Written by
Barry Tebb |
Quarter to three: I wake again at the hour of his birth
Thirty years ago and now he paces corridors of dark
In nightmares of self-condemnation where random thoughts
Besiege his fevered imagination – England’s
Imminent destruction, his own, the world’s…
Sixty to eighty cigarettes a day, unavailing depot injections,
Failed abscondings, failed everything: Eton and Balliol
Hold no sway on ward one, nor even being
‘A six language master,’ on PICU madness is the only qualification.
There was the ‘shaving incident’ at school, which
Made him ready to walk out at fifteen, the alcohol
Defences at Oxford which shut us out then petered out
During the six years in India, studying Bengali at Shantiniketan.
He tottered from the plane, penniless and unshaven,
To hide away in the seediest bedsit Beeston could boast
Where night turned to day and vaguely he applied
For jobs as clerk and court usher and drank in pubs with yobs.
When the crisis came – "I feel my head coming off my body’ –
I was ready and unready, making the necessary calls
To get a bed, to keep him on the ward, to visit and reassure
Us both that some way out could be found.
The ‘Care Home’ was the next disaster, trying to cure
Schizophrenia with sticking plaster: "We don’t want
Carers’ input, we call patients ‘residents’ and insist on chores
Not medication", then the letters of terrible abuse, the finding of a flat,
‘The discharge into the community.
’
His ‘keyworker’ was the keyworker from hell: the more
Isaiah’s care fell apart the more she encouraged
Him to blame us and ‘Make his life his own’, vital signs
Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.
Insidiously the way back to the ward unveiled
Over painful months, the self-neglect, the inappropriate remarks
In pubs, the neglected perforated eardrum, keeping
Company with his feckless cousins between their bouts in prison.
The pointless team meetings he was patted through,
My abrupt dismissal as carer at the keyworker’s instigation,
The admission we knew nothing of, the abscondings we were told of
And had to sort out, then the phone call from the ASW.
"We are about to section your son for six months, have you
Any comment?" Then the final absconding to London
From a fifteen minute break on PICU, to face his brother’s
Drunken abuse, the police were kindness itself as they drove him to the secure unit.
Two nurses came by taxi from Leeds the next day to collect him
The Newsam Centre’s like a hotel – Informality and first class treatment
Behind the locked doors he freezes before and whispers
"Daddy, I was damned in hell but now I am God’s friend.
"
Note: PICU- Psychiatric Intensive Care Unit
Beeston- An inner city area of Leeds
ASW- Approved Social Worker
|
Written by
Philip Larkin |
Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park
The crowns of hats the sun
On moustached archaic faces
Grinning as if it were all
An August bank Holiday lark;
And the shut shops the bleached
Established names on the sunblinds
The farthings and sovereigns
Adn dark-clothed children at play
Called after kings and queens
The tin advertisements
For cocoa and twist and the pubs
Wide open all day;
And the countryside ont caring:
The place-names all hazed over
With flowering grasses and fields
Shadowing Domesday lines
Under wheat's restless silence;
The differently-dressed servants
With tiny rooms in huge houses
The dust behind limousines;
Never such innocence
Never before or since
As changed itself to past
Without a word--the men
Leaving the gardens tidy
The thousands of marriages
Lasting a littlewhile longer:
Never such innocence again.
1964
|
Written by
Barry Tebb |
(To Paul Sykes, author of 'Sweet Agony')
He demolished five doors at a sitting
And topped it off with an outsize window
One Christmas afternoon, when drunk;
Sober he smiled like an angel, bowed,
Kissed ladies’ hands and courtesy
Was his middle name.
She tried to pass for thirty at fifty-six,
Called him "My Sweet piglet" and laid out
Dainty doylies for his teatime treats; always
She wore black from toe to top and especially
Underneath, her hair dyed black, stuck up in a
Bun, her lipstick caked and smeared, drawling
From the corner of her mouth like a
Thirties gangsters’ moll, her true ambition.
"Kill him, kill him, the bastard!" she’d scream
As all Wakefield watched, "It’s Grotty,
Grotty’s at it again!" as pubs and clubs
Banned them, singly or together and they
Moved lodgings yet again, landlords and
Landladies left reeling behind broken doors.
Blood-smeared walls covered with a shiny
Patina of carefully applied deceits! "It was
The cat, the kids, them druggies, lads from
Football", anyone, anywhere but him and her.
