o'er my Vision - it was night: We clove a pathway through a frantic throng: The steeds, wild-plunging, filled us with affright: The chariots whirled along.
Within a marble hall a river ran - A living tide, half muslin and half cloth: And here one mourned a broken wreath or fan, Yet swallowed down her wrath; And here one offered to a thirsty fair (His words half-drowned amid those thunders tuneful) Some frozen viand (there were many there), A tooth-ache in each spoonful.
There comes a happy pause, for human strength Will not endure to dance without cessation; And every one must reach the point at length Of absolute prostration.
At such a moment ladies learn to give, To partners who would urge them over-much, A flat and yet decided negative - Photographers love such.
There comes a welcome summons - hope revives, And fading eyes grow bright, and pulses quicken: Incessant pop the corks, and busy knives Dispense the tongue and chicken.
Flushed with new life, the crowd flows back again: And all is tangled talk and mazy motion - Much like a waving field of golden grain, Or a tempestuous ocean.
And thus they give the time, that Nature meant For peaceful sleep and meditative snores, To ceaseless din and mindless merriment And waste of shoes and floors.
And One (we name him not) that flies the flowers, That dreads the dances, and that shuns the salads, They doom to pass in solitude the hours, Writing acrostic-ballads.
How late it grows! The hour is surely past That should have warned us with its double knock? The twilight wanes, and morning comes at last - "Oh, Uncle, what's o'clock?" The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know? He opens his mouth - yet out of it, methinks, No words of wisdom flow.
II Empress of Art, for thee I twine This wreath with all too slender skill.
Forgive my Muse each halting line, And for the deed accept the will! O day of tears! Whence comes this spectre grim, Parting, like Death's cold river, souls that love? Is not he bound to thee, as thou to him, By vows, unwhispered here, yet heard above? And still it lives, that keen and heavenward flame, Lives in his eye, and trembles in his tone: And these wild words of fury but proclaim A heart that beats for thee, for thee alone! But all is lost: that mighty mind o'erthrown, Like sweet bells jangled, piteous sight to see! "Doubt that the stars are fire," so runs his moan, "Doubt Truth herself, but not my love for thee!" A sadder vision yet: thine aged sire Shaming his hoary locks with treacherous wile! And dost thou now doubt Truth to be a liar? And wilt thou die, that hast forgot to smile? Nay, get thee hence! Leave all thy winsome ways And the faint fragrance of thy scattered flowers: In holy silence wait the appointed days, And weep away the leaden-footed hours.
III.
The air is bright with hues of light And rich with laughter and with singing: Young hearts beat high in ecstasy, And banners wave, and bells are ringing: But silence falls with fading day, And there's an end to mirth and play.
Ah, well-a-day Rest your old bones, ye wrinkled crones! The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught That fills the soul with golden fancies! For Youth and Pleasance will not stay, And ye are withered, worn, and gray.
Ah, well-a-day! O fair cold face! O form of grace, For human passion madly yearning! O weary air of dumb despair, From marble won, to marble turning! "Leave us not thus!" we fondly pray.
"We cannot let thee pass away!" Ah, well-a-day! IV.
My First is singular at best: More plural is my Second: My Third is far the pluralest - So plural-plural, I protest It scarcely can be reckoned! My First is followed by a bird: My Second by believers In magic art: my simple Third Follows, too often, hopes absurd And plausible deceivers.
My First to get at wisdom tries - A failure melancholy! My Second men revered as wise: My Third from heights of wisdom flies To depths of frantic folly.
My First is ageing day by day: My Second's age is ended: My Third enjoys an age, they say, That never seems to fade away, Through centuries extended.
My Whole? I need a poet's pen To paint her myriad phases: The monarch, and the slave, of men - A mountain-summit, and a den Of dark and deadly mazes - A flashing light - a fleeting shade - Beginning, end, and middle Of all that human art hath made Or wit devised! Go, seek HER aid, If you would read my riddle!
Written by Sappho | Create an image from this poem

