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Best Famous Pursed Poems

Here is a collection of the all-time best famous Pursed poems. This is a select list of the best famous Pursed poetry. Reading, writing, and enjoying famous Pursed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pursed poems.

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Written by Marge Piercy | Create an image from this poem

What Are Big Girls Made Of?

 The construction of a woman:
a woman is not made of flesh 
of bone and sinew 
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel, her hips and ass promising, her mouth pursed in the dark red lipstick of desire.
She visited in '68 still wearing skirts tight to the knees, dark red lipstick, while I danced through Manhattan in mini skirt, lipstick pale as apricot milk, hair loose as a horse's mane.
Oh dear, I thought in my superiority of the moment, whatever has happened to poor Cecile? She was out of fashion, out of the game, disqualified, disdained, dis- membered from the club of desire.
Look at pictures in French fashion magazines of the 18th century: century of the ultimate lady fantasy wrought of silk and corseting.
Paniers bring her hips out three feet each way, while the waist is pinched and the belly flattened under wood.
The breasts are stuffed up and out offered like apples in a bowl.
The tiny foot is encased in a slipper never meant for walking.
On top is a grandiose headache: hair like a museum piece, daily ornamented with ribbons, vases, grottoes, mountains, frigates in full sail, balloons, baboons, the fancy of a hairdresser turned loose.
The hats were rococo wedding cakes that would dim the Las Vegas strip.
Here is a woman forced into shape rigid exoskeleton torturing flesh: a woman made of pain.
How superior we are now: see the modern woman thin as a blade of scissors.
She runs on a treadmill every morning, fits herself into machines of weights and pulleys to heave and grunt, an image in her mind she can never approximate, a body of rosy glass that never wrinkles, never grows, never fades.
She sits at the table closing her eyes to food hungry, always hungry: a woman made of pain.
A cat or dog approaches another, they sniff noses.
They sniff asses.
They bristle or lick.
They fall in love as often as we do, as passionately.
But they fall in love or lust with furry flesh, not hoop skirts or push up bras rib removal or liposuction.
It is not for male or female dogs that poodles are clipped to topiary hedges.
If only we could like each other raw.
If only we could love ourselves like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed to need what is sold us.
Why should we want to live inside ads? Why should we want to scourge our softness to straight lines like a Mondrian painting? Why should we punish each other with scorn as if to have a large ass were worse than being greedy or mean? When will women not be compelled to view their bodies as science projects, gardens to be weeded, dogs to be trained? When will a woman cease to be made of pain?


Written by Edward Estlin (E E) Cummings | Create an image from this poem

this is the garden: colours come and go

this is the garden: colours come and go 
frail azures fluttering from night's outer wing
strong silent greens serenely lingering 
absolute lights like baths of golden snow.
This is the garden: pursed lips do blow upon cool flutes within wide glooms and sing (of harps celestial to the quivering string) invisible faces hauntingly and slow.
This is the garden.
Time shall surely reap and on Death's blade lie many a flower curled in other lands where other songs be sung; yet stand They here enraptured as among The slow deep trees perpetual of sleep some silver-fingered fountain steals the world.
Written by Dylan Thomas | Create an image from this poem

I Have Longed To Move Away

 I have longed to move away
From the hissing of the spent lie
And the old terrors' continual cry
Growing more terrible as the day
Goes over the hill into the deep sea;
I have longed to move away
From the repetition of salutes,
For there are ghosts in the air
And ghostly echoes on paper,
And the thunder of calls and notes.
I have longed to move away but am afraid; Some life, yet unspent, might explode Out of the old lie burning on the ground, And, crackling into the air, leave me half-blind.
Neither by night's ancient fear, The parting of hat from hair, Pursed lips at the receiver, Shall I fall to death's feather.
By these I would not care to die, Half convention and half lie.
Written by Robert Browning | Create an image from this poem

