Written by
John Drinkwater |
Persuasion
I At any moment love unheralded
Comes, and is king.
Then as, with a fall
Of frost, the buds upon the hawthorn spread
Are withered in untimely burial,
So love, occasion gone, his crown puts by,
And as a beggar walks unfriended ways,
With but remembered beauty to defy
The frozen sorrows of unsceptred days.
Or in that later travelling he comes
Upon a bleak oblivion, and tells
Himself, again, again, forgotten tombs
Are all now that love was, and blindly spells
His royal state of old a glory cursed,
Saying 'I have forgot', and that's the worst.
II If we should part upon that one embrace,
And set our courses ever, each from each,
With all our treasure but a fading face
And little ghostly syllables of speech;
Should beauty's moment never be renewed,
And moons on moons look out for us in vain,
And each but whisper from a solitude
To hear but echoes of a lonely pain, —
Still in a world that fortune cannot change
Should walk those two that once were you and I,
Those two that once when moon and stars were strange
Poets above us in an April sky,
Heard a voice falling on the midnight sea,
Mute, and for ever, but for you and me.
III This nature, this great flood of life, this cheat
That uses us as baubles for her coat,
Takes love, that should be nothing but the beat
Of blood for its own beauty, by the throat,
Saying, you are my servant and shall do
My purposes, or utter bitterness
Shall be your wage, and nothing come to you
But stammering tongues that never can confess.
Undaunted then in answer here I cry,
'You wanton, that control the hand of him
Who masquerades as wisdom in a sky
Where holy, holy, sing the cherubim,
I will not pay one penny to your name
Though all my body crumble into shame.
'
IV Woman, I once had whimpered at your hand,
Saying that all the wisdom that I sought
Lay in your brain, that you were as the sand
Should cleanse the muddy mirrors of my thought;
I should have read in you the character
Of oracles that quick a thousand lays,
Looked in your eyes, and seen accounted there
Solomons legioned for bewildered praise.
Now have I learnt love as love is.
I take
Your hand, and with no inquisition learn
All that your eyes can tell, and that's to make
A little reckoning and brief, then turn
Away, and in my heart I hear a call,
'I love, I love, I love'; and that is all.
V When all the hungry pain of love I bear,
And in poor lightless thought but burn and burn,
And wit goes hunting wisdom everywhere,
Yet can no word of revelation learn;
When endlessly the scales of yea and nay
In dreadful motion fall and rise and fall,
When all my heart in sorrow I could pay
Until at last were left no tear at all;
Then if with tame or subtle argument
Companions come and draw me to a place
Where words are but the tappings of content,
And life spreads all her garments with a grace,
I curse that ease, and hunger in my heart
Back to my pain and lonely to depart.
VI Not anything you do can make you mine,
For enterprise with equal charity
In duty as in love elect will shine,
The constant slave of mutability.
Nor can your words for all their honey breath
Outsing the speech of many an older rhyme,
And though my ear deliver them from death
One day or two, it is so little time.
Nor does your beauty in its excellence
Excel a thousand in the daily sun,
Yet must I put a period to pretence,
And with my logic's catalogue have done,
For act and word and beauty are but keys
To unlock the heart, and you, dear love, are these.
VII Never the heart of spring had trembled so
As on that day when first in Paradise
We went afoot as novices to know
For the first time what blue was in the skies,
What fresher green than any in the grass,
And how the sap goes beating to the sun,
And tell how on the clocks of beauty pass
Minute by minute till the last is done.
But not the new birds singing in the brake,
And not the buds of our discovery,
The deeper blue, the wilder green, the ache
For beauty that we shadow as we see,
Made heaven, but we, as love's occasion brings,
Took these, and made them Paradisal things.
VIII The lilacs offer beauty to the sun,
Throbbing with wonder as eternally
For sad and happy lovers they have done
With the first bloom of summer in the sky;
Yet they are newly spread in honour now,
Because, for every beam of beauty given
Out of that clustering heart, back to the bough
My love goes beating, from a greater heaven.
So be my love for good or sorry luck
Bound, it has virtue on this April eve
That shall be there for ever when they pluck
Lilacs for love.
And though I come to grieve
Long at a frosty tomb, there still shall be
My happy lyric in the lilac tree.
