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Best Famous Prude Poems

Here is a collection of the all-time best famous Prude poems. This is a select list of the best famous Prude poetry. Reading, writing, and enjoying famous Prude poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of prude poems.

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Written by Matthew Prior | Create an image from this poem

Jinny the Just

 Releas'd from the noise of the butcher and baker 
Who, my old friends be thanked, did seldom forsake her, 
And from the soft duns of my landlord the Quaker, 

From chiding the footmen and watching the lasses, 
From Nell that burn'd milk, and Tom that broke glasses 
(Sad mischiefs thro' which a good housekeeper passes!) 

From some real care but more fancied vexation, 
From a life parti-colour'd half reason half passion, 
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone, Joanna or Janneton, Jinny or Joan, 'Twas all one to her by what name she was known.
For the idiom of words very little she heeded, Provided the matter she drove at succeeded, She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale, She paid English or Dutch or French down on the nail, But in telling a story she sometimes did fail; Then begging excuse as she happen'd to stammer, With respect to her betters but none to her grammar, Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame To the different gout of the place where she came; Her outside still chang'd, but her inside the same: At the Hague in her slippers and hair as the mode is, At Paris all falbalow'd fine as a goddess, And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell In what part about her that mixture did dwell Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer; Her own proper worth was enough to advance her, And he who liked her, little value her grandsire.
But from what house so ever her lineage may come I wish my own Jinny but out of her tomb, Tho' all her relations were there in her room.
Of such terrible beauty she never could boast As with absolute sway o'er all hearts rules the roast When J___ bawls out to the chair for a toast; But of good household features her person was made, Nor by faction cried up nor of censure afraid, And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted That, tho' her youth faded, her comeliness lasted; The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast Was this polished stone beneath which she lies pressed: Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued, Not affectedly pious nor secretly lewd She cut even between the coquette and the prude.
Her will with her duty so equally stood That, seldom oppos'd, she was commonly good, And did pretty well, doing just what she would.
Declining all power she found means to persuade, Was then most regarded when most she obey'd, The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took That on other folk's lives she had not time to look, So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere, She minded not who did excel or did err But just as the matter related to her.
Then too when her private tribunal was rear'd Her mercy so mix'd with her judgment appear'd That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit That in practice sincere, and in controverse mute, She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited, And much in historical chapters delighted, But in points about Faith she was something short sighted; So notions and modes she refer'd to the schools, And in matters of conscience adher'd to two rules, To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd, By charity ample small sins she retriev'd, And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away In ord'ring the linen and making the tea That scarce could have time for the psalms of the day; And while after dinner the night came so soon That half she propos'd very seldom was done; With twenty God bless me's, how this day is gone! -- While she read and accounted and paid and abated, Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated, As answer'd the end of her being created: In the midst of her age came a cruel disease Which neither her juleps nor receipts could appease; So down dropp'd her clay -- may her Soul be at peace! Retire from this sepulchre all the profane, You that love for debauch, or that marry for gain, Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust, Strew the myrle and rose on this once belov'd dust, And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor, Let neither rude hand nor ill tongue light upon her, Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay, For so I'm persuaded she must do one day -- Whatever fantastic John Asgill may say -- When as I have done now, thou shalt set up a stone For something however distinguished or known, May some pious friend the misfortune bemoan, And make thy concern by reflexion his own.


