Best Famous Quay Poems

Here is a collection of the all-time best famous Quay poems. This is a select list of the best famous Quay poetry. Reading, writing, and enjoying famous Quay poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of quay poems.

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• All Famous Quay Poems

Written by Dylan Thomas | Ballad Of The Long-Legged Bait The bows glided down, and the coast Blackened with birds took a last look At his thrashing hair and whale-blue eye; The trodden town rang its cobbles for luck. Then good-bye to the fishermanned Boat with its anchor free and fast As a bird hooking over the sea, High and dry by the top of the mast, Whispered the affectionate sand And the bulwarks of the dazzled quay. For my sake sail, and never look back, Said the looking land. Sails drank the wind, and white as milk He sped into the drinking dark; The sun shipwrecked west on a pearl And the moon swam out of its hulk. Funnels and masts went by in a whirl. Good-bye to the man on the sea-legged deck To the gold gut that sings on his reel To the bait that stalked out of the sack, For we saw him throw to the swift flood A girl alive with his hooks through her lips; All the fishes were rayed in blood, Said the dwindling ships. Good-bye to chimneys and funnels, Old wives that spin in the smoke, He was blind to the eyes of candles In the praying windows of waves But heard his bait buck in the wake And tussle in a shoal of loves. Now cast down your rod, for the whole Of the sea is hilly with whales, She longs among horses and angels, The rainbow-fish bend in her joys, Floated the lost cathedral Chimes of the rocked buoys. Where the anchor rode like a gull Miles over the moonstruck boat A squall of birds bellowed and fell, A cloud blew the rain from its throat; He saw the storm smoke out to kill With fuming bows and ram of ice, Fire on starlight, rake Jesu's stream; And nothing shone on the water's face But the oil and bubble of the moon, Plunging and piercing in his course The lured fish under the foam Witnessed with a kiss. Whales in the wake like capes and Alps Quaked the sick sea and snouted deep, Deep the great bushed bait with raining lips Slipped the fins of those humpbacked tons And fled their love in a weaving dip. Oh, Jericho was falling in their lungs! She nipped and dived in the nick of love, Spun on a spout like a long-legged ball Till every beast blared down in a swerve Till every turtle crushed from his shell Till every bone in the rushing grave Rose and crowed and fell! Good luck to the hand on the rod, There is thunder under its thumbs; Gold gut is a lightning thread, His fiery reel sings off its flames, The whirled boat in the burn of his blood Is crying from nets to knives, Oh the shearwater birds and their boatsized brood Oh the bulls of Biscay and their calves Are making under the green, laid veil The long-legged beautiful bait their wives. Break the black news and paint on a sail Huge weddings in the waves, Over the wakeward-flashing spray Over the gardens of the floor Clash out the mounting dolphin's day, My mast is a bell-spire, Strike and smoothe, for my decks are drums, Sing through the water-spoken prow The octopus walking into her limbs The polar eagle with his tread of snow. From salt-lipped beak to the kick of the stern Sing how the seal has kissed her dead! The long, laid minute's bride drifts on Old in her cruel bed. Over the graveyard in the water Mountains and galleries beneath Nightingale and hyena Rejoicing for that drifting death Sing and howl through sand and anemone Valley and sahara in a shell, Oh all the wanting flesh his enemy Thrown to the sea in the shell of a girl Is old as water and plain as an eel; Always good-bye to the long-legged bread Scattered in the paths of his heels For the salty birds fluttered and fed And the tall grains foamed in their bills; Always good-bye to the fires of the face, For the crab-backed dead on the sea-bed rose And scuttled over her eyes, The blind, clawed stare is cold as sleet. The tempter under the eyelid Who shows to the selves asleep Mast-high moon-white women naked Walking in wishes and lovely for shame Is dumb and gone with his flame of brides. Susannah's drowned in the bearded stream And no-one stirs at Sheba's side But the hungry kings of the tides; Sin who had a woman's shape Sleeps till Silence blows on a cloud And all the lifted waters walk and leap. Lucifer that bird's dropping Out of the sides of the north Has melted away and is lost Is always lost in her vaulted breath, Venus lies star-struck in her wound And the sensual ruins make Seasons over the liquid world, White springs in the dark. Always good-bye, cried the voices through the shell, Good-bye always, for the flesh is cast And the fisherman winds his reel With no more desire than a ghost. Always good luck, praised the finned in the feather Bird after dark and the laughing fish As the sails drank up the hail of thunder And the long-tailed lightning lit his catch. The boat swims into the six-year weather, A wind throws a shadow and it freezes fast. See what the gold gut drags from under Mountains and galleries to the crest! See what clings to hair and skull As the boat skims on with drinking wings! The statues of great rain stand still, And the flakes fall like hills. Sing and strike his heavy haul Toppling up the boatside in a snow of light! His decks are drenched with miracles. Oh miracle of fishes! The long dead bite! Out of the urn a size of a man Out of the room the weight of his trouble Out of the house that holds a town In the continent of a fossil One by one in dust and shawl, Dry as echoes and insect-faced, His fathers cling to the hand of the girl And the dead hand leads the past, Leads them as children and as air On