Once I heard them fight, "Barry, Barry, get
The police," she thumped my door, double
Five-lever mortice locked against them,
"Call t’ police ‘e’s murderin’ me!" I went
And calmed her down, pathetic in black
Underwear and he, suddenly sober, sorry,
Muttering, "Elaine, Elaine, it were only fun,
Give me a kiss, just one.
"
Was this her fourth or fifth husband, I’d
Lost count and so had she, each one she said
Was worse than the last, they’d all pulled her
Down, one put her through a Dorothy Perkins
Plate-glass window in Wakefield’s midnight,
Leaving her strewn amongst the furs and
Bridal gowns, blood everywhere, such perfection
Of evidence they nearly let her bleed to death
Getting all the photographs.
Rumour flew and grew around her, finally
They said it was all in a book one ‘husband’
Wrote in prison, how she’d had a great house,
Been a brothel madame, had servants even.
For years I chased that book, "Lynch," they
Told me, "It’s by Paul Lynch" but it wasn’t,
Then finally, "I remember, Sykes, they allus
Called him Sykesy" and so it was, Sweet Agony,
Written in prison by one Paul Sykes, her most
Famous inamorato, amateur boxing champion
Of all England, twenty years inside, fly-pitcher
Supreme, king of spielers; how she hated you
For beating her, getting it all down on paper,
Even making money for doing it, "That bastard
Cheated me, writing lying filth about me and
I never saw a penny!" she’d mutter, side-mouthed,
To her pals.
But that book, that bloody book, was no pub myth,
It even won an Arthur Koestler Literary Award
And is compulsive reading; hardly, as a poet,
My cup of tea but I couldn’t put it down.
Paul Sykes, I salute you, immortaliser of Elaine,
Your book became and is my sweetest pain.
|
Written by
T S (Thomas Stearns) Eliot |
Bustopher Jones is not skin and bones--
In fact, he's remarkably fat.
He doesn't haunt pubs--he has eight or nine clubs,
For he's the St.
James's Street Cat!
He's the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impreccable back.
In the whole of St.
James's the smartest of names is
The name of this Brummell of Cats;
And we're all of us proud to be nodded or bowed to
By Bustopher Jones in white spats!
His visits are occasional to the Senior Educational
And it is against the rules
For any one Cat to belong both to that
And the Joint Superior Schools.
For a similar reason, when game is in season
He is found, not at Fox's, but Blimpy's;
He is frequently seen at the gay Stage and Screen
Which is famous for winkles and shrimps.
In the season of venison he gives his ben'son
To the Pothunter's succulent bones;
And just before noon's not a moment too soon
To drop in for a drink at the Drones.
When he's seen in a hurry there's probably curry
At the Siamese--or at the Glutton;
If he looks full of gloom then he's lunched at the Tomb
On cabbage, rice pudding and mutton.
So, much in this way, passes Bustopher's day-
At one club or another he's found.
It can be no surprise that under our eyes
He has grown unmistakably round.
He's a twenty-five pounder, or I am a bounder,
And he's putting on weight every day:
But he's so well preserved because he's observed
All his life a routine, so he'll say.
Or, to put it in rhyme: "I shall last out my time"
Is the word of this stoutest of Cats.
It must and it shall be Spring in Pall Mall
While Bustopher Jones wears white spats!
|
Written by
Philip Larkin |
In frames as large as rooms that face all ways
And block the ends of streets with giant loaves,
Screen graves with custard, cover slums with praise
Of motor-oil and cuts of salmon, shine
Perpetually these sharply-pictured groves
Of how life should be.
High above the gutter
A silver knife sinks into golden butter,
A glass of milk stands in a meadow, and
Well-balanced families, in fine
Midsummer weather, owe their smiles, their cars,
Even their youth, to that small cube each hand
Stretches towards.
These, and the deep armchairs
Aligned to cups at bedtime, radiant bars
(Gas or electric), quarter-profile cats
By slippers on warm mats,
Reflect none of the rained-on streets and squares
They dominate outdoors.
Rather, they rise
Serenely to proclaim pure crust, pure foam,
Pure coldness to our live imperfect eyes
That stare beyond this world, where nothing's made
As new or washed quite clean, seeking the home
All such inhabit.