To Atthis

My Atthis, although our dear Anaktoria
lives in distant Sardis,
she thinks of us constantly, and

of the life we shared in days when for her
you were a splendid goddess,
and your singing gave her deep joy.
Now she shines among Lydian women as when the red-fingered moon rises after sunset, erasing stars around her, and pouring light equally across the salt sea and over densely flowered fields; and lucent dew spreads on the earth to quicken roses and fragile thyme and the sweet-blooming honey-lotus.
Now while our darling wanders she thinks of lovely Atthis's love, and longing sinks deep in her breast.
She cries loudly for us to come! We hear, for the night's many tongues carry her cry across the sea.
Written by Sylvia Plath | Create an image from this poem

A Better Resurrection

 I have no wit, I have no words, no tears;
My heart within me like a stone
Is numbed too much for hopes or fears;
Look right, look left, I dwell alone;
A lift mine eyes, but dimmed with grief
No everlasting hills I see;
My life is like the falling leaf;
O Jesus, quicken me.
Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen ( From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down.
Yet, while this morning breeze is bringing The home-life sound of school-bells ringing, And rolling wheel, and rapid jar Of the fire-winged and steedless car, And voices from the wayside near Come quick and blended on my ear,-- A spell is in this old gray stone, My thoughts are with the Past alone! A change! -- The steepled town no more Stretches along the sail-thronged shore; Like palace-domes in sunset's cloud, Fade sun-gilt spire and mansion proud: Spectrally rising where they stood, I see the old, primeval wood; Dark, shadow-like, on either hand I see its solemn waste expand; It climbs the green and cultured hill, It arches o'er the valley's rill, And leans from cliff and crag to throw Its wild arms o'er the stream below.
Unchanged, alone, the same bright river Flows on, as it will flow forever! I listen, and I hear the low Soft ripple where its water go; I hear behind the panther's cry, The wild-bird's scream goes thrilling by, And shyly on the river's brink The deer is stooping down to drink.
But hard! -- from wood and rock flung back, What sound come up the Merrimac? What sea-worn barks are those which throw The light spray from each rushing prow? Have they not in the North Sea's blast Bowed to the waves the straining mast? Their frozen sails the low, pale sun Of Thulë's night has shone upon; Flapped by the sea-wind's gusty sweep Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters Have watched them fading o'er the waters, Lessening through driving mist and spray, Like white-winged sea-birds on their way! Onward they glide, -- and now I view Their iron-armed and stalwart crew; Joy glistens in each wild blue eye, Turned to green earth and summer sky.
Each broad, seamed breast has cast aside Its cumbering vest of shaggy hide; Bared to the sun and soft warm air, Streams back the Northmen's yellow hair.
I see the gleam of axe and spear, A sound of smitten shields I hear, Keeping a harsh and fitting time To Saga's chant, and Runic rhyme; Such lays as Zetland's Scald has sung, His gray and naked isles among; Or mutter low at midnight hour Round Odin's mossy stone of power.
The wolf beneath the Arctic moon Has answered to that startling rune; The Gael has heard its stormy swell, The light Frank knows its summons well; Iona's sable-stoled Culdee Has heard it sounding o'er the sea, And swept, with hoary beard and hair, His altar's foot in trembling prayer! 'T is past, -- the 'wildering vision dies In darkness on my dreaming eyes! The forest vanishes in air, Hill-slope and vale lie starkly bare; I hear the common tread of men, And hum of work-day life again; The mystic relic seems alone A broken mass of common stone; And if it be the chiselled limb Of Berserker or idol grim, A fragment of Valhalla's Thor, The stormy Viking's god of War, Or Praga of the Runic lay, Or love-awakening Siona, I know not, -- for no graven line, Nor Druid mark, nor Runic sign, Is left me here, by which to trace Its name, or origin, or place.
Yet, for this vision of the Past, This glance upon its darkness cast, My spirit bows in gratitude Before the Giver of all good, Who fashioned so the human mind, That, from the waste of Time behind, A simple stone, or mound of earth, Can summon the departed forth; Quicken the Past to life again, The Present lose in what hath been, And in their primal freshness show The buried forms of long ago.
As if a portion of that Thought By which the Eternal will is wrought, Whose impulse fills anew with breath The frozen solitude of Death, To mortal mind were sometimes lent, To mortal musing sometimes sent, To whisper -- even when it seems But Memory's fantasy of dreams -- Through the mind's waste of woe and sin, Of an immortal origin!