IX When they make silly question of my love,
And speak to me of danger and disdain,
And look by fond old argument to move
My wisdom to docility again;
When to my prouder heart they set the pride
Of custom and the gossip of the street,
And show me figures of myself beside
A self diminished at their judgment seat;
Then do I sit as in a drowsy pew
To hear a priest expounding th' heavenly will,
Defiling wonder that he never knew
With stolen words of measured good and ill;
For to the love that knows their counselling,
Out of my love contempt alone I bring.
X Not love of you is most that I can bring,
Since what I am to love you is the test,
And should I love you more than any thing
You would but be of idle love possessed,
A mere love wandering in appetite,
Counting your glories and yet bringing none,
Finding in you occasions of delight,
A thief of payment for no service done.
But when of labouring life I make a song
And bring it you, as that were my reward,
To let what most is me to you belong,
Then do I come of high possessions lord,
And loving life more than my love of you
I give you love more excellently true.
XI What better tale could any lover tell
When age or death his reckoning shall write
Than thus, 'Love taught me only to rebel
Against these things, — the thieving of delight
Without return; the gospellers of fear
Who, loving, yet deny the truth they bear,
Sad-suited lusts with lecherous hands to smear
The cloth of gold they would but dare not wear.
And love gave me great knowledge of the trees,
And singing birds, and earth with all her flowers;
Wisdom I knew and righteousness in these,
I lived in their atonement all my hours;
Love taught me how to beauty's eye alone
The secret of the lying heart is known.
'
XII This then at last; we may be wiser far
Than love, and put his folly to our measure,
Yet shall we learn, poor wizards that we are,
That love chimes not nor motions at our pleasure.
We bid him come, and light an eager fire,
And he goes down the road without debating;
We cast him from the house of our desire,
And when at last we leave he will be waiting.
And in the end there is no folly but this,
To counsel love out of our little learning.
For still he knows where rotten timber is,
And where the boughs for the long winter burning;
And when life needs no more of us at all,
Love's word will be the last that we recall.
|
Written by
Walt Whitman |
1
A CALIFORNIA song!
A prophecy and indirection—a thought impalpable, to breathe, as air;
A chorus of dryads, fading, departing—or hamadryads departing;
A murmuring, fateful, giant voice, out of the earth and sky,
Voice of a mighty dying tree in the Redwood forest dense.
Farewell, my brethren,
Farewell, O earth and sky—farewell, ye neighboring waters;
My time has ended, my term has come.
2
Along the northern coast,
Just back from the rock-bound shore, and the caves,
In the saline air from the sea, in the Mendocino country,
With the surge for bass and accompaniment low and hoarse,
With crackling blows of axes, sounding musically, driven by strong arms,
Riven deep by the sharp tongues of the axes—there in the Redwood forest dense,
I heard the mighty tree its death-chant chanting.
The choppers heard not—the camp shanties echoed not;
The quick-ear’d teamsters, and chain and jack-screw men, heard not,
As the wood-spirits came from their haunts of a thousand years, to join the refrain;
But in my soul I plainly heard.
Murmuring out of its myriad leaves,
Down from its lofty top, rising two hundred feet high,
Out of its stalwart trunk and limbs—out of its foot-thick bark,
That chant of the seasons and time—chant, not of the past only, but the future.
3
You untold life of me,
And all you venerable and innocent joys,
Perennial, hardy life of me, with joys, ’mid rain, and many a summer sun,
And the white snows, and night, and the wild winds;
O the great patient, rugged joys! my soul’s strong joys, unreck’d by man;
(For know I bear the soul befitting me—I too have consciousness, identity,
And all the rocks and mountains have—and all the earth;)
Joys of the life befitting me and brothers mine,
Our time, our term has come.
Nor yield we mournfully, majestic brothers,
We who have grandly fill’d our time;
With Nature’s calm content, and tacit, huge delight,
We welcome what we wrought for through the past,
And leave the field for them.
For them predicted long,
For a superber Race—they too to grandly fill their time,
For them we abdicate—in them ourselves, ye forest kings!
In them these skies and airs—these mountain peaks—Shasta—Nevadas,
These huge, precipitous cliffs—this amplitude—these valleys grand—Yosemite,
To be in them absorb’d, assimilated.
4
Then to a loftier strain,
Still prouder, more ecstatic, rose the chant,
As if the heirs, the Deities of the West,
Joining, with master-tongue, bore part.
