Written by
Kenneth Slessor |
Time that is moved by little fidget wheels
Is not my time, the flood that does not flow.
Between the double and the single bell
Of a ship's hour, between a round of bells
From the dark warship riding there below,
I have lived many lives, and this one life
Of Joe, long dead, who lives between five bells.
Deep and dissolving verticals of light
Ferry the falls of moonshine down. Five bells
Coldly rung out in a machine's voice. Night and water
Pour to one rip of darkness, the Harbour floats
In the air, the Cross hangs upside-down in water.
Why do I think of you, dead man, why thieve
These profitless lodgings from the flukes of thought
Anchored in Time? You have gone from earth,
Gone even from the meaning of a name;
Yet something's there, yet something forms its lips
And hits and cries against the ports of space,
Beating their sides to make its fury heard.
Are you shouting at me, dead man, squeezing your face
In agonies of speech on speechless panes?
Cry louder, beat the windows, bawl your name!
But I hear nothing, nothing...only bells,
Five bells, the bumpkin calculus of Time.
Your echoes die, your voice is dowsed by Life,
There's not a mouth can fly the pygmy strait -
Nothing except the memory of some bones
Long shoved away, and sucked away, in mud;
And unimportant things you might have done,
Or once I thought you did; but you forgot,
And all have now forgotten - looks and words
And slops of beer; your coat with buttons off,
Your gaunt chin and pricked eye, and raging tales
Of Irish kings and English perfidy,
And dirtier perfidy of publicans
Groaning to God from Darlinghurst.
Five bells.
Then I saw the road, I heard the thunder
Tumble, and felt the talons of the rain
The night we came to Moorebank in slab-dark,
So dark you bore no body, had no face,
But a sheer voice that rattled out of air
(As now you'd cry if I could break the glass),
A voice that spoke beside me in the bush,
Loud for a breath or bitten off by wind,
Of Milton, melons, and the Rights of Man,
And blowing flutes, and how Tahitian girls
Are brown and angry-tongued, and Sydney girls
Are white and angry-tongued, or so you'd found.
But all I heard was words that didn't join
So Milton became melons, melons girls,
And fifty mouths, it seemed, were out that night,
And in each tree an Ear was bending down,
Or something that had just run, gone behind the grass,
When blank and bone-white, like a maniac's thought,
The naphtha-flash of lightning slit the sky,
Knifing the dark with deathly photographs.
There's not so many with so poor a purse
Or fierce a need, must fare by night like that,
Five miles in darkness on a country track,
But when you do, that's what you think.
Five bells.
In Melbourne, your appetite had gone,
Your angers too; they had been leeched away
By the soft archery of summer rains
And the sponge-paws of wetness, the slow damp
That stuck the leaves of living, snailed the mind,
And showed your bones, that had been sharp with rage,
The sodden ectasies of rectitude.
I thought of what you'd written in faint ink,
Your journal with the sawn-off lock, that stayed behind
With other things you left, all without use,
All without meaning now, except a sign
That someone had been living who now was dead:
"At Labassa. Room 6 x 8
On top of the tower; because of this, very dark
And cold in winter. Everything has been stowed
Into this room - 500 books all shapes
And colours, dealt across the floor
And over sills and on the laps of chairs;
Guns, photoes of many differant things
And differant curioes that I obtained..."
In Sydney, by the spent aquarium-flare
Of penny gaslight on pink wallpaper,
We argued about blowing up the world,
But you were living backward, so each night
You crept a moment closer to the breast,
And they were living, all of them, those frames
And shapes of flesh that had perplexed your youth,
And most your father, the old man gone blind,
With fingers always round a fiddle's neck,
That graveyard mason whose fair monuments
And tablets cut with dreams of piety
Rest on the bosoms of a thousand men
Staked bone by bone, in quiet astonishment
At cargoes they had never thought to bear,
These funeral-cakes of sweet and sculptured stone.
Where have you gone? The tide is over you,
The turn of midnight water's over you,
As Time is over you, and mystery,
And memory, the flood that does not flow.
You have no suburb, like those easier dead
In private berths of dissolution laid -
The tide goes over, the waves ride over you
And let their shadows down like shining hair,
But they are Water; and the sea-pinks bend
Like lilies in your teeth, but they are Weed;
And you are only part of an Idea.
I felt the wet push its black thumb-balls in,
The night you died, I felt your eardrums crack,
And the short agony, the longer dream,
The Nothing that was neither long nor short;
But I was bound, and could not go that way,
But I was blind, and could not feel your hand.
If I could find an answer, could only find
Your meaning, or could say why you were here
Who now are gone, what purpose gave you breath
Or seized it back, might I not hear your voice?
I looked out my window in the dark
At waves with diamond quills and combs of light
That arched their mackerel-backs and smacked the sand
In the moon's drench, that straight enormous glaze,
And ships far off asleep, and Harbour-buoys
Tossing their fireballs wearily each to each,
And tried to hear your voice, but all I heard
Was a boat's whistle, and the scraping squeal
Of seabirds' voices far away, and bells,
Five bells. Five bells coldly ringing out.
