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Best Famous Proven Poems

Here is a collection of the all-time best famous Proven poems. This is a select list of the best famous Proven poetry. Reading, writing, and enjoying famous Proven poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of proven poems.

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Written by John Keats | Create an image from this poem

Ode to a Nightingale

MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease. 10 

O for a draught of vintage! that hath been 
Cool'd a long age in the deep-delv¨¨d earth, 
Tasting of Flora and the country-green, 
Dance, and Proven?al song, and sunburnt mirth! 
O for a beaker full of the warm South! 15 
Full of the true, the blushful Hippocrene, 
With beaded bubbles winking at the brim, 
And purple-stain¨¨d mouth; 
That I might drink, and leave the world unseen, 
And with thee fade away into the forest dim: 20 

Fade far away, dissolve, and quite forget 
What thou among the leaves hast never known, 
The weariness, the fever, and the fret 
Here, where men sit and hear each other groan; 
Where palsy shakes a few, sad, last grey hairs, 25 
Where youth grows pale, and spectre-thin, and dies; 
Where but to think is to be full of sorrow 
And leaden-eyed despairs; 
Where beauty cannot keep her lustrous eyes, 
Or new Love pine at them beyond to-morrow. 30 

Away! away! for I will fly to thee, 
Not charioted by Bacchus and his pards, 
But on the viewless wings of Poesy, 
Though the dull brain perplexes and retards: 
Already with thee! tender is the night, 35 
And haply the Queen-Moon is on her throne, 
Cluster'd around by all her starry Fays 
But here there is no light, 
Save what from heaven is with the breezes blown 
Through verdurous glooms and winding mossy ways. 40 

I cannot see what flowers are at my feet, 
Nor what soft incense hangs upon the boughs, 
But, in embalm¨¨d darkness, guess each sweet 
Wherewith the seasonable month endows 
The grass, the thicket, and the fruit-tree wild; 45 
White hawthorn, and the pastoral eglantine; 
Fast-fading violets cover'd up in leaves; 
And mid-May's eldest child, 
The coming musk-rose, full of dewy wine, 
The murmurous haunt of flies on summer eves. 50 

Darkling I listen; and, for many a time 
I have been half in love with easeful Death, 
Call'd him soft names in many a mus¨¨d rhyme, 
To take into the air my quiet breath; 
Now more than ever seems it rich to die, 55 
To cease upon the midnight with no pain, 
While thou art pouring forth thy soul abroad 
In such an ecstasy! 
Still wouldst thou sing, and I have ears in vain¡ª 
To thy high requiem become a sod. 60 

Thou wast not born for death, immortal Bird! 
No hungry generations tread thee down; 
The voice I hear this passing night was heard 
In ancient days by emperor and clown: 
Perhaps the self-same song that found a path 65 
Through the sad heart of Ruth, when, sick for home, 
She stood in tears amid the alien corn; 
The same that ofttimes hath 
Charm'd magic casements, opening on the foam 
Of perilous seas, in faery lands forlorn. 70 

Forlorn! the very word is like a bell 
To toll me back from thee to my sole self! 
Adieu! the fancy cannot cheat so well 
As she is famed to do, deceiving elf. 
Adieu! adieu! thy plaintive anthem fades 75 
Past the near meadows, over the still stream, 
Up the hill-side; and now 'tis buried deep 
In the next valley-glades: 
Was it a vision, or a waking dream? 
Fled is that music:¡ªdo I wake or sleep? 80 


Written by Alfred Lord Tennyson | Create an image from this poem

Beautiful City

 Beautiful city

Beautiful city, the centre and crater of European confusion,
O you with your passionate shriek for the rights of an equal
humanity,
How often your Re-volution has proven but E-volution
Roll’d again back on itself in the tides of a civic insanity!
Written by Czeslaw Milosz | Create an image from this poem

Child of Europe

 1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
Written by William Topaz McGonagall | Create an image from this poem

Lines in Defence of the Stage

 Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray. 

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray. 

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play. 

The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect. 

Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted, 

And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play. 

Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay. 

And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept. 

We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!" 

A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay. 

