Written by
Matthew Arnold |
What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.
Is it to feel our strength—
Not our bloom only, but our strength—decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?
Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!
'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!
It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.
It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion—none.
It is—last stage of all—
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.
|
Written by
Charles Baudelaire |
To bear a weight that cannot be borne,
Sisyphus, even you aren't that strong,
Although your heart cannot be torn
Time is short and Art is long.
Far from celebrated sepulchers
Toward a solitary graveyard
My heart, like a drum muffled hard
Beats a funeral march for the ill-starred.
—Many jewels are buried or shrouded
In darkness and oblivion's clouds,
Far from any pick or drill bit,
Many a flower unburdens with regret
Its perfume sweet like a secret;
In profoundly empty solitude to sit.
|
Written by
John Wilmot |
An age in her embraces passed
Would seem a winter's day;
When life and light, with envious haste,
Are torn and snatched away.
But, oh! how slowly minutes roll.
When absent from her eyes
That feed my love, which is my soul,
It languishes and dies.
For then no more a soul but shade
It mournfully does move
And haunts my breast, by absence made
The living tomb of love.
You wiser men despise me not,
Whose love-sick fancy raves
On shades of souls and Heaven knows what;
Short ages live in graves.
Whene'er those wounding eyes, so full
Of sweetness, you did see,
Had you not been profoundly dull,
You had gone mad like me.
Nor censure us, you who perceive
My best beloved and me
Sign and lament, complain and grieve;
You think we disagree.
Alas, 'tis sacred jealousy,
Love raised to an extreme;
The only proof 'twixt her and me,
We love, and do not dream.
Fantastic fancies fondly move
And in frail joys believe,
Taking false pleasure for true love;
But pain can ne'er deceive.
Kind jealous doubts, tormenting fears,
And anxious cares when past,
Prove our heart's treasure fixed and dear,
And make us blessed at last.
|
Written by
James Tate |
I sit on the tracks,
a hundred feet from
earth, fifty from the
water.
Gerald is
inching toward me
as grim, slow, and
determined as a
season, because he
has no trade and wants
none.
It's been nine months
since I last listened
to his fate, but I
know what he will say:
he's the fire hydrant
of the underdog.
When he reaches my
point above the creek,
he sits down without
salutation, and
spits profoundly out
past the edge, and peeks
for meaning in the
ripple it brings.
He
scowls.
He speaks: when you
walk down any street
you see nothing but
coagulations
of **** and vomit,
and I'm sick of it.
I suggest suicide;
he prefers murder,
and spits again for
the sake of all the
great devout losers.
A conductor's horn
concerto breaks the
air, and we, two doomed
pennies on the track,
shove off and somersault
like anesthetized
fleas, ruffling the
ideal locomotive
poised on the water
with our light, dry bodies.
Gerald shouts
terrifically as
he sails downstream like
a young man with a
destination.
I
swim toward shore as
fast as my boots will
allow; as always,
neglecting to drown.
|
Written by
Elizabeth Barrett Browning |
I
'But where do you go?' said the lady, while both sat under the yew,
And her eyes were alive in their depth, as the kraken beneath the sea-blue.
II
'Because I fear you,' he answered;--'because you are far too fair,
And able to strangle my soul in a mesh of your golfd-coloured hair.
'
III
'Oh that,' she said, 'is no reason! Such knots are quickly undone,
And too much beauty, I reckon, is nothing but too much sun.
'
IV
'Yet farewell so,' he answered; --'the sunstroke's fatal at times.
I value your husband, Lord Walter, whose gallop rings still from the limes.
V
'Oh that,' she said, 'is no reason.
You smell a rose through a fence:
If two should smell it what matter? who grumbles, and where's the pretense?
VI
'But I,' he replied, 'have promised another, when love was free,
To love her alone, alone, who alone from afar loves me.
'
VII
'Why, that,' she said, 'is no reason.
Love's always free I am told.
Will you vow to be safe from the headache on Tuesday, and think it will hold?
VIII
'But you,' he replied, 'have a daughter, a young child, who was laid
In your lap to be pure; so I leave you: the angels would make me afraid.
"
IX
'Oh that,' she said, 'is no reason.
The angels keep out of the way;
And Dora, the child, observes nothing, although you should please me and stay.
'
X
At which he rose up in his anger,--'Why now, you no longer are fair!
Why, now, you no longer are fatal, but ugly and hateful, I swear.
'
XI
At which she laughed out in her scorn: 'These men! Oh these men overnice,
Who are shocked if a colour not virtuous is frankly put on by a vice.
'
XII
Her eyes blazed upon him--'And you! You bring us your vices so near
That we smell them! You think in our presence a thought 'twould defame us to hear!
XIII
'What reason had you, and what right,--I appel to your soul from my life,--
To find me so fair as a woman? Why, sir, I am pure, and a wife.
XIV
'Is the day-star too fair up above you? It burns you not.
Dare you imply
I brushed you more close than the star does, when Walter had set me as high?
XV
'If a man finds a woman too fair, he means simply adapted too much
To use unlawful and fatal.
The praise! --shall I thank you for such?
XVI
'Too fair?--not unless you misuse us! and surely if, once in a while,
You attain to it, straightaway you call us no longer too fair, but too vile.
XVII
'A moment,--I pray your attention!--I have a poor word in my head
I must utter, though womanly custom would set it down better unsaid.
XVIII
'You grew, sir, pale to impertinence, once when I showed you a ring.
You kissed my fan when I dropped it.
No matter! I've broken the thing.
