Written by
Ted Hughes |
Crow
Decided to try words.
He imagined some words for the job, a lovely pack-
Clear-eyed, resounding, well-trained,
With strong teeth.
You could not find a better bred lot.
He pointed out the hare and away went the words
Resounding.
Crow was Crow without fail, but what is a hare?
It converted itself to a concrete bunker.
The words circled protesting, resounding.
Crow turned the words into bombs-they blasted the bunker.
The bits of bunker flew up-a flock of starlings.
Crow turned the words into shotguns, they shot down the starlings.
The falling starlings turned to a cloudburst.
Crow turned the words into a reservoir, collecting the water.
The water turned into an earthquake, swallowing the reservoir.
The earthquake turned into a hare and leaped for the hill
Having eaten Crow's words.
Crow gazed after the bounding hare
Speechless with admiration.
|
Written by
Anne Sexton |
She is all there.
She was melted carefully down for you
and cast up from your childhood,
cast up from your one hundred favorite aggies.
She has always been there, my darling.
She is, in fact, exquisite.
Fireworks in the dull middle of February
and as real as a cast-iron pot.
Let's face it, I have been momentary.
vA luxury.
A bright red sloop in the harbor.
My hair rising like smoke from the car window.
Littleneck clams out of season.
She is more than that.
She is your have to have,
has grown you your practical your tropical growth.
This is not an experiment.
She is all harmony.
She sees to oars and oarlocks for the dinghy,
has placed wild flowers at the window at breakfast,
sat by the potter's wheel at midday,
set forth three children under the moon,
three cherubs drawn by Michelangelo,
done this with her legs spread out
in the terrible months in the chapel.
If you glance up, the children are there
like delicate balloons resting on the ceiling.
She has also carried each one down the hall
after supper, their heads privately bent,
two legs protesting, person to person,
her face flushed with a song and their little sleep.
I give you back your heart.
I give you permission --
for the fuse inside her, throbbing
angrily in the dirt, for the ***** in her
and the burying of her wound --
for the burying of her small red wound alive --
for the pale flickering flare under her ribs,
for the drunken sailor who waits in her left pulse,
for the mother's knee, for the stocking,
for the garter belt, for the call --
the curious call
when you will burrow in arms and breasts
and tug at the orange ribbon in her hair
and answer the call, the curious call.
She is so naked and singular
She is the sum of yourself and your dream.
Climb her like a monument, step after step.
She is solid.
As for me, I am a watercolor.
I wash off.
|
Written by
Sylvia Plath |
Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving.
Blackberries
Big as the ball of my thumb, and dumb as eyes
Ebon in the hedges, fat
With blue-red juices.
These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.
They accommodate themselves to my milkbottle, flattening their sides.
Overhead go the choughs in black, cacophonous flocks --
Bits of burnt paper wheeling in a blown sky.
Theirs is the only voice, protesting, protesting.
I do not think the sea will appear at all.
The high, green meadows are glowing, as if lit from within.
I come to one bush of berries so ripe it is a bush of flies,
Hanging their bluegreen bellies and their wing panes in a Chinese screen.
The honey-feast of the berries has stunned them; they believe in heaven.
One more hook, and the berries and bushes end.
The only thing to come now is the sea.
From between two hills a sudden wind funnels at me,
Slapping its phantom laundry in my face.
These hills are too green and sweet to have tasted salt.
I follow the sheep path between them.
A last hook brings me
To the hills' northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.
|
Written by
Barry Tebb |
Any poets about or bored muses fancying a day out?
Rainy, windy, cold Leeds City Station
Half-way through its slow chaotic transformation
Contractors’ morning break, overalls, hard hats and harness
Flood McDonalds where I sip my tea and try to translate Val?ry.
London has everything except my bardic inspiration
I’ve only to step off the coach in Leeds and it whistles
Its bravuras down every wind, rattles the cobbles in Kirkgate Market
Hovers in the drunken brogue of a Dubliner in the chippie
As we share our love of Joyce the Aire becomes the Liffey.
All my three muses have abandoned me.
Daisy in Asia,
Brenda protesting outside the Royal Free, Barbara seeing clients at the C.
A.
B.
Past Saltaire’s Mill, the world’s eighth wonder,
The new electric train whisperglides on wet rails
Past Shipley’s fairy glen and other tourist trails
Past Kirkstall’s abandoned abbey and redundant forge
To Grandma Wild’s in Keighley where I sit and gorge.
I’ve travelled on the Haworth bus so often
The driver chats as if I were a local
But when the rainbow’s lightning flash
Illumines all the valleys there’s a hush
And every pensioner's rheumy eye is rooted
On the gleaming horizon as its mooted
The Bronte’s spirits make the thunder crack
Three cloaked figures converging round the Oakworth track.