to the blindly tossing tops; The centuries throw back their hair And the old men sing from newborn lips: Time is bearing another son. Kill Time! She turns in her pain! The oak is felled in the acorn And the hawk in the egg kills the wren. He who blew the great fire in And died on a hiss of flames Or walked the earth in the evening Counting the denials of the grains Clings to her drifting hair, and climbs; And he who taught their lips to sing Weeps like the risen sun among The liquid choirs of his tribes. The rod bends low, divining land, And through the sundered water crawls A garden holding to her hand With birds and animals With men and women and waterfalls Trees cool and dry in the whirlpool of ships And stunned and still on the green, laid veil Sand with legends in its virgin laps And prophets loud on the burned dunes; Insects and valleys hold her thighs hard, Times and places grip her breast bone, She is breaking with seasons and clouds; Round her trailed wrist fresh water weaves, with moving fish and rounded stones Up and down the greater waves A separate river breathes and runs; Strike and sing his catch of fields For the surge is sown with barley, The cattle graze on the covered foam, The hills have footed the waves away, With wild sea fillies and soaking bridles With salty colts and gales in their limbs All the horses of his haul of miracles Gallop through the arched, green farms, Trot and gallop with gulls upon them And thunderbolts in their manes. O Rome and Sodom To-morrow and London The country tide is cobbled with towns And steeples pierce the cloud on her shoulder And the streets that the fisherman combed When his long-legged flesh was a wind on fire And his loin was a hunting flame Coil from the thoroughfares of her hair And terribly lead him home alive Lead her prodigal home to his terror, The furious ox-killing house of love. Down, down, down, under the ground, Under the floating villages, Turns the moon-chained and water-wound Metropolis of fishes, There is nothing left of the sea but its sound, Under the earth the loud sea walks, In deathbeds of orchards the boat dies down And the bait is drowned among hayricks, Land, land, land, nothing remains Of the pacing, famous sea but its speech, And into its talkative seven tombs The anchor dives through the floors of a church. Good-bye, good luck, struck the sun and the moon, To the fisherman lost on the land. He stands alone in the door of his home, With his long-legged heart in his hand.

Written by Victor Hugo | Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

Written by T S (Thomas Stearns) Eliot | Rhapsody on a Windy Night TWELVE o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street-lamp sputtered, The street-lamp muttered, The street-lamp said, “Regard that woman Who hesitates toward you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.” The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street-lamp said, “Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.” So the hand of the child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: “Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smooths the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and eau de Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.” The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars. The lamp said, “Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair. Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.” The last twist of the knife.

Written by Oscar Wilde | Symphony In Yellow An omnibus across the bridge Crawls like a yellow butterfly And, here and there, a passer-by Shows like a little restless midge. Big barges full of yellow hay Are moored against the shadowy wharf, And, like a yellow silken scarf, The thick fog hangs along the quay. The yellow leaves begin to fade And flutter from the Temple elms, And at my feet the pale green Thames Lies like a rod of rippled jade.

Written by Billy Collins | Study In Orange And White I knew that James Whistler was part of the Paris scene, but I was still surprised when I found the painting of his mother at the Musée d'Orsay among all the colored dots and mobile brushstrokes of the French Impressionists. And I was surprised to notice after a few minutes of benign staring, how that woman, stark in profile and fixed forever in her chair, began to resemble my own ancient mother who was now fixed forever in the stars, the air, the earth. You can understand why he titled the painting "Arrangement in Gray and Black" instead of what everyone naturally calls it, but afterward, as I walked along the river bank, I imagined how it might have broken the woman's heart to be demoted from mother to a mere composition, a study in colorlessness. As the summer couples leaned into each other along the quay and the wide, low-slung boats full of spectators slid up and down the Seine between the carved stone bridges and their watery reflections, I thought: how ridiculous, how off-base. It would be like Botticelli calling "The Birth of Venus" "Composition in Blue, Ochre, Green, and Pink," or the other way around like Rothko titling one of his sandwiches of color "Fishing Boats Leaving Falmouth Harbor at Dawn." Or, as I scanned the menu at the cafe where I now had come to rest, it would be like painting something laughable, like a chef turning on a spit over a blazing fire in front of an audience of ducks and calling it "Study in Orange and White." But by that time, a waiter had appeared with my glass of Pernod and a clear pitcher of water, and I sat there thinking of nothing but the women and men passing by-- mothers and sons walking their small fragile dogs-- and about myself, a kind of composition in blue and khaki, and, now that I had poured some water into the glass, milky-green.