Written by Henry Van Dyke | Create an image from this poem

God of the Open Air

 I

Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!
To thee I turn, to thee I make my prayer,
God of the open air.
II Seeking for thee, the heart of man Lonely and longing ran, In that first, solitary hour, When the mysterious power To know and love the wonder of the morn Was breathed within him, and his soul was born; And thou didst meet thy child, Not in some hidden shrine, But in the freedom of the garden wild, And take his hand in thine,-- There all day long in Paradise he walked, And in the cool of evening with thee talked.
III Lost, long ago, that garden bright and pure, Lost, that calm day too perfect to endure, And lost the childlike love that worshipped and was sure! For men have dulled their eyes with sin, And dimmed the light of heaven with doubt, And built their temple walls to shut thee in, And framed their iron creeds to shut thee out.
But not for thee the closing of the door, O Spirit unconfined! Thy ways are free As is the wandering wind, And thou hast wooed thy children, to restore Their fellowship with thee, In peace of soul and simpleness of mind.
IV Joyful the heart that, when the flood rolled by, Leaped up to see the rainbow in the sky; And glad the pilgrim, in the lonely night, For whom the hills of Haran, tier on tier, Built up a secret stairway to the height Where stars like angel eyes were shining clear.
From mountain-peaks, in many a land and age, Disciples of the Persian seer Have hailed the rising sun and worshipped thee; And wayworn followers of the Indian sage Have found the peace of God beneath a spreading tree.
But One, but One,--ah, child most dear, And perfect image of the Love Unseen,-- Walked every day in pastures green, And all his life the quiet waters by, Reading their beauty with a tranquil eye.
To him the desert was a place prepared For weary hearts to rest; The hillside was a temple blest; The grassy vale a banquet-room Where he could feed and comfort many a guest.
With him the lily shared The vital joy that breathes itself in bloom; And every bird that sang beside the nest Told of the love that broods o'er every living thing.
He watched the shepherd bring His flock at sundown to the welcome fold, The fisherman at daybreak fling His net across the waters gray and cold, And all day long the patient reaper swing His curving sickle through the harvest-gold.
So through the world the foot-path way he trod, Drawing the air of heaven in every breath; And in the evening sacrifice of death Beneath the open sky he gave his soul to God.
Him will I trust, and for my Master take; Him will I follow; and for his dear sake, God of the open air, To thee I make my prayer.
V >From the prison of anxious thought that greed has builded, >From the fetters that envy has wrought and pride has gilded, >From the noise of the crowded ways and the fierce confusion, >From the folly that wastes its days in a world of illusion, (Ah, but the life is lost that frets and languishes there!) I would escape and be free in the joy of the open air.
By the breadth of the blue that shines in silence o'er me, By the length of the mountain-lines that stretch before me, By the height of the cloud that sails, with rest in motion, Over the plains and the vales to the measureless ocean, (Oh, how the sight of the things that are great enlarges the eyes!) Lead me out of the narrow life, to the peace of the hills and the skies.
While the tremulous leafy haze on the woodland is spreading, And the bloom on the meadow betrays where May has been treading; While the birds on the branches above, and the brooks flowing under, Are singing together of love in a world full of wonder, (Lo, in the marvel of Springtime, dreams are changed into truth!) Quicken my heart, and restore the beautiful hopes of youth.
By the faith that the flowers show when they bloom unbidden, By the calm of the river's flow to a goal that is hidden, By the trust of the tree that clings to its deep foundation, By the courage of wild birds' wings on the long migration, (Wonderful secret of peace that abides in Nature's breast!) Teach me how to confide, and live my life, and rest.
For the comforting warmth of the sun that my body embraces, For the cool of the waters that run through the shadowy places, For the balm of the breezes that brush my face with their fingers, For the vesper-hymn of the thrush when the twilight lingers, For the long breath, the deep breath, the breath of a heart without care,-- I will give thanks and adore thee, God of the open air! VI These are the gifts I ask Of thee, Spirit serene: Strength for the daily task, Courage to face the road, Good cheer to help me bear the traveller's load, And, for the hours of rest that come between, An inward joy in all things heard and seen.
These are the sins I fain Would have thee take away: Malice, and cold disdain, Hot anger, sullen hate, Scorn of the lowly, envy of the great, And discontent that casts a shadow gray On all the brightness of the common day.
These are the things I prize And hold of dearest worth: Light of the sapphire skies, Peace of the silent hills, Shelter of forests, comfort of the grass, Music of birds, murmur of little rills, Shadow of clouds that swiftly pass, And, after showers, The smell of flowers And of the good brown earth,-- And best of all, along the way, friendship and mirth.
So let me keep These treasures of the humble heart In true possession, owning them by love; And when at last I can no longer move Among them freely, but must part From the green fields and from the waters clear, Let me not creep Into some darkened room and hide From all that makes the world so bright and dear; But throw the windows wide To welcome in the light; And while I clasp a well-beloved hand, Let me once more have sight Of the deep sky and the far-smiling land,-- Then gently fall on sleep, And breathe my body back to Nature's care, My spirit out to thee, God of the open air.
Written by Percy Bysshe Shelley | Create an image from this poem