Written by Vachel Lindsay | Create an image from this poem

The Santa-Fe Trail (A Humoresque)

 I asked the old *****, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane.
" "Hasn't it another name, lark, or thrush, or the like?" "No.
Jus' Rachel-Jane.
" I.
IN WHICH A RACING AUTO COMES FROM THE EAST This is the order of the music of the morning: — First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn.
.
.
.
Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.
Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning, It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing, Dodge the cyclones, Count the milestones, On through the ranges the prairie-dog tills— Scooting past the cattle on the thousand hills.
.
.
.
Ho for the tear-horn, scare-horn, dare-horn, Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us When houses choke us, and great books bore us! Sunrise Kansas, harvester's Kansas, A million men have found you before us.
II.
IN WHICH MANY AUTOS PASS WESTWARD I want live things in their pride to remain.
I will not kill one grasshopper vain Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim, Grasshopper lyrics occur to him.
I am a tramp by the long trail's border, Given to squalor, rags and disorder.
I nap and amble and yawn and look, Write fool-thoughts in my grubby book, Recite to the children, explore at my ease, Work when I work, beg when I please, Give crank-drawings, that make folks stare To the half-grown boys in the sunset glare, And get me a place to sleep in the hay At the end of a live-and-let-live day.
I find in the stubble of the new-cut weeds A whisper and a feasting, all one needs: The whisper of the strawberries, white and red Here where the new-cut weeds lie dead.
But I would not walk all alone till I die Without some life-drunk horns going by.
Up round this apple-earth they come Blasting the whispers of the morning dumb:— Cars in a plain realistic row.
And fair dreams fade When the raw horns blow.
On each snapping pennant A big black name:— The careering city Whence each car came.
They tour from Memphis, Atlanta, Savannah, Tallahassee and Texarkana.
They tour from St.
Louis, Columbus, Manistee, They tour from Peoria, Davenport, Kankakee.
Cars from Concord, Niagara, Boston, Cars from Topeka, Emporia, and Austin.
Cars from Chicago, Hannibal, Cairo.
Cars from Alton, Oswego, Toledo.
Cars from Buffalo, Kokomo, Delphi, Cars from Lodi, Carmi, Loami.
Ho for Kansas, land that restores us When houses choke us, and great books bore us! While I watch the highroad And look at the sky, While I watch the clouds in amazing grandeur Roll their legions without rain Over the blistering Kansas plain— While I sit by the milestone And watch the sky, The United States Goes by.
Listen to the iron-horns, ripping, racking.
