Written by
Rg Gregory |
(roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)
1.
the blind rose
today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
what blindly grows
imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)
the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
what blindly grows
2.
squeaking
there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
my truth's not been gazumped
love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped
if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
my truth's not been gazumped
3.
ease of mind
the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
that is love's overspill
wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is - i love you still
hope itself by nature is inane
i squat in a box dismembered from such will
to let me find the ease of mind again
that is love's overspill
4.
a roundel for ptolemy
the earth is not the system's centre- so ok
heliocentric - well our sun's a midget
spawning galaxies blow our minds away
space then equal to a digit
the mightiest telescope's a widget
science at best hard guessing gone astray
no genius stretch beyond a second's fidget
ptolemy discarded yet may have his say
infinity takes a hologram to bridge it
each shard of us contains the cosmos -
space then equal to a digit
5.
reflection
everything you do is my reflection
the hurts you cause are my pain inside out
blame's no matter for a close inspection
your guilt turns mine about
love itself is many hands of doubt
it cannot be without it breeds rejection
its silences result in one big shout
i am left with nothing but dejection
what's gold in me has nowhere to get out
love's pride is fatal to correction
my guilt turns yours about
6.
the round
the round understands the fluidity of order
how the thing lit up and the shadow can't compete
how the centre is that version of the border
the moment makes complete
notice each face around a space at times replete
with insights given to no one else as warder
but not condemned when those insights retreat
impermanence is eternity's recorder -
with an intricate sense of pattern power can't delete
the round honours those cracks in the divine disorder
the moment makes complete
7.
the actor
acting is not the true self's dissipation
but not its preening either - outside the role
it honours it best fights shy of reputation -
being what prometheus stole
it is a distant spark of that first live coal
a conscious glimpse of human desperation
rekindled as a longing to console
the waning spirit or the shattered dedication
actors are allies of the delphic hole
for good or ill they echo human expectation
being what prometheus stole
8.
roundels in honour of the round
(i)
when energy was born it asked this question
which way dear parents do i go from here
mum fluttered indifferently (i blame exhaustion)
dad pointed with his sexual gear
so energy thrust straight ahead and fostered fear
at once its dreaded source became a bastion
too holy to be doubted - mum flipped a gear
she sought revenge on dad for his lewd suggestion
taking too long of course - things went nuclear
the scale of the damage was too much to ingest when
dad pointed with his sexual gear
(ii)
she sat with her flowing skirt spread out on the earth
and tore the garment into strips from toe to waist
laying them to point around the wide world's girth
my way the truth flows best
dad laughed his head off at the pointless waste
and energy itself was seized by powerful mirth
perhaps mum's petalled skirt was not well placed
in time mishandled plenty breeds its dearth
dad's roisterous one-way-ism was disgraced
energy began to sense what mum was worth
her way the truth flows best
|
Written by
Arthur Hugh Clough |
How in all wonder Columbus got over,
That is a marvel to me, I protest,
Cabot, and Raleigh too, that well-read rover,
Frobisher, Dampier, Drake and the rest.
Bad enough all the same,
For them that after came,
But, in great Heaven's name,
How he should ever think
That on the other brink
Of this huge waste terra firma should be,
Is a pure wonder, I must say, to me.
How a man ever should hope to get thither,
E'e'n if he knew of there being another side;
But to suppose he should come any whither,
Sailing right on into chaos untried,
Across the whole ocean,
In spite of the motion,
To stick to the notion
That in some nook or bend
Of a sea without end
He should find North and South Amerikee,
Was a pure madness as it seems to me.
What if wise men had, as far back as Ptolemy,
Judged that the earth like an orange was round,
None of them ever said, 'Come along, follow,
Sail to the West, and the East will be found.'
Many a day before
Ever they'd touched the shore
Of the San Salvador,
Sadder and wiser men
They'd have turned back again;
And that he did not, but did cross the sea,
Is a pure wonder, I must say, to me.
And that he crossed and that we cross the sea
Is a pure wonder, I must say, to me.
|
Written by
Michael Donaghy |
Dearest, note how these two are alike:
This harpsicord pavane by Purcell
And the racer's twelve-speed bike.
The machinery of grace is always simple.
This chrome trapezoid, one wheel connected
To another of concentric gears,
Which Ptolemy dreamt of and Schwinn perfected,
Is gone. The cyclist, not the cycle, steers.
And in the playing, Purcell's chords are played away.
So this talk, or touch if I were there,
Should work its effortless gadgetry of love,
Like Dante's heaven, and melt into the air.
If it doesn't, of course, I've fallen. So much is chance,
So much agility, desire, and feverish care,
As bicyclists and harpsicordists prove
Who only by moving can balance,
Only by balancing move.
|
Written by
Constantine P Cavafy |
The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.
Alexander -- they named him king
of Armenia, Media, and the Parthians.
Ptolemy -- they named him king
of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front,
dressed in rose-colored silk,
on his breast a bouquet of hyacinths,
his belt a double row of sapphires and amethysts,
his shoes fastened with white
ribbons embroidered with rose pearls.
Him they named more than the younger ones,
him they named King of Kings.
The Alexandrians of course understood
that those were theatrical words.
But the day was warm and poetic,
the sky was a light azure,
the Alexandrian Gymnasium was
a triumphant achievement of art,
the opulence of the courtiers was extraordinary,
Caesarion was full of grace and beauty
(son of Cleopatra, blood of the Lagidae);
and the Alexandrians rushed to the ceremony,
and got enthusiastic, and cheered
in greek, and egyptian, and some in hebrew,
enchanted by the beautiful spectacle --
although they full well knew what all these were worth,
what hollow words these kingships were.
|
Written by
Constantine P Cavafy |
Valiant are you who fought and fell gloriously;
fearless of those who were everywhere victorious.
Blameless, even if Diaeos and Critolaos were at fault.
When the Greeks want to boast,
"Our nation turns out such men" they will say
of you. And thus marvellous will be your praise. --
Written in Alexandria by an Achaean;
in the seventh year of Ptolemy Lathyrus.
|