Haworth in a storm is a storm indeed
The lashing and the crashing makes the gravestones bleed
The mashing and the bashing makes the light recede
And on the moor top I lose my way and find it
Half a dozen times slipping in the mud and heather
Heather than can stand the thrust of any weather.
Just as suddenly as it had come the storm abated
Extremes demand those verbs so antiquated
Archaic and abhorred and second-rated
Yet still they stand like moorland rocks in mist
And wait as I do till the storm has passed
Buy postcards at the parsonage museum shop
Sit half an hour in the tea room drying off
And pen a word or two to my three muses
Who after all presented their excuses
But nonetheless the three all have their uses.
|
Written by
D. H. Lawrence |
The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.
The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,
Unless the winking star that keeps her company
Makes little jests at the bells’ insanity,
As if he knew aught!
The patient Night
Sits indifferent, hugged in her rags,
She neither knows nor cares
Why the old church sobs and brags;
The light distresses her eyes, and tears
Her old blue cloak, as she crouches and covers her face,
Smiling, perhaps, if we knew it, at the bells’ loud clattering disgrace.
The wise old trees
Drop their leaves with a faint, sharp hiss of contempt,
While a car at the end of the street goes by with a laugh;
As by degrees
The poor bells cease, and the Night is exempt,
And the stars can chaff
The ironic moon at their ease, while the dim old church
Is peopled with shadows and sounds and ghosts that lurch
In its cenotaph.
|
Written by
Amy Lowell |
Fish
"So .
.
.
" they said,
With their wine-glasses delicately poised,
Mocking at the thing they cannot understand.
"So .
.
.
" they said again,
Amused and insolent.
The silver on the table glittered,
And the red wine in the glasses
Seemed the blood I had wasted
In a foolish cause.
Game
The gentleman with the grey-and-black whiskers
Sneered languidly over his quail.
Then my heart flew up and laboured,
And I burst from my own holding
And hurled myself forward.
With straight blows I beat upon him,
Furiously, with red-hot anger, I thrust against him.
But my weapon slithered over his polished surface,
And I recoiled upon myself,
Panting.
Drawing-Room
In a dress all softness and half-tones,
Indolent and half-reclined,
She lay upon a couch,
With the firelight reflected in her jewels.
But her eyes had no reflection,
They swam in a grey smoke,
The smoke of smouldering ashes,
The smoke of her cindered heart.
Coffee
They sat in a circle with their coffee-cups.
One dropped in a lump of sugar,
One stirred with a spoon.
I saw them as a circle of ghosts
Sipping blackness out of beautiful china,
And mildly protesting against my coarseness
In being alive.
Talk
They took dead men's souls
And pinned them on their breasts for ornament;
Their cuff-links and tiaras
Were gems dug from a grave;
They were ghouls battening on exhumed thoughts;
And I took a green liqueur from a servant
So that he might come near me
And give me the comfort of a living thing.
Eleven O'Clock
The front door was hard and heavy,
It shut behind me on the house of ghosts.
I flattened my feet on the pavement
To feel it solid under me;
I ran my hand along the railings
And shook them,
And pressed their pointed bars
Into my palms.
The hurt of it reassured me,
And I did it again and again
Until they were bruised.
When I woke in the night
I laughed to find them aching,
For only living flesh can suffer.
|
Written by
Robert William Service |
Worms finer for fishing you couldn't be wishing;
I delved them dismayed from the velvety sod;
The rich loam upturning I gathered them squirming,
big, fat, gleamy earthworms, all ripe for my rod.
Thinks I, without waiting, my hook I'll be baiting,
And flip me a fish from the foam of the pool;
Then Mother beholding, came crying and scolding:
"You're late, ye young devil! Be off to the school.
"
So grabbing me bait-tin I dropped them fat worms in,
With globs of green turf for their comfort and cheer;
And there, clean forgotten, no doubt dead and rotten;
I left them to languish for nigh on a year.
One day to be cleaning the byre I was meaning,
When seeing that old rusty can on the shelf,
Says I: "To my thinking, them worms must be stinking:
Begorrah! I'd better find out for myself.
"
So I opened the tin, held my nose and looked in;
And what did I see? Why, most nothing at all.
Just darkness and dank.
and .
.
.
a something that stank,
Tucked down in a corner, a greasy grey ball.
My worms - no, not dead, but thin as a thread,
Each seemed to reproach me, protesting its worth:
So softly I took them and tenderly shook them
Back into the bosom of mothering earth.
I'm now in the City; 'tis grand, but I pity
The weariful wretches that crawl in its grime;
The dregs and the scum and the spawn of the slum,
And the poor little children that's cradled in crime.
Sure I see them in terms of my pitiful worms,
surviving despite desperation and doom,
And I wish I was God, with a smile and a nod
To set them all down in a valley of bloom,
Saying: "Let these rejoice with a wonderful voice
For mothering earth and for fathering sea,
And healing of sun, for each weariful one
Of these poor human worms is a wee bit of me.
.
.
.