Ode to the West Wind

O WILD West Wind, thou breath of Autumn's being¡ª 
Thou from whose unseen presence the leaves dead 
Are driven, like ghosts from an enchanter fleeing, 
Yellow, and black, and pale, and hectic red, 
Pestilence-stricken multitudes!¡ªO thou 5 
Who chariotest to their dark wintry bed 
The wing¨¨d seeds, where they lie cold and low, 
Each like a corpse within its grave, until 
Thine azure sister of the Spring shall blow 
Her clarion o'er the dreaming earth, and fill 10 
(Driving sweet buds like flocks to feed in air) 
With living hues and odours plain and hill¡ª 
Wild Spirit, which art moving everywhere¡ª 
Destroyer and Preserver¡ªhear, O hear! 

Thou on whose stream, 'mid the steep sky's commotion, 15 
Loose clouds like earth's decaying leaves are shed, 
Shook from the tangled boughs of Heaven and Ocean, 
Angels of rain and lightning! they are spread 
On the blue surface of thine airy surge, 
Like the bright hair uplifted from the head 20 
Of some fierce M?nad, ev'n from the dim verge 
Of the horizon to the zenith's height¡ª 
The locks of the approaching storm.
Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, 25 Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst:¡ªO hear! Thou who didst waken from his summer-dreams The blue Mediterranean, where he lay, 30 Lull'd by the coil of his crystalline streams, Beside a pumice isle in Bai?'s bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss, and flowers 35 So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know 40 Thy voice, and suddenly grow gray with fear And tremble and despoil themselves:¡ªO hear! If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share 45 The impulse of thy strength, only less free Than thou, O uncontrollable!¡ªif even I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As then, when to outstrip thy skiey speed 50 Scarce seem'd a vision,¡ªI would ne'er have striven As thus with thee in prayer in my sore need.
O lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain'd and bow'd 55 One too like thee¡ªtameless, and swift, and proud.
Make me thy lyre, ev'n as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep autumnal tone, 60 Sweet though in sadness.
Be thou, Spirit fierce, My spirit! be thou me, impetuous one! Drive my dead thoughts over the universe, Like wither'd leaves, to quicken a new birth; And, by the incantation of this verse, 65 Scatter, as from an unextinguish'd hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken'd earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind? 70
Written by Christina Rossetti | Create an image from this poem