Not wan from Asia’s fetishes,
Nor red from Europe’s old dynastic slaughter-house,
(Area of murder-plots of thrones, with scent left yet of wars and scaffolds every
where,)
But come from Nature’s long and harmless throes—peacefully builded thence,
These virgin lands—Lands of the Western Shore,
To the new Culminating Man—to you, the Empire New,
You, promis’d long, we pledge, we dedicate.
You occult, deep volitions,
You average Spiritual Manhood, purpose of all, pois’d on yourself—giving, not taking
law,
You Womanhood divine, mistress and source of all, whence life and love, and aught that
comes
from life and love,
You unseen Moral Essence of all the vast materials of America, (age upon age,
working
in Death the same as Life,)
You that, sometimes known, oftener unknown, really shape and mould the New World,
adjusting
it to Time and Space,
You hidden National Will, lying in your abysms, conceal’d, but ever alert,
You past and present purposes, tenaciously pursued, may-be unconscious of
yourselves,
Unswerv’d by all the passing errors, perturbations of the surface;
You vital, universal, deathless germs, beneath all creeds, arts, statutes,
literatures,
Here build your homes for good—establish here—These areas entire, Lands of the Western
Shore,
We pledge, we dedicate to you.
For man of you—your characteristic Race,
Here may be hardy, sweet, gigantic grow—here tower, proportionate to Nature,
Here climb the vast, pure spaces, unconfined, uncheck’d by wall or roof,
Here laugh with storm or sun—here joy—here patiently inure,
Here heed himself, unfold himself (not others’ formulas heed)—here fill
his time,
To duly fall, to aid, unreck’d at last,
To disappear, to serve.
Thus, on the northern coast,
In the echo of teamsters’ calls, and the clinking chains, and the music of choppers’ axes,
The falling trunk and limbs, the crash, the muffled shriek, the groan,
Such words combined from the Redwood-tree—as of wood-spirits’ voices ecstatic, ancient and
rustling,
The century-lasting, unseen dryads, singing, withdrawing,
All their recesses of forests and mountains leaving,
From the Cascade range to the Wasatch—or Idaho far, or Utah,
To the deities of the Modern henceforth yielding,
The chorus and indications, the vistas of coming humanity—the settlements, features all,
In the Mendocino woods I caught.
5
The flashing and golden pageant of California!
The sudden and gorgeous drama—the sunny and ample lands;
The long and varied stretch from Puget Sound to Colorado south;
Lands bathed in sweeter, rarer, healthier air—valleys and mountain cliffs;
The fields of Nature long prepared and fallow—the silent, cyclic chemistry;
The slow and steady ages plodding—the unoccupied surface ripening—the rich ores forming
beneath;
At last the New arriving, assuming, taking possession,
A swarming and busy race settling and organizing every where;
Ships coming in from the whole round world, and going out to the whole world,
To India and China and Australia, and the thousand island paradises of the Pacific;
Populous cities—the latest inventions—the steamers on the rivers—the railroads—with
many a thrifty farm, with machinery,
And wool, and wheat, and the grape—and diggings of yellow gold.
6
But more in you than these, Lands of the Western Shore!
(These but the means, the implements, the standing-ground,)
I see in you, certain to come, the promise of thousands of years, till now deferr’d,
Promis’d, to be fulfill’d, our common kind, the Race.
The New Society at last, proportionate to Nature,
In Man of you, more than your mountain peaks, or stalwart trees imperial,
In Woman more, far more, than all your gold, or vines, or even vital air.
Fresh come, to a New World indeed, yet long prepared,
I see the Genius of the Modern, child of the Real and Ideal,
Clearing the ground for broad humanity, the true America, heir of the past so grand,
To build a grander future.
|
Written by
Rupert Brooke |
Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains.
Ears satiate
With the clamorous, timorous whisperings of to-day,
Thrilled to perceive once more the spacious voice
And serene unterrance of old.
We heard
-- With rapturous breath half-held, as a dreamer dreams
Who dares not know it dreaming, lest he wake --
The odorous, amorous style of poetry,
The melancholy knocking of those lines,
The long, low soughing of pentameters,
-- Or the sharp of rhyme as a bird's cry --
And the innumerable truant polysyllables
Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then,
And all the evenings sighed it to the dawn,
And all the lovers heard it from all the trees.