Let your be the blame and yours be the shame:
What ye do unto them ye do also to ME.
"
|
Written by
Stevie Smith |
Mother, among the dustbins and the manure
I feel the measure of my humanity, an allure
As of the presence of God, I am sure
In the dustbins, in the manure, in the cat at play,
Is the presence of God, in a sure way
He moves there.
Mother, what do you say?
I too have felt the presence of God in the broom
I hold, in the cobwebs in the room,
But most of all in the silence of the tomb.
Ah! but that thought that informs the hope of our kind
Is but an empty thing, what lies behind? --
Naught but the vanity of a protesting mind
That would not die.
This is the thought that bounces
Within a conceited head and trounces
Inquiry.
Man is most frivolous when he pronounces.
Well Mother, I shall continue to think as I do,
And I think you would be wise to do so too,
Can you question the folly of man in the creation of God?
Who are you?
|
Written by
Anne Kingsmill Finch |
To the still Covert of a Wood
About the prime of Day,
A Lyon, satiated with Food,
With stately Pace, and sullen Mood,
Now took his lazy way.
To Rest he there himself compos'd,
And in his Mind revolv'd,
How Great a Person it enclos'd,
How free from Danger he repos'd,
Though now in Ease dissolv'd!
Who Guard, nor Centinel did need,
Despising as a Jest
All whom the Forest else did feed,
As Creatures of an abject Breed,
Who durst not him molest.
But in the Air a Sound he heard,
That gave him some dislike;
At which he shook his grisly Beard,
Enough to make the Woods affeard,
And stretch'd his Paw to strike.
When on his lifted Nose there fell
A Creature, slight of Wing,
Who neither fear'd his Grin, nor Yell,
Nor Strength, that in his Jaws did dwell,
But gores him with her Sting.
Transported with th' Affront and Pain,
He terribly exclaims,
Protesting, if it comes again,
Its guilty Blood the Grass shall stain.
And to surprize it aims.
The scoffing Gnat now laugh'd aloud,
And bids him upwards view
The Jupiter within the Cloud,
That humbl'd him, who was so proud,
And this sharp Thunder threw.
That Taunt no Lyon's Heart cou'd bear;
And now much more he raves,
Whilst this new Perseus in the Air
Do's War and Strife again declare,
And all his Terrour braves.
Upon his haughty Neck she rides,
Then on his lashing Tail;
(Which need not now provoke his Sides)
Where she her slender Weapon guides,
And makes all Patience fail.
A Truce at length he must propose,
The Terms to be her Own;
Who likewise Rest and Quiet chose,
Contented now her Life to close,
When she'd such Triumph known.
You mighty Men, who meaner ones despise,
Learn from this Fable to become more Wise;
You see the Lyon may be vext with Flies
|
Written by
Francesco Petrarch |
SONNET LXIX.
Erano i capei d' oro all' aura sparsi.
HE PAINTS THE BEAUTIES OF LAURA, PROTESTING HIS UNALTERABLE LOVE.
Loose to the breeze her golden tresses flow'd
Wildly in thousand mazy ringlets blown,
And from her eyes unconquer'd glances shone,
Those glances now so sparingly bestow'd.
And true or false, meseem'd some signs she show'd
As o'er her cheek soft pity's hue was thrown;
I, whose whole breast with love's soft food was sown,
What wonder if at once my bosom glow'd?
Graceful she moved, with more than mortal mien,
In form an angel: and her accents won
Upon the ear with more than human sound.
A spirit heavenly pure, a living sun,
[Pg 89]Was what I saw; and if no more 'twere seen,
T' unbend the bow will never heal the wound.
Anon.
, Ox.
, 1795.
Her golden tresses on the wind she threw,
Which twisted them in many a beauteous braid;
In her fine eyes the burning glances play'd,
With lovely light, which now they seldom show:
Ah! then it seem'd her face wore pity's hue,
Yet haply fancy my fond sense betray'd;
Nor strange that I, in whose warm heart was laid
Love's fuel, suddenly enkindled grew!
Not like a mortal's did her step appear,
Angelic was her form; her voice, methought,
Pour'd more than human accents on the ear.
A living sun was what my vision caught,
A spirit pure; and though not such still found,
Unbending of the bow ne'er heals the wound.
Nott.
Her golden tresses to the gale were streaming,
That in a thousand knots did them entwine,
And the sweet rays which now so rarely shine
From her enchanting eyes, were brightly beaming,
And—was it fancy?—o'er that dear face gleaming
Methought I saw Compassion's tint divine;
What marvel that this ardent heart of mine
Blazed swiftly forth, impatient of Love's dreaming?
There was nought mortal in her stately tread
But grace angelic, and her speech awoke
Than human voices a far loftier sound,
A spirit of heaven,—a living sun she broke
Upon my sight;—what if these charms be fled?—
The slackening of the bow heals not the wound.
Wrottesley.
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