Written by Alfred Lord Tennyson | In Memoriam A. H. H. Strong Son of God, immortal Love, Whom we, that have not seen thy face, By faith, and faith alone, embrace, Believing where we cannot prove; Thine are these orbs of light and shade; Thou madest Life in man and brute; Thou madest Death; and lo, thy foot Is on the skull which thou hast made. Thou wilt not leave us in the dust: Thou madest man, he knows not why, He thinks he was not made to die; And thou hast made him: thou art just. Thou seemest human and divine, The highest, holiest manhood, thou. Our wills are ours, we know not how; Our wills are ours, to make them thine. Our little systems have their day; They have their day and cease to be: They are but broken lights of thee, And thou, O Lord, art more than they. We have but faith: we cannot know; For knowledge is of things we see And yet we trust it comes from thee, A beam in darkness: let it grow. Let knowledge grow from more to more, But more of reverence in us dwell; That mind and soul, according well, May make one music as before, But vaster. We are fools and slight; We mock thee when we do not fear: But help thy foolish ones to bear; Help thy vain worlds to bear thy light. Forgive what seem'd my sin in me; What seem'd my worth since I began; For merit lives from man to man, And not from man, O Lord, to thee. Forgive my grief for one removed, Thy creature, whom I found so fair. I trust he lives in thee, and there I find him worthier to be loved. Forgive these wild and wandering cries, Confusions of a wasted youth; Forgive them where they fail in truth, And in thy wisdom make me wise. I I held it truth, with him who sings To one clear harp in divers tones, That men may rise on stepping-stones Of their dead selves to higher things. But who shall so forecast the years And find in loss a gain to match? Or reach a hand thro' time to catch The far-off interest of tears? Let Love clasp Grief lest both be drown'd, Let darkness keep her raven gloss: Ah, sweeter to be drunk with loss, To dance with death, to beat the ground, Than that the victor Hours should scorn The long result of love, and boast, `Behold the man that loved and lost, But all he was is overworn.' II Old Yew, which graspest at the stones That name the under-lying dead, Thy fibres net the dreamless head, Thy roots are wrapt about the bones. The seasons bring the flower again, And bring the firstling to the flock; And in the dusk of thee, the clock Beats out the little lives of men. O, not for thee the glow, the bloom, Who changest not in any gale, Nor branding summer suns avail To touch thy thousand years of gloom: And gazing on thee, sullen tree, Sick for thy stubborn hardihood, I seem to fail from out my blood And grow incorporate into thee. III O Sorrow, cruel fellowship, O Priestess in the vaults of Death, O sweet and bitter in a breath, What whispers from thy lying lip? 'The stars,' she whispers, `blindly run; A web is wov'n across the sky; From out waste places comes a cry, And murmurs from the dying sun: 'And all the phantom, Nature, stands— With all the music in her tone, A hollow echo of my own,— A hollow form with empty hands.' And shall I take a thing so blind, Embrace her as my natural good; Or crush her, like a vice of blood, Upon the threshold of the mind? IV To Sleep I give my powers away; My will is bondsman to the dark; I sit within a helmless bark, And with my heart I muse and say: O heart, how fares it with thee now, That thou should'st fail from thy desire, Who scarcely darest to inquire, 'What is it makes me beat so low?' Something it is which thou hast lost, Some pleasure from thine early years. Break, thou deep vase of chilling tears, That grief hath shaken into frost! Such clouds of nameless trouble cross All night below the darken'd eyes; With morning wakes the will, and cries, 'Thou shalt not be the fool of loss.' V I sometimes hold it half a sin To put in words the grief I feel; For words, like Nature, half reveal And half conceal the Soul within. But, for the unquiet heart and brain, A use in measured language lies; The sad mechanic exercise, Like dull narcotics, numbing pain. In words, like weeds, I'll wrap me o'er, Like coarsest clothes against the cold: But that large grief which these enfold Is given in outline and no more. VI One writes, that `Other friends remain,' That `Loss is common to the race'— And common is the commonplace, And vacant chaff well meant for grain. That loss is common would not make My own less bitter, rather more: Too common! Never morning wore To evening, but some heart did break. O father, wheresoe'er thou be, Who pledgest now thy gallant son; A shot, ere half thy draught be done, Hath still'd the life that beat from thee. O mother, praying God will save Thy sailor,—while thy head is bow'd, His heavy-shotted hammock-shroud Drops in his vast and wandering grave. Ye know no more than I who wrought At that last hour to