A Better Ressurection

 I have no wit, no words, no tears;
My heart within me like a stone
Is numbed too much for hopes or fears.
Look right, look left, I dwell alone; I lift mine eyes, but dimmed with grief No everlasting hills I see; My life is in the falling leaf: O Jesus, quicken me.
My life is like a faded leaf, My harvest dwindled to a husk: Truly my life is void and brief And tedious in the barren dusk; My life is like a frozen thing, No bud nor greenness can I see: Yet rise it shall--the sap of spring; O Jesus, rise in me.
My life is like a broken bowl, A broken bowl that cannot hold One drop of water for my soul Or cordial in the searching cold; Cast in the fire the perished thing; Melt and remould it, till it be A royal cup for Him, my King: O Jesus, drink of me.
Written by Robert William Service | Create an image from this poem

Trees Against The Sky

 Pines against the sky,
Pluming the purple hill;
Pines .
.
.
and I wonder why, Heart, you quicken and thrill? Wistful heart of a boy, Fill with a strange sweet joy, Lifting to Heaven nigh - Pines against the sky.
Palms against the sky, Failing the hot, hard blue; Stark on the beach I lie, Dreaming horizons new; Heart of my youth elate, Scorning a humdrum fate, Keyed to adventure high - Palms against the sky.
Oaks against the sky, Ramparts of leaves high-hurled, Staunch to stand and defy All the winds of the world; Stalwart and proud and free, Firing the man in me To try and again to try - Oaks against the sky.
Olives against the sky Of evening, limpidly bright; Tranquil and soft and shy, Dreaming in amber light; Breathing the peace of life, Ease after toil and strife .
.
.
Hark to their silver sigh! Olives against the sky.
Cypresses glooming the sky, Stark at the end of the road; Failing and faint am I, Lief to be eased of my load; There where the stones peer white in the last of the silvery light, Quiet and cold I'll lie - Cypresses etching the sky.
Trees, trees against the sky - O I have loved them well! There are pleasures you cannot buy, Treasurers you cannot sell, And not the smallest of these Is the gift and glory of trees.
.
.
.
So I gaze and I know now why It is good to live - and to die.
.
.
.
Trees and the Infinite Sky.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were, The wild sea winds her and the green gulfs bear Hither and thither, and vex and work her wrong, Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother, Secrets and sorrows unbeheld of us: Fierce loves, and lovely leaf-buds poisonous, Bare to thy subtler eye, but for none other Blowing by night in some unbreathed-in clime; The hidden harvest of luxurious time, Sin without shape, and pleasure without speech; And where strange dreams in a tumultuous sleep Make the shut eyes of stricken spirits weep; And with each face thou sawest the shadow on each, Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping, That were athirst for sleep and no more life And no more love, for peace and no more strife! Now the dim gods of death have in their keeping Spirit and body and all the springs of song, Is it well now where love can do no wrong, Where stingless pleasure has no foam or fang Behind the unopening closure of her lips? Is it not well where soul from body slips And flesh from bone divides without a pang As dew from flower-bell drips? It is enough; the end and the beginning Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend, For thee no fruits to pluck, no palms for winning, No triumph and no labour and no lust, Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught, Whereto the day is dumb, nor any night With obscure finger silences your sight, Nor in your speech the sudden soul speaks thought, Sleep, and have sleep for light.
Now all strange hours and all strange loves are over, Dreams and desires and sombre songs and sweet, Hast thou found place at the great knees and feet Of some pale Titan-woman like a lover, Such as thy vision here solicited, Under the shadow of her fair vast head, The deep division of prodigious breasts, The solemn slope of mighty limbs asleep, The weight of awful tresses that still keep The savour and shade of old-world pine-forests Where the wet hill-winds weep? Hast thou found any likeness for thy vision? O gardener of strange flowers, what bud, what bloom, Hast thou found sown, what gather'd in the gloom? What of despair, of rapture, of derision, What of life is there, what of ill or good? Are the fruits gray like dust or bright like blood? Does the dim ground grow any seed of ours, The faint fields quicken any terrene root, In low lands where the sun and moon are mute And all the stars keep silence? Are there flowers At all, or any fruit? Alas, but though my flying song flies after, O sweet strange elder singer, thy more fleet Singing, and footprints of thy fleeter feet, Some dim derision of mysterious laughter From the blind tongueless warders of the dead, Some gainless glimpse of Proserpine's veil'd head, Some little sound of unregarded tears Wept by effaced unprofitable eyes, And from pale mouths some cadence of dead sighs-- These only, these the hearkening spirit hears, Sees only such things rise.