But when he saw George Barnwell was to be hung
The dread of murdering his uncle tenaciously to him clung,
That he couldn't murder and rob his uncle dear,
Because the play he saw enacted filled his heart with fear. 

And, in conclusion, I will say without dismay,
Visit the theatre without delay,
Because the theatre is a school of morality,
And hasn't the least tendency to lead to prodigality.
Written by William Carlos (WCW) Williams | Create an image from this poem

from Asphodel That Greeny Flower

 Of asphodel, that greeny flower,
 like a buttercup
 upon its branching stem-
save that it's green and wooden-
 I come, my sweet,
 to sing to you.
We lived long together
 a life filled,
 if you will,
with flowers. So that
 I was cheered
 when I came first to know
that there were flowers also
 in hell.
 Today
I'm filled with the fading memory of those flowers
 that we both loved,
 even to this poor
colorless thing-
 I saw it
 when I was a child-
little prized among the living
 but the dead see,
 asking among themselves:
What do I remember
 that was shaped
 as this thing is shaped?
while our eyes fill
 with tears.
 Of love, abiding love
it will be telling
 though too weak a wash of crimson
 colors it
to make it wholly credible.
 There is something
 something urgent
I have to say to you
 and you alone
 but it must wait
while I drink in
 the joy of your approach,
 perhaps for the last time.
And so
 with fear in my heart
 I drag it out
and keep on talking
 for I dare not stop.
 Listen while I talk on
against time.
 It will not be
 for long.
I have forgot
 and yet I see clearly enough
 something
central to the sky
 which ranges round it.
 An odor
springs from it!
 A sweetest odor!
 Honeysuckle! And now
there comes the buzzing of a bee!
 and a whole flood
 of sister memories!
Only give me time,
 time to recall them
 before I shall speak out.
Give me time,
 time.
When I was a boy
 I kept a book
 to which, from time
to time,
 I added pressed flowers
 until, after a time,
I had a good collection.
 The asphodel,
 forebodingly,
among them.
 I bring you,
 reawakened,
a memory of those flowers.
 They were sweet
 when I pressed them
and retained
 something of their sweetness
 a long time.
It is a curious odor,
 a moral odor,
 that brings me
near to you.
 The color
 was the first to go.
There had come to me
 a challenge,
 your dear self,
mortal as I was,
 the lily's throat
 to the hummingbird!
Endless wealth,
 I thought,
 held out its arms to me.
A thousand tropics
 in an apple blossom.
 The generous earth itself
gave us lief.
 The whole world
 became my garden!
But the sea
 which no one tends
 is also a garden
when the sun strikes it
 and the waves
 are wakened.
I have seen it
 and so have you
 when it puts all flowers
to shame.
 Too, there are the starfish
 stiffened by the sun
and other sea wrack
 and weeds. We knew that
 along with the rest of it
for we were born by the sea,
 knew its rose hedges
 to the very water's brink.
There the pink mallow grows
 and in their season
 strawberries
and there, later,
 we went to gather
 the wild plum.
I cannot say
 that I have gone to hell
 for your love
but often
 found myself there
 in your pursuit.
I do not like it
 and wanted to be
 in heaven. Hear me out.
Do not turn away.
I have learned much in my life
 from books
 and out of them
about love.
 Death
 is not the end of it.
There is a hierarchy
 which can be attained,
 I think,
in its service.
 Its guerdon
 is a fairy flower;
a cat of twenty lives.
 If no one came to try it
 the world
would be the loser.
 It has been
 for you and me
as one who watches a storm
 come in over the water.
 We have stood
from year to year
 before the spectacle of our lives
 with joined hands.
The storm unfolds.
 Lightning
 plays about the edges of the clouds.
The sky to the north
 is placid,
 blue in the afterglow
as the storm piles up.
 It is a flower
 that will soon reach
the apex of its bloom.
 We danced,
 in our minds,
and read a book together.
 You remember?
 It was a serious book.
And so books
 entered our lives.
The sea! The sea!
 Always
 when I think of the sea
there comes to mind
 the Iliad
 and Helen's public fault
that bred it.
 Were it not for that
 there would have been
 no poem but the world
 if we had remembered,
 those crimson petals
spilled among the stones,
 would have called it simply
 murder.
The sexual orchid that bloomed then
 sending so many
 disinterested
men to their graves
 has left its memory
 to a race of fools
or heroes
 if silence is a virtue.
 The sea alone
with its multiplicity
 holds any hope.
 The storm
has proven abortive
 but we remain
 after the thoughts it roused
to
 re-cement our lives.
 It is the mind
the mind
 that must be cured
 short of death's
intervention,
 and the will becomes again
 a garden. The poem
is complex and the place made
 in our lives
 for the poem.
Silence can be complex too,
 but you do not get far
 with silence.
Begin again.
 It is like Homer's
 catalogue of ships:
it fills up the time.
 I speak in figures,
 well enough, the dresses
you wear are figures also,
 we could not meet
 otherwise. When I speak
of flowers
 it is to recall
 that at one time
we were young.
 All women are not Helen,
 I know that,
but have Helen in their hearts.
 My sweet,
 you have it also, therefore
I love you
 and could not love you otherwise.
 Imagine you saw
a field made up of women
 all silver-white.
 What should you do
but love them?
 The storm bursts
 or fades! it is not
the end of the world.
 Love is something else,
 or so I thought it,
a garden which expands,
 though I knew you as a woman
 and never thought otherwise,
until the whole sea
 has been taken up
 and all its gardens.
It was the love of love,
 the love that swallows up all else,
 a grateful love,
a love of nature, of people,
 of animals,
 a love engendering
gentleness and goodness
 that moved me
 and that I saw in you.
I should have known,
 though I did not,
 that the lily-of-the-valley
is a flower makes many ill
 who whiff it.
 We had our children,
rivals in the general onslaught.
 I put them aside
 though I cared for them.
as well as any man
 could care for his children
 according to my lights.
You understand
 I had to meet you
 after the event
and have still to meet you.
 Love
 to which you too shall bow
along with me-
 a flower
 a weakest flower
shall be our trust
 and not because
 we are too feeble
to do otherwise
 but because
 at the height of my power
I risked what I had to do,
 therefore to prove
 that we love each other
while my very bones sweated
 that I could not cry to you
 in the act.
Of asphodel, that greeny flower,
 I come, my sweet,
 to sing to you!
My heart rouses
 thinking to bring you news
 of something
that concerns you
 and concerns many men. Look at
 what passes for the new.
You will not find it there but in
 despised poems.
 It is difficult
to get the news from poems
 yet men die miserably every day
 for lack
of what is found there.
 Hear me out
 for I too am concerned
and every man
 who wants to die at peace in his bed
 besides.