Listen to the quack-horns, slack and clacking.
Way down the road, trilling like a toad, Here comes the dice -horn, here comes the vice -horn, Here comes the snarl -horn, brawl -horn, lewd -horn, Followed by the prude -horn, bleak and squeaking: — (Some of them from Kansas, some of themn from Kansas.
) Here comes the hod -horn, plod -horn, sod -horn, Nevermore-to-roam -horn, loam -horn, home -horn.
(Some of them from Kansas, some of them from Kansas.
) Far away the Rachel-Jane Not defeated by the horns Sings amid a hedge of thorns:— "Love and life, Eternal youth— Sweet, sweet, sweet, sweet, Dew and glory, Love and truth, Sweet, sweet, sweet, sweet.
" WHILE SMOKE-BLACK FREIGHTS ON THE DOUBLE-TRACKED RAILROAD, DRIVEN AS THOUGH BY THE FOUL-FIEND'S OX-GOAD, SCREAMING TO THE WEST COAST, SCREAMING TO THE EAST, CARRY OFF A HARVEST, BRING BACK A FEAST, HARVESTING MACHINERY AND HARNESS FOR THE BEAST.
THE HAND-CARS WHIZ, AND RATTLE ON THE RAILS, THE SUNLIGHT FLASHES ON THE TIN DINNER-PAILS.
And then, in an instant, Ye modern men, Behold the procession once again, Listen to the iron-horns, ripping, racking, Listen to the wise -horn, desperate-to-advise horn, Listen to the fast -horn, kill -horn, blast -horn.
.
.
.
Far away the Rachel-Jane Not defeated by the horns Sings amid a hedge of thorns:— Love and life, Eternal youth, Sweet, sweet, sweet, sweet, Dew and glory, Love and truth.
Sweet, sweet, sweet, sweet.
The mufflers open on a score of cars With wonderful thunder, CRACK, CRACK, CRACK, CRACK-CRACK, CRACK-CRACK, CRACK-CRACK-CRACK, .
.
.
Listen to the gold-horn .
.
.
Old-horn .
.
.
Cold-horn .
.
.
And all of the tunes, till the night comes down On hay-stack, and ant-hill, and wind-bitten town.
Then far in the west, as in the beginning, Dim in the distance, sweet in retreating, Hark to the faint-horn, quaint-horn, saint-horn, Hark to the calm-horn, balm-horn, psalm-horn.
.
.
.
They are hunting the goals that they understand:— San-Francisco and the brown sea-sand.
My goal is the mystery the beggars win.
I am caught in the web the night-winds spin.
The edge of the wheat-ridge speaks to me.
I talk with the leaves of the mulberry tree.
And now I hear, as I sit all alone In the dusk, by another big Santa-Fe stone, The souls of the tall corn gathering round And the gay little souls of the grass in the ground.
Listen to the tale the cotton-wood tells.
Listen to the wind-mills, singing o'er the wells.
Listen to the whistling flutes without price Of myriad prophets out of paradise.
Harken to the wonder That the night-air carries.
.
.
.
Listen .
.
.
to .
.
.
the .
.
.
whisper .
.
.
Of .
.
.
the .
.
.
prairie .
.
.
fairies Singing o'er the fairy plain:— "Sweet, sweet, sweet, sweet.
Love and glory, Stars and rain, Sweet, sweet, sweet, sweet .
.
.
.
"
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 4