All of the accents upon the all the norms!
-- And ah! the stress of the penultimate!
We never knew blank verse could have such feet.
Where is it now? Oh, more than ever, now
I sometimes think no poetry is read
Save where some sepultured C?sura bled,
Royally incarnadining all the line.
Is the imperial iamb laid to rest,
And the young trochee, having done enough?
Ah! turn again! Sing so to us, who are sick
Of seeming-simple rhymes, bizarre emotions,
Decked in the simple verses of the day,
Infinite meaning in a little gloom,
Irregular thoughts in stanzas regular,
Modern despair in antique metres, myths
Incomprehensible at evening,
And symbols that mean nothing in the dawn.
The slow lines swell.
The new style sighs.
The Celt
Moans round with many voices.
God! to see
Gaunt anap?sts stand up out of the verse,
Combative accents, stress where no stress should be,
Spondee on spondee, iamb on choriamb,
The thrill of all the tribrachs in the world,
And all the vowels rising to the E!
To hear the blessed mutter of those verbs,
Conjunctions passionate toward each other's arms,
And epithets like amaranthine lovers
Stretching luxuriously to the stars,
All prouder pronouns than the dawn, and all
The thunder of the trumpets of the noun!
|
Written by
William Cullen Bryant |
COME let us plant the apple-tree.
Cleave the tough greensward with the spade;
Wide let its hollow bed be made;
There gently lay the roots and there
Sift the dark mould with kindly care 5
And press it o'er them tenderly
As round the sleeping infant's feet
We softly fold the cradle sheet;
So plant we the apple-tree.
What plant we in this apple-tree? 10
Buds which the breath of summer days
Shall lengthen into leafy sprays;
Boughs where the thrush with crimson breast
Shall haunt and sing and hide her nest;
We plant upon the sunny lea 15
A shadow for the noontide hour
A shelter from the summer shower
When we plant the apple-tree.
What plant we in this apple-tree?
Sweets for a hundred flowery springs 20
To load the May-wind's restless wings
When from the orchard row he pours
Its fragrance through our open doors;
A world of blossoms for the bee
Flowers for the sick girl's silent room 25
For the glad infant sprigs of bloom
We plant with the apple-tree.
What plant we in this apple-tree!
Fruits that shall swell in sunny June
And redden in the August noon 30
And drop when gentle airs come by
That fan the blue September sky
While children come with cries of glee
And seek them where the fragrant grass
Betrays their bed to those who pass 35
At the foot of the apple-tree.
And when above this apple-tree
The winter stars are quivering bright
And winds go howling through the night
Girls whose young eyes o'erflow with mirth 40
Shall peel its fruit by cottage-hearth
And guests in prouder homes shall see
Heaped with the grape of Cintra's vine
And golden orange of the line
The fruit of the apple-tree.
45
The fruitage of this apple-tree
Winds and our flag of stripe and star
Shall bear to coasts that lie afar
Where men shall wonder at the view
And ask in what fair groves they grew; 50
And sojourners beyond the sea
Shall think of childhood's careless day
And long long hours of summer play
In the shade of the apple-tree.
Each year shall give this apple-tree 55
A broader flush of roseate bloom
A deeper maze of verdurous gloom
And loosen when the frost-clouds lower
The crisp brown leaves in thicker shower;
The years shall come and pass but we 60
Shall hear no longer where we lie
The summer's songs the autumn's sigh
In the boughs of the apple-tree.
And time shall waste this apple-tree.
Oh when its aged branches throw 65
Thin shadows on the ground below
Shall fraud and force and iron will
Oppress the weak and helpless still?
What shall the tasks of mercy be
Amid the toils the strifes the tears 70
Of those who live when length of years
Is wasting this little apple-tree?
Who planted this old apple-tree?
The children of that distant day
Thus to some aged man shall say; 75
And gazing on its mossy stem
The gray-haired man shall answer them:
A poet of the land was he,
Born in the rude but good old times;
'T is said he made some quaint old rhymes 80
On planting the apple-tree.
|
Written by
Robert Browning |
I
What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?
Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!
He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who's to blame
If your silence kept unbroken?
"True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe'er believed
In more to come!" But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o'erweening
Pride alone, puts forth such claims
O'er the day's distinguished names.