Thou art far too far for wings of words to follow, Far too far off for thought or any prayer.
What ails us with thee, who art wind and air? What ails us gazing where all seen is hollow? Yet with some fancy, yet with some desire, Dreams pursue death as winds a flying fire, Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies, The low light fails us in elusive skies, Still the foil'd earnest ear is deaf, and blind Are still the eluded eyes.
Not thee, O never thee, in all time's changes, Not thee, but this the sound of thy sad soul, The shadow of thy swift spirit, this shut scroll I lay my hand on, and not death estranges My spirit from communion of thy song-- These memories and these melodies that throng Veil'd porches of a Muse funereal-- These I salute, these touch, these clasp and fold As though a hand were in my hand to hold, Or through mine ears a mourning musical Of many mourners roll'd.
I among these, I also, in such station As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods, The old mourners had, standing to make libation, I stand, and to the Gods and to the dead Do reverence without prayer or praise, and shed Offering to these unknown, the gods of gloom, And what of honey and spice my seed-lands bear, And what I may of fruits in this chill'd air, And lay, Orestes-like, across the tomb A curl of sever'd hair.
But by no hand nor any treason stricken, Not like the low-lying head of Him, the King, The flame that made of Troy a ruinous thing, Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear Fall tear by sweet imperishable tear Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns; But bending us-ward with memorial urns The most high Muses that fulfil all ages Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often Among us darkling here the lord of light Makes manifest his music and his might In hearts that open and in lips that soften With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine, And nourish'd them indeed with bitter bread; Yet surely from his hand thy soul's food came, The fire that scarr'd thy spirit at his flame Was lighted, and thine hungering heart he fed Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting, God of all suns and songs, he too bends down To mix his laurel with thy cypress crown, And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art, Compassionate, with sad and sacred heart, Mourns thee of many his children the last dead, And hollows with strange tears and alien sighs Thine unmelodious mouth and sunless eyes, And over thine irrevocable head Sheds light from the under skies.
And one weeps with him in the ways Lethean, And stains with tears her changing bosom chill; That obscure Venus of the hollow hill, That thing transform'd which was the Cytherean, With lips that lost their Grecian laugh divine Long since, and face no more call'd Erycine-- A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell Did she, a sad and second prey, compel Into the footless places once more trod, And shadows hot from hell.
And now no sacred staff shall break in blossom, No choral salutation lure to light A spirit sick with perfume and sweet night And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend, And none to mar; not all our songs, O friend, Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine And with wild notes about this dust of thine At least I fill the place where white dreams dwell And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon, If sweet, give thanks; thou hast no more to live; And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden Where all day through thine hands in barren braid Wove the sick flowers of secrecy and shade, Green buds of sorrow and sin, and remnants gray, Sweet-smelling, pale with poison, sanguine-hearted, Passions that sprang from sleep and thoughts that started, Shall death not bring us all as thee one day Among the days departed? For thee, O now a silent soul, my brother, Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell, And chill the solemn earth, a fatal mother, With sadder than the Niobean womb, And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done; There lies not any troublous thing before, Nor sight nor sound to war against thee more, For whom all winds are quiet as the sun, All waters as the shore.

Book: Reflection on the Important Things