 But anxious cares the pensive nymph oppress'd, 
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light, Down to the central earth, his proper scene, Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome, And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows, The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air, And screen'd in shades from day's detested glare, She sighs for ever on her pensive bed, Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place, But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid, Her wrinkled form in black and white array'd; With store of pray'rs, for mornings, nights, and noons, Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien, Shows in her cheek the roses of eighteen, Practis'd to lisp, and hang the head aside, Faints into airs, and languishes with pride, On the rich quilt sinks with becoming woe, Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these, When each new night-dress gives a new disease.
A constant vapour o'er the palace flies; Strange phantoms, rising as the mists arise; Dreadful, as hermit's dreams in haunted shades, Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires: Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen, Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out, One bent; the handle this, and that the spout: A pipkin there, like Homer's tripod walks; Here sighs a jar, and there a goose pie talks; Men prove with child, as pow'rful fancy works, And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band, A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen! Who rule the sex to fifty from fifteen: Parent of vapours and of female wit, Who give th' hysteric, or poetic fit, On various tempers act by various ways, Make some take physic, others scribble plays; Who cause the proud their visits to delay, And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains, And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace, Or raise a pimple on a beauteous face, Like citron waters matrons' cheeks inflame, Or change complexions at a losing game; If e'er with airy horns I planted heads, Or rumpled petticoats, or tumbled beds, Or caus'd suspicion when no soul was rude, Or discompos'd the head-dress of a prude, Or e'er to costive lap-dog gave disease, Which not the tears of brightest eyes could ease: Hear me, and touch Belinda with chagrin; That single act gives half the world the spleen.
" The goddess with a discontented air Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds, Like that where once Ulysses held the winds; There she collects the force of female lungs, Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears, Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away, Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found, Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent, And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire, And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried, (While Hampton's echoes, "Wretched maid!" replied, "Was it for this you took such constant care The bodkin, comb, and essence to prepare? For this your locks in paper durance bound, For this with tort'ring irons wreath'd around? For this with fillets strain'd your tender head, And bravely bore the double loads of lead? Gods! shall the ravisher display your hair, While the fops envy, and the ladies stare! Honour forbid! at whose unrivall'd shrine Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey, Already hear the horrid things they say, Already see you a degraded toast, And all your honour in a whisper lost! How shall I, then, your helpless fame defend? 'Twill then be infamy to seem your friend! And shall this prize, th' inestimable prize, Expos'd through crystal to the gazing eyes, And heighten'd by the diamond's circling rays, On that rapacious hand for ever blaze? Sooner shall grass in Hyde Park Circus grow, And wits take lodgings in the sound of Bow; Sooner let earth, air, sea, to chaos fall, Men, monkeys, lap-dogs, parrots, perish all!" She said; then raging to Sir Plume repairs, And bids her beau demand the precious hairs: (Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane) With earnest eyes, and round unthinking face, He first the snuffbox open'd, then the case, And thus broke out--"My Lord, why, what the devil? Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil! Plague on't! 'tis past a jest--nay prithee, pox! Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again, "Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear, (Which never more shall join its parted hair; Which never more its honours shall renew, Clipp'd from the lovely head where late it grew) That while my nostrils draw the vital air, This hand, which won it, shall for ever wear.
" He spoke, and speaking, in proud triumph spread The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so; He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears, Her eyes half-languishing, half-drown'd in tears; On her heav'd bosom hung her drooping head, Which, with a sigh, she rais'd; and thus she said: "For ever curs'd be this detested day, Which snatch'd my best, my fav'rite curl away! Happy! ah ten times happy, had I been, If Hampton Court these eyes had never seen! Yet am not I the first mistaken maid, By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd In some lone isle, or distant northern land; Where the gilt chariot never marks the way, Where none learn ombre, none e'er taste bohea! There kept my charms conceal'd from mortal eye, Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam? Oh had I stay'd, and said my pray'rs at home! 'Twas this, the morning omens seem'd to tell, Thrice from my trembling hand the patch-box fell; The tott'ring china shook without a wind, Nay, Poll sat mute, and Shock was most unkind! A Sylph too warn'd me of the threats of fate, In mystic visions, now believ'd too late! See the poor remnants of these slighted hairs! My hands shall rend what ev'n thy rapine spares: These, in two sable ringlets taught to break, Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone, And in its fellow's fate foresees its own; Uncurl'd it hangs, the fatal shears demands And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize Hairs less in sight, or any hairs but these!"
Written by Aleister Crowley | Create an image from this poem