Five bells.
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Written by
William Topaz McGonagall |
I dreamt a dream the other night
That an Angel appeared to me, clothed in white.
Oh! it was a beautiful sight,
Such as filled my heart with delight.
And in her hand she held a flaming brand,
Which she waved above her head most grand;
And on me she glared with love-beaming eyes,
Then she commanded me from my bed to arise.
And in a sweet voice she said, "You must follow me,
And in a short time you shall see
The destruction of all the public-houses in the city,
Which is, my friend, the God of Heaven's decree."
Then from my bed in fear I arose,
And quickly donned on my clothes;
And when that was done she said, " Follow me
Direct to the High Street, fearlessly."
So with the beautiful Angel away I did go,
And when we arrived at the High Street, Oh! what a show,
I suppose there were about five thousand men there,
All vowing vengeance against the publicans, I do declare.
Then the Angel cried with a solemn voice aloud
To that vast end Godly assembled crowd,
"Gentlemen belonging the fair City of Dundee,
Remember I have been sent here by God to warn ye.
"That by God's decree ye must take up arms and follow me
And wreck all the public-houses in this fair City,
Because God cannot countenance such dens of iniquity.
Therefore, friends of God, come, follow me.
"Because God has said there's no use preaching against strong drink,
Therefore, by taking up arms against it, God does think,
That is the only and the effectual cure
To banish it from the land, He is quite sure.
"Besides, it has been denounced in Dundee for fifty years
By the friends of Temperance, while oft they have shed tears.
Therefore, God thinks there's no use denouncing it any longer,
Because the more that's said against it seemingly it grows stronger."
And while the Angel was thus addressing the people,
The Devil seemed to be standing on the Townhouse Steeple,
Foaming at the mouth with rage, and seemingly much annoyed,
And kicking the Steeple because the public-houses wore going to be destroyed.
Then the Angel cried, " Satan, avaunt! begone!"
Then he vanished in the flame, to the amazement of everyone;
And waving aloft the flaming brand,
That she carried in her right hand
She cried, "Now, friends of the Temperance cause, follow me:
For remember if's God's high decree
To destroy all the public-houses in this fair City;
Therefore, friends of God, let's commence this war immediately."
Then from the High Street we all did retire,
As the Angel, sent by God, did desire;
And along the Perth Road we all did go,
While the Angel set fire to the public-houses along that row.
And when the Perth Road public-houses were fired, she cried, " Follow me,
And next I'll fire the Hawkhill public-houses instantly."
Then away we went with the Angel, without dread or woe,
And she fired the IEawkhill public-houses as onward we did go.
Then she cried, "Let's on to the Scouringburn, in God's name."
And away to the Scouringburn we went, with our hearts aflame,
As the destroying Angel did command.
And when there she fired the public-houses, which looked very grand.
And when the public-houses there were blazing like a kiln,
She cried, " Now, my friends, we'll march to the Bonnet Hill,
And we'll fire the dens of iniquity without dismay,
Therefore let's march on, my friends, without delay."
And when we arrived at the Bonnet Hill,
The Angel fired the public-houses, as she did well.
Then she cried, "We'll leave them now to their fate,
And march on to the Murraygate."
Then we marched on to the Murraygate,
And the Angel fired the public-houses there, a most deserving fate.
Then to the High Street we marched and fired them there,
Which was a most beautiful blaze, I do declare.
And on the High Street, old men and women were gathered there,
And as the flames ascended upwards, in amazement they did stare
When they saw the public-houses in a blaze,
But they clapped their hands with joy and to God gave praise.
Then the Angel cried, "Thank God, Christ's Kingdom's near at hand,
And there will soon be peace and plenty throughout the land,
And the ravages of the demon Drink no more will be seen."
But, alas, I started up in bed, and behold it was a dream!
|
Written by
Henry Lawson |
When the kindly hours of darkness, save for light of moon and star,
Hide the picture on the signboard over Doughty's Horse Bazaar;
When the last rose-tint is fading on the distant mulga scrub,
Then the Army prays for Watty at the entrance of his pub.
Now, I often sit at Watty's when the night is very near,
With a head that's full of jingles and the fumes of bottled beer,
For I always have a fancy that, if I am over there
When the Army prays for Watty, I'm included in the prayer.
Watty lounges in his arm-chair, in its old accustomed place,
With a fatherly expression on his round and passive face;
And his arms are clasped before him in a calm, contented way,
And he nods his head and dozes when he hears the Army pray.
And I wonder does he ponder on the distant years and dim,
Or his chances over yonder, when the Army prays for him?
Has he not a fear connected with the warm place down below,
Where, according to good Christians, all the publicans should go?
But his features give no token of a feeling in his breast,
Save of peace that is unbroken and a conscience well at rest;
And we guzzle as we guzzled long before the Army came,
And the loafers wait for `shouters' and -- they get there just the same.
It would take a lot of praying -- lots of thumping on the drum --
To prepare our sinful, straying, erring souls for Kingdom Come;
But I love my fellow-sinners, and I hope, upon the whole,
That the Army gets a hearing when it prays for Watty's soul.
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