Meantime, how much I loved him,
I find out now I've lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks' raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr'-inform'-ingens-horrend-ous
Demoniaco-seraphic
Penman's latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E'en so, swimmingly appears,
Through one's after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were.
.
.
Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor's grace and sweetness!
No! she heard in its completeness
Truth, for truth's a weighty matter,
And, truth at issue, we can't flatter!
Well, 'tis done with: she's exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.
Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I'd fool him to his bent!
Feed, should not he, to heart's content?
I'd say, "to only have conceived
Your great works, though they ne'er make progress,
Surpasses all we've yet achieved!"
I'd lie so, I should be believed.
I'd make such havoc of the claims
Of the day's distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.
Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin's pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take snuff,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness' self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no gash?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian's fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, 'tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there's slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret's ceiling, walls and floor,
Up and down and o'er and o'er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
"Give me my so long promised son,
Let Waring end what I begun!"
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent 'tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God's creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what's to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet's mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who's alive?
Our men scarce seem in earnest now:
Distinguished names!—but 'tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children.
Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!
II
"When I last saw Waring.
.
.
"
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)
".
.
.
We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel's side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o'er its planks, a shrill voice cried
(A neck as bronzed as a Lascar's)
'Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne'er so big,
They'll never let you up the bay!
We natives should know best.
'
I turned, and 'just those fellows' way,'
Our captain said, 'The long-shore thieves
Are laughing at us in their sleeves.
'
"In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!"—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
|
Written by
Henry Lawson |
If you fancy that your people came of better stock than mine,
If you hint of higher breeding by a word or by a sign,
If you're proud because of fortune or the clever things you do --
Then I'll play no second fiddle: I'm a prouder man than you!
If you think that your profession has the more gentility,
And that you are condescending to be seen along with me;
If you notice that I'm shabby while your clothes are spruce and new --
You have only got to hint it: I'm a prouder man than you!
If you have a swell companion when you see me on the street,
And you think that I'm too common for your toney friend to meet,
So that I, in passing closely, fail to come within your view --
Then be blind to me for ever: I'm a prouder man than you!
If your character be blameless, if your outward past be clean,
While 'tis known my antecedents are not what they should have been,
Do not risk contamination, save your name whate'er you do --
`Birds o' feather fly together': I'm a prouder bird than you!
Keep your patronage for others! Gold and station cannot hide
Friendship that can laugh at fortune, friendship that can conquer pride!
Offer this as to an equal -- let me see that you are true,
And my wall of pride is shattered: I am not so proud as you!
|
Written by
Duncan Campbell Scott |
A ROBIN in the morning,
In the morning early,
Sang a song of warning,
"There'll be rain, there'll be rain.
"
Very,very clearly
From the orchard
Came the gentle horning,
"There'll be rain.
"
But the hasty farmer
Cut his hay down,
Did not heed the charmer
From the orchard,
And the mower's clatter
Ceased at noontide,
For with drip and spatter
Down came the rain.
Then the prophet robin
Hidden in the crab-tree
Railed upon the farmer,
"I told you so, I told you so.
"
As the rain grew stronger,
And his heart grew prouder,
Notes so full and slow
Coming blither, louder,
"I told you so, I told you so,"
"I told you so.
"
|
Written by
Robert Burns |
FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!”
’Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make thy hair, tho’ erst from gipsy poll’d,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or, haughty Chieftain, ’mid the din of arms
In Highland Bonnet, woo Malvina’s charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria’s temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland’s sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan’d lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head,
Comes ’mid a string of coxcombs, to display
That veni, vidi, vici, is his way:
The shrinking Bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks:
Though there, his heresies in Church and State
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger
The ricket reeling of a crooked swagger?
Whose spleen (e’en worse than Burns’ venom, when
He dips in gall unmix’d his eager pen,
And pours his vengeance in the burning line,)—
Who christen’d thus Maria’s lyre-divine
The idiot strum of Vanity bemus’d,
And even the abuse of Poesy abus’d?—
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?
A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire’s vengeance hurls—
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!
Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply!
|
Written by
William Strode |
Now the declining sun 'gan downwards bend
From higher heavens, and from his locks did send
A milder flame, when near to Tiber's flow
A lutinist allay'd his careful woe
With sounding charms, and in a greeny seat
Of shady oake took shelter from the heat.