There, dark raftered pubs
Are filled with white-clothed ones from tennis-clubs,
And the boy puking his heart out in the Gents
Just missed them, as the pensioner paid
A halfpenny more for Granny Graveclothes' Tea
To taste old age, and dying smokers sense
Walking towards them through some dappled park
As if on water that unfocused she
No match lit up, nor drag ever brought near,
Who now stands newly clear,
Smiling, and recognising, and going dark.
|
Written by
Robert William Service |
In all the pubs from Troon to Ayr
Grandfather's father would repair
With Bobby Burns, a drouthy pair,
The glass to clink;
And oftenwhiles, when not too "fou,"
They'd roar a bawdy stave or two,
From midnight muk to morning dew,
And drink and drink.
And Grandfather, with eye aglow
And proper pride, would often show
An old armchair where long ago
The Bard would sit;
Reciting there with pawky glee
"The Lass that Made the Bed for Me;"
Or whiles a rhyme about the flea
That ne'er was writ.
Then I would seek the Poet's chair
And plant my kilted buttocks there,
And read with joy the Bard of Ayr
In my own tongue;
The Diel, the Daisy and the Louse
The Hare, the Haggis and the Mouse,
(What fornication and carouse!)
When I was young.
Though Kipling, Hardy, Stevenson
Have each my admiration won,
Today, my rhyme-race almost run,
My fancy turns
To him who did Pegasus prod
For me, Bard of my native sod,
The sinner best-loved of God -
Rare Robbie Burns.
|
Written by
Henry Lawson |
White handkerchiefs wave from the short black pier
As we glide to the grand old sea --
But the song of my heart is for none to hear
If one of them waves for me.
A roving, roaming life is mine,
Ever by field or flood --
For not far back in my father's line
Was a dash of the Gipsy blood.
Flax and tussock and fern,
Gum and mulga and sand,
Reef and palm -- but my fancies turn
Ever away from land;
Strange wild cities in ancient state,
Range and river and tree,
Snow and ice.
But my star of fate
Is ever across the sea.
A god-like ride on a thundering sea,
When all but the stars are blind --
A desperate race from Eternity
With a gale-and-a-half behind.
A jovial spree in the cabin at night,
A song on the rolling deck,
A lark ashore with the ships in sight,
Till -- a wreck goes down with a wreck.
A smoke and a yarn on the deck by day,
When life is a waking dream,
And care and trouble so far away
That out of your life they seem.
A roving spirit in sympathy,
Who has travelled the whole world o'er --
My heart forgets, in a week at sea,
The trouble of years on shore.
A rolling stone! -- 'tis a saw for slaves --
Philosophy false as old --
Wear out or break 'neath the feet of knaves,
Or rot in your bed of mould!
But I'D rather trust to the darkest skies
And the wildest seas that roar,
Or die, where the stars of Nations rise,
In the stormy clouds of war.
Cleave to your country, home, and friends,
Die in a sordid strife --
You can count your friends on your finger ends
In the critical hours of life.
Sacrifice all for the family's sake,
Bow to their selfish rule!
Slave till your big soft heart they break --
The heart of the family fool.
Domestic quarrels, and family spite,
And your Native Land may be
Controlled by custom, but, come what might,
The rest of the world for me.
I'd sail with money, or sail without! --
If your love be forced from home,
And you dare enough, and your heart be stout,
The world is your own to roam.
I've never a love that can sting my pride,
Nor a friend to prove untrue;
For I leave my love ere the turning tide,
And my friends are all too new.
The curse of the Powers on a peace like ours,
With its greed and its treachery --
A stranger's hand, and a stranger land,
And the rest of the world for me!
But why be bitter? The world is cold
To one with a frozen heart;
New friends are often so like the old,
They seem of the past a part --
As a better part of the past appears,
When enemies, parted long,
Are come together in kinder years,
With their better nature strong.
I had a friend, ere my first ship sailed,
A friend that I never deserved --
For the selfish strain in my blood prevailed
As soon as my turn was served.
And the memory haunts my heart with shame --
Or, rather, the pride that's there;
In different guises, but soul the same,
I meet him everywhere.
I had a chum.
When the times were tight
We starved in Australian scrubs;
We froze together in parks at night,
And laughed together in pubs.