please him well; Who mused on all I had to tell, And something written, something thought; Expecting still his advent home; And ever met him on his way With wishes, thinking, `here to-day,' Or `here to-morrow will he come.' O somewhere, meek, unconscious dove, That sittest ranging golden hair; And glad to find thyself so fair, Poor child, that waitest for thy love! For now her father's chimney glows In expectation of a guest; And thinking `this will please him best,' She takes a riband or a rose; For he will see them on to-night; And with the thought her colour burns; And, having left the glass, she turns Once more to set a ringlet right; And, even when she turn'd, the curse Had fallen, and her future Lord Was drown'd in passing thro' the ford, Or kill'd in falling from his horse. O what to her shall be the end? And what to me remains of good? To her, perpetual maidenhood, And unto me no second friend. VII Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be clasp'd no more— Behold me, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day. VIII A happy lover who has come To look on her that loves him well, Who 'lights and rings the gateway bell, And learns her gone and far from home; He saddens, all the magic light Dies off at once from bower and hall, And all the place is dark, and all The chambers emptied of delight: So find I every pleasant spot In which we two were wont to meet, The field, the chamber, and the street, For all is dark where thou art not. Yet as that other, wandering there In those deserted walks, may find A flower beat with rain and wind, Which once she foster'd up with care; So seems it in my deep regret, O my forsaken heart, with thee And this poor flower of poesy Which little cared for fades not yet. But since it pleased a vanish'd eye, I go to plant it on his tomb, That if it can it there may bloom, Or, dying, there at least may die. IX Fair ship, that from the Italian shore Sailest the placid ocean-plains With my lost Arthur's loved remains, Spread thy full wings, and waft him o'er. So draw him home to those that mourn In vain; a favourable speed Ruffle thy mirror'd mast, and lead Thro' prosperous floods his holy urn. All night no ruder air perplex Thy sliding keel, till Phosphor, bright As our pure love, thro' early light Shall glimmer on the dewy decks. Sphere all your lights around, above; Sleep, gentle heavens, before the prow; Sleep, gentle winds, as he sleeps now, My friend, the brother of my love; My Arthur, whom I shall not see Till all my widow'd race be run; Dear as the mother to the son, More than my brothers are to me. X I hear the noise about thy keel; I hear the bell struck in the night: I see the cabin-window bright; I see the sailor at the wheel. Thou bring'st the sailor to his wife, And travell'd men from foreign lands; And letters unto trembling hands; And, thy dark freight, a vanish'd life. So bring him; we have idle dreams: This look of quiet flatters thus Our home-bred fancies. O to us, The fools of habit, sweeter seems To rest beneath the clover sod, That takes the sunshine and the rains, Or where the kneeling hamlet drains The chalice of the grapes of God; Than if with thee the roaring wells Should gulf him fathom-deep in brine; And hands so often clasp'd in mine, Should toss with tangle and with shells. XI Calm is the morn without a sound, Calm as to suit a calmer grief, And only thro' the faded leaf The chestnut pattering to the ground: Calm and deep peace on this high world, And on these dews that drench the furze, And all the silvery gossamers That twinkle into green and gold: Calm and still light on yon great plain That sweeps with all its autumn bowers, And crowded farms and lessening towers, To mingle with the bounding main: Calm and deep peace in this wide air, These leaves that redden to the fall; And in my heart, if calm at all, If any calm, a calm despair: Calm on the seas, and silver sleep, And waves that sway themselves in rest, And dead calm in that noble breast Which heaves but with the heaving deep. XII Lo, as a dove when up she springs To bear thro' Heaven a tale of woe, Some dolorous message knit below The wild pulsation of her wings; Like her I go; I cannot stay; I leave this mortal ark behind, A weight of nerves without a mind, And leave the cliffs, and haste away O'er ocean-mirrors rounded large, And reach the glow of southern skies, And see the sails at distance rise, And linger weeping on the marge, And saying; `Comes he thus, my friend? Is this the end of all my care?' And circle moaning in the air: 'Is this the end? Is this the end?' And forward dart again, and play About the prow, and back return To where the body sits, and learn That I have been an hour away. XIII Tears of the widower, when he sees A late-lost form that sleep reveals, And moves his doubtful arms, and feels Her place is empty, fall like these; Which weep a loss for ever new, A void where heart on