The Disciples

 "To Lionel Engers-Kennedy: to the memory of Hargrave Jennings: and
to A.
C.
W.
G.
and H.
E.
H.
" Beneath the vine tree and the fig Where mortal cares may not intrude, On melon and on sucking pig Although their brains are bright and big Banquet the Great White Brotherhood.
Among the fountains and the trees That fringed his garden's glowing border, At sunset walked, and, in the breeze With his disciples, took his ease An Adept of the Holy Order.
"My children," Said the holy man, "Once more I'm willing to unmask me.
This is my birthday; and my plan Is to bestow on you (I can) Whatever favour you may ask me.
" Nor curiosity nor greed Brought these disciples to disaster; For, being very wise indeed, The adolescents all agreed To ask His Secret of the Master.
With the "aplomb" and "savoir faire" Peculiar to Eastern races, He took the secret then and there (What, is not lawful to declare), And thrust it rudely in their faces.
"A filthy insult!" screamed the first; The second smiled, "Ingenious blind!" The youngest neither blessed nor cursed, Contented to believe the worst - That He had spoken all his mind! The second earned the name of prig, The first the epithet of prude; The third, as merry as a grig, On melon and on sucking pig Feasts with the Great White Brotherhood.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 5

 She said: the pitying audience melt in tears, 
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails, For who can move when fair Belinda fails? Not half so fix'd the Trojan could remain, While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan; Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most, The wise man's passion, and the vain man's toast? Why deck'd with all that land and sea afford, Why angels call'd, and angel-like ador'd? Why round our coaches crowd the white-glov'd beaux, Why bows the side-box from its inmost rows? How vain are all these glories, all our pains, Unless good sense preserve what beauty gains: That men may say, when we the front-box grace: 'Behold the first in virtue, as in face!' Oh! if to dance all night, and dress all day, Charm'd the smallpox, or chas'd old age away; Who would not scorn what housewife's cares produce, Or who would learn one earthly thing of use? To patch, nay ogle, might become a saint, Nor could it sure be such a sin to paint.
But since, alas! frail beauty must decay, Curl'd or uncurl'd, since locks will turn to grey, Since painted, or not painted, all shall fade, And she who scorns a man, must die a maid; What then remains but well our pow'r to use, And keep good humour still whate'er we lose? And trust me, dear! good humour can prevail, When airs, and flights, and screams, and scolding fail.
Beauties in vain their pretty eyes may roll; Charms strike the sight, but merit wins the soul.
" So spoke the dame, but no applause ensu'd; Belinda frown'd, Thalestris call'd her prude.
"To arms, to arms!" the fierce virago cries, And swift as lightning to the combat flies.
All side in parties, and begin th' attack; Fans clap, silks rustle, and tough whalebones crack; Heroes' and heroines' shouts confus'dly rise, And bass, and treble voices strike the skies.
No common weapons in their hands are found, Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage, And heav'nly breasts with human passions rage; 'Gainst Pallas, Mars; Latona, Hermes arms; And all Olympus rings with loud alarms.
Jove's thunder roars, heav'n trembles all around; Blue Neptune storms, the bellowing deeps resound; Earth shakes her nodding tow'rs, the ground gives way; And the pale ghosts start at the flash of day! Triumphant Umbriel on a sconce's height Clapp'd his glad wings, and sate to view the fight: Propp'd on their bodkin spears, the sprites survey The growing combat, or assist the fray.
While through the press enrag'd Thalestris flies, And scatters death around from both her eyes, A beau and witling perish'd in the throng, One died in metaphor, and one in song.