Written by Robert Burns | Create an image from this poem

89. The Ordination

 KILMARNOCK wabsters, fidge an’ claw,
 An’ pour your creeshie nations;
An’ ye wha leather rax an’ draw,
 Of a’ denominations;
Swith to the Ligh Kirk, ane an’ a’
 An’ there tak up your stations;
Then aff to Begbie’s in a raw,
 An’ pour divine libations
 For joy this day.


Curst Common-sense, that imp o’ hell,
 Cam in wi’ Maggie Lauder; 1
But Oliphant 2 aft made her yell,
 An’ Russell 3 sair misca’d her:
This day Mackinlay 4 taks the flail,
 An’ he’s the boy will blaud her!
He’ll clap a shangan on her tail,
 An’ set the bairns to daud her
 Wi’ dirt this day.


Mak haste an’ turn King David owre,
 And lilt wi’ holy clangor;
O’ double verse come gie us four,
 An’ skirl up the Bangor:
This day the kirk kicks up a stoure;
 Nae mair the knaves shall wrang her,
For Heresy is in her pow’r,
 And gloriously she’ll whang her
 Wi’ pith this day.


Come, let a proper text be read,
 An’ touch it aff wi’ vigour,
How graceless Ham 5 leugh at his dad,
 Which made Canaan a ******;
Or Phineas 6 drove the murdering blade,
 Wi’ whore-abhorring rigour;
Or Zipporah, 7 the scauldin jad,
 Was like a bluidy tiger
 I’ th’ inn that day.