A Nightingale oreheard him, that did use
To sojourn in the neighbour groves, the muse
That fill'd the place, the Syren of the wood;
Poore harmless Syren, stealing neare she stood
Close lurking in the leaves attentively
Recording that unwonted melody:
Shee cons it to herselfe and every strayne
His finger playes her throat return'd again.
The lutinist perceives an answeare sent
From th' imitating bird and was content
To shewe her play; more fully then in hast
He tries his lute, and (giving her a tast
Of the ensuing quarrel) nimbly beats
On all his strings; as nimbly she repeats,
And (wildely ranging ore a thousand keys)
Sends a shrill warning of her after-layes.
With rolling hand the Lutinist then plies
His trembling threads; sometimes in scornful wise
He brushes down the strings and keemes them all
With one even stroke; then takes them severall
And culles them ore again.
His sparkling joynts
(With busy descant mincing on the points)
Reach back with busy touch: that done hee stayes,
The bird replies, and art with art repayes,
Sometimes as one unexpert or in doubt
How she might wield her voice, shee draweth out
Her tone at large and doth at first prepare
A solemne strayne not weav'd with sounding ayre,
But with an equall pitch and constant throate
Makes clear the passage of her gliding noate;
Then crosse division diversly shee playes,
And loudly chanting out her quickest layes
Poises the sounds, and with a quivering voice
Falls back again: he (wondering how so choise,
So various harmony should issue out
From such a little throate) doth go about
Some harder lessons, and with wondrous art
Changing the strings, doth upp the treble dart,
And downwards smites the base; with painefull stroke
Hee beats, and as the trumpet doth provoke
Sluggards to fight, even so his wanton skill
With mingled discords joynes the hoarse and shrill:
The Bird this also tunes, and while she cutts
Sharp notes with melting voice, and mingled putts
Measures of middle sound, then suddenly
Shee thunders deepe, and juggs it inwardly,
With gentle murmurs, cleare and dull shee sings,
By course, as when the martial warning rings:
Beleev't the minstrel blusht; with angry mood
Inflam'd, quoth hee, thou chauntresse of the wood,
Either from thee Ile beare the prize away,
Or vanquisht break my lute without delay.
Inimitable accents then hee straynes;
His hand flyes ore the strings: in one hee chaynes
Four different numbers, chasing here and there,
And all the strings belabour'd everywhere:
Both flatt and sharpe hee strikes, and stately grows
To prouder straynes, and backwards as he goes
Doubly divides, and closing upp his layes
Like a full quire a shouting consort playes;
Then pausing stood in expectation
If his corrival now dares answeare on;
But shee when practice long her throate had whett,
Induring not to yield, at once doth sett
Her spiritt all of worke, and all in vayne;
For while shee labours to express againe
With nature's simple touch such diverse keyes,
With slender pipes such lofty noates as these,
Orematcht with high designes, orematcht with woe,
Just at the last encounter of her foe
Shee faintes, shee dies, falls on his instrument
That conquer'd her; a fitting monument.
So far even little soules are driven on,
Struck with a vertuous emulation.
|
Written by
Robert William Service |
You've heard of Julot the apache, and Gigolette, his mome.
.
.
.
Montmartre was their hunting-ground, but Belville was their home.
A little chap just like a boy, with smudgy black mustache, --
Yet there was nothing juvenile in Julot the apache.
From head to heel as tough as steel, as nimble as a cat,
With every trick of twist and kick, a master of savate.
And Gigolette was tall and fair, as stupid as a cow,
With three combs in the greasy hair she banged upon her brow.
You'd see her on the Place Pigalle on any afternoon,
A primitive and strapping wench as brazen as the moon.
And yet there is a tale that's told of Clichy after dark,
And two gendarmes who swung their arms with Julot for a mark.
And oh, but they'd have got him too; they banged and blazed away,
When like a flash a woman leapt between them and their prey.
She took the medicine meant for him; she came down with a crash .
.
.
"Quick now, and make your get-away, O Julot the apache!" .
.
.
But no! He turned, ran swiftly back, his arms around her met;
They nabbed him sobbing like a kid, and kissing Gigolette.
Now I'm a reckless painter chap who loves a jamboree,
And one night in Cyrano's bar I got upon a spree;
And there were trollops all about, and crooks of every kind,
But though the place was reeling round I didn't seem to mind.