heart reposed; And, where warm hands have prest and closed, Silence, till I be silent too. Which weep the comrade of my choice, An awful thought, a life removed, The human-hearted man I loved, A Spirit, not a breathing voice. Come, Time, and teach me, many years, I do not suffer in a dream; For now so strange do these things seem, Mine eyes have leisure for their tears; My fancies time to rise on wing, And glance about the approaching sails, As tho' they brought but merchants' bales, And not the burthen that they bring. XIV If one should bring me this report, That thou hadst touch'd the land to-day, And I went down unto the quay, And found thee lying in the port; And standing, muffled round with woe, Should see thy passengers in rank Come stepping lightly down the plank, And beckoning unto those they know; And if along with these should come The man I held as half-divine; Should strike a sudden hand in mine, And ask a thousand things of home; And I should tell him all my pain, And how my life had droop'd of late, And he should sorrow o'er my state And marvel what possess'd my brain; And I perceived no touch of change, No hint of death in all his frame, But found him all in all the same, I should not feel it to be strange. XV To-night the winds begin to rise And roar from yonder dropping day: The last red leaf is whirl'd away, The rooks are blown about the skies; The forest crack'd, the waters curl'd, The cattle huddled on the lea; And wildly dash'd on tower and tree The sunbeam strikes along the world: And but for fancies, which aver That all thy motions gently pass Athwart a plane of molten glass, I scarce could brook the strain and stir That makes the barren branches loud; And but for fear it is not so, The wild unrest that lives in woe Would dote and pore on yonder cloud That rises upward always higher, And onward drags a labouring breast, And topples round the dreary west, A looming bastion fringed with fire. XVI What words are these have falle'n from me? Can calm despair and wild unrest Be tenants of a single breast, Or sorrow such a changeling be? Or cloth she only seem to take The touch of change in calm or storm; But knows no more of transient form In her deep self, than some dead lake That holds the shadow of a lark Hung in the shadow of a heaven? Or has the shock, so harshly given, Confused me like the unhappy bark That strikes by night a craggy shelf, And staggers blindly ere she sink? And stunn'd me from my power to think And all my knowledge of myself; And made me that delirious man Whose fancy fuses old and new, And flashes into false and true, And mingles all without a plan? XVII Thou comest, much wept for: such a breeze Compell'd thy canvas, and my prayer Was as the whisper of an air To breathe thee over lonely seas. For I in spirit saw thee move Thro' circles of the bounding sky, Week after week: the days go by: Come quick, thou bringest all I love. Henceforth, wherever thou may'st roam, My blessing, like a line of light, Is on the waters day and night, And like a beacon guards thee home. So may whatever tempest mars Mid-ocean, spare thee, sacred bark; And balmy drops in summer dark Slide from the bosom of the stars. So kind an office hath been done, Such precious relics brought by thee; The dust of him I shall not see Till all my widow'd race be run. XVIII 'Tis well; 'tis something; we may stand Where he in English earth is laid, And from his ashes may be made The violet of his native land. 'Tis little; but it looks in truth As if the quiet bones were blest Among familiar names to rest And in the places of his youth. Come then, pure hands, and bear the head That sleeps or wears the mask of sleep, And come, whatever loves to weep, And hear the ritual of the dead. Ah yet, ev'n yet, if this might be, I, falling on his faithful heart, Would breathing thro' his lips impart The life that almost dies in me; That dies not, but endures with pain, And slowly forms the firmer mind, Treasuring the look it cannot find, The words that are not heard again. XIX The Danube to the Severn gave The darken'd heart that beat no more; They laid him by the pleasant shore, And in the hearing of the wave. There twice a day the Severn fills; The salt sea-water passes by, And hushes half the babbling Wye, And makes a silence in the hills. The Wye is hush'd nor moved along, And hush'd my deepest grief of all, When fill'd with tears that cannot fall, I brim with sorrow drowning song. The tide flows down, the wave again Is vocal in its wooded walls; My deeper anguish also falls, And I can speak a little then. XX The lesser griefs that may be said, That breathe a thousand tender vows, Are but as servants in a house Where lies the master newly dead; Who speak their feeling as it is, And weep the fulness from the mind: `It will be hard,' they say, `to find Another service such as this.' My lighter moods are like to these, That out of words a comfort win; But