There, try his mettle on the creed,
 An’ bind him down wi’ caution,
That stipend is a carnal weed
 He taks by for the fashion;
And gie him o’er the flock, to feed,
 And punish each transgression;
Especial, rams that cross the breed,
 Gie them sufficient threshin;
 Spare them nae day.


Now, auld Kilmarnock, cock thy tail,
 An’ toss thy horns fu’ canty;
Nae mair thou’lt rowt out-owre the dale,
 Because thy pasture’s scanty;
For lapfu’s large o’ gospel kail
 Shall fill thy crib in plenty,
An’ runts o’ grace the pick an’ wale,
 No gi’en by way o’ dainty,
 But ilka day.


Nae mair by Babel’s streams we’ll weep,
 To think upon our Zion;
And hing our fiddles up to sleep,
 Like baby-clouts a-dryin!
Come, screw the pegs wi’ tunefu’ cheep,
 And o’er the thairms be tryin;
Oh, rare to see our elbucks wheep,
 And a’ like lamb-tails flyin
 Fu’ fast this day.


Lang, Patronage, with rod o’ airn,
 Has shor’d the Kirk’s undoin;
As lately Fenwick, sair forfairn,
 Has proven to its ruin: 8
Our patron, honest man! Glencairn,
 He saw mischief was brewin;
An’ like a godly, elect bairn,
 He’s waled us out a true ane,
 And sound, this day.


Now Robertson 9 harangue nae mair,
 But steek your gab for ever;
Or try the wicked town of Ayr,
 For there they’ll think you clever;
Or, nae reflection on your lear,
 Ye may commence a shaver;
Or to the Netherton 10 repair,
 An’ turn a carpet weaver
 Aff-hand this day.


Mu’trie 11 and you were just a match,
 We never had sic twa drones;
Auld Hornie did the Laigh Kirk watch,
 Just like a winkin baudrons,
And aye he catch’d the tither wretch,
 To fry them in his caudrons;
But now his Honour maun detach,
 Wi’ a’ his brimstone squadrons,
 Fast, fast this day.


See, see auld Orthodoxy’s faes
 She’s swingein thro’ the city!
Hark, how the nine-tail’d cat she plays!
 I vow it’s unco pretty:
There, Learning, with his Greekish face,
 Grunts out some Latin ditty;
And Common-sense is gaun, she says,
 To mak to Jamie Beattie
 Her plaint this day.


But there’s Morality himsel’,
 Embracing all opinions;
Hear, how he gies the tither yell,
 Between his twa companions!
See, how she peels the skin an’ fell,
 As ane were peelin onions!
Now there, they’re packed aff to hell,
 An’ banish’d our dominions,
 Henceforth this day.


O happy day! rejoice, rejoice!
 Come bouse about the porter!
Morality’s demure decoys
 Shall here nae mair find quarter:
Mackinlay, Russell, are the boys
 That heresy can torture;
They’ll gie her on a rape a hoyse,
 And cowe her measure shorter
 By th’ head some day.


Come, bring the tither mutchkin in,
 And here’s—for a conclusion—
To ev’ry New Light 12 mother’s son,
 From this time forth, Confusion!
If mair they deave us wi’ their din,
 Or Patronage intrusion,
We’ll light a *****, and ev’ry skin,
 We’ll rin them aff in fusion
 Like oil, some day.


 Note 1. Alluding to a scoffing ballad which was made on the admission of the late reverend and worthy Mr. Lihdsay to the “Laigh Kirk.”—R. B. [back]
Note 2. Rev. James Oliphant, minister of Chapel of Ease, Kilmarnock. [back]
Note 3. Rev. John Russell of Kilmarnock. [back]
Note 4. Rev. James Mackinlay. [back]
Note 5. Genesis ix. 22.—R. B. [back]
Note 6. Numbers xxv. 8.—R. B. [back]
Note 7. Exodus iv. 52.—R. B. [back]
Note 8. Rev. Wm. Boyd, pastor of Fenwick. [back]
Note 9. Rev. John Robertson. [back]
Note 10. A district of Kilmarnock. [back]
Note 11. The Rev. John Multrie, a “Moderate,” whom Mackinlay succeeded. [back]
Note 12. “New Light” is a cant phrase in the west of Scotland for those religious opinions which Dr. Taylor of Norwich has so strenuously defended.—R. B. [back]
Written by Patrick Kavanagh | Create an image from this poem