Till down I sank, and all was blank when in the bleary dawn
I woke up in my studio to find -- my money gone;
Three hundred francs I'd scraped and squeezed to pay my quarter's rent.
"Some one has pinched my wad," I wailed; "it never has been spent.
"
And as I racked my brains to seek how I could raise some more,
Before my cruel landlord kicked me cowering from the door:
A knock .
.
.
"Come in," I gruffly groaned; I did not raise my head,
Then lo! I heard a husky voice, a swift and silky tread:
"You got so blind, last night, mon vieux, I collared all your cash --
Three hundred francs.
.
.
.
There! Nom de Dieu," said Julot the apache.
And that was how I came to know Julot and Gigolette,
And we would talk and drink a bock, and smoke a cigarette.
And I would meditate upon the artistry of crime,
And he would tell of cracking cribs and cops and doing time;
Or else when he was flush of funds he'd carelessly explain
He'd biffed some bloated bourgeois on the border of the Seine.
So gentle and polite he was, just like a man of peace,
And not a desperado and the terror of the police.
Now one day in a bistro that's behind the Place Vendôme
I came on Julot the apache, and Gigolette his mome.
And as they looked so very grave, says I to them, says I,
"Come on and have a little glass, it's good to rinse the eye.
You both look mighty serious; you've something on the heart.
"
"Ah, yes," said Julot the apache, "we've something to impart.
When such things come to folks like us, it isn't very gay .
.
.
It's Gigolette -- she tells me that a gosse is on the way.
"
Then Gigolette, she looked at me with eyes like stones of gall:
"If we were honest folks," said she, "I wouldn't mind at all.
But then .
.
.
you know the life we lead; well, anyway I mean
(That is, providing it's a girl) to call her Angeline.
"
"Cheer up," said I; "it's all in life.
There's gold within the dross.
Come on, we'll drink another verre to Angeline the gosse.
"
And so the weary winter passed, and then one April morn
The worthy Julot came at last to say the babe was born.
"I'd like to chuck it in the Seine," he sourly snarled, "and yet
I guess I'll have to let it live, because of Gigolette.
"
I only laughed, for sure I saw his spite was all a bluff,
And he was prouder than a prince behind his manner gruff.
Yet every day he'd blast the brat with curses deep and grim,
And swear to me that Gigolette no longer thought of him.
And then one night he dropped the mask; his eyes were sick with dread,
And when I offered him a smoke he groaned and shook his head:
"I'm all upset; it's Angeline .
.
.
she's covered with a rash .
.
.
She'll maybe die, my little gosse," cried Julot the apache.
But Angeline, I joy to say, came through the test all right,
Though Julot, so they tell me, watched beside her day and night.
And when I saw him next, says he: "Come up and dine with me.
We'll buy a beefsteak on the way, a bottle and some brie.
"
And so I had a merry night within his humble home,
And laughed with Angeline the gosse and Gigolette the mome.
And every time that Julot used a word the least obscene,
How Gigolette would frown at him and point to Angeline:
Oh, such a little innocent, with hair of silken floss,
I do not wonder they were proud of Angeline the gosse.
And when her arms were round his neck, then Julot says to me:
"I must work harder now, mon vieux, since I've to work for three.
"
He worked so very hard indeed, the police dropped in one day,
And for a year behind the bars they put him safe away.
So dark and silent now, their home; they'd gone -- I wondered where,
Till in a laundry near I saw a child with shining hair;
And o'er the tub a strapping wench, her arms in soapy foam;
Lo! it was Angeline the gosse, and Gigolette the mome.
And so I kept an eye on them and saw that all went right,
Until at last came Julot home, half crazy with delight.
And when he'd kissed them both, says he: "I've had my fill this time.
I'm on the honest now, I am; I'm all fed up with crime.
You mark my words, the page I turn is going to be clean,
I swear it on the head of her, my little Angeline.
"
And so, to finish up my tale, this morning as I strolled
Along the boulevard I heard a voice I knew of old.
I saw a rosy little man with walrus-like mustache .
.
.
I stopped, I stared.
.
.
.
By all the gods! 'twas Julot the apache.
"I'm in the garden way," he said, "and doing mighty well;
I've half an acre under glass, and heaps of truck to sell.
Come out and see.
Oh come, my friend, on Sunday, wet or shine .
.
.
Say! -- it's the First Communion of that little girl of mine.
"
|