Childe Roland to the Dark Tower Came

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, If at his council I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower.
Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be.
For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, - I hardly tried now to rebuke the spring My heart made, finding failure in its scope.
As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bid the other go, draw breath Freelier outside, ('since all is o'er,' he saith, 'And the blow fallen no grieving can amend';) While some discuss if near the other graves Be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves: And still the man hears all, and only craves He may not shame such tender love and stay.
Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' - to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? So, quiet as despair, I turned from him, That hateful cripple, out of his highway Into the path he pointed.
All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray.
For mark! no sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backward a last view O'er the safe road, 'twas gone; grey plain all round: Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.
So, on I went.
I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind, with none to awe, You'd think: a burr had been a treasure-trove.
No! penury, inertness and grimace, In some strange sort, were the land's portion.
'See Or shut your eyes,' said Nature peevishly, 'It nothing skills: I cannot help my case: 'Tis the Last Judgement's fire must cure this place, Calcine its clods and set my prisoners free.
' If there pushed any ragged thistle-stalk Above its mates, the head was chopped; the bents Were jealous else.
What made those holes and rents In the dock's harsh swarth leaves, bruised as to balk All hope of greeness? 'tis a brute must walk Pushing their life out, with a brute's intents.
As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare, Stood stupefied, however he came there: Thrust out past service from the devil's stud! Alive? he might be dead for aught I know, With that red gaunt and colloped neck a-strain, And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain.
I shut my eyes and turned them on my heart.
As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art: One taste of the old time sets all to rights.
Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm in mine to fix me to the place, That way he used.
Alas, one night's disgrace! Out went my heart's new fire and left it cold.
Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands Pin to his breast a parchment? His own bands Read it.
Poor traitor, spit upon and curst! Better this present than a past like that; Back therefore to my darkening path again! No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train.
A sudden little river crossed my path As unexpected as a serpent comes.
No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes.
So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit.
Which, while I forded, - good saints, how I feared To set my foot upon a dead man's cheek, Each step, or feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek.
Glad was I when I reached the other bank.
Now for a better country.
Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank Soil to a plash? Toads in a poisoned tank, Or wild cats in a red-hot iron cage - The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose? No foot-print leading to that horrid mews, None out of it.
Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? with all the air Of Tophet's tool, on earth left unaware, Or brought to sharpen its rusty teeth of steel.
Then came a bit of stubbed ground, once a wood, Next a marsh, it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand and stark black dearth.
Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils.
And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom-friend, Sailed past, not beat his wide wing dragon-penned That brushed my cap - perchance the guide I sought.
For, looking up, aware I somehow grew, 'Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you! How to get from then was no clearer case.
Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps.
Here ended, the, Progress this way.
When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den! Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left, a tall scalped mountain.
.
.
Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world.
The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start.
Not see? because of night perhaps? - why, day Came back again for that! before it left, The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - 'Now stab and end the creature - to the heft!' Not hear? when noise was everywhere! it tolled Increasing like a bell.
Names in my ears Of all the lost adventurers my peers, - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years.
There they stood, ranged along the hill-sides, met To view the last of me, a living frame For one more picture! in a sheet of flame I saw them and I knew them all.
And yet Dauntless the slug-horn to my lips I set, And blew.
'Childe Roland to the Dark Tower came.
'
Written by Sara Teasdale | Create an image from this poem

Come

 Come, when the pale moon like a petal
 Floats in the pearly dusk of spring,
Come with arms outstretched to take me,
 Come with lips pursed up to cling.
Come, for life is a frail moth flying, Caught in the web of the years that pass, And soon we two, so warm and eager, Will be as the gray stones in the grass.


Written by Philip Levine | Create an image from this poem

M. Degas Teaches Art and Science At Durfee Intermediate School--Detroit 1942

 He made a line on the blackboard,
one bold stroke from right to left
diagonally downward and stood back
to ask, looking as always at no one
in particular, "What have I done?"
From the back of the room Freddie
shouted, "You've broken a piece
of chalk.
" M.
Degas did not smile.
"What have I done?" he repeated.
The most intellectual students looked down to study their desks except for Gertrude Bimmler, who raised her hand before she spoke.
"M.
Degas, you have created the hypotenuse of an isosceles triangle.
" Degas mused.
Everyone knew that Gertrude could not be incorrect.
"It is possible," Louis Warshowsky added precisely, "that you have begun to represent the roof of a barn.
" I remember that it was exactly twenty minutes past eleven, and I thought at worst this would go on another forty minutes.
It was early April, the snow had all but melted on the playgrounds, the elms and maples bordering the cracked walks shivered in the new winds, and I believed that before I knew it I'd be swaggering to the candy store for a Milky Way.
M.
Degas pursed his lips, and the room stilled until the long hand of the clock moved to twenty one as though in complicity with Gertrude, who added confidently, "You've begun to separate the dark from the dark.
" I looked back for help, but now the trees bucked and quaked, and I knew this could go on forever.
Written by Robert Browning | Create an image from this poem