"O cruel nymph! a living death I bear," Cried Dapperwit, and sunk beside his chair.
A mournful glance Sir Fopling upwards cast, "Those eyes are made so killing"--was his last.
Thus on Mæeander's flow'ry margin lies Th' expiring swan, and as he sings he dies.
When bold Sir Plume had drawn Clarissa down, Chloe stepp'd in, and kill'd him with a frown; She smil'd to see the doughty hero slain, But at her smile, the beau reviv'd again.
Now Jove suspends his golden scales in air, Weighs the men's wits against the lady's hair; The doubtful beam long nods from side to side; At length the wits mount up, the hairs subside.
See, fierce Belinda on the baron flies, With more than usual lightning in her eyes, Nor fear'd the chief th' unequal fight to try, Who sought no more than on his foe to die.
But this bold lord with manly strength endu'd, She with one finger and a thumb subdu'd: Just where the breath of life his nostrils drew, A charge of snuff the wily virgin threw; The Gnomes direct, to ev'ry atom just, The pungent grains of titillating dust.
Sudden, with starting tears each eye o'erflows, And the high dome re-echoes to his nose.
"Now meet thy fate", incens'd Belinda cried, And drew a deadly bodkin from her side.
(The same, his ancient personage to deck, Her great great grandsire wore about his neck In three seal-rings; which after, melted down, Form'd a vast buckle for his widow's gown: Her infant grandame's whistle next it grew, The bells she jingled, and the whistle blew; Then in a bodkin grac'd her mother's hairs, Which long she wore, and now Belinda wears.
) "Boast not my fall," he cried, "insulting foe! Thou by some other shalt be laid as low.
Nor think, to die dejects my lofty mind; All that I dread is leaving you benind! Rather than so, ah let me still survive, And burn in Cupid's flames--but burn alive.
" "Restore the lock!" she cries; and all around "Restore the lock!" the vaulted roofs rebound.
Not fierce Othello in so loud a strain Roar'd for the handkerchief that caus'd his pain.
But see how oft ambitious aims are cross'd, The chiefs contend 'till all the prize is lost! The lock, obtain'd with guilt, and kept with pain, In ev'ry place is sought, but sought in vain: With such a prize no mortal must be blest, So Heav'n decrees! with Heav'n who can contest? Some thought it mounted to the lunar sphere, Since all things lost on earth are treasur'd there.
There hero's wits are kept in pond'rous vases, And beaux' in snuff boxes and tweezercases.
There broken vows and deathbed alms are found, And lovers' hearts with ends of riband bound; The courtier's promises, and sick man's prayers, The smiles of harlots, and the tears of heirs, Cages for gnats, and chains to yoke a flea, Dried butterflies, and tomes of casuistry.
But trust the Muse--she saw it upward rise, Though mark'd by none but quick, poetic eyes: (So Rome's great founder to the heav'ns withdrew, To Proculus alone confess'd in view) A sudden star, it shot through liquid air, And drew behind a radiant trail of hair.
Not Berenice's locks first rose so bright, The heav'ns bespangling with dishevell'd light.
The Sylphs behold it kindling as it flies, And pleas'd pursue its progress through the skies.
This the beau monde shall from the Mall survey, And hail with music its propitious ray.
This the blest lover shall for Venus take, And send up vows from Rosamonda's lake.
This Partridge soon shall view in cloudless skies, When next he looks through Galileo's eyes; And hence th' egregious wizard shall foredoom The fate of Louis, and the fall of Rome.
Then cease, bright nymph! to mourn thy ravish'd hair, Which adds new glory to the shining sphere! Not all the tresses that fair head can boast Shall draw such envy as the lock you lost.
For, after all the murders of your eye, When, after millions slain, yourself shall die: When those fair suns shall set, as set they must, And all those tresses shall be laid in dust, This lock, the Muse shall consecrate to fame And 'midst the stars inscribe Belinda's name.


Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 1

 Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.
84) What dire offence from am'rous causes springs, What mighty contests rise from trivial things, I sing--This verse to Caryl, Muse! is due: This, ev'n Belinda may vouchsafe to view: Slight is the subject, but not so the praise, If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel A well-bred lord t' assault a gentle belle? O say what stranger cause, yet unexplor'd, Could make a gentle belle reject a lord? In tasks so bold, can little men engage, And in soft bosoms dwells such mighty rage? Sol thro' white curtains shot a tim'rous ray, And op'd those eyes that must eclipse the day; Now lap-dogs give themselves the rousing shake, And sleepless lovers, just at twelve, awake: Thrice rung the bell, the slipper knock'd the ground, And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd, Her guardian sylph prolong'd the balmy rest: 'Twas he had summon'd to her silent bed The morning dream that hover'd o'er her head; A youth more glitt'ring than a birthnight beau, (That ev'n in slumber caus'd her cheek to glow) Seem'd to her ear his winning lips to lay, And thus in whispers said, or seem'd to say.
"Fairest of mortals, thou distinguish'd care Of thousand bright inhabitants of air! If e'er one vision touch'd thy infant thought, Of all the nurse and all the priest have taught, Of airy elves by moonlight shadows seen, The silver token, and the circled green, Or virgins visited by angel pow'rs, With golden crowns and wreaths of heav'nly flow'rs, Hear and believe! thy own importance know, Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd, To maids alone and children are reveal'd: What tho' no credit doubting wits may give? The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly, The light militia of the lower sky; These, though unseen, are ever on theg, Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air, And view with scorn two pages and a chair.
As now your own, our beings were of old, And once inclos'd in woman's beauteous mould; Thence, by a soft transition, we repair From earthly vehicles to these of air.
Think not, when woman's transient breath is fled, That all her vanities at once are dead; Succeeding vanities she still regards, And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive, And love of ombre, after death survive.
For when the fair in all their pride expire, To their first elements their souls retire: The sprites of fiery termagants in flame Mount up, and take a Salamander's name.
Soft yielding minds to water glide away, And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome, In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair, And sport and flutter in the fields of air.
Know further yet; whoever fair and chaste Rejects mankind, is by some sylph embrac'd: For spirits, freed from mortal laws, with ease Assume what sexes and what shapes they please.
What guards the purity of melting maids, In courtly balls, and midnight masquerades, Safe from the treach'rous friend, the daring spark, The glance by day, the whisper in the dark, When kind occasion prompts their warm desires, When music softens, and when dancing fires? 'Tis but their sylph, the wise celestials know, Though honour is the word with men below.
Some nymphs there are, too conscious of their face, For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride, When offers are disdain'd, and love denied: Then gay ideas crowd the vacant brain, While peers, and dukes, and all their sweeping train, And garters, stars, and coronets appear, And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul, Instruct the eyes of young coquettes to roll, Teach infant cheeks a bidden blush to know, And little hearts to flutter at a beau.
Oft, when the world imagine women stray, The Sylphs through mystic mazes guide their way, Thro' all the giddy circle they pursue, And old impertinence expel by new.
What tender maid but must a victim fall To one man's treat, but for another's ball? When Florio speaks, what virgin could withstand, If gentle Damon did not squeeze her hand? With varying vanities, from ev'ry part, They shift the moving toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call, Oh blind to truth! the Sylphs contrive it all.
Of these am I, who thy protection claim, A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air, In the clear mirror of thy ruling star I saw, alas! some dread event impend, Ere to the main this morning sun descend, But Heav'n reveals not what, or how, or where: Warn'd by the Sylph, oh pious maid, beware! This to disclose is all thy guardian can.
Beware of all, but most beware of man!" He said; when Shock, who thought she slept too long, Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true, Thy eyes first open'd on a billet-doux; Wounds, charms, and ardors were no sooner read, But all the vision vanish'd from thy head.
And now, unveil'd, the toilet stands display'd, Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears, To that she bends, to that her eyes she rears; Th' inferior priestess, at her altar's side, Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here The various off'rings of the world appear; From each she nicely culls with curious toil, And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks, And all Arabia breathes from yonder box.
The tortoise here and elephant unite, Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows, Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms; The fair each moment rises in her charms, Repairs her smiles, awakens ev'ry grace, And calls forth all the wonders of her face; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care; These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown; And Betty's prais'd for labours not her own.
Written by Jonathan Swift | Create an image from this poem