Canal Bank Walk

 Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib
To pray unselfconsciously with overflowing speech
For this soul needs to be honoured with a new dress woven 
From green and blue things and arguments that cannot be proven.
Written by Sarojini Naidu | Create an image from this poem

The Royal Tombs Of Golconda

 I MUSE among these silent fanes 
Whose spacious darkness guards your dust; 
Around me sleep the hoary plains 
That hold your ancient wars in trust. 

I pause, my dreaming spirit hears, 
Across the wind's unquiet tides, 
The glimmering music of your spears, 
The laughter of your royal brides. 

In vain, O Kings, doth time aspire 
To make your names oblivion's sport, 
While yonder hill wears like a tier 
The ruined grandeur of your fort. 

Though centuries falter and decline, 
Your proven strongholds shall remain 
Embodied memories of your line, 
Incarnate legends of your reign. 

O Queens, in vain old Fate decreed 
Your flower-like bodies to the tomb; 
Death is in truth the vital seed 
Of your imperishable bloom 

Each new-born year the bulbuls sing 
Their songs of your renascent loves; 
Your beauty wakens with the spring 
To kindle these pomegranate groves.
Written by Rudyard Kipling | Create an image from this poem

The Holy War

 "For here lay the excellent wisdom of him that built Mansoul, thatthe
walls could never be broken down nor hurt by the most mighty adverse
potentate unless the townsmen gave consent thereto."--Bunyan's Holy War.)


A tinker out of Bedford,
A vagrant oft in quod,
A privet under Fairfax,
A minister of God--


Two hundred years and thirty
 Ere Armageddon came
His single hand portrayed it,
 And Bunyan was his name!


He mapped for those who follow,
 The world in which we are--
"This famous town of Mansoul"
 That takes the Holy War.
Her true and traitor people,
 The gates along her wall,
From Eye Gate unto Feel Gate,
 John Bunyan showed them all.


All enemy divisions,
 Recruits of every class,
And highly-screened positions
 For flame or poison-gas;
The craft that we call modern,
 The crimes that we call new,
John Bunyan had 'em typed and filed
 In sixteen Eighty-two.


Likewise the Lords of Looseness
 That hamper faith and works,
The Perseverance-Doubters,
 And Present-Comfort shirks,
With brittle intellectuals
 Who crack beneath a strain--
John Bunyan met that helpful set
 In Charles the Second's reign.


Emmanuel's vanguard dying
 For right and not for rights,
My Lord Apollyon lying
 To the State-kept Stockholmites,
The Pope, the swithering Neutrals
 The Kaiser and his Gott--
Their roles, their goals, their naked souls--
 He knew and drew the lot.


Now he hath left his quarters,
 In Bunhill Fields to lie,
The wisdom that he taught us
 Is proven prophecy--
One watchword through our Armies,
 One answer from our Lands:--
"No dealings with Diabolus
 As long as Mansoul stands!"


A pedlar from a hovel,
 The lowest of the low,
The Father of the Novel,
 Salvation's first Defoe,
Eight blinded generations
 Ere Armageddon came,
He showed us how to meet it,
 And Bunyan was his name!
Written by Paul Eluard | Create an image from this poem

At the Window

 I have not always had this certainty, this pessimism which reassures the best among us. There was 
a time when my friends laughed at me. I was not the master of my words. A certain indifference, I
have not always known well what I wanted to say, but most often it was because I had nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by a thread.

There was a time when I seemed to understand nothing. My chains floated on the water.

All my desires are born of my dreams. And I have proven my love with words. To what fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The
language of my love does not belong to human language, my human body does not touch the flesh
of my love. My amorous imagination has always been constant and high enough so that nothing
could attempt to convince me of error.

Book: Radiant Verses: A Journey Through Inspiring Poetry