In A Gondola

 The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide open I burst.
The bee's kiss, now! Kiss me as if you enter'd gay My heart at some noonday, A bud that dares not disallow The claim, so all is rendered up, And passively its shattered cup Over your head to sleep I bow.
Written by Victor Hugo | Create an image from this poem

THE BOY ON THE BARRICADE

 ("Sur une barricade.") 
 
 {June, 1871.} 


 Like Casabianca on the devastated deck, 
 In years yet younger, but the selfsame core. 
 Beside the battered barricado's restless wreck, 
 A lad stood splashed with gouts of guilty gore, 
 But gemmed with purest blood of patriot more. 
 
 Upon his fragile form the troopers' bloody grip 
 Was deeply dug, while sharply challenged they: 
 "Were you one of this currish crew?"—pride pursed his lip, 
 As firm as bandog's, brought the bull to bay— 
 While answered he: "I fought with others. Yea!" 
 
 "Prepare then to be shot! Go join that death-doomed row." 
 As paced he pertly past, a volley rang— 
 And as he fell in line, mock mercies once more flow 
 Of man's lead-lightning's sudden scathing pang, 
 But to his home-turned thoughts the balls but sang. 
 
 "Here's half-a-franc I saved to buy my mother's bread!"— 
 The captain started—who mourns not a dear, 
 The dearest! mother!—"Where is she, wolf-cub?" he said 
 Still gruffly. "There, d'ye see? not far from here." 
 "Haste! make it hers! then back to swell their bier." 
 
 He sprang aloof as springald from detested school, 
 Or ocean-rover from protected port. 
 "The little rascal has the laugh on us! no fool 
 To breast our bullets!"—but the scoff was short, 
 For soon! the rogue is racing from his court; 
 
 And with still fearless front he faces them and calls: 
 "READY! but level low—she's kissed these eyes!" 
 From cooling hands of men each rifle falls, 
 And their gray officer, in grave surprise, 
 Life grants the lad whilst his last comrade dies. 
 
 Brave youth! I know not well what urged thy act, 
 Whether thou'lt pass in palace, or die rackt; 
 But then, shone on the guns, a sublime soul.— 
 A Bayard-boy's, bound by his pure parole! 
 Honor redeemed though paid by parlous price, 
 Though lost be sunlit sports, wild boyhood's spice, 
 The Gates, the cheers of mates for bright device! 
 
 Greeks would, whilom, have choicely clasped and circled thee, 
 Set thee the first to shield some new Thermopylae; 
 Thy deed had touched and tuned their true Tyrtaeus tongue, 
 And staged by Aeschylus, grouped thee grand gods among. 
 
 And thy lost name (now known no more) been gilt and graved 
 On cloud-kissed column, by the sweet south ocean laved. 
 From us no crown! no honors from the civic sheaf— 
 Purely this poet's tear-bejewelled, aye-green leaf! 
 
 H.L.W. 


 




Written by Theodore Roethke | Create an image from this poem

I Knew A Woman

 I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.
) How well her wishes went! She stroked my chin, She taught me Turn, and Counter-turn, and stand; She taught me Touch, that undulant white skin: I nibbled meekly from her proffered hand; She was the sickle; I, poor I, the rake, Coming behind her for her pretty sake (But what prodigious mowing did we make.
) Love likes a gander, and adores a goose: Her full lips pursed, the errant note to seize; She played it quick, she played it light and loose; My eyes, they dazzled at her flowing knees; Her several parts could keep a pure repose, Or one hip quiver with a mobile nose (She moved in circles, and those circles moved.
) Let seed be grass, and grass turn into hay: I'm martyr to a motion not my own; What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days? These old bones live to learn her wanton ways: (I measure time by how a body sways.
)

Book: Shattered Sighs