XIX
'You did me the honour, perhaps, to be moved at my side now and then
In the senses--a vice, I have heard, which is common to beasts and some men.
XX
'Love's a virtue for heroes!--as white as the snow on high hills,
And immortal as every great soul is that struggles, endures, and fulfils.
XXI
'I love my Walter profoundly,--you, Maude, though you faltered a week,
For the sake of .
.
.
what is it--an eyebrow? or, less still, a mole on the cheek?
XXII
'And since, when all's said, you're too noble to stoop to the frivolous cant
About crimes irresistable, virtues that swindle, betray and supplant.
XXIII
'I determined to prove to yourself that, whate'er you might dream or avow
By illusion, you wanted precisely no more of me than you have now.
XXIV
'There! Look me full in the face!--in the face.
Understand, if you can,
That the eyes of such women as I am are clean as the palm of a man.
XXV
'Drop his hand, you insult him.
Avoid us for fear we should cost you a scar--
You take us for harlots, I tell you, and not for the women we are.
XXVI
'You wronged me: but then I considered .
.
.
there's Walter! And so at the end
I vowed that he should not be mulcted, by me, in the hand of a friend.
XXVII
'Have I hurt you indeed? We are quits then.
Nay, friend of my Walter, be mine!
Come, Dora, my darling, my angel, and help me to ask him to dine.
'
|
Written by
Edward Taylor |
I sit on the tracks,
a hundred feet from
earth, fifty from the
water.
Gerald is
inching toward me
as grim, slow, and
determined as a
season, because he
has no trade and wants
none.
It's been nine months
since I last listened
to his fate, but I
know what he will say:
he's the fire hydrant
of the underdog.
When he reaches my
point above the creek,
he sits down without
salutation, and
spits profoundly out
past the edge, and peeks
for meaning in the
ripple it brings.
He
scowls.
He speaks: when you
walk down any street
you see nothing but
coagulations
of **** and vomit,
and I'm sick of it.
I suggest suicide;
he prefers murder,
and spits again for
the sake of all the
great devout losers.
A conductor's horn
concerto breaks the
air, and we, two doomed
pennies on the track,
shove off and somersault
like anesthetized
fleas, ruffling the
ideal locomotive
poised on the water
with our light, dry bodies.
Gerald shouts
terrifically as
he sails downstream like
a young man with a
destination.
I
swim toward shore as
fast as my boots will
allow; as always,
neglecting to drown.
|
Written by
Charlotte Bronte |
Speak of the North! A lonely moor
Silent and dark and tractless swells,
The waves of some wild streamlet pour
Hurriedly through its ferny dells.
Profoundly still the twilight air,
Lifeless the landscape; so we deem
Till like a phantom gliding near
A stag bends down to drink the stream.
And far away a mountain zone,
A cold, white waste of snow-drifts lies,
And one star, large and soft and lone,
Silently lights the unclouded skies.
|
Written by
Robert William Service |
I'm just a mediocre man
Of no high-brow pretence;
A comfortable life I plan
With care and commonsense.
I do the things most people do,
I echo what they say;
And through my morning paper view
The problems of the day.
No doubt you think I'm colourless,
Profoundly commonplace;
And yet I fancy, more or less,
I represent the race.
My name may stand for everyone,
At least for nine in ten,
For all in all the world is run
By mediocre men.
Of course you'll maybe not agree
That you are average,
And unlike ordinary me
You strut your little stage,
Well, you may even own a Bank,
And mighty mergers plan,
But Brother, doff your tile and thank
The Mediocre Man.
|
Written by
Robert William Service |
I Laugh at Life: its antics make for me a giddy games,
Where only foolish fellows take themselves with solemn aim.
I laugh at pomp and vanity, at riches, rank and pride;
At social inanity, at swager, swank and side.
At poets, pastry-cooks and kings, at folk sublime and small,
Who fuss about a thousand things that matter not at all;
At those who dream of name and fame, at those who scheme for pelf.
.
.
.
But best of all the laughing game - is laughing at myself.
Some poet chap had labelled man the noblest work of God:
I see myself a charlatan, a humbug and a fraud.
Yea, 'spite of show and shallow wit, an sentimental drool,
I know myself a hypocrite, a coward and a fool.
And though I kick myself with glee profoundly on the pants,
I'm little worse, it seems to me, than other human ants.
For if you probe your private mind, impervious to shame,
Oh, Gentle Reader, you may find you're much about the same.
Then let us mock with ancient mirth this comic, cosmic plan;
The stars are laughing at the earth; God's greatest joke is man.
For laughter is a buckler bright, and scorn a shining spear;
So let us laugh with all our might at folly, fraud and fear.
Yet on our sorry selves be spent our most sardonic glee.
Oh don't pay life a compliment to take is seriously.
For he who can himself despise, be surgeon to the bone,
May win to worth in others' eyes, to wisdom in his own.
|
Written by
Conrad Aiken |
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this .
.
.
' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house.
She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway .
.
The tap is closed, the water ceases to hiss .
.
.
Silence .
.
.
blue sky .
.
.
and then, 'I brought you this .
.
.
'
She turns again, and smiles .
.
.
He does not know
She smiles from long ago .
.
.
She turns to him and smiles .
.
.
Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him .
.
.
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells .
.
.
'One white rose .
.
.
or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close .
.
.
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness .
.
.
and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence .
.
.
and soft steps grew remote .
.
'Well, let us walk in the park .
.
.
The sun is warm,
We'll sit on a bench and talk .
.
.
' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
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