Phillis Or the Progress of Love

 Desponding Phillis was endu'd 
With ev'ry Talent of a Prude, 
She trembled when a Man drew near; 
Salute her, and she turn'd her Ear: 
If o'er against her you were plac't 
She durst not look above your Wa[i]st; 
She'd rather take you to her Bed 
Than let you see her dress her Head; 
In Church you heard her thro' the Crowd 
Repeat the Absolution loud; 
In Church, secure behind her Fan 
She durst behold that Monster, Man: 
There practic'd how to place her Head, 
And bit her Lips to make them red: 
Or on the Matt devoutly kneeling 
Would lift her Eyes up to the Ceeling, 
And heave her Bosom unaware 
For neighb'ring Beaux to see it bare.
At length a lucky Lover came, And found Admittance to the Dame.
Suppose all Partys now agreed, The Writings drawn, the Lawyer fee'd, The Vicar and the Ring bespoke: Guess how could such a Match be broke.
See then what Mortals place their Bliss in! Next morn betimes the Bride was missing, The Mother scream'd, the Father chid, Where can this idle Wench be hid? No news of Phil.
The Bridegroom came, And thought his Bride had sculk't for shame, Because her Father us'd to say The Girl had such a Bashfull way.
Now John the Butler must be sent To learn the Road that Phillis went; The Groom was wisht to saddle Crop, For John must neither light nor stop; But find her where so'er she fled, And bring her back, alive or dead.
See here again the Dev'l to do; For truly John was missing too: The Horse and Pillion both were gone Phillis, it seems, was fled with John.
Old Madam who went up to find What Papers Phil had left behind, A Letter on the Toylet sees To my much honor'd Father; These: ('Tis always done, Romances tell us, When Daughters run away with Fellows) Fill'd with the choicest common-places, By others us'd in the like Cases.
That, long ago a Fortune-teller Exactly said what now befell her, And in a Glass had made her see A serving-Man of low Degree: It was her Fate; must be forgiven; For Marriages were made in Heaven: His Pardon begg'd, but to be plain, She'd do't if 'twere to do again.
Thank God, 'twas neither Shame nor Sin, For John was come of honest Kin: Love never thinks of Rich and Poor, She'd beg with John from Door to Door: Forgive her, if it be a Crime, She'll never do't another Time, She ne'r before in all her Life Once disobey'd him, Maid nor Wife.
One Argument she summ'd up all in, The Thing was done and past recalling: And therefore hop'd she should recover His Favor, when his Passion's over.
She valued not what others thought her; And was--His most obedient Daughter.
Fair Maidens all attend the Muse Who now the wandring Pair pursues: Away they rose in homely Sort Their Journy long, their Money Short; The loving Couple well bemir'd, The Horse and both the Riders tir'd: Their Vittells bad, their Lodging worse, Phil cry'd, and John began to curse; Phil wish't, that she had strained a Limb When first she ventur'd out with him.
John wish't, that he had broke a Leg When first for her he quitted Peg.
But what Adventures more befell 'em The Muse hath now no time to tell 'em.
How Jonny wheadled, threatned, fawnd, Till Phillis all her Trinkets pawn'd: How oft she broke her marriage Vows In kindness to maintain her Spouse; Till Swains unwholsome spoyled the Trade, For now the Surgeon must be paid; To whom those Perquisites are gone In Christian Justice due to John.
When Food and Rayment now grew scarce Fate put a Period to the Farce; And with exact Poetic Justice: For John is Landlord, Phillis Hostess; They keep at Stains the old blue Boar, Are Cat and Dog, and Rogue and Whore.
Written by Eugene Field | Create an image from this poem

The Truth About hHorace

 It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.
There's really not much harm in a Large number of his carmina, But these people find alarm in a Few records of his acts; So they'd squelch the muse caloric, And to students sophomoric They d present as metaphoric What old Horace meant for facts.
We have always thought 'em lazy; Now we adjudge 'em crazy! Why, Horace was a daisy That was very much alive! And the wisest of us know him As his Lydia verses show him,-- Go, read that virile poem,-- It is No.
25.
He was a very owl, sir, And starting out to prowl, sir, You bet he made Rome howl, sir, Until he filled his date; With a massic-laden ditty And a classic maiden pretty He painted up the city, And Maecenas paid the freight!
Written by Robert William Service | Create an image from this poem

Village Virtue

 Jenny was my first sweetheart;
Poor lass! she was none too smart.
Though I swore she'd never rue it, She would never let me do it.
When I tried she mad a fuss, So damn pure and virtuous.
Girls should cozen all they can, Use their wiles to get their man.
June, my second, was no prude; Too good-looking to be good; Wanton and a giddy-gadder, Never knew who might have had her; Kept me mad and jumping jealous, Tempting all the other fellows Like a wayside flower to pluck her: So at last I had to chuck her.
Now I'm settled down with Jill, And we're safely married still.
She began to wail and worry, So we wedded in a hurry.
Well, it's quite all right that way - We're all made of common clay, And the grey-haired folk that bore us Just as wanton were before us.
June, I hear, now lives in London Where, I fear, she's sadly undone.
Jenny, still as virtuous Missed the matrimonial bus, Where our "first" set gossips buzzin' Jill and I now have a dozen, Ready in their turn to prove There's no chastity in love.
June, so fickle and so fair, Common was as barber's chair; Jill provides me with good grub, Lets me go nights to the pub.
Though her silver hairs are many, One eve I might call on Jenny .
.
.
She may not need too much urging: Must be hell to die a virgin.

Book: Reflection on the Important Things