And I often hear a laugh like his
From a sense of humour keen,
And catch a glimpse in a passing phiz
Of his broad, good-humoured grin.
And I had a love -- 'twas a love to prize --
But I never went back again .
.
.
I have seen the light of her kind brown eyes
In many a face since then.
.
.
.
.
.
The sailors say 'twill be rough to-night,
As they fasten the hatches down,
The south is black, and the bar is white,
And the drifting smoke is brown.
The gold has gone from the western haze,
The sea-birds circle and swarm --
But we shall have plenty of sunny days,
And little enough of storm.
The hill is hiding the short black pier,
As the last white signal's seen;
The points run in, and the houses veer,
And the great bluff stands between.
So darkness swallows each far white speck
On many a wharf and quay.
The night comes down on a restless deck, --
Grim cliffs -- and -- The Open Sea!
|
Written by
Barry Tebb |
Arriving for a reading an hour too early:
Ruefully, the general manager stopped putting out the chairs.
“You don’t get any help these days.
I have
To sort out everything from furniture to faxes.
Why not wander round the park? There are ducks
And benches where you can sit and watch.
”
I realized it was going to be a hungry evening
With not even a packet of crisps in sight.
I parked my friend on a bench and wandered
Down Highgate Hill, realising where I was
From the Waterlow Unit and the Whittington’s A&E.
Some say they know their way by the pubs
But I find psychiatric units more useful.
At a reading like this you never know just who
Might have a do and need some Haldol fast.
(Especially if the poet hovering round sanity’s border
Should chance upon the critic who thinks his Word
Is law and order - the first’s a devotee of a Krishna cult
For rich retirees; the second wrote a good book once
On early Hughes, but goes off if you don’t share his
‘Thought through views’).
In the event the only happening was a turbanned Sikh
Having a go at an Arts Council guru leaning in a stick.
I remembered Martin Bell’s story of how Scannell the boxer
Broke - was it Redgrove’s brolly? - over his head and had
To hide in the Gents till time was called.
James Simmons boasted of how the pint he threw
At Anthony Thwaite hit Geoffrey Hill instead.
O, for the company of the missing and the dead
Martin Bell, Wendy Oliver, Iris and Ted.
|
Written by
Andrew Barton Paterson |
Well, I've waited mighty patient while they all came rolling in,
Mister Lawson, Mister Dyson, and the others of their kin,
With their dreadful, dismal stories of the Overlander's camp,
How his fire is always smoky, and his boots are always damp;
And they paint it so terrific it would fill one's soul with gloom --
But you know they're fond of writing about "corpses" and "the tomb".
So, before they curse the bushland, they should let their fancy range,
And take something for their livers, and be cheerful for a change.
Now, for instance, Mr Lawson -- well, of course, we almost cried
At the sorrowful description how his "little 'Arvie" died,
And we lachrymosed in silence when "His Father's mate" was slain;
Then he went and killed the father, and we had to weep again.
Ben Duggan and Jack Denver, too, he caused them to expire,
After which he cooked the gander of Jack Dunn, of Nevertire;
And, no doubt, the bush is wretched if you judge it by the groan
Of the sad and soulful poet with a graveyard of his own.
And he spoke in terms prophetic of a revolution's heat,
When the world should hear the clamour of those people in the street;
But the shearer chaps who start it -- why, he rounds on them the blame,
And he calls 'em "agitators who are living on the game".
Bur I "over-write" the bushmen! Well, I own without a doubt
That I always see the hero in the "man from furthest out".
I could never contemplate him through an atmosphere of gloom,
And a bushman never struck me as a subject for "the tomb".
If it ain't all "golden sunshine" where the "wattle branches wave",
Well, it ain't all damp and dismal, and it ain't all "lonely grave".
And, of course, there's no denying that the bushman's life is rough,
But a man can easy stand it if he's built of sterling stuff;
Though it's seldom that the drover gets a bed of eiderdown,
Yet the man who's born a bushman, he gets mighty sick of town,
For he's jotting down the figures, and he's adding up the bills
While his heart is simply aching for a sight of Southern hills.
Then he hears a wool-team passing with a rumble and a lurch,
And, although the work is pressing, yet it brings him off his perch,
For it stirs him like a message from his station friends afar
And he seems to sniff the ranges in the scent of wool and tar;
And it takes him back in fancy, half in laughter, half in tears,
to a sound of other voices and a thought of other years,
When the woolshed rang with bustle from the dawning of the day,
And the shear-blades were a-clicking to the cry of "Wool away!"