there are other griefs within, And tears that at their fountain freeze; For by the hearth the children sit Cold in that atmosphere of Death, And scarce endure to draw the breath, Or like to noiseless phantoms flit; But open converse is there none, So much the vital spirits sink To see the vacant chair, and think, 'How good! how kind! and he is gone.' XXI I sing to him that rests below, And, since the grasses round me wave, I take the grasses of the grave, And make them pipes whereon to blow. The traveller hears me now and then, And sometimes harshly will he speak: `This fellow would make weakness weak, And melt the waxen hearts of men.' Another answers, `Let him be, He loves to make parade of pain That with his piping he may gain The praise that comes to constancy.' A third is wroth: `Is this an hour For private sorrow's barren song, When more and more the people throng The chairs and thrones of civil power? 'A time to sicken and to swoon, When Science reaches forth her arms To feel from world to world, and charms Her secret from the latest moon?' Behold, ye speak an idle thing: Ye never knew the sacred dust: I do but sing because I must, And pipe but as the linnets sing: And one is glad; her note is gay, For now her little ones have ranged; And one is sad; her note is changed, Because her brood is stol'n away. XXII The path by which we twain did go, Which led by tracts that pleased us well, Thro' four sweet years arose and fell, From flower to flower, from snow to snow: And we with singing cheer'd the way, And, crown'd with all the season lent, From April on to April went, And glad at heart from May to May: But where the path we walk'd began To slant the fifth autumnal slope, As we descended following Hope, There sat the Shadow fear'd of man; Who broke our fair companionship, And spread his mantle dark and cold, And wrapt thee formless in the fold, And dull'd the murmur on thy lip, And bore thee where I could not see Nor follow, tho' I walk in haste, And think, that somewhere in the waste The Shadow sits and waits for me. XXIII Now, sometimes in my sorrow shut, Or breaking into song by fits, Alone, alone, to where he sits, The Shadow cloak'd from head to foot, Who keeps the keys of all the creeds, I wander, often falling lame, And looking back to whence I came, Or on to where the pathway leads; And crying, How changed from where it ran Thro' lands where not a leaf was dumb; But all the lavish hills would hum The murmur of a happy Pan: When each by turns was guide to each, And Fancy light from Fancy caught, And Thought leapt out to wed with Thought Ere Thought could wed itself with Speech; And all we met was fair and good, And all was good that Time could bring, And all the secret of the Spring Moved in the chambers of the blood; And many an old philosophy On Argive heights divinely sang, And round us all the thicket rang To many a flute of Arcady. XXIV And was the day of my delight As pure and perfect as I say? The very source and fount of Day Is dash'd with wandering isles of night. If all was good and fair we met, This earth had been the Paradise It never look'd to human eyes Since our first Sun arose and set. And is it that the haze of grief Makes former gladness loom so great? The lowness of the present state, That sets the past in this relief? Or that the past will always win A glory from its being far; And orb into the perfect star We saw not, when we moved therein? XXV I know that this was Life,—the track Whereon with equal feet we fared; And then, as now, the day prepared The daily burden for the back. But this it was that made me move As light as carrier-birds in air; I loved the weight I had to bear, Because it needed help of Love: Nor could I weary, heart or limb, When mighty Love would cleave in twain The lading of a single pain, And part it, giving half to him. XXVI Still onward winds the dreary way; I with it; for I long to prove No lapse of moons can canker Love, Whatever fickle tongues may say. And if that eye which watches guilt And goodness, and hath power to see Within the green the moulder'd tree, And towers fall'n as soon as built— Oh, if indeed that eye foresee Or see (in Him is no before) In more of life true life no more And Love the indifference to be, Then might I find, ere yet the morn Breaks hither over Indian seas, That Shadow waiting with the keys, To shroud me from my proper scorn. XXVII I envy not in any moods The captive void of noble rage, The linnet born within the cage, That never knew the summer woods: I envy not the beast that takes His license in the field of time, Unfetter'd by the sense of crime, To whom a conscience never wakes; Nor, what may count itself as blest, The heart that never plighted troth But stagnates in the weeds of sloth; Nor any want-begotten rest. I hold it true, whate'er befall; I feel it, when I sorrow most; 'Tis better to have loved and lost Than never to have loved at all.

Written by Rudyard Kipling | Belts There was a row in Silver Street that's near to Dublin Quay, Between an Irish regiment an' English cavalree; It started at Revelly an' it lasted on till dark: The first man dropped at Harrison's, the last forninst the Park. For it was: -- "Belts, belts, belts, an' that's one for you!" An' it was "Belts, belts, belts, an' that's done for you!" O buckle an' tongue Was the song that we sung From Harrison's down to the Park! There was a row in Silver Street -- the regiments was out, They called us "Delhi Rebels", an' we answered "Threes about!" That drew them like a hornet's nest -- we met them good an' large, The English at the double an' the Irish at the charge. Then it was: -- "Belts . . . There was a row in Silver Street -- an' I was in it too; We passed the time o' day, an' then the belts went whirraru! I misremember what occurred, but subsequint the storm A Freeman's Journal Supplemint was all my uniform. O it was: -- "Belts . . . There was a row in Silver Street -- they sent the Polis there, The English were too drunk to know, the Irish didn't care; But when they grew impertinint we simultaneous rose, Till half o' them was Liffey mud an' half was tatthered clo'es. For it was: -- "Belts . . . There was a row in Silver Street -- it might ha' raged till now, But some one drew his side-arm clear, an' nobody knew how; 'Twas Hogan took the point an' dropped; we saw the red blood run: An' so we all was murderers that started out in fun. While it was: -- "Belts . . . There was a row in Silver Street -- but that put down the shine, Wid each man whisperin' to his next: "'Twas never work o' mine!" We went away like beaten dogs, an' down the street we bore him, The poor dumb corpse that couldn't tell the bhoys were sorry for him. When it was: -- "Belts . . . There was a row in Silver Street -- it isn't over yet, For half of us are under guard wid punishments to get; 'Tis all a merricle to me as in the Clink I lie: There was a row in Silver Street -- begod, I wonder why! But it was: -- "Belts, belts, belts, an' that's one for you!" An' it was "Belts, belts, belts, an' that's done for you!" O buckle an' tongue Was the song that we sung From Harrison's down to the Park!

Written by Alfred Lord Tennyson | Audley Court ‘The Bull, the Fleece are cramm’d, and not a room For love or money. Let us picnic there At Audley Court.’ I spoke, while Audley feast Humm’d like a hive all round the narrow quay, To Francis, with a basket on his arm, To Francis just alighted from the boat, And breathing of the sea. ‘With all my heart,’ Said Francis. Then we shoulder’d thro’ the swarm, And rounded by the stillness of the beach To where the bay runs up its latest horn. We left the dying ebb that faintly lipp’d The flat red granite; so by many a sweep Of meadow smooth from aftermath we reach’d The griffin-guarded gates, and pass’d thro’ all The pillar’d dusk of sounding sycamores, And cross’d the garden to the gardener’s lodge, With all its casements bedded, and its walls And chimneys muffled in the leafy vine. There, on a slope of orchard, Francis laid A damask napkin wrought with horse and hound, Brought out a dusky loaf that smelt of home, And, half-cut-down, a pasty costly-made, Where quail and pigeon, lark and leveret lay, Like fossils of the rock, with golden yolks Imbedded and injellied; last, with these, A flask of cider from his father’s vats, Prime, which I knew; and so we sat and eat And talk’d old matters over; who was dead, Who married, who was like to be, and how The races went, and who would rent the hall: Then touch’d upon the game, how scarce it was This season; glancing thence, discuss’d the farm, The four-field system, and the price of grain; And struck upon the corn-laws, where we split, And came again together on the king With heated faces; till he laugh’d aloud; And, while the blackbird on the pippin hung To hear him, clapt his hand in mine and sang– ‘Oh! who would fight and march and countermarch, Be shot for sixpence in a battle-field, And shovell’d up into some bloody trench Where no one knows? but let me live my life. ‘Oh! who would cast and balance at a desk, Perch’d like a crow upon a three-legg’d stool, Till all his juice is dried, and all his joints Are full of chalk? but let me live my life. ‘Who’d serve the state? for if I carved my name Upon the cliffs that guard my native land, I might as well have traced it in the sands; The sea wastes all: but let me live my life. ‘Oh! who would love? I woo’d a woman once, But she was sharper than an eastern wind, And all my heart turn’d from her, as a thorn Turns from the sea; but let me live my life.’ He sang his song, and I replied with mine: I found it in a volume, all of songs, Knock’d down to me, when old Sir Robert’s pride, His books–the more the pity, so I said– Came to the hammer here in March–and this– I set the words, and added names I knew. ‘Sleep, Ellen Aubrey, sleep, and dream of me: Sleep, Ellen, folded in thy sister’s arm, And sleeping, haply dream her arm is mine. ‘Sleep, Ellen, folded in Emilia’s arm; Emilia, fairer than all else but thou, For thou art fairer than all else that is. ‘Sleep, breathing health and peace upon her breast: Sleep, breathing love and trust against her lip: I go to-night: I come to-morrow morn. ‘I go, but I return: I would I were The pilot of the darkness and the dream. Sleep, Ellen Aubrey, love, and dream of me.’ So sang we each to either, Francis Hale, The farmer’s son, who lived across the bay, My friend; and I, that having wherewithal, And in the fallow leisure of my life A rolling stone of here and everywhere, Did what I would; but ere the night we rose And saunter’d home beneath a moon, that, just In crescent, dimly rain’d about the leaf Twilights of airy silver, till we reach’d The limit of the hills; and as we sank From rock to rock upon the glooming quay, The town was hush’d beneath us: lower down The bay was oily calm; the harbour-buoy, Sole star of phosphorescence in the calm, With one green sparkle ever and anon Dipt by itself, and we were glad at heart.

Written by William Butler Yeats | Under Saturn Do not because this day I have grown saturnine Imagine that lost love, inseparable from my thought Because I have no other youth, can make me pine; For how should I forget the wisdom that you brought, The comfort that you made? Although my wits have gone On a fantastic ride, my horse's flanks are spurred By childish memories of an old cross Pollexfen, And of a Middleton, whose name you never heard, And of a red-haired Yeats whose looks, although he died Before my time, seem like a vivid memory. You heard that labouring man who had served my people. He said Upon the open road, near to the Sligo quay - No, no, not said, but cried it out - 'You have come again, And surely after twenty years it was time to come.' I am thinking of a child's vow sworn in vain Never to leave that valley his fathers called their home.

Written by John Masefield | The Yarn of the Loch Achray The Loch Achray was a clipper tall With seven-and-twenty hands in all. Twenty to hand and reef and haul, A skipper to sail and mates to bawl 'Tally on to the tackle-fall, Heave now 'n' start her, heave 'n' pawl!' Hear the yarn of a sailor, An old yarn learned at sea. Her crew were shipped and they said 'Farewell, So-long, my Tottie, my lovely gell; We sail to-day if we fetch to hell, It's time we tackled the wheel a spell.' Hear the yarn of a sailor, An old yarn learned at sea. The dockside loafers talked on the quay The day that she towed down to sea: 'Lord, what a handsome ship she be! Cheer er, sonny boys, three times three!' And the dockside loafers gave her a shout As the red-funnelled tug-boat towed her out; They gave her a cheer as the custom is, And the crew yelled 'Take our loves to Liz-- Three cheers, bullies, for old Pier Head 'N' the bloody stay-at-homes!' they said. Hear the yarn of a sailor, An old yarn learned at sea. In the grey of the coming on of night She dropped the tug at the Tuskar Light, 'N' the topsails went to the topmast head To a chorus that fairly awoke the dead. She trimmed her yards and slanted South With her royals set and a bone in her mouth. Hear the yarn of a sailor, An old yarn learned at sea. She crossed the Line and all went well, They ate, they slept, and they struck the bell And I give you a gospel truth when I state The crowd didn't find any fault with the Mate, But one night off the river Plate. Hear the yarn of a sailor, An old yarn learned at sea. It freshened up till it blew like thunder And burrowed her deep, lee-scuppers under. The old man said, 'I mean to hang on Till her canvas busts or her sticks are gone'-- Which the blushing looney did, till at last Overboard went her mizzen-mast. Hear the yarn of a sailor, An old yarn learned at sea. Then a fierce squall struck the 'Loch Achray' And bowed her down to her water-way; Her main-shrouds gave and her forestay, And a green sea carried her wheel away; Ere the watch below had time to dress She was cluttered up in a blushing mess. Hear the yarn of a sailor, An old yarn learned at sea. She couldn't lay-to nor yet pay-off, And she got swept in the bloody trough; Her masts were gone, and afore you knowed She filled by the head and down she goed. Her crew made seven-and-twenty dishes For the big jack-sharks and the little fishes, And over their bones the water swishes. Hear the yarn of a sailor, An old yarn learned at sea. The wives and girls they watch in the rain For a ship as won't come home again. 'I reckon it's them head-winds,' they say, 'She'll be home to-morrow, if not to-day. I'll just nip home 'n' I'll air the sheets 'N' buy the fixins 'n' cook the meats As my man likes 'n' as my man eats.' So home they goes by the windy streets, Thinking their men are homeward bound With anchors hungry for English ground, And the bloody fun of it is, they're drowned! Hear the yarn of a sailor, An old yarn learned at sea.