Then his face was somewhat browner, and his frame was firmer set --
And he feels his flabby muscles with a feeling of regret.
But the wool-team slowly passes, and his eyes go slowly back
To the dusty little table and the papers in the rack,
And his thoughts go to the terrace where his sickly children squall,
And he thinks there's something healthy in the bush-life after all.
But we'll go no more a-droving in the wind or in the sun,
For out fathers' hearts have failed us, and the droving days are done.
There's a nasty dash of danger where the long-horned bullock wheels,
And we like to live in comfort and to get our reg'lar meals.
For to hang around the township suits us better, you'll agree,
And a job at washing bottles is the job for such as we.
Let us herd into the cities, let us crush and crowd and push
Till we lose the love of roving, and we learn to hate the bush;
And we'll turn our aspirations to a city life and beer,
And we'll slip across to England -- it's a nicer place than here;
For there's not much risk of hardship where all comforts are in store,
And the theatres are in plenty, and the pubs are more and more.
But that ends it, Mr Lawson, and it's time to say good-bye,
So we must agree to differ in all friendship, you and I.
Yes, we'll work our own salvation with the stoutest hearts we may,
And if fortune only favours we will take the road some day,
And go droving down the river 'neath the sunshine and the stars,
And then return to Sydney and vermilionize the bars.
|
Written by
Marriott Edgar |
On young Albert Ramsbottom's birthday
His parents asked what he'd like most;
He said to see t' Tower of London
And gaze upon Anne Boleyn's ghost.
They thowt this request were unusual
And at first to refuse were inclined,
'Til Pa said a trip t' metrollopse
Might broaden the little lad's mind.
They took charrybank up to London
And got there at quarter to fower,
Then seeing as pubs wasn't open
They went straight away to the tower.
They didn't think much to the buildin'
'T weren't what they'd been led to suppose,
And the 'Bad Word' Tower didn't impress them,
They said Blackpool had got one of those.
At last Albert found a Beefeater
And filled the old chap with alarm.
By asking for Ghost of Anne Boleyn
As carried her 'ead 'neath her arm.
Said Beefeater 'You ought to come Fridays
If it's ghost of Anne Boleyn you seek,
Her union now limits her output
And she only gets one walk a week.
'But,' he said, 'if it's ghosts that you're after,
There's Lady Jane Grey's to be seen,
She runs around chased by the 'Eadsman
At midnight on th' old Tower Green.
'
They waited on t' green till near midnight,
Then thinking they'd time for a sup,
They took out what food they'd brought with them
And waited for t' ghost to turn up.
On the first stroke of twelve, up jumped Albert,
His mouth full of cold, dripping toast,
With his stick with the 'orses 'ead 'andle
He pointed, and said 'Here's the ghost!'
They felt their skins going all goosey
As Lady Jane's Spectre drew near
And Albert fair swallered his tonsils
When the 'Eadsman an' all did appear.
The 'Eadsman chased Jane round the grass patch
They saw his axe flash in the moon
And seeing as poor lass were 'eadless
They wondered what what next he would prune.
He suddenly caught sight of Albert
As midnight was on its last chime
As he lifted his axe, father murmered
'We'll get the insurance this time.
'
At that, Mother rose, taking umbridge;
She said, 'Put that cleaver away.
You're not cutting our Albert's 'ead off,
Yon collar were clean on today.
The brave little lad stood undaunted
'Til the ghost were within half a pace.
Then taking the toast he were eating,
Slapped it, dripping side down, in his face.
'T were a proper set-back for the 'Eadsman
He let out one 'owl of despair,
Then taking his ladyfriend with him
He disappeared - just like that, there.
When Pa saw the way as they vanished
He trembled with fear and looked blue,
'Til Ma went and patted his shoulder
An' said, 'Sallright lad, we saw it too.
'
Some say 'twere the drippin' as done it,
From a roast leg of mutton it came,
And as th' 'Eadsman had been a Beefeater
They reckon he vanished from shame.
And around Tower Green, from that moment,
They've ne're seen a sign of the ghost,
But when t' Beefeaters go on night duty,
They take